the full monty tour review

Review: The Full Monty at the Opera House is full of 'humour, heart and Northern soul'

Simon beaufort's perfectly pitched play based on the 1997 smash-hit film is at the opera house in manchester this week.

• 08:28, 14 FEB 2024

Subscribe to our daily What's On newsletter to keep up with what's happening around Greater Manchester

We have more newsletters

It's hard to believe that the Academy Award-winning film The Full Monty first hit our screens more than a quarter of a century ago.

The highest grossing film in the UK when it was released, this tale of a group of unemployed steelworkers in Sheffield stripping off for cash may seem nothing more than easy comedy fodder, but it is as much about baring the men's souls as their bodies.

When Gaz (Danny Hatchard of TV's EastEnders fame) and his mates are laid off from their jobs, they need to find a way to make money, and fast. Inspired by popular male strip troupe The Chippendales, who drive their women wild at a local bar, they decide to make their own show.

Try MEN Premium now with our amazing New Year offer... just click here to give it a go

But, endearingly undeterred by their combination of imperfect bodies, advanced ages and lack of dance ability, they set out to give the women of Sheffield a more daring show than their smooth American counterparts, by going the fully naked 'Full Monty'.

The story has everything - humour, heart, a perfect pace, plus a huge dollop of determination and Northern soul.

A great story alone however does not a great show make. Fortunately though, all the actors in Simon Beaufort's perfectly pitched play more than step up to the plate.

Danny Hatchard as Gaz plays the cheeky chappie and somewhat feckless dad to a T, with Rowan Poulton playing the part of his beautifully loyal son, Nathan, with a straight-talking, boyish charm.

The dancing is predictably hilarious, highlights including the famous Funky Chicken dance from the ironically named 'Horse' (Ben Onwukwe) and some moves from Bill Ward's Gerald as if he'd just been released from a straitjacket!

Jake Quickenden plays the role of Guy with great verve, interacting with the audience and not to mention providing some much appreciated eye candy.

Adam Porter Smith as the rough and ready bar owner is delightfully bawdy, as are the laddish, crude and rude women, prompting one of the men to predict that: "When women start p****ing like us, it's all over!"

The end of the first act is, let's say, both very athletic and very memorable and has the audience in fits of laughter. The second act is even better.

With its themes of unemployment, money struggles, relationship break-ups, body image, sexuality and suicide - only a true Northern wit could get away with joking about suicide, it sounds as far from a barrel of laughs as you can get. Yet it manages to both touch and tickle you simultaneously.

Then there's the brilliant soundtrack, with iconic songs from Tom Jones, Hot Chocolate and Donna Summer, topped off by some nostalgic nineties tunes.

It's a timeless tale of triumph over adversity, of laughing at our vulnerabilities as humans, and this cast enact it wonderfully. It's simply joyful!

• Manchester Opera House
• Manchester City Centre
• Most Recent

Review, The Full Monty 2024 UK Tour, At The Opera House Manchester

Sarah christie.

Updated on: 8th July 2024

Last night, we headed into the heart of Manchester’s vibrant theatre scene to watch the curtain rise on a timeless tale that promises laughter, heart, and a healthy dose of cheekiness. The Full Monty captivates audiences with its poignant narrative and unforgettable characters.

From the moment the lights dim and the first notes fill the air, audiences are transported to 1980s Sheffield, where the struggles of unemployment and economic downturn weigh heavily on the community. Against this backdrop, a group of unlikely heroes emerges, embarking on a journey that is as hilarious as it is heartfelt.

AD | I have been or could be if you click on a link in this post compensated via a cash payment, gift or something else of value for writing this post. See our full disclosure policy and privacy policy for more details.

What Is The Full Monty About

“The Full Monty” is a story set in Sheffield, England, during the 1980s. It follows the lives of a group of unemployed steelworkers who are struggling to find work and make ends meet after the closure of the local steel mill. The main character, Gaz (Danny Hatchard), is facing financial difficulties and risks losing custody of his son due to unpaid child support.

