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the visit - İnceleme

M. night shyamalan'ın gerilim türündeki yeni filmi ziyaret'in ign türkiye eleştiri yazısı..

Bir zamanlar M. Night Shyamalan, kendisinden beklentilerinin tamamen boşa çıktığını düşünen bir hayran kitlesine sahipti. The Last Airbender ile de başka bir grubu sinirlendirmeyi başarmıştı. Son dönemde de hayran kitlesi tamamen yok olmuştu.

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Açıkça söyleyeyim, Shyamalan'ın hayranlarından biri de bendim. Altıncı His filmini ilk izlediğimde orta okuldaydım. Korku ve gerilim türünü sinemada tek başıma izlemeyi çok sevdiğim yıllar da aynı yıllardı.

Shyamalan ardından gerçekten başarısız olarak addedilebilecek filmlere imza attı. Ben bunun sebebini düşündüğümde aklıma gelen en mantıklı açıklama da Shyamalan'ın izleyiciye olan saygısını yitirdiğiydi.

Merak etmeyin, sadece silahını temizliyor.

Çünkü Altıncı His ile hatrı sayılır bir kesime akıl oyunu oynamayı başarmıştı. Ardından yaptığı filmler daha fazla temelde karakter anlatımında daha başarısız ama yine de buna ağırlık veren, ilginç sonlarıyla izleyiciyle dalga geçildiği izlenimi bile uyandırabilen hikayelere sahipti.

İnancımızı kaybetmemizi mi bekliyordu bilmiyorum ama, The Visit yani ülkemizdeki ismiyle Ziyaret, geçen yılların ve aldığı tepkilerin izleyiciye yeniden saygı duymayı Shyamalan'a öğrettiğini gözler önüne serdi diyebilirim.

"Becca ve Tyler, babaları tarafından terkedilmiş iki kardeştir. Anneleriyle birlikte büyümüşlerdir ve ortalama bir hayat sürmektedirler. Bir gün evlenmek için anne ve babasının evinden kavga ederek ayrılan anneleri ilginç bir olay yaşar. Annesi ve babası torunlarını görmek istediklerini söylemek için kendisini internetten araştırıp bulurlar. Çocukların da gitmek istemesiyle bir haftalık büyüklerin evine ziyaret başlar."

Böyle bir başlangıç yapıyor hikaye. Buraya kadar her şey toz pembe olmasa da iyi görünüyor. Ziyaret de çocuklar için kekler, böreklerle karşılanmak anlamına geldiği için müthiş başlıyor. Ardından da olaylar patlak veriyor. Olayların patlak vermesi ise nine ve dedenin yaşlılıktan ötürü yaşadıkları bazı problemler anlamına geliyor.

Hikaye anlatımını güzelleştiren şey el kamerası ya da güvenlik kamerası çekimleri türüne ders niteliğinde çekim teknikleri. Becca'nın belgeselci olma hayaliyle yaşayan bir kız olması ve annesinin yıllardan beri konuşmadığı anne ve babasına gidişini bir belgesele çevirmek istemesi, filmin çoğu bölümünü Becca'nın objektifinden görmemize sebep oluyor.

Yaşlılar unutkan ya da dalgın olabiliyorlar.

Tabii ki profesyonel çekimler yapılmış ama yine de bazı noktalarda beni rahatsız eden şeylerin olduğunu söylemem gerek. Bazı sahnelerin Becca ya da Tyler çektiği için kötü kadrajlara sahip olması pratikte doğru. Fakat bu işi aksiyona döktüğünüzde izleyiciyi rahatsız edebilen bir yapısı olduğu da gerçek.

Filmde aslında öyle bir nokta var ki beni rahatsız eden, onu ancak film vizyona girdikten birkaç gün sonra yorum olarak aşağıya yazabilirim. Çünkü hikaye ile fazlasıyla ilgili bir konu ve işin sürprizini kaçırmak da istemiyorum.

Başarılı bir gerilim hikayesi yaratılması çok hoşuma gitti diye özetleyebilirim durumu. Becca'nın belgeselinde kardeşiyle olan ilişkisi de insana iyi hissettiriyor. Ziyaret kesinlikle cinli, perili, hayaletli bir korku filmi değil. Daha çok insan psikolojisine hitap ederek insanın sinirlerini germeyi hedefliyor.

