the cure tour deutschland

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18. 10. 2022

The cure live at the mercedes-benz arena berlin.

As part of their "Euro Tour 2022", British legends The Cure will come to the Uber Arena on 18th of October 2022.

Tickets are available now.

Their impressive headlining shows in the 2019 festival summer made it clear that The Cure still have exceptional stage presence, even more than 40 years after their formation in 1978. With an immense song selection from 13 studio albums, including groundbreaking pieces like "Disintegration" and "Bloodflowers", as well as over 40 worldwide single hits like "A Forest", "Boys Don't Cry" or "Friday I'm In Love", the band led by frontman Robert Smith has always been a master at turning every concert into a unique experience.

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Live Review: Cure, The - Munich 2022

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• Olympiahalle Munich
• The Twilight Sad

See also (all categories):

• Live Review: Cure, The - Cologne 2022 - 23/11/2022 14:16
• Live Review: Hurricane Festival - Scheeßel 2019 (Day 3) - 10/07/2019 09:30
• CD Review: Cure, The - Mixed Up / Torn Down - 19/06/2018 15:17
• CD Review: Waiting For Words - Lovesongs (12 covers from The Cure) - 28/06/2017 13:40
• Live Review: Cure, The - Cologne 2016 - 21/11/2016 13:17
• Live Review: Editors - Cologne 2015 - 05/11/2015 17:09
• Cure, The - Disintegration (Deluxe Edition) - 20/05/2010 20:08

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The Cure  

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The Cure are a band formed in 1976 hailing from Crawley, West Sussex, in the United Kingdom. Fronted by lead singer and songwriter Robert Smith, they came from the post-punk scene of the early 80’s to become one of the biggest and most influential bands in modern rock.

When a band gets to be as truly worshipped as The Cure, it can be an interesting and slightly bizarre thing to look at their early days. A little bit like seeing your favourite actor wondering whether they’re going to go with white or brown bread in a local Tesco. Or an important politician spotted zoning out on public transport, it brings them back down to earth and reminds you that they’re not all-conquering, all-powerful cosmically divine extra-dimension visitors who know the secrets of the universe, but a guy from the Sussex suburbs who formed a band to play at a school concert.

They probably looked ridiculous at their first shows, and not in the awesome way. They probably wrote some godawful songs. Some punters probably watched an early incarnation of The Cure and thought, for good reason, that they were a bunch of no-hopers. Every band has those days and if they haven’t one should be very, very suspicious of them. What makes The Cure so special is that they absolutely had those days, but knowing about them doesn’t take the sheen off them at all. They’re still a vitally important band, influential to thousands of bands the world over and that’s enough to make them legends, before the image and before the imitators.

And it all began with a school concert. In April 1973, five students from Notre Dame Middle School in Crawley formed Obelisk, the first tentative musical project of one Mr Robert Smith, who was the bands pianist. Future Cure cohorts Mick Dempsey and Lol Tolhurst backed him up on guitar and percussion, respectively, but it wasn’t until 1976 that the trio began to take making music more seriously. The band was reshuffled to feature Smith on the guitar, Dempsey on bass and Tolhurst left the now renamed Malice, but it was only to last a year until their lead guitarist left as well.

The remaining members got Tolhurst back as their drummer and renamed themselves again.This time, they would be called Easy Cure. By September 1977, Smith took over lead vocals after several unsuccessful auditions and by the start of 1978, they had dropped the Easy from their name and had recorded their first demo tape. This tape found its way to Polydor Records scout Chris Parry, who was so taken with the band that he signed them to his own label Fiction in September of that very year. In a move that nobody would get away with now, their track “Killing An Arab” was released soon after as their very first single.

It was a move that gained as much acclaim as controversy, to the extent that a re-release of the single had to be packaged with a sticker on the cover denying its supposedly racist connotations. Thankfully, the bands energetic post-punk got more attention, and their hype was considerably heightened with a session on John Peel’s legendary Radio One show. By the following year, their debut album “Three Imaginary Boys”, was released, and as part of its promotion, the band embarked on their first major support tour opening for Siouxsie And The Banshees.

This was to be a major step forward for the band, as Smith was coaxed into playing guitar for The Banshees after their original axe-man left shortly before the tour. The experience of being a Banshee profoundly changed Smith’s attitude towards the music that his band played, and when before he was most influenced by The Buzzcocks and Elvis Costello, afterwards he wanted to match the power that he felt while playing Siouxsie’s music. The result was 1980’s “Seventeen Seconds” and arguably, that was when they became The Cure that we know today.

Since then, they’ve been most known for essentially creating Goth music with the aforementioned record, its follow up “Faith”, and 1982’s bleak masterpiece “Pornography”. However, after those records they released some of the most romantic, beautiful and downright succesful pop of the 1980’s and early 90’s, with albums like “Kiss Me, Kiss Me, Kiss Me”, “Wish” and “The Top” showing just what Smith could do with a lovelorn lyric and a truly gorgeous melody. It’s their mastery of these two extremes that really show why The Cure are as loved as they are. They exemplify the human condition, and reflect when one is ecstatic and when one is at their lowest with equal skill and sensitivity.

There’s no-one else like them, and it’ll be a while before we see their likes again. See this band as soon as possible.

Live reviews

Reviewing a show of one of your favorite Bands who have the distinction of being in your Top 5 (if not #1) live experiences of all time can be a bit daunting.

It can go a number of ways.

1. Another Great show as hoped.

2. Sub par and a let down.

3. The Band just "mails it in" (which is the worst).

The Cure, who have been around since 1976 (Easy Cure) and haven't toured the States anyway with a new album since 2008 are currently embarking on a substantial North American tour and with no new album I was really only expecting a "Greatest Hits" type show honestly? And given their Longevity and slew of "Hits" from the heyday of MTV I guess I couldn't blame them and I would have been satisfied more than likely?

Ah, but that was not the case in Boston (6-16-16) at Agganis Arena!

The Cure came out full throttle with a high energy level for what would turn out to be a marathon show of 3 hours which included.

Not 1. Not 2. Not even 3. But 4. Yes. 4 Encore Sets!!!

Were the standards there? Of course how can they not be.

"Inbetween Days", "Just Like Heaven", "Lovesong" "Let's Go To Bed", "Boys Don't Cry" etc etc etc

And all played with a kicked up, but not hurried, sense of urgency and excitement!

Mixed in though were surprising live Gems like:

"Burn" (1st The Crow soundtrack), "M", "Kyoto Song" and the surprising "Snakepit"!!

"Fascination Street" which has one the most perfect Bass lines ever IMO was a whirlwind of insanity as Simon Gallup just pushed the Band forward.

And the songs just kept coming one after the other while the crowd basked in Robert Smith's wonderfully childlike sense of wonder and emotion in his lyrics and vocals and understated guitar work.

Most Cure fans (me included) knew every single song played which is typical of The Cure fanbase.

But when they launched into the new "It Can Never Be the Same" with it's rumbling Bass line and heart felt lyrics to Robert Smith's Mother(?) I was amazed at how well it slid into this already fantastic set and really really really hope it gets a proper release soon, if it hasn't already and I have somehow missed it?

Robert Smith is an enigma of a front man. He demands your attention but. I don't believe, has never come to grips with his fans adulations and is still obviously shy individual. And I really don't think it's an act?

Simon Gallup is without doubt the energy of this Band still! He stalks the stage and never stops moving. All the while laying down a very unique Bass foundation that compliments Roberts Jangly sparse guitar style perfectly.

Simon does not get the recognition he deserves as a force on the Bass (along with John Taylor of Duran Duran) and if you play Bass you really should take a close listen to his work with The Cure.

Jason Cooper I think has finally come out from the shadow that was Boris Williams and seems comfortable in pushing his style now more in the drumming Dept. which I believe is another reason for the energy level of the Band live.

Roger O'Donnell is sublime on the keyboards and brings that soaring majestic sound needed for anything done from DISINTEGRATION while jumping right over to the nursery rhyme key tinkling of The Cure's early 80's Synth Pop era easily.

Reeves Gabrels who is the current 2nd guitarist in the ever rotating slot is a masterful musician in his own right (David Bowie folks) and honestly I was surprised at how long He has stayed with the Band? But He steps out very tastefully when required and ads his unique flair to the sound. I will admit to missing Porl Thompson who I just think was/ is the elusive component to the Band. But if you have to have Mr. Gabrels who am I to complain?.

Honestly this review could have been round up with one word: "EPIC"

But that, would be "mailing it in".

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I first saw the Cure in 1982 in this very same venue, the effectionatelg named by U.S. Muso's as the Hammy Odeon.

Tonight some 30 years later I'm back. I feel at home especially as I'm stranding and I'm where I should be.... Down the Front

Our evening starts with And Also The Trees a reformed eighties outfit who previously supported the Cure on their 1984 tour.

The thing about Robert smith is that he is a prolific song writer and the bands back catalogue is immense which results in us experiencing a three hour plus spectacular.

And what a treat. Hits rained down and more randomly than normal. Tracks from The Top album seemed dominate. Just like Heaven, Charlotte sometimes, Hundred Years, The End and of course the gems Primary, play for today and the classic A Forest.

Of course I'd liked more from Seventeen Seconds and Faith but that would have been greedy. There were plenty of folk here tonight who weren't born when these albums were released

With so much to play we were presented with four encores and finally at 11.15 it all ended with Boys Don't Cry.

It meant so much for me to have returned to this awesome venue to see my favourite band.... The place and the band that started me on my gig going journey

Cheers Robert.... Fantastic

The Cure are a special band and should be heard in a special environment, that is why I saw them at Red Rocks in Colorado. It was a cool night and the sun was sitting low in the sky. That famous colorful Colorado sky fell down across the stage.

The fans were are pretty relaxed and were mostly 25 plus in age. Everyone seemed to be poised for a night of great music. You could hear conversations coming from every direction, everyone hoping their favorite songs will be played.

Just as it was getting dark the band took the stage. Everyone stood and applauded Robert Smith as he paced across the stage and made his way to the microphone stand. As the band members struck a few random chords then the band jumped into “Just Like Heaven”. The frenzy only grew as the bad started without pause to play “Friday I’m In Love”. Everyone was having so much fun. The music sounded better then I have ever heard it before.

Robert Smith played an amazing set list of all the hits over the years. The band played all the old songs like “Boys Don’t Cry” and “Pictures of you” with a fresh take and with a new energy. This band has been around a while and still worth seeing live!

The Cure are legends and any band that will give you a 2 1/2 hour show deserves your respect. That being said this "greatest hits" + a few back-catalogue approach is what you'd expect from the Rolling Stones not from what is still an underground act. That in and by itself wouldn't even be that bad but aside from a few songs 39, A Night Like This, 100 Years sounded bland, uninspired and as though they were just going through the motions... Great light show, technical perfection but no soul! I've seen them twice in the 90's and came out of those shows thrilled, energized and inspired. Those were magical shows where the band managed to transform reality and all (the band included, to judge by their faces) came out of it exhausted and amazed, carried off as by some shamanistic ritual to dark and dangerous lands where we learned to overcome our fears and face the world around us with new hope. This wasn't one of those shows. This was Robert Smith giving his audience 30 of his best songs and not once making a spiritual connection with either the music or the crowd...

Obviously being way too young to remember The Cure the first time around (sort of, ish, ahem, etc), this was the first time seeing this bunch of post-punk proto-goths and inevitably they didn't disappoint.

Despite most of the band heading pretty swiftly towards free-bus-pass age, the gig show kicked along at a pace, with young Mr. Smith barely pausing for breath as they band kicked on through a back catalogue spanning 30+ years.

Having spent the past few weeks attempting to brush up on my Cure knowledge (via Spotify) I can gladly add this band to an ever-growing list of "if you thought the studio version was good...", as tracks like Lullaby, Lovecats and Friday all sounded immense performed live.

Main issue of the night was technical; the lack of big screens at Wembley Arena means if you're right at the back, the band are mere specks on the stage up front. The lighting design was beautifully done though, and went some way to compensate for the lack of being able to see Robert Smith gurning earnestly into the microphone.

Two review, first for The Cure. It was a wonderful show! They were willing to perform hits along with other unknown songs and sounded great at doing it. They had a half and half crowd, some diehard fans and some who thought they were bigger fans than they actually were. With it being May in Pac NW the temperature dropped quickly freezing alot of people enough to say they had seen enough. This wasnt The band's fault for lack of inspired fans. They were everything I expected from a goth rock band from the late 70s and 80s. About the venue: I love the venue as well! We have been living in Portland for 5 years but have never made a point to catch a show in the Washington Amphitheater. Wow! We felt like we were home in the south. Nice concert under the stars and the price was a great as well, considering the crappy prices shows in Portland go for. We will be going back to Sunlight Supply in August.

Buon concerto del gruppo, rovinato dalla pessima acustica del Mediolanum Forum.

L'esecuzione è stata quasi impeccabile, l'interazione col pubblico buona (Robert Smith ha persino azzardato un "Grazie mille", unica ed acclamatissima frase che il pubblico ha capito), alcune canzoni elegantemente riarrangiate.

La qualità sonora, inizialmente pessima (purtroppo tale è rimasta per tutta l'esibizione dei Twilight Sad che aprivano il concerto), è migliorata durante l'esibizione grazie al lavoro ingrato dei fonici e al fatto che gradualmente le chitarre elettriche distorte sono state sostituite con le acustiche o con suoni più docili.

Penso che sia l'ultimo concerto che andrò a vedere al Mediolanum Forum, che è vergognosamente inadatto ad ospitare concerti rock dal punto di vista acustico (peccato, perché dal punto di vista logistico non è male). Ridateci l'arena!

What a concert!

We managed to get front row side view, only a few meters from the stage.

I'd seen them in 1985 in Madrid, 2008 in Melbourne and now in Milan. Awesome songs, still as good as always. A massive repertoire to choose from, but they performed most of their hits, plus a new one, It Can Never Be The Same. Robert as grand as always, he really enjoyed the show.

Simon at his best, he inspired me when I was 17 to play bass guitar, his usual moving around the stage with his bass at knee level!

I missed Porl, though, he has always been the colourful note at the right end of the stage!

Roger as sculptural as always in front of the keyboards and Jason performing at his best.

A magnificent show, what can I say.

I hope to see them again in a couple of years!

The Cure - Barcelona, Palau Sant Jordi. November 26th 2016

My 5th Cure concert, and probably the best I've seen. No doubt it was far better than the last one, also in Barcelona in 2008 (without Roger O'Donnell on keys)

The band is great with Reeves Gabrels and Roger. Jason Cooper sounds better than ever on drums and Simon's bass is terrific.

Missed some gems such as Plainsong, Jupiter Crash, Want, Letter to Elise, but setlist was OK, 32 songs, focusing on The Head on the Door (1985) + Disintegration (89) + Kiss Me (87).

1 great unreleased song: It Can Never Be The Same on 1st encore.

Robert's voice was fine, powerful and clean. Athmosphere was good, proactive and the pop songs encouraged fans to sing along.

Looking fw to a new tour and maybe new album?

3 (three) hours of pure pleasure. 31 songs.

They sang as if they were recording the original albuns. Perfect!

Great quality and performance.

Great respect for the fans, as I never saw.

Best was not possible, im glad I went to this concert. Thank you CURE!

In Between Days

Pictures of You

The Hungry Ghost

A Night Like This

Shake Dog Shake

The Caterpillar

From the Edge of the Deep Green Sea

One Hundred Years

Step Into the Light

Play for Today

Fascination Street

Friday I'm in Love

Just Like Heaven

Boys Don't Cry

Hot Hot Hot!!!

Let's Go to Bed

Close to Me

Why Can't I Be You?