In a desperate attempt to earn money, Gaz comes up with the idea of forming a male strip act. Despite initial scepticism from his friends and the community, Gaz convinces a group of fellow unemployed men to join him in creating a one-night-only strip show. The group, which includes characters Dave (Neil Hurst), Gerald (Bill Ward), Lomper (Nicholas Prasad), Guy (Jake Quickenden) and Horse (Ben Onwukwe), and follows as they embark on a journey of self-discovery and personal growth as they prepare for their unconventional performance.

Review of The Full Monty

The play doesn’t shy away from tackling tough subjects such as suicide, sexuality, poverty, and impotence. Yet, it handles them with a deft touch of humour, eliciting genuine laughter from the audience while maintaining empathy and understanding of the characters’ struggles.

At its core, The Full Monty is a testament to the resilience of the human spirit and the power of friendship amidst adversity. The cast delivered stellar performances that captured the essence of their characters with nuance and authenticity.

Despite its simplicity, the set effectively captured the essence of each scene, complementing the narrative without overshadowing it. And yes, for those wondering, The Full Monty does indeed deliver on its promise—but tastefully and ingeniously that adds to the story’s charm and allure.

This isn’t just a show for a girls’ night out; it’s a story that resonates with audiences of all genders but is not one for the kiddies. The desperation that drives the characters to extraordinary lengths is universal, making The Full Monty a compelling and relatable theatrical experience.

Where Can I See The Full Monty

The Full Monty Theatre Tour  is showing at the Opera House in Manchester  until and including Saturday the 17th Feb.

Then at Theatre Royal Glasgow ; From Tue 20 Feb – Sat 24 Feb 2024

You can  buy tickets here .

Disclaimer, I was gifted tickets in return for a review of the Full Monty but you can’t argue with a story that has you laughing out loud for several hours, this one really is a winner.

Sarah Christie is a craft, food, cruise, and family travel blogger Extraordinary Chaos, Cruising For All and Mini Travellers. Known for her unique perspective and ability to find beauty in chaos, Sarah designs and creates craft projects as well as creating recipes for people who want to cook from scratch the easy way. Whilst also exploring family travel and how to navigate it.

• Best Places To Meet Santa Claus in Lancashire in 2024
• Where To See Father Christmas at National Trust Sites in 2024
• Pumpkin Picking Near Me, The Best Pick Your Own Pumpkin Patches For 2024
• 10 Ideas For Family Holidays in October

Leave a comment Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed .

Copyright © 2023 Mini Travellers - Family Travel & Family Holiday Tips

• Off West End
• Edinburgh Fringe
• Brighton Fringe
• Canterbury Festival
• North America
• Disney Parks
• Christmas markets
• The Full Monty review (The Marlowe Theatre)
• Kent Theatre |

[AD – PR invite*]

The theatrical adaptation of the hit 1990s film ‘The Full Monty’ has been touring UK theatres for 2023 – 2024 and this week the tour comes to an end, finishing with 7 performances at the Marlowe Theatre here in Canterbury. Adapted for the stage by Simon Beaufoy and with a recommended age of 14+ given the adult themes and depiction of suicide, I had the opportunity to review the production on press night and I can confirm that it is a fantastic piece of theatre. Ahead of the performance I was wondering if the company and creative team would be able to recreate the magic of the film, but from the first presentation of Jasmine Swan’s set design and character introductions, it was obvious that we were in for a treat!

A masterclass in building anticipation

The story of ‘The Full Monty’ is no secret, but what I found most impressive was how the creative team have crafted the whole play to build up to the big striptease finale. Starting off slow with a focus on introductory dialogue, we are introduced to Gaz (Danny Hatchard), his son Nathan (Cass Dempsey, Theo Hills, Rowan Poulton and Jack Wisniewski), Dave (Neil Hurst) and the local community who have been rocked by the closing of the steel mine. Gaz owes his former partner child support for Nathan and after learning of the financial success of a recent stripper act at a local pub, he sets his sights on forming his own troupe. Hoping that this will be the answer to his money trouble and allow him to retain joint custody, Gaz enlists his son as the group’s manager and they set out to audition other potential dancers.