Bunu başardığını rahatlıkla söyleyebilirim. Fakat böylesine bir gerilimde bazı yerlerde gülme ihtimaliniz olduğunu da belirteyim. Shyamalan izleyiciyi rahatlatmak için nispeten akıllıca boşluk doldurucular eklemiş.

Oyunculuk konusunda da, genellikle Skype üzerinden muhattap olduğumuz annenin dışında iki küçük çocuğumuz sağlam bir iş çıkarmış. Becca rolündeki Olivia DeJonge daha önce The Sisterhood of Night adındaki çocuk filminde de başrollerden biriydi. 98 doğumlu olmasına rağmen yaşından çok daha büyük bir tavrı var. Hollywood için yeteri kadar 'güzel' kabul edilir mi bilemiyorum ama yeteneğini umuyoruz ki daha fazla izleme fırsatı buluruz.

Aynı şekilde Ed Oxenbould da benzer bir performans sergiliyor. Tyler karakterine hayat veren Ed, özellikle Rap sahneleriyle insanı gülümsetmeyi başarıyor.

Geriye de yaşlı çiftimiz kalıyor. Tony ödüllü Deanna Dunagan ve gerçekten saymaya yerimizin yetmeyeceği kadar önemli dizi ve filmde rol alan Peter McRobbie, biraz yaşlılıktan muzdarip iki karakterle filmin yükünü hafifletiyorlar.

Yine de iki kardeşin filmi taşıdığını ve güzel yazılan diyalogların, sağlam karakterlere sahip bir gerilim filminin günümüzde de iş yapabileceğini kanıtladığını görebiliyorum.

Shyamalan uzun süredir ilk kez içerisinde cin, kötü ruh, şeytan gibi dini temalarda karakterler barındırmayan bir yapım yazıp yönetmeyi başarmış. Zaten filmi izlerken korkmaktan çok düşünmeye başlıyor insan. Neler döndüğünü merak etmekten filmi daha da fazla izlemek istiyorsunuz.

Peki sonunda elde ettiğiniz şey yeterli mi? Bilmiyorum diyebilirim. Yani bazı filmlerden çıktığınızda ağzınızda bir tad kalır. Bu filmde bunu yaşayamadım. Yine de keyifli bir 94 dakika geçirdiğim kesin. Sadece finalin bu denli hızla yapıştırılmış olması (ki gerçek finalden bahsediyorum çünkü filmin bence iki finali var.) biraz yapaylaştırdı her şeyi.

• Hikaye anlatımı ve hikayenin temelleri çok sağlam.
• Karakterler ve diyaloglar akıllıca yazılmış.
• Mekanlar ve dekor iyi seçilmiş.
• Finalde şaşırma ihtimaliniz bir hayli yüksek.
• Filmin finali çok hızlı bağlanmış.
• Müzikler yeteri kadar ön plana çıkamıyor.

The Visit yani ülkemizdeki adıyla Ziyaret, 99 yılında vizyona giren Altıncı His ile benzer özellikler taşıyan bir yapım. Klasikleşen korku filmi unsurlarından uzak, izleyicisine saygı duyan ve aklını kullanmaya zorlayan bir gerilim filmi. Eğer gerilim ya da korku türünü seviyorsanız mutlaka şans vermenizi tavsiye ediyorum.

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Ziyaret (The Visit)

Douglas aibel, skip lievsay, m. night shyamalan, ziyaret (the visit) konusu.

Ziyaret (The Visit) izle , filmi izlemek için Hemen İzle tuşuna basarak izleyebilirsiniz.

2015 yapımı korku dolu dolu Ziyaret (The Visit) adlı yapımın yönetmen ve senaristliği M. Night Shyamalan tarafından yapılmış olup, filmin başrol oyuncuları arasında ise Olivia DeJonge, Ed Oxenbould ve Deanna Dunagan yer alıyor.

Ziyaret, iki küçük kardeşin uzak bir çiftlik içerisinde yaşayan büyükanne ve büyükbabasının yanına bir haftalığına ziyarete gitmelerinin hikayesi üzerine kuruludur. Çocuklar çiftlik evine ulaştıklarında, büyüklerin son derece rahatsız edici bir olaya dahil olduklarını fark ederler; eve geri dönmeyi istedikleri anda ise kaçma şansları kalmamıştır. Gerilim türüne unutulmaz yapıtlar armağan eden M. Night Shyamalan’ın yazıp yönettiği filmde başlıca rolleri Kathryn Hahn, Ed Oxenbould ve Olivia DeJonge paylaşıyor. Shymalan, Ziyaret filmini Blinding Edge Pictures şirketiyle ve Blumhouse Productions şirketinden Mark Bienstock ile birlikte hayata geçirdi. Steven Schneider ve Ashwin Rajan gerilim filminin sorumlu yapımcıları olarak karşımıza çıkıyor.