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• October 17, 2022 Setlist

The Cure Setlist at QUARTERBACK Immobilien ARENA, Leipzig, Germany

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Tour: Shows of a Lost World Tour statistics Add setlist

• Alone Play Video
• Pictures of You Play Video
• Kyoto Song Play Video
• A Night Like This Play Video
• Lovesong Play Video
• And Nothing Is Forever Play Video
• Cold Play Video
• Burn Play Video
• Fascination Street Play Video
• The Hungry Ghost Play Video
• Push Play Video
• Want Play Video
• Shake Dog Shake Play Video
• 39 Play Video
• From the Edge of the Deep Green Sea Play Video
• Endsong Play Video
• The Figurehead Play Video
• The Drowning Man Play Video
• Charlotte Sometimes Play Video
• A Forest Play Video
• Lullaby Play Video
• The Walk Play Video
• Friday I'm in Love Play Video
• Close to Me Play Video
• In Between Days Play Video
• Just Like Heaven Play Video
• Boys Don't Cry Play Video

Edits and Comments

30 activities (last edit by haloeighteen , 11 Dec 2023, 13:32 Etc/UTC )

Songs on Albums

• A Night Like This
• Close to Me
• In Between Days
• Fascination Street
• Pictures of You
• And Nothing Is Forever
• The Figurehead
• Friday I'm in Love
• From the Edge of the Deep Green Sea
• The Hungry Ghost
• Boys Don't Cry
• The Drowning Man
• Just Like Heaven
• Charlotte Sometimes
• Shake Dog Shake

Complete Album stats

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Quarterback immobilien arena.

• The Twilight Sad Start time: 7:30 PM 7:30 PM
• The Cure This Setlist Start time: 8:45 PM 8:45 PM

The Cure Gig Timeline

• Oct 14 2022 Royal Arena Copenhagen, Denmark Start time: 9:15 PM 9:15 PM
• Oct 16 2022 Barclays Arena Hamburg, Germany Start time: 8:45 PM 8:45 PM
• Oct 17 2022 QUARTERBACK Immobilien ARENA This Setlist Leipzig, Germany Start time: 8:45 PM 8:45 PM
• Oct 18 2022 Mercedes-Benz Arena Berlin, Germany Start time: 8:45 PM 8:45 PM
• Oct 20 2022 TAURON Arena Kraków Kraków, Poland Start time: 8:45 PM 8:45 PM

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Von Malice zu Easy Cure zu The Cure: Die Namensfindung war schwierig, der Erfolg und Einfluss der britischen Pop- und Wave-Band um Robert Smith war und ist dafür aber umso gewaltiger.

Hier findest du alle Informationen zu The Cure. Aktuell scheinen keine Termine im Vorverkauf zu sein. Tipp: Melde dich jetzt für den The Cure Ticketalarm an und du wirst automatisch informiert, sobald es Neuigkeiten gibt.

Biografie - The Cure

The cure fan-report: bewertungen und rezensionen, 381 bewertungen (ø 4,59), robert 4 ever .

Robert und die Band zu sehen ist immer ein absolutes Highlight, war innerhalb 37-jähriger Bandliebe schon auf einigen ihrer Konzerte - die Band ist einfach magisch… ❤️. Coole Playlist in Köln, auch mal weniger bekannte und ältere, düstere Songs. Vieles von der Desintegration, I Love it !! Security hat ein wenig genervt, niemand bringt mich dazu, auf meinem Sitz sitzen zu bleiben! unvorstellbar! Ist doch Tanzen angesagt ! Wie sind die denn drauf ??? Ich hatte vorab Bedenken, ein ergrauter, gealterter, bisschen fetter 63-jähriger Robert, der evtl. nur noch peinlich ist, sollte ich mir vllt. lieber nicht antun (dachte ich auch bei Dave Gahan und habe mich zum Glück getäuscht) aber Robert und die Band waren wie immer EPISCH, wunderbar, gar nicht fett und gar nicht alt :-) und haben den Laden gerockt 😎 Der Sound hätte etwas satter sein können und die Bühnenschow war teils so wie in 2016, aber Robert zieht in Köln trotzdem alle mit seiner unverkennbaren Stimme in seinen Bann, die einen sofort und die anderen später bei den Songs wie in between days oder Friday i’m in Love. frage mich nur, warum während eines Konzerts die Leute ständig rumrennen müssen und anderen damit die Sicht verdecken und sich durchquetschen, erst was zu trinken, dann wc, dann wieder trinken, war ne echte Völkerwanderung da! Alle eine Schwache Blase oder wie? Kann man doch vorher machen. Mich hätte niemand von meinem Platz wegbe- kommen, solange die Band spielt…. Ich hoffe, in nicht all zu weiter Zukunft, wenn die alten Herren sich erholt haben, kommen sie wieder nach Köln, ich bin dabei ❤️ Tickets für The cure : KLARE KAUFEMPFEHLUNG !

Einfach großartig!

Ich bin seit über 35 Jahren Fan von THE CURE. Das Konzert in Hamburg war einfach genial. Robert Smith seine Stimme ist der Hammer und hat sich über die Jahre nicht groß verändert! Die live Performance war super und ich bin THE CURE dankbar für ihre Musik und das sie mich mit ihrer Musik über 35 Jahre durch mein Leben begleiten!!!

Wir haben The Cure auf dieser Tour an 4 Abenden live erleben dürfen und waren wie immer einfach nur begeistert. Welche anderen Künstler liefern heute noch so eine perfekte, abwechslungsreiche und lange Show ab? Fast 3 Stunden Spielzeit und jedes Mal eine andere Setlist, Hut ab! Auch die Vorband The Twilight Sad ist mega! Danke und hoffentlich bis bald!

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The Cure concerts in 2023 44 concerts

THE CURE announce 2023 North American tour

The Cure have finally announced a long-awaited North American leg of their A Lost World tour — which includes three nights at L.A.'s Hollywood Bowl and three nights at NYC's Madison Square Garden. Support on all dates comes from their longtime tourmates the Twilight Sad. Check out the full itinerary below.

Additionally, the headliners announced: "The Cure have agreed all ticket prices, and apart from a few Hollywood Bowl charity seats, there will be no 'platinum' or 'dynamically priced' tickets on this tour."

Tickets go on sale via Ticketmaster Verified Fan on March 15th at 10 a.m. local time.

The Cure 2023 North American tour dates: 05-10 New Orleans, LA - Smoothie King Center 05-12 Houston, TX - Toyota Center 05-13 Dallas, TX - Dos Equis Pavilion 05-14 Austin, TX - Moody Center 05-16 Albuquerque, NM - Isleta Amphitheater 05-18 Phoenix, AZ - Desert Diamond Arena 05-20 San Diego, CA - NICU Amphitheatre 05-23 Los Angeles, CA - Hollywood Bowl 05-24 Los Angeles, CA - Hollywood Bowl 05-25 Los Angeles, CA - Hollywood Bowl 05-27 San Francisco, CA - Shoreline Amphitheatre 06-01 Seattle, WA - Climate Pledge Arena 06-02 Vancouver, British Columbia - Rogers Arena 06-04 Salt Lake City, UT - Vivint Smart Home Arena 06-06 Greenwood Village, CO - Fiddler's Green Amphitheatre 06-08 Saint Paul, MN - Xcel Energy Center 06-10 Chicago, IL - United Center 06-11 Cleveland, OH - Blossom Music Center 06-13 Detroit, MI - Pine Knob Music Theatre 06-14 Toronto, Ontario - Budweiser Stage 06-16 Montreal, Quebec - Bell Centre 06-18 Boston, MA - Xfinity Center 06-20 New York, NY - Madison Square Garden 06-21 New York, NY - Madison Square Garden 06-22 New York, NY - Madison Square Garden 06-24 Philadelphia, PA - Wells Fargo Center 06-25 Columbia, MD - Merriweather Post Pavilion 06-27 Atlanta, GA - State Farm Arena 06-29 Tampa, FL - Amalie Arena 07-01 Miami, FL - Miami-Dade Arena

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2023 NORTH AMERICAN TOUR – REGISTER NOW FOR TICKETS 

*****UPDATE**** EXTRA SHOWS HAVE BEEN ADDED TO THE ’SHOWS OF A LOST WORLD’ NORTH AMERICAN TOUR. FIND OUT MORE DETAILS BY CLICKING HERE & HERE ******

FOLLOWING ON FROM OUR 2022 EUROPEAN CONCERTS, WE ARE EXCITED TO ANNOUNCE THE SONGS OF A LOST WORLD TOUR WILL BE HEADING TO NORTH AMERICA IN MAY, JUNE AND JULY, WITH THE TWILIGHT SAD OPENING AT ALL SHOWS

THE 30 DATE RUN WILL ONCE AGAIN INCLUDE 3 NIGHTS AT THE HOLLYWOOD BOWL AND MADISON SQUARE GARDEN

TICKETS WILL BE AVAILABLE VIA ‘TICKETMASTER VERIFIED FAN SALE’ ON WEDNESDAY MARCH 15TH, AND WILL REQUIRE REGISTRATION TO ACCESS – YOU CAN REGISTER FOR UP TO A MAXIMUM OF 5 DIFFERENT SHOWS – REGISTRATION CLOSES MONDAY MARCH 13TH AT 10AM PT

THE CURE HAVE AGREED ALL TICKET PRICES, AND APART FROM A FEW HOLLYWOOD BOWL CHARITY SEATS, THERE WILL BE NO ‘PLATINUM’ OR ‘DYNAMICALLY PRICED’ TICKETS ON THIS TOUR

SEE YOU THERE! XXXXXX

THE FULL LIST OF DATES ARE:

MAY ’23

10  NEW ORLEANS, LA  SMOOTHIE KING CENTER 12  HOUSTON, TX  TOYOTA CENTER 13  DALLAS, TX  DOS EQUIS PAVILION 14  AUSTIN, TX  MOODY CENTER 16  ALBUQUERQUE, NM  ISLETA AMPHITHEATER 18  PHOENIX, AZ  DESERT DIAMOND ARENA 20  SAN DIEGO, CA  NICU AMPHITHEATRE 21 SAN DIEGO, CA NICU AMPHITHEATRE (EXTRA DATE) 23  LOS ANGELES, CA  HOLLYWOOD BOWL 24  LOS ANGELES, CA  HOLLYWOOD BOWL 25  LOS ANGELES, CA  HOLLYWOOD BOWL 27  SAN FRANCISCO, CA  SHORELINE AMPHITHEATRE 29  SAN FRANCISCO, CA  SHORELINE AMPHITHEATRE (EXTRA DATE) 31 PORTLAND, OR MODA CENTER (EXTRA DATE)

JUNE ’23

01  SEATTLE, WA  CLIMATE PLEDGE ARENA 02  VANCOUVER, BC  ROGERS ARENA 04  SALT LAKE CITY, UT  VIVINT SMART HOME ARENA 06  DENVER, CO  FIDDLER’S GREEN AMPHITHEATRE 08  MINNEAPOLIS ST. PAUL, MN  XCEL ENERGY CENTER 10  CHICAGO, IL  UNITED CENTER 11  CLEVELAND, OH  BLOSSOM MUSIC CENTER 13  DETROIT, MI  PINE KNOB MUSIC THEATRE 14  TORONTO, ON  BUDWEISER STAGE 16  MONTREAL, QC  QC BELL CENTRE 17 MONTREAL, QC BELL CENTRE (EXTRA DATE) 18  BOSTON, MA  XFINITY CENTER 20  NEW YORK, NY  MADISON SQUARE GARDEN 21  NEW YORK, NY  MADISON SQUARE GARDEN 22  NEW YORK, NY  MADISON SQUARE GARDEN 24  PHILADELPHIA, PA  WELLS FARGO CENTER 25  COLUMBIA, MD  MERRIWEATHER POST PAVILION 27  ATLANTA, GA  STATE FARM ARENA 28 ATLANTA, GA STATE FARM ARENA (EXTRA DATE) 29  TAMPA, FL  AMALIE ARENA

JULY ’23

01  MIAMI, FL  KASEYA CENTER

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Following on from their 2022 European concerts, The Cure have announced the “Shows of a Lost World Tour” will be heading to North America in May, June and July with The Twilight Sad opening at all shows. The 30-date run will include a stop in Saint Paul at Xcel Energy Center on June 8.

For enhanced safety and speed of entry, we encourage guests not to bring bags of any kind. Bags, purses and backpacks are not allowed. Clutch, wristlet and wallets sized 4" x 6" x 1.5" or smaller are allowed and subject to inspection. Medical bags and diaper bags are allowed, however, they are required to pass through x-ray screening prior to entry. Guests with medical and diaper bags must enter the arena at Gate 1. Please allow extra time for entry.

The Reserve , our upscale lounge on the Bremer Bank Suite Level, boasts an eclectic, chef-driven menu and an array of cocktail options. This lounge is open to all guests with suite level tickets or reservations.  Make a reservation .

The  Michelob Golden Light Taphouse  is   located at section 120 (gate 4) and opens at 6:30 p.m. The sports-themed restaurant features signature specialty wings, sandwiches and sharables, plus a full service bar.

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Pro tip for faster mobile entry: Add your tickets to your phone's "wallet" and have a fully charged battery. This bypasses the need for Wi-Fi or cellular data at the gates.

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The Cure Announce 2023 North American Tour

By Evan Minsker and Jazz Monroe

The Cure have announced a 2023 tour of North America. Find their Shows of a Lost World dates below. The schedule comes with three dates apiece at Los Angeles’ Hollywood Bowl and New York’s Madison Square Garden. Support on all dates comes from their longtime tourmates the Twilight Sad .

In recent years, Robert Smith has been teasing a Cure album, giving regular progress reports. In 2019, after being inducted into the Rock & Roll Hall of Fame ( by Trent Reznor ), Smith said , “If I’m optimistic it will be finished before the start of this summer.” The album still hasn’t materialized.

The band’s last studio album was 2008’s 4:13 Dream . In recent years, Smith has collaborated with Gorillaz and remixed Chvrches , Deftones , and, just this week, Noel Gallagher’s High Flying Birds . Last year, the band reissued 1992’s Wish . See where the Cure landed on Pitchfork’s list of “ The 250 Best Songs of the 1990s .”

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

05-10 New Orleans, LA - Smoothie King Center 05-12 Houston, TX - Toyota Center 05-13 Dallas, TX - Dos Equis Pavilion 05-14 Austin, TX - Moody Center 05-16 Albuquerque, NM - Isleta Amphitheater 05-18 Phoenix, AZ - Desert Diamond Arena 05-20 San Diego, CA - NICU Amphitheatre 05-23 Los Angeles, CA - Hollywood Bowl 05-24 Los Angeles, CA - Hollywood Bowl 05-25 Los Angeles, CA - Hollywood Bowl 05-27 San Francisco, CA - Shoreline Amphitheatre 06-01 Seattle, WA - Climate Pledge Arena 06-02 Vancouver, British Columbia - Rogers Arena 06-04 Salt Lake City, UT - Vivint Smart Home Arena 06-06 Greenwood Village, CO - Fiddler’s Green Amphitheatre 06-08 Saint Paul, MN - Xcel Energy Center 06-10 Chicago, IL - United Center 06-11 Cleveland, OH - Blossom Music Center 06-13 Detroit, MI - Pine Knob Music Theatre 06-14 Toronto, Ontario - Budweiser Stage 06-16 Montreal, Quebec - Bell Centre 06-18 Boston, MA - Xfinity Center 06-20 New York, NY - Madison Square Garden 06-21 New York, NY - Madison Square Garden 06-22 New York, NY - Madison Square Garden 06-24 Philadelphia, PA - Wells Fargo Center 06-25 Columbia, MD - Merriweather Post Pavilion 06-27 Atlanta, GA - State Farm Arena 06-29 Tampa, FL - Amalie Arena 07-01 Miami, FL - Miami-Dade Arena

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Madonna in Rio: Behind the Scenes of the Negotiation for One of the Biggest Shows in History

The pop icon will finish her Celebration Tour with a free concert at Copacabana Beach on May 4. This is how it came to be.

By Billboard Brasil

Billboard Brasil

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Imagine the scene: One of the greatest pop artists in history is in the middle of the Palais Garnier, the imposing house of the Paris Opera. Then, with her blue eyes fixed on the camera, she says an entirely off-script phrase: “ Brazil , I’m coming.”

How to Watch Madonna’s ‘Celebration in Rio’ Concert Online for Free

But back then, in November 2023, there was nothing certain, not even close, for Madonna to take her Celebration Tour to Brazil . On the contrary, it was rumored that this would be an almost impossible mission due to technical reasons.

Trending on Billboard

 It was up to the bank to pull strings to make it happen. But they were running out of time.

“The day after the shoot, we watched her show in Paris and realized that the structure would be complicated to adapt to a large crowd like the one we wanted. Because of this, Guy Oseary [the singer’s manager] poured cold water on us,” Smith says.

The following week, legendary businessman Luiz Oscar Niemeyer from Bonus Track, a “key player” in the process, appeared on the scene. Niemeyer is a pioneer in the international concert market in Brazil, responsible for Paul McCartney’s record attendance at Maracanã in 1993 (and for all of McCartney’s subsequent visits to Brazil) and the performance by The Rolling Stones on Copacabana Beach, among many other historic events.

So there were two players: the biggest bank in Latin America that already had a close relationship with Madonna, and an experienced producer used to dealing with the biggest names in showbiz. But destiny sometimes plays tricks.

“I had already tried to bring Madonna in 2006, without success, and I had already been talking to Live Nation, responsible for the Celebration Tour, but Madonna had that health problem last year, and the tour was postponed,” explains Niemeyer, or “LON” for those closest to him.

In mid-February (just over two months before the show date), negotiations intensified with Niemeyer back on track. “We became very close [to Niemeyer] and exchanged lots of info, like a task force to make this show possible, because Itaú had a contract with Madonna and Bonus Track, with Live Nation,” says Smith. “It was Saturday, Sunday, sometimes 3 am, and Luiz Oscar and I were in meetings with teams from outside Brazil.”

And the teams for everything related to Madonna, of course, are quite rigorous. “We have to deliver a show complying with the level of production that it presents around the world, naturally adapted for a much larger space. Only when we had the resizing of this structure, sponsorships, television broadcasting and technical issues approved was the deal finally closed,” explains Niemeyer, stressing that leaks about the show that took over the Internet in the weeks before the official announcement did not interfere in the negotiations.

According to him, from the beginning, the idea was that the show at Princesinha do Mar would close the Celebration Tour as “a great gift for Brazilian fans.” “It was a great choice – a Saturday, we have a holiday in the middle of the week, and more people can visit the city,” says Niemeyer.

–This article was written by Liv Brandão for Billboard Brasil

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Madonna’s final celebration tour concert takes over copabacana beach in rio — here’s how to watch in the u.s..

The massive show will only be broadcast locally in Brazil on Saturday, May 4, but there are a few ways for those in the U.S. to stream it online.

By Danielle Directo-Meston

Danielle Directo-Meston

E-Commerce Writer

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Madonna is showing her appreciation for fans with a free concert on Saturday, May 4, at the Copacabana Beach in Rio de Janeiro — the final stop of her Celebration Tour.

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At a Glance: How to Watch Madonna’s Celebration Tour in Rio Online

• When Saturday, May 4 at 5:45 p.m. PT/8:45 p.m. ET (9:45 p.m. local Brazil time)
• Channel TV Globo (Brazil)
• Stream online DirecTV , Sling (add-on required)
• More ways to watch online Globoplay (available at Appstore for Android on Amazon , Apple App Store )

Madonna’s free Celebration concert in Rio will only be broadcast locally in Brazil, including on the Brazilian streaming video-on-demand service Globoplay. Fans outside Brazil can livestream the big event online on a cable streaming service that carries TV Globo or through a Virtual Private Network (VPN).

Below, keep reading for more details on how to watch Madonna’s Celebration show in Rio online in the U.S., including for free.

How to Watch Madonna’s Celebration Concert in Rio: Date, Time, Channel

Madonna’s final Celebration Tour stop will take place at Copacabana Beach in Rio de Janeiro on Saturday, May 4. It will air on the Brazilian channel TV Globo at 9:45 p.m. local time in Rio.

Stream Madonna’s Celebration Show in Rio: How to Watch in the U.S.

If you want to watch Madonna’s Rio concert outside of Brazil, you can tune into TV Globo at 5:45 p.m. PT/8:45 p.m. ET in the U.S. You can stream TV Globo on any live TV streaming service that carries the Brazilian channel, including DirecTV and Sling .

Already have a Globoplay account? There’s a way to access your service from outside of Brazil.

Get more details on how to watch TV Globo and other Brazilian channels in the U.S. below.

DirecTV Stream

You can watch Madonna’s concert in Rio on DirecTV when you add Brazilian programming (including the TV Globo channel) to a satellite or internet-based plan. New subscribers can stream for free with DirecTV’s five-day trial. For satellite subscribers, you can add international programming to a Basic or Preferred Choice base package ($27.99 to $59.99 per month plus tax). The BrazilianDirect add-on is an extra $29.99 per month and includes TV Globo, or you can get the standalone TV Globo channel add-on for $19.99 per month. For DirecTV subscribers connecting via internet, add Brazilian programming for just $30 per month on top of your existing cable TV streaming package. Learn more here. And for a limited time, eligible subscribers can save up to $240; learn more here .

Watch Madonna’s Celebration concert in Rio on TV Globo with Sling , which offers a free three-day trial when you add select Brazilian TV Pack plans (reg. $13.99 and up per month) to your streaming package. New subscribers save half off their first month of Sling, so you can stream Madonna’s show in Brazil starting at only $20 for the Orange plan (reg. $40 per month) that includes CNN, HGTV, ID, A&E, ESPN, Disney Channel and other networks. Other packages include the Blue tier ($22.50 for the first month, reg. $45 monthly) and the combined Orange & Blue package (reg. $60 monthly) that includes exclusive news and entertainment channels such as ABC, NBC, Fox, E!, FS1, FX and others.

For those who already have Brazil’s Globoplay streaming video-on-demand service, you can use a virtual private network (VPN) to access your account in the U.S. Plans start at $12.95 per month or $8.32 monthly with annual billing; learn more here .

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Rising Superstar Young Miko Unveils THE XOXO TOUR 2024

PRESALE BEGINS MAY 1ST | GENERAL ONSALE MAY 3RD AT 10 AM LOCAL ON LIVENATION.COM

Headline tour to celebrate debut top 10 album “att.” out now.

Young Miko , hailed by The New York Times as one of the artists “shaping the sound of 2024,” is set to embark on THE XOXO TOUR 2024 , a headline outing that will bring the genre-bending Puerto-Rican phenom to 19 cities across the country.

Produced by Live Nation, the trek will kick off on July 31 at the Fillmore Auditorium in Denver, CO and will include shows at San Jose Civic in San Jose, CA (August 6), Los Angeles’ Peacock Theater (August 15), and The Theater at Madison Square Garden in New York City (August 27). See below for the itinerary.

TICKETS: Tickets will be available starting with an artist presale beginning on Wednesday, May 1 at 10 AM local time. Additional presales will run throughout ahead of the general onsale beginning on Friday, May 3 at 10 AM local time at LiveNation.com.

VIP: Fans can also purchase VIP Packages, which may include premium tickets, invitation to the pre-show soundcheck, specially designed VIP gift item & more. VIP package contents vary based on offer selected. For more information, visit vipnation.com .

Young Miko is touring in support of her first album, att. , which debuted in the Top 10 of Billboard’s Top Latin Albums and Latin Rhythm Albums charts. Listen HERE . Praising her debut Coachella performance, Teen Vogue said, “[Young] Miko delivered an electric Weekend One performance. A sea of festival-goers roared through every track as she bounded across elevated platforms with the confidence of a veteran.”

In the cover story of its Future Of Music issue, Rolling Stone said, “Funny, charming, and unapologetically raunchy, she’s the Puerto Rican star everyone wants to work with.” Young Miko was named Nuevo Artista Del Año ( New Artist Of The Year) at the recent Latin American Music Awards while “Classy 101,” her collaboration with FEID , took honors for Canción Global Latina del Año (Global Latin Song of the Year) and Mejor Colaboración – Urbano (Best Collaboration – Urban). Earlier this year, Young Miko received the Impact Award at the 2024 Billboard Women in Music Awards and was named Best New Artist (Latin Pop / Urban) at the 2024 iHeartRadio Music Awards.

Young Miko – THE XOXO TOUR 2024

*Not a Live Nation date

7/31      Denver, CO                   Fillmore Auditorium

8/3        Wheatland, CA                Hard Rock Live Sacramento

8/6        San Jose, CA                   San Jose Civic

8/9        Phoenix, AZ                     Arizona Financial Theatre

8/10      Las Vegas, NV                  Fontainebleau Las Vegas

8/12      San Diego, CA                  Cal Coast Credit Union Open Air Theatre

8/15      Los Angeles, CA               Peacock Theater *

8/19      Austin, TX                         Moody Amphitheater

8/20     Houston, TX                     Smart Financial Centre

8/21      Irving, TX                          The Pavilion at Toyota Music Factory

8/24     Rosemont, IL                    Rosemont Theatre

8/27     New York, NY                                The Theater at Madison Square Garden

8/30     Bridgeport, CT                               Hartford HealthCare Amphitheater

8/31      Philadelphia, PA                The Met

9/1        Boston, MA                       Leader Bank Pavilion

9/4        Washington, DC                The Theater at MGM National Harbor

9/6       Atlanta, GA                        Coca-Cola Roxy

9/7        Orlando, FL                        Hard Rock Live

9/11       Miami, FL                           Hard Rock Live

About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com

Young Miko Contacts: Erin Cooney, Capitol Music Group | [email protected]

Andrea De Castro, DCM Media | [email protected]

Sofia De Castro, DCM Media | [email protected]

Live Nation Concerts Contacts:

Nadia Hernandez/ nadiahernandez @livenation.com

Isabel Gonzalez /  isabelgonzalez @livenation.com

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