For many, the excitement for this production will come from the famous stripteases, but it is brilliant to see that the creatives haven’t let this be the only element that carries the show. There is plenty of time for character development and the poignant underlying themes, including mental health, unemployment and body confidence to name but a few.

Industrial-inspired design

Jasmine Swan’s set design is inspired, making use of steel and construction site structures in creating the derelict steel mill, the ‘job club’ (job centre), Conservative Club, local pub and more. It is extremely innovative how these structures can be repurposed to represent many contrasting locations, the only differences between each are unique layouts, custom configurations and the careful selection of smaller scale props and freestanding furniture. This combined with Sheffield skyline backdrops and Andrew Exeter’s warm lighting design, makes The Full Monty a visually pleasing show.

Scene transitions

The only drawback to the commendable set design is the slightly laboured movement of set pieces during the scene changes. The transitions are lengthy, with the performers and production team positioning the different elements of staging themselves. Lighting is used to add variety during the changeover of locations, but even with alternating colourful backdrops, the transitions still come across as a little slow. That being said, choosing to play iconic 80s tunes in these moments is a brilliant way to stay true to the time period and the music that would’ve been popular in the early 90s.

Cast performances

It goes without saying that the entire cast are absolutely fantastic, specifically the young performer who played Nathan on press night and the core line up of lads from Sheffield: Danny Hatchard (Gaz), Neil Hurst (Dave), Bill Ward (Gerald), Lomper (Nicholas Prasad), Ben Onwukwe (Horse) and Jake Quickenden (Guy). From Dave’s sensitive speeches about body image to Horse’s killer hip action, you can’t help but rally for these down to earth characters. Moments where the cast shine are the renowned job centre queue sequence and the police scenes where the group are caught in a compromising position.

A guaranteed uplifting night at the theatre!

The Full Monty really works as a stage production, bringing with it a new sense of anticipation to the source material. Led by a stellar principal cast, the camaraderie on stage is so natural, making this the perfect show to see with a group of friends. It manages to be both hilarious and sincere, highlighting many important topics through a comedy lens. The play is based in Canterbury until Saturday 13th April, with last minute tickets available via the Marlowe Theatre’s website . If you are looking for something fun to do this weekend in Kent, the UK tour of The Full Monty should be top of your list!

Thanks for reading my blog today.

Love Kat xxxx

*My ticket for The Full Monty was gifted in exchange for an unbiased review.

Leave a comment Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

More theatre

NOW That’s What I Call A Musical review (The Marlowe Theatre)

In celebration of 40 years of NOW That’s What I Call Music! compilations, a new jukebox musical is touring the UK and…

Kim’s Convenience review (Riverside Studios)

Earlier this year the play that inspired the hit Netflix show ‘Kim’s Convenience’ had its UK premiere at the Park Theatre, starring…

Guys & Dolls review (The Bridge Theatre)

If there is a West End show that you absolutely have to see before the end of 2024, it is Nicholas Hytner’s immersive…

Grease the Musical review (The Marlowe Theatre)

Grease is the word in Canterbury this week, with the arrival of the UK and Ireland tour of the…

West-End Tickets

Off West-End

BritishTheatre.com

Trusted News & Reviews

Bringing best of british theatre

Official tickets

Pick your seats

NEWS TICKER

British Theatre News Weekly Summary - 13th September 2024

Initial Casting Announced for Mel Brooks and Thomas Meehan’s The Producers at Menier Chocolate Factory

Revealed Casting Announced for Coventry's Belgrade Theatre

REVIEW: The Full Monty, Churchill Theatre (On Tour) ✭✭✭✭

Published on

October 22, 2015

danielcolemancooke

The Full Monty

Churchill Theatre

19th October

Book Tickets

The Full Monty is one of British cinema’s most surprising ever smash hits. The gritty yet touching story became a box office sensation, beating Titanic to a BAFTA and even picking up an Oscar for its soundtrack.

So it’s no surprise that the production is still touring after a West End run two years ago. The story is a familiar one; amongst the backdrop of stark unemployment and depression, six unemployed Sheffield men all witness the enthusiasm for a touring troupe of Chippendales. They all decide to come together and overcome their pride and personal struggles to form their very own strip act.

Despite the script’s intrinsic humour, The Full Monty still remains an extremely sweet story capable of extraordinary depth. Despite the stoic Northern humour that lies throughout, it draws on some serious and hard-hitting themes, including suicide, depression and gender equality.

Martin Miller, Gary Lucy, Louise Emerick, Bobby Schofield, Rupert Hill, and Andrew Dunn in The Full Monty. Photo: Matt Crockett

It is also portrays male insecurities better than most productions, whether it’s Gaz’s inability to provide for his son, Dave’s issues over his weight or Lomper’s confusion over his sexuality. There is also some deft political subtext through the slightly snobbish Gerald, who is hiding his unemployment to keep up appearances. Having said that some of the play’s Conservative jokes died a death, perhaps not a surprise in Bromley, a Tory safe seat!

The script is clearly a winner so then how was the staging? The show has lost none of its impact from being on stage, thanks to Robert Jones’ evocative and versatile set design. This multi-layered structure continuously evolves, from capturing the grease and grime of the steelworks before slowly morphing into a cheap and cheerful working mens’ club.

The scene changes are fluid and the show uses its highly decorated soundtrack sparingly; perhaps deciding that the musical version of the production failed for a reason!

Rupert Hill and Bobby Schofield in The Full Monty. Photo: Matt Crockett

The show is very well acted, with a particularly good turn from Martin Miller as Dave, combining biting wit with a sensitive portrayal of a man struggling with his self-confidence. Andrew Dunn is also convincing as Gerald, a Tory falling on tough times; the scene where his wife confronts him about his portrayal is particularly sad. Credit should also go to Bobby Schofield as Lomper, an eccentric former steel worker struggling with his homosexuality; Schofield offers a wonderfully oddball portrayal of a very unusual young man.

Gary Lucy is a curious casting choice as Gaz; in the film he is a reasonably rugged and unpolished character, whereas the former teen heartthrob Lucy looks like he could have walked into the Chippendales. His accent also isn’t quite the full monty, getting lost somewhere around the Pennines. However, there is a likeable charm to him and his chemistry between Gaz and his son Nathan (Brook Exley) is very sweet.

The Full Monty is a masterclass of British writing and its energy and sensitivity transfers smoothly to the stage. It’s raucous and crude but also a lot of fun – if it’s touring in your area then it’s well worth a visit.

FIND OUT MORE INFORMATION ABOUT THE FULL MONTY ON TOUR HERE

The British Theatre website has been established to celebrate the rich and diverse theatrical culture of the United Kingdom.  Our ethos revolves around encouraging and nurturing the performing arts in all its forms. The spirit of theatre is very much alive and the British Theatre website is at the forefront of delivering news and information to audiences and enthusiasts everywhere. Our team of theatre journalists and reviewers are working hard to cover productions and news.

© BRITISHTHEATRE.COM 2024 All Rights Reserved.

PRIVACY POLICY

THE EDITORIAL TEAM

PRESS/MEDIA

TICKETING PARTNERS

OUR RATINGS SYSTEM

Beyond the Curtain

Theatrical Content Including Reviews and Interviews

Social Media

The full monty - the alexandra birmingham review, post a comment, nice to meet you.

• Here You Come Again - Review Reviewed by Amber at Nottingham’s Theatre Royal Tickets were gifted in exchange for an honest review . If there was ever a way to sum up the...
• The School For Scandal - Royal Shakespeare Company Review Reviewed by Mark Johnson Tickets were gifted in return for an honest review. Tinuke Craig’s production of Richard B. Sheridan’s play The Sch...

Edith Vernes - French Toast Interview

French Toast, an uproarious comedy by France’s acclaimed playwright Jean Poiret ( La Cage aux Folles ) lands on the English stage for the fi...

Theatre Review: The Full Monty

Culture Writer Eve Hutchinson reviews The Full Monty, finding it to be both apprehensive and uplifting at the same time

Celebrating the 25th anniversary of the release of the classic 1997 film, Simon Beaufoy’s stage adaptation of The Full Monty arrived at the Alexandra Theