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Natalie jane: where am i again, swg3 | glasgow, united kingdom, natalie jane: 'where am i again' tour.

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Natalie Jane: where am i again?

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Saturday 09 March 2024

Natalie Jane

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1123 Euclid Ave NE 30307 Atlanta, GA, US

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10 AAPI Music Executives Making an Impact in 2024

By Shirley Ju

• 10 AAPI Music Executives Making an Impact in 2024 2 days ago
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May is Asian American and Pacific Islander Heritage Month, and this year’s theme has been dubbed “Advancing Leaders Through Innovation” by the Federal Asian Pacific American Council. The organization not only works to support AAPI leaders in government, but to empower AAPI individuals all around the world to find success and growth in their careers in all fields.

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Warda Baig  Live Nation Global tour promotion

Baig works with a diverse mix of artists and genres, including Daniel Caesar, Niall Horan, NF, TLC, and Shaggy. She also played a major role in promoting Kendrick Lamar’s “Mr. Morale and the Big Steppers” tour in 2022, one of the top-grossing hip-hop tours of all time.

Warda’s current slate of tours includes Maggie Rogers, Tye Tribbett and Friends, and Daryl Hall and Elvis Costello & The Imposters with Charlie Sexton. She works closely with Live Nation’s External Resource Group, Asian Nation, overseeing the production of events that aim to raise awareness, educate, and celebrate Asian culture.

Have you seen progress in the music industry as far as AAPI representation?

What do you think is the most pressing issue the AAPI community is facing?

We need to focus on continuing to develop AAPI leaders, particularly for positions in C-suites, boardrooms, and other leadership roles across the industry.

Nick Barr Pulse Senior vice president

Barr is currently works in A&R and leads digital marketing at the publishing and management outfit. Previously a VP of A&R and creative strategy at Island Records, at that company he played a key role in signing and developing new talent such as Charlieonnfriday and led campaigns for Sabrina Carpenter — whose song “Nonsense” garnered nearly a billion streams across all platforms — along with Shawn Mendes, Demi Lovato, Lauren Spencer-Smith and more.

Barr began his music career while attending college in Louisville, Kentucky, and worked with R&B stars Bryson Tiller and Khalid early in their careers. Barr has also been on Lil Tjay’s management team for the past five years, and works with 14-year-old country-pop artist Maddox Batson.

Yes, I definitely think so. It’s great to see executives like [Warner Records EVP] Karen Kwak and [Warner Chappell publishing VP] Jon Chen, and artists like Keshi, Joji, and newcomer Beabadoobee. However, I saw a recent study that 44% of U.S. citizens cannot name a single famous Asian-American, and that is a problem. 

The biggest issue is still an overall lack of community, support and representation. I had the privilege of sitting on the Universal Music Group AAPI executive committee with great UMG executives Barry Fernando and Raymond Mai, and that is a great start — but we all need to do better. 

In addition to increased visibility for AAPI execs and artists, I think more progress starts with empowering the next generation of young AAPI executives, artists, and creatives alike — while supporting their ambitions in letting them know that yes, it is possible to have a career and be successful as an Asian-American in the entertainment industry. 

Michael Chua Ticketmaster VP of global business development & strategic partnerships

Chua is a driving force behind securing high-impact deals with major platforms such as Snap, TikTok , and Google. These partnerships create new pathways for fans to discover live entertainment events while simultaneously empowering artists to reach new audiences.

Have you seen progress in the music industry as far as AAPI representation? 

Yes – but it’s still early innings. Largely as a reaction to the rise in anti-Asian racism during the pandemic, the AAPI community over the last few years has galvanized like never before to change the cultural narrative surrounding us, on our terms and through our voices. This has led to a creative boom in distinctly Asian-led stories and casts attaining commercial success on a global basis in film and television. I truly believe that this groundswell will cross over to other cultural categories, including comedy and music — in fact, you’re starting to see this already. There’s pent-up demand for diversity on our screens and stages, which is being met by a growing pipeline of AAPI artists and creators who are inspired by increasingly more examples of success around them.  

Representation, however, is also critical behind the scenes. We need to continue cultivating the next generation of AAPI leaders and similarly show them that ceilings can be broken. I’m constantly inspired by AAPI leaders in our industry, like Christine Cao (of Live Nation Concerts) who are true change-makers that invest in Asian talent on and off our stages.

What do you think is the most pressing issue the AAPI community is facing? 

Asian leaders have a responsibility. While we’re starting to see more Asian executives in positions of influence, they’re still the ones who are “breaking through” against the statistics. Asians as a group see one of the biggest drop-offs in senior and executive management representation. It’s our job as leaders to reach back and pull our community up through guidance, coaching, and mentorship, so that representation becomes the norm and not the exception. Trailblazers need to show others the trail.

Janet Kim UTA Music agent

Kim represents a wide array of clients such as ABS-CBN, AleXa, BUSTED, eaJ, Gottmik, Joe Jonas, Johnny Orlando, KARD, Natalie Jane, Paris Hilton, Plastique, Violet Chachki, Zolita, Patrick Martin, and more.

Alongside global co-head of music David Zedeck, Kim works to expand the K-Pop roster for UTA, signing top names like PSYand KARD and working with upcoming acts like Billlie, LUCY and STAYC. 

Kim has also been working with Paris Hilton to continue to expand and develop her brand, particularly in the LGBTQ+ community. Kim helped secure Hilton’s Pride Month kickoff concert in June 2023, which took place at the Fonda Theatre with special guests Saweetie and Kim Petras. 

In the multi-hyphenate space, Kim represents Golden Globe winning and Emmy-nominated actress, singer and activist, Michaela Jaé Rodriguez. She performed on the main stage at LA Pride last summer and the main stage at Nashville Pride, booked by Kim and her colleagues. 

AAPI is a very small label for a very diverse and complex group of people. Although there is a megaphone on certain genres of music coming out of Asia, there are still many AAPI artists and voices not being heard. The big business and pop culture penetration of certain Asian genres has benefitted AAPI artists here in the States by proving the viability of Asian talent. However, there is still so much more to discover and support. Also, when it feels like there is only room for a couple of AAPI artists to break through, it creates an environment of silos. The most pressing issue facing the AAPI music industry community is not having a community yet! There were too few AAPI artists to even be a “group,” and although it is slowly growing, we’re still too divided to be called a community.  

Zeena Koda Asian American Collective Co-founder

As the co-founder of this AAPI non-profit, Koda leads its focus on mentorship, community and raising awareness for the music and creative industries. Koda is also a board member of FACE, a non-profit aimed at amplifying Filipino creatives in media and bringing them to the forefront, as well as a Grammy Academy member helping launch the Grammy Gold Alliance this year.

A 15-year veteran of the music, brand, tech and entertainment industries, Koda led Urban Digital Marketing for Atlantic and Motown Records, working with Grammy-winning artists like Nipsey Hussle, Meek Mill, Hayley WIlliams and Lil Yachty. Previously, at Cornerstone Agency she served as a key strategist for lifestyle campaigns integrating artists for Converse and Vitaminwater, as well as digital campaigns for A24 and record labels. She’s also a former SiriusXM media personality and podcast host.

There has not only been incredible progress, but it feels like there finally is a seat at the table for us in the larger scheme of media. When you look at who is moving global music, acts like Seventeen and Stray Kids are dominating revenue-generation at the top. The Recording Academy has finally launched the Gold Alliance, aimed at giving more visibility to AAPI musicians and professionals across its network. 88rising has generated one of the biggest global festivals. Gold House has created a space for visibility at the highest tiers. Many community organizations like ours, Asian American Collective, have transformed what community looks like for API’s and connected creatives across interests. We’re seeing more and more organic and authentic representation across the industry because more of us are filling these seats. 

Nina Lee  Oriel Company VP of communications

With over a decade of PR experience, Lee spearheads campaigns and strategy for major artists like Maxwell, Daniel Caesar, No ID, Betty Who, Hannibal Buress and 88rising’s Joji and Rich Brian as well as up-and-comers like D4vd and UMI. A first-generation Korean American and New York University graduate, Lee began her career at Press Here Publicity before moving over to Shore Fire Media in 2015, and joined Oriel six years later.

Yes! There certainly has been progress in recent years. Asians and Asian-Americans are making strides and gaining visibility and recognition across multiple genres, from R&B and hip-hop to pop and alternative. I feel lucky to represent acts like Rich Brian, Joji, Audrey Nuna, and UMI, who are all making strides in an industry that does not have a long track record of making Asian artists into stars — not to mention working on massive live events like Head in the Clouds New York Music & Arts Festival, curated by 88rising. This is an event created by and catering to Asians and Asian-Americans — it’s not something I could have dreamed of when I was younger.

However, challenges and underrepresentation will of course continue to persist, and there’s still work to be done to ensure equitable opportunities and recognition for AAPI artists. Advocates and industry insiders need to continue to push for more diversity and inclusion in the music industry, both on and off the stage. 

The model minority myth is a harmful stereotype that suggests certain minority groups, particularly Asian-Americans, are inherently successful, hardworking and academically or economically high-achieving. 

In the context of the music industry, the model minority myth can manifest in various ways. For example, AAPI artists may be pressured to conform to certain stereotypes or expectations, limiting their creative expression and opportunities. The same goes for executives.

Addressing the model minority myth in the music industry requires challenging these ideas that have been baked into us while amplifying diverse voices and experiences and advocating for equitable opportunities and representation for all artists. It’s essential to recognize the complexity and diversity within AAPI communities and to create spaces that allow for authentic and inclusive storytelling in music.

Ellen Lu   Goldenvoice Vice president

Absolutely. Now more than ever, people’s palate for global entertainment has expanded, and we see that through the music, films, TV shows, books and more that people are consuming. Plus, there’s a new generation of homegrown Asian-American talent at the forefront of this movement, redefining the landscape of representation in music for our community. We’re also seeing a shift happening behind the scenes across all sectors of the music industry, and this shift is credited to those who paved the way before us: Instead of continuing to walk ahead without looking back, a lot of them have turned around to reach for us and pull us up.

In the same breath as my answer above, there’s still a lot of progress to be made when it comes to AAPI representation. There’s a disconnect when it comes to a more holistic representation of the AAPI community beyond East Asian representation (Korea, China, and Japan). Asia is vast and encompasses so many other countries, so when we speak of AAPI representation it needs to include South and South-East representation. Although many strides have been made (and we should be proud of it!), we need to strive for a more inclusive concept of true representation for our community.

Brittany Nguyen  Interscope-Geffen-A&M Records Director of marketing

A Los Angeles native, Nguyen oversees marketing strategy for such acts as Lana Del Rey, Imagine Dragons, Karol G, D4vd, Role Model, Cuco and more. Previously, Nguyen was a member of the marketing team at AWAL, where she worked on campaigns for Lauv, Girl in Red, Steve Lacy, Mxmtoon, Kim Petras and Snoh Aalegra, as well as the Asian-American-centric label and platform 88rising.

I feel very lucky that I’ve always had exceptional AAPI mentors in my life, but it’s much easier to connect with others across the community nowadays. When I first started in music, it was hard to find and connect with people who looked like me — I didn’t know there were so many AAPI in music. I joined 88rising because I was deeply drawn to work for my culture. When I left in 2021, I was scared I wouldn’t ever be able to find a community of incredible, smart, creative AAPI executives and work with them in the same way as I did at 88. 

There’s still a disconnect with AAPI coverage in media. I wish more people paid attention to AAPI stories – good or bad – and not just during APAHM. Within our own community, we’re often taught to respect hierarchy, to concede to authority, and to be grateful for what we already have. But it’s not enough to just be here. We also need to be talked about, celebrated, and seen. Visibility and recognition are outcomes we must keep pushing for.

Vivian Phan TikTok Senior manager of label & promotion partnerships

In her role managing relationships with major label partners and marketing initiatives, Phan’s recent campaigns for viral tracks include Thủy’s “Girls Like Me Don’t Cry” (sped up), Justine Skye’s “Collide” (sped up) and Benson Boone’s “Beautiful Things.” 

A Vietnamese-American native of Orange County, Phan was a pre-med student before joining the Crowd Surf marketing agency in 2015. She eventually lauched her own digital marketing and social media business; over the years she has worked closely with artists such as Becky G and CNCO, spearheading their social media strategies. She is also a member of the Asian-American Collective, where she has served as a mentor.

There’s been a lot of progress since I started in music 10 years ago. I remember being the only AANHPI employee at one of my jobs – there wasn’t representation like there is now. Today, our brothers and sisters are in leadership roles, there are community groups like AAC and [the AAPI female-owned clothing brand] Asian-American Girl Club, and there are Vietnamese-American artists like Thủy and Tongan-American artists like Dinah Jane who are making an impact in music and throughout our communities. However, there will always be more work to be done. It’s important that our community continues to support and uplift one another because no one else is going to care as much as we do. That’s what my late dad taught me through his advocacy for our local Vietnamese community. He’s the reason for my passion and dedication to this.

Frankie Yaptinchay Amazon Music Senior industry relations lead

Yaptinchay has spearheaded the Amazon Music and Recording Academy’s Black Music Collective’s work to launch a HBCU Scholarship program called Your Future Is Now. This program offers HBCU students a $10,000 scholarship and a week-long immersive program to meet with Amazon Music department leads. This initiative has donated music equipment grants to five HBCUs and created 12 scholarships for students pursuing a career in the music business.

He is also a Recording Academy Governor and Co-Founder of the Gold Music Alliance (GMA). This new collective was launched during the 2024 Grammy week and is the first API focused initiative at the Recording Academy, amplifying Asian and Asian Americans in the music industry. He also spearheaded a collaboration with Asian American Girl Club.

Absolutely. There has always been AAPI representation in the music industry, the big difference now is that the contributions of Asian and Asian Americans are being recognized on a larger scale. And this isn’t just in music. Across fashion, film, TV, sports, and food, the AAPI community is driving the culture forward. We still have a long way to go, but in the past few years I’ve seen progress in the accessibility of AAPI professionals and creatives in the music industry.

Just look at the wide array of Asian and American talent featured at marquee festivals like Coachella this year. The prominent placement of 88Rising, Thuy, Ateez, the Rose, Yoasobi & Le Sserafim, Peggy Gou, and more at these events demonstrates the global impact these artists are making at the highest level. These artists are breaking down barriers and making history, and I couldn’t be prouder on the visibility they are providing for future generations. I also love seeing the community supporting one another in driving representation forward thanks to AAPI focused organizations like Goldhouse, Character Media, Asian American Collective to allies like the Recording Academy that have highlighted and celebrated Asian representation across diverse creator communities.

As strong as the AAPI community is, I still believe we can grow stronger together. We need more collaboration! There are so many amazing different groups doing incredible work in the industry, and I feel there are still dots to be connected to amplify their contributions on a global level (not to mention, finding one another). I think the AAPI community still faces issues accessing roles, networks, and resources. I also believe AAPI creators still are searching for community even amongst their own peer groups. I’d love to see the growth within the community internally to help grow the framework and build avenues for the next generation.

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President biden to award michelle yeoh, phil donahue and mike bloomberg the medal of freedom.

Other recipients of the honor include Jim Clyburn, Nancy Pelosi, Al Gore and John Kerry.

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President Biden on Friday announced that he would be awarding the Presidential Medal of Freedom to 19 recipients, including a handful of names familiar to the world of media and entertainment.

The Medal of Freedom is the highest civilian honor that the President can bestow, and is given to those “who have made exemplary contributions to the prosperity, values, or security of the United States, world peace, or other significant societal, public or private endeavors.”

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It also includes Phil Donahue, the journalist whose daytime talk show transformed syndicated TV and become one of the most influential programs of its era.

Other honorees include Bloomberg founder Michael Bloomberg , former Vice President (and the focus of An Inconvenient Truth ) Al Gore and Olympic swimmer Katie Ledecky.

You can see the full list of recipients of the Medal of Freedom below.

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Theatres in Moscow

Cultural life of Moscow city is various and rich! Operas, ballets, symphonic concerts... Russian composers have created some of the most beautiful classical music. Russian classical music is very popular in Moscow. It is performed in many beautiful historical venues. Do not forget to include a visit to a concert hall in your itinerary when you are planning your stay in Moscow! And do it in advance.

There are almost no restrictions on dress code in Russian theatres. Visitors may wear jeans and sports shoes, they may have a backpack with them. Only shorts are not allowed.

A typical feature of Russian theatre – visitors are bringing a lot of flowers which they present to their favorite performers after the show.

Here are some practical advices where to go and how to buy tickets.

The Bolshoi Theatre

The Bolshoi Theatre is the oldest, the most famous and popular opera and ballet theatre in Russia. The word “Bolshoi” means “big” in Russian. You can buy a ticket online in advance, 2-3 months before the date of performance on the official website . Prices for famous ballets are high: 6-8 thousand rubles for a seat in stalls. Tickets to operas are cheaper: you can get a good seat for 4-5 thousand rubles. Tickets are cheaper for daytime performances and performances on the New Stage. The New Stage is situated in the light-green building to the left of the Bolshoi's main building. The quality of operas and ballets shown on the New Stage is excellent too. However, you should pay attention that many seats of the Bolshoi’s Old and New Stages have limited visibility . If you want to see the Bolshoi’s Old Stage but all tickets are sold out, you can order a tour of the theatre. You can book such a tour on the official website.

If you want, following Russian tradition, to give flowers to the performers at the end of the show, in the Bolshoi flowers should be presented via special staff who collects these flowers in advance.

In August the Bolshoi is closed.

The Stanislavsky and Nemirovich-Danchenko Music Theatre

This theatre is noteworthy. On one hand, it offers brilliant classical opera and ballet performances. On the other hand, it is an experimental venue for modern artists. You can check the program and buy tickets online here http://stanmus.com/ . If you are opera lover, get a ticket to see superstar Hibla Gerzmava . The theatre has a very beautiful historic building and a stage with a good view from every seat. Tickets are twice cheaper than in the Bolshoi.

The Novaya Opera

“Novaya” means “New” in Russian. This opera house was founded in 1991 by a famous conductor Eugene Kolobov. Its repertoire has several directions: Russian and Western classics, original shows and divertissements, and operas of the 20th and 21st centuries. It is very popular with Muscovites for excellent quality of performances, a comfortable hall, a beautiful Art Nouveau building and a historic park Hermitage, which is situated right next to it. You can buy tickets online here http://www.novayaopera.ru/en .

Galina Vishnevskaya Opera Center

The Opera Center has become one of the best theatrical venues in Moscow. It was founded in 2002 by great diva Galina Vishnevskaya. Nowadays its artistic director is Olga Rostropovich, daughter of Galina Vishnevskaya and her husband Mstislav Rostropovich, great cellist and conductor. Not only best young opera singers perform here, but also world music stars do; chamber and symphonic concerts, theatrical productions and musical festivals take place here. You can see what is on the program here http://opera-centre.ru/theatre . Unfortunately “booking tickets online” is available in Russian only. If you need help, you can contact us at and we can book a ticket for you. 

Tchaikovsky Concert Hall and The Great Hall of Moscow Conservatory

These are two major concert halls for symphonic music in Moscow. Both feature excellent acoustics, impressive interior, various repertoire and best performers. You can check the program here http://meloman.ru/calendar/ . You need just to switch to English. Booking tickets online is available only for owners of Russian, Ukrainian and Belorussian phone numbers. If you need help, you can contact us and we can book a ticket for you. 

Moscow International Performing Arts Center (MIPAC)

This modern and elegant concert hall houses performances of national and foreign symphony orchestras, chamber ensembles, solo instrumentalists, opera singers, ballet dancers, theatre companies, jazz bands, variety and traditional ensembles. Actually, it has three concert halls placed on three different levels and having separate entrances. The President of MIPAC is People’s Artist of the USSR Vladimir Spivakov, conductor of “Virtuosy Moskvy” orchestra. You can see pictures of the concert halls here http://www.mmdm.ru/en/content/halls . The program is impressive in its variety but is not translated into English. You can contact us at and we can find a performance for you.

Best things to see and do in Moscow

Moscow is the capital of Russia and is one of the most popular tourist destinations in Asia. It’s rich and complex history is a constant reminder of its strategic position between Europe and Asia and makes it one of the cities you should visit once in your life. In terms of the many iconic landmarks, the delicious cuisine, and the characteristic, colorful architecture it has, Moscow is full of surprises for first-timers and seasoned travelers. Apart from the main attractions, it has like the Kremlin or Red Square, Moscow has many hidden gems for you to discover on your free walking tour with your local guide. 

On any of the free guided tours we offer in Moscow , you will be able to find a selection of many tours which are available in different languages and at different times of day, like the morning, afternoon, and evening. Since Moscow is such a large metropolis, getting your bearings by doing a guruwalk with a local guide who will show you all Moscow’s hidden gems is a great idea. This way you get to learn as much as possible about the local culture and way of life. A trip to Moscow wouldn't be complete without visiting iconic places like St Basil’s Cathedral, Lenin’s Mausoleum, the Pushkin State Museum of Fine Arts, or the State Historical Museum, before getting some fresh air at Gorky Park, the medieval church of Kolomenskoye, or shopping at Izmailovsky Market. Don’t miss visiting the Cathedral of Christ the Saviour, the Bolshoi Theater, or checking out the Tsaritsyno Museum-Reserve. 

Many travelers have left their r eviews and opinions about the local guides , gurus, and the routes they walked. If you have any questions about the routes or what is included in the tour, check out their opinions. 

Free walking tour near Moscow

Others cities to visit after moscow, where are you traveling to.