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Bilinen Yapımları: Douglas Aibel

Yükselen Ay Krallığı (Moonrise Kingdom)

Aşkın Yaşı Yok

Ziyaret (the visit) oyuncuları, yönetmeni ve ekibi.

Olivia DeJonge

Ed Oxenbould

Deanna Dunagan

Peter McRobbie

Kathryn Hahn

Celia Keenan-Bolger

Samuel Stricklen

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• Cast & crew
• User reviews

Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation. Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation. Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.

• M. Night Shyamalan
• Olivia DeJonge
• Ed Oxenbould
• Deanna Dunagan
• 785 User reviews
• 437 Critic reviews
• 55 Metascore
• 1 win & 14 nominations

• Man on the Street

• Young Becca

• Young Tyler

• Train Passenger
• (uncredited)

• Street Walker
• Police Officer
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia According to statements made on Twitter, director M. Night Shyamalan prepared three different cuts of the film: one that was "pure comedy," another that was "pure horror," and a final one that "fell somewhere in between."
• Goofs The amount of snow covering the landscape varies dramatically from day to day and even between scenes taking place on the same day.

Grandma : Would you mind getting inside the oven to clean it?

• Alternate versions In the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out.
• Connections Featured in Late Night with Seth Meyers: Andy Samberg/Kevin Love/M. Night Shyamalan/Abe Laboriel Jr. (2015)
• Soundtracks Possession Written by Harry Revel Performed by Les Baxter and His Orchestra and Chorus [Theremin - Dr. Samuel Hoffman ] Courtesy of RCA Records By arrangement with Sony Music Licensing

User reviews 785

• THE-BEACON-OF-MOVIES-RAFA
• Mar 9, 2020
• September 11, 2015 (United States)
• United States
• Untitled Blumhouse Horror 1
• 3049 Merlin Road, Chester Springs, Pennsylvania, USA (Exterior House)
• Blinding Edge Pictures
• Blumhouse Productions
• Neighborhood Film Co.
• See more company credits at IMDbPro
• $5,000,000 (estimated)
• $65,206,105
• $25,427,560
• Sep 13, 2015
• $98,450,062

Technical specs

• Runtime 1 hour 34 minutes
• Dolby Digital

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Ziyaret (2015)

Ziyaret - The Visit

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Büyükanne ve büyükbabanıza bile güvenmeyin: The Visit (Ziyaret)

The Visit (Ziyaret), son derece gerilim dolu bir film olmasının yanı sıra oldukça da komikti. İzlerken çok kez güldüğüm anlarda bir anda gerilim dolu sahneler görünce, bu filmi çevreme tavsiye etmeye başladım. İşte son yılların en keyifli gerilim filmlerinden biri olan The Visit hakkında detaylar...

Filmin konusu şöyle: "Becca ve Tyler, babaları tarafından terkedilmiş iki kardeştir. Anneleriyle birlikte büyümüşlerdir ve ortalama bir hayat sürmektedirler. Bir gün evlenmek için anne ve babasının evinden kavga ederek ayrılan anneleri ilginç bir olay yaşar. Annesi ve babası torunlarını görmek istediklerini söylemek için kendisini internetten araştırıp bulurlar. Çocukların da gitmek istemesiyle bir haftalık büyüklerin evine ziyaret başlar."

Anneanne ve büyükbabalarının evine mutlu mesut gelen iki kardeş, çocukların hayali olan kocaman bir evde lezzetli yemeklerle adeta mest olur. Bir süre sonra anneanne ve dedesinde tuhaflık fark eden iki kardeş, hayat mücadelesi vermeye başlar.

Becca'nın çektiği belgesel için çok güzel bir malzemedir ev. Annesinin yıllardır konuşmadığı anne ve babasına bir anı bırakmak isteyen genç Becca, bu sırada çok sayıda olumsuzlukla karşılaşır. Annesiyle Skype üzerinden konuşan iki kardeş, finalde bu Skype sohbetleri sayesinde önemli bir bilgiye ulaşır.

Oyunculuk konusuna gelecek olursak, Becca rolündeki Olivia DeJonge son derece başırılı kotarmış işi.

Ed Oxenbould ise oldukça doğal ve komik sahnelerle başarısını kanıtlamış. 

Deanna Dunagan ve Peter McRobbie, bu psikopat iki karakteri elbette mükemmel canlandırmış. Filmin sonuna kadar insanı rahatsız edecek karakterleri canlandırmayı başarmışlar.

94 dakikalık filmde bir an olsun sıkılmazken, finaliyle de tatmin olabildim. Büyük bir zeka ürünü denemeyecek filmin dengeleri öylesine iyi oluşturulmuş ki izlerken mantığa aykırı bir durum oluşmamış.

Uzun lafın kısası, birkaç arkadaşla izlenirse tadından yenmeyecek bu filme mutlaka şans verin. 

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Ör: The Man from Toronto , Minyonlar 2 Gru'nun Yükselişi

Fragman Ziyaret

MONDAY MORNING

We meet Tyler, Becca’s brother, while they drive to Philadelphia's 30th street station. He is 13 and talks like a wannabe rapper, complaining that he’s got three girls on deck and is upset he won’t be able to text all week. Their mom hugs goodbye at Grand Central, and they board a train. On board, Tyler shows off his free-styling skills by rapping for the camera. Becca mentions that she agreed to the trip because their mom hasn’t been able to connect with her new boyfriend, and a five-day cruise might help them get closer.

NANA & POP-POP are waiting at the train station with a sign, "Becca & Tyler." As they get off the train, they see the sign and go straight up to them. The grandparents seem friendly enough and take them back to their large house. Tyler does a freestyle rap using Nana’s suggestion of “pineapple upside down cake.” Becca discusses her documentary and her love of making movies.

Tyler and Becca get settled into their room upstairs, which used to be their mother’s. They play rock, paper, scissors to see who gets the bed and who gets the sofa… and Becca gets the bed. She tells Tyler about the old time song she’s going to play over some of the footage when there’s a happy conclusion to the week. She gives Tyler a second camera so he can film additional footage.

Tyler films Pop-Pop mysteriously working in the shed. He calls out to him and Pop-Pop sees him but doesn’t respond.

Tyler coerces Becca to play Hide and Seek underneath the house. They crawl around and then suddenly Nana is down on all fours behind Tyler. She races after him and then Becca, each scurrying to get away from her as she seems demented and “off,” repeating “I’m going to get you” as she scurries after the kids. They escape from underneath the house, and Nana laughs, her hands sullied, seemingly aware of the game and simply trying to participate. She walks away, revealing the roughhousing has caused her dress to ride upwards, exposing her bare butt.

A man comes to the door and asks to talk to their grandparents. They tell him they’re not there. He says he knows them from Meadow Shade, the hospital they volunteer at a few days a week, and he has some gossip to tell them about the latest drama going on down there.

Tyler decides he’s going to investigate what’s in the shed. He sneaks inside and says it smells like ass. He finds in the corner a pile. He gets closer to see what it is and discovers it’s used adult diapers. He runs out screaming. Inside, Nana explains to him that Pop-Pop is incontinent, and a lot of adults have to wear diapers. He hides them in the shed because he’s ashamed. She then continues giving Becca tips on how to make cookies.

That night, Pop-Pop comes into their room and tells them that there is mold in the basement, and they should not go down there. He also tells them that everyone follows the same schedule, so lights have to be out at 9:30. They agree but are annoyed, especially since there is no WiFi, and they can’t use any electronics. Tyler decides to start using pop star’s names instead of misogynistic terms in his raps and says if he stubs his toe, it sounds cooler to shout out “Shakira!” than a cuss word (This is a motif that is carried out throughout the movie with him shouting out “Sarah McLachlan” and “Katy Perry” in times of annoyance or danger). The two can’t sleep, and it’s now 10:23 PM. Becca says she’s going to sneak out to get one of Nana’s cookies. She opens the door and sees Nana walking in the dark, projectile vomiting. She quickly shuts the door.

TUESDAY MORNING

The next morning, Pop-Pop and Nana are outside with breakfast on the table. Nana apologizes because she’s got hot oil all over Becca’s computer but really only the webcam. Becca says she will probably be able to scrub it off with enough effort. The kids later ask Pop-Pop if Nana is sick. They are told Nana experiences something called sundowning, which is a form of dementia that happens when the sun sets. It’s the equivalent of talking in one’s sleep and not to be concerned, but it’s best for them to stay in their room. He says Nana is convinced there are bad things inside her, so she throws up to get rid of them. As he’s explaining this, he’s putting on a tuxedo. They ask him if he’s going somewhere, and he tells them there’s a costume ball at the train station he’s late to. He then realizes that he’s confused and takes the tuxedo off.

Pop-Pop takes Becca and Tyler through the town. They play a game where they make up stories about people who live in the buildings – including the closed police station. When they try to make up a story about a tall building, Pop-Pop tells them it’s Meadow Shade where they volunteer, and he’ll show it to them when he gets his Meadow Shade badge from home. They go to the park to play, but Pop-Pop tells them they have to leave because they’re being followed. The kids see a man across the street using his cell phone, not paying attention to the three of them. Pop-Pop runs over and begins to accost the man, yelling at him. Becca and Tyler convince him to leave the man alone, and Pop-Pop apologizes to them.

Back home, Becca is in the kitchen with Nana. She asks her if she can interview her, but Nana does not want to be on camera. Instead, she asks for Becca’s help cleaning the oven. Becca cleans with just her arm, but Nana tells her to lean into it. Nana then convinces her to get completely inside. While she’s fully submerged in the oven, Nana bounces up and down excitedly. Becca reappears, and Nana tells her she is ready to be in her movie.

Becca interviews Nana by asking her warm-up questions. When she asks Nana what happened 15 years ago to cause her not to speak to her daughter, Nana starts going berserk, shaking violently, and screams that she no longer wants to be in Becca’s movie.

Outside, Tyler interviews Becca asking what animal she’d want to be (“a dolphin”), then why she likes the pizza guy despite him having bad acne (“he has kind eyes.”) Then he asks her why she can’t look at herself in the mirror, pointing out when she brushes her hair, she does it with her back to the mirror. And when she brushes her teeth, she looks down. She hints that it’s because their dad abandoned the three of them years ago, and she has felt rejected. Tyler defends his dad, saying there was a time when he was eight when he was playing peewee football. His team was up by three, and it was the fourth quarter and they were set to win as long as nobody scored in the final minutes. A big kid came running towards him but instead of blocking him, he just froze. Everyone started screaming at him but he was completely frozen, immobile, which is what happens when he’s afraid. But his dad never judged him for it. But he sometimes blames that for being why his dad went away.

In the editing software, she’s piecing together on her computer, Becca films herself in front of an obstructed slideshow of pictures of her brother, her, and their father. She says that while she’s trying to tell the story of her mom’s parents, she will not be including anybody from the past that she doesn’t consider worthy of acknowledgment.

That night, at 10:47 PM, they hear a scary sound coming outside their locked door. The two want to film what’s on the other side, so Tyler tells Becca to open the door. She refuses. He then says if she holds the camera, he’ll open the door. He does, and they reveal a naked Nana clawing at the door opposite them, scratching like a frantic dog. He shuts the door and declares that he’s now partially blind.

WEDNESDAY MORNING

The next morning, Becca interviews Pop-Pop, and he tells her how he used to have a great job, but he used to see a white figure with yellow eyes at his job. Nobody else could see it, but he was insistent it was there. So he was eventually fired. He warns Becca that she, too, will see the white figure with yellow eyes one day. She tells him he seems sad.

Tyler tries to convince Becca to set the camera up in the living room so it can film what happens at night. She says she can’t film their grandparents unless one of them is there otherwise it’s unethical. She explains they’re both experiencing signs of early on-set schizophrenia.

A neighbor named Stacey comes over, telling them their grandparents volunteered at the hospital when she was in rehab, and she baked treats to thank them.

The kids get an Ethernet cord and now talk to their mom on Skype. Tyler tells her Nana is acting weird. The mom tells them they’re old, and that’s just how old people act. Becca defends them and says they are weird but nice. Tyler and Becca both agree that this is a “1” on the scale of problems. Their mom comments how she wishes she could see them (but can’t because their webcam is blocked from Nana’s mishap in the kitchen). Their mom leaves to watch her boyfriend in a Hairy Chest contest on the cruise ship.

That night, at 10:16 PM, they hear a horrible commotion outside the door. They want to know what Nana is doing this time but are too scared to look. Becca decides just to open the door and film for a short while, for the documentary’s sake. When she opens the door, they see Nana running past, with both arms behind her back, rushing past them, in both directions. Just as she’s about to crawl towards the camera, they shut and lock the door.

THURSDAY MORNING

The next morning, the four of them go out into the woods. Becca says she doesn’t want to leave without getting an “elixir” for Mom. While the grandparents are ahead on the trail, Tyler begins to mimic Nana’s running with her arms behind the back… only to get caught by Nana, who tells them they’re going to miss the family of foxes. They turn the corner and see Nana staring into a well. They ask her what she’s looking at, but Pop-Pop tells them it’s nothing.

Tyler and Becca return to the well later to try to figure out what is hidden inside. But all they pull up is water.

Becca goes in the shed and finds Pop-Pop with a rifle in his mouth. He declares he’s just cleaning it and then mimics cleaning it.

Later that evening, Becca is in the living room and hears Nana laughing hysterically. She decides to show what kind of television show makes her Nana laugh, hoping it’s the same one her mom loves. But she finds Nana rocking in a chair, facing the wall. She asks Nana what she’s laughing about and is told the naughty spirits are inside her, and she laughs to keep them at bay. She then tells her a story about how there are people in the water that were stolen by people from another planet. These people will later be collected and sent back to this planet but for now, they’re at the bottom of water. Becca tries to interview her again, but she goes crazy when she is asked about the night that caused them to become estranged. When Becca presents it as a story about a girl who fell in love with an older man, whose family did not approve, and what she would say to the girl, Nana tells her “I would tell the girl I’m sorry.”

Becca now has her “elixir,” an apology from Nana. Outside the window, they see Nana and Pop-Pop in a heated argument with their neighbor, Stacey. They wonder what they are fighting about.

Becca decides Tyler is right and that they should set up the camera in the living room to see exactly what goes on at night. Becca also wonders what’s in the basement given that they were told not to go down there.

At night, Tyler is freaking out because he touched something slimy on the toilet handle and can feel it seeping into his skin. Becca gets tissues and helps wipe it off. Time passes, and they fall asleep. In the living area, Nana opens and slams the basement door several times. She then rushes around the room, crawling like a dog… then appears RIGHT IN FRONT OF THE HIDDEN CAMERA and screams. She picks up the camera and then films herself going into the kitchen where she grabs a butcher knife. She makes her way up to the kids’ bedroom and begins pounding at their door. Becca and Tyler wake up, startled. They can hear Nana trying to get in but just stay still.

FRIDAY MORNING:

The next morning, they watch the footage and see that Nana was trying to kill them. Becca tells them that their mom is back from her vacation that day so they just have to avoid their grandparents all day until she can come and get them. They throw the ball around and every time the grandparents come by, they tell them “We’re playing. This is how kids play.”

Inside, they try to avoid their grandparents by going out to play but Nana asks if Becca can help clean the oven first. Becca leans in, but Nana tells her to go in further. Tyler objects but Nana tells him they’ve done this before. Becca finally climbs all the way in and Nana pushes her fully inside and shuts the door, telling her she wants to do something real quick – and wipes down the handle. Tyler screams at her to open up the oven, and she does. Becca is shaken up, and they quickly go outside and play.

They wait until the grandparents are out front and then get on Skype, hoping to sneak in a call without the grandparents being aware. The oil has now been scrubbed off of the webcam so their mom can see them, too. The mom is back home and tries telling them about her vacation and a fight with her boyfriend, but they quickly tell her that she needs to come and pick them up right now. She tells them, “Do you know how long it’d take to drive from here to there?” but they tell her to get in the car immediately and make her way to them. They say that their grandparents are scaring them; Nana tried to kill them with a butcher knife, and Pop-Pop put a gun in his mouth and she’s afraid he’s going to hurt himself. Tyler films the grandparents from the window so his mom can see them. The mom is now white-faced and tells them she has to tell them something and for them to listen – “THOSE ARE NOT YOUR GRANDPARENTS.” She asks if they’ve been staying with them all week and tries to call the local police but gets a recorded message (the station is closed). The mom complains that the hick town has an incompetent police department, and she’s going to drive to come get them and will continue to try to call the police on the way. Heading out, she tells them to get somewhere safe… but just then the grandparents return, and they shut down Skype. The grandparents suggest having a board game night, but the kids say they want to check something outside while the grandparents figure out the teams. They head for the yard only to see STACEY HANGING DEAD FROM A TREE. Nana appears and tells them they already have the teams – old versus young.

The kids are forced to play Yahtzee with the fake grandparents, who eerily pretend everything is normal, Nana complaining how competitive Pop-Pop is. They begin to play the game, but the grandparents are becoming more demented. Pop-Pop begins dressing up for the costume party again. Becca excuses herself from the game saying she’s got to film something real quick. Pop-Pop is suspicious and angry. Nana gets excited and starts eating cookies frantically. She turns to the camera Tyler has placed on the table and screams “YAHTZEE!”

Becca goes down to the basement, explaining to the viewer that she thinks her real grandparents have been trapped down there, and that’s why Pop-Pop told them to stay away. She begins calling out for the real Nana and Pop-Pop but doesn’t hear a response. In the corner, she sees a dumpster and hurries over to it. Inside are family photos of her real grandparents. She also sees something from Meadow Shade which she now learns is a MENTAL HOSPITAL. She digs some more and finds a hammer with blood and white hair on it… and then sees THE CORPSES OF AN OLD WOMAN AND OLD MAN. Immediately behind her, Pop-Pop has appeared. He explains that he and the woman they know as Nana were mental patients and their real grandparents were volunteers. When they told them about their upcoming visit with their grandchildren, the two imposters decided it would be fun to experience in their place. But he is now determined to kill Becca. He chases Becca up into her room and locks her in. But she manages to defend herself, then busts the lock and escapes.

It’s past 9:30 PM. Nana is beginning to sundown and starts crawling around the couches, chasing Becca. Meanwhile, Pop-Pop comes down to the kitchen with Tyler, who is frozen in fear, just like during the peewee game. Pop-Pop tells him he’s “under a spell” and tells Tyler he never liked him. He goes behind the kitchen counter and removes his pants while the frozen Tyler looks on. Simultaneously, Becca continues to be chased by Nana. Becca is hiding in the corner facing the mirror but as normal, she doesn’t look at herself, so she’s oblivious that Nana is creeping up on her. Nana smashes Becca’s face into the mirror and pieces of glass shatter all around them. Becca picks up a shard of glass as Nana jumps on top of her, clawing at her.

In the kitchen, Pop-Pop has now revealed that he’s removed a dirty diaper. He comments that he’s noticed Tyler doesn’t like germs… and then shoves the dirty adult diaper into Tyler’s face.

Meanwhile, Nana is on top of Becca, trying to kill her, but Becca stabs Nana to death with the glass shared. In the kitchen, Becca encourages Tyler to snap out of his frozen state, and he does, charging at Pop-Pop again and again and shouting as if he’s tackling the big player on the peewee league. He has so much adrenaline that he pummels Pop-Pop to the ground and then smashes the refrigerator door against his head several times (unseen to the audience).

The kids run outside to find their mom and police cars out front. They hug their mom as the old time music that Becca promised to play at an important moment in her film plays.

Back home, the mom tells Becca that she used to be a great singer, and she could tell her mom was proud of her when she’d sing around the house as a kid. The fight happened because they didn’t approve of her husband and when her mom blocked the door to keep her from leaving, she hit her mom and in response, her dad hit her. Stunned by the event, she stormed out and never talked to them again. She tells Becca not to hold on to anger. In response, we see the slideshow of Becca’s dad that she previously said was banned from her documentary, played in full.

As the credits roll, we see Becca brushing her hair while looking at herself in the mirror while Tyler performs a rap to camera about the events that took place over those five days, including getting a used adult diaper shoved in his face and how it took two bars of soap to feel clean again. He says it did not taste like chicken.

Tyler and Becca go to spend the week with their estranged grandparents while their mom is on vacation with her new boyfriend. Little do they know, but the grandparents are actually patients at a mental hospital, who killed the real grandparents and took over their lives when they heard of the upcoming visit. The kids kill the imposters in self-defense and the mom regrets having a 15-year grudge against her now deceased parents, who were harmless in retrospect. Because of this, Becca forgives her father for abandoning the family years ago.

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• Yapım Yılı 2015
• Film Süresi 94 dakika
• Ülke Amerika
• Yönetmen M. Night Shyamalan
• Oyuncular Olivia DeJonge, Ed Oxenbould, Deanna Dunagan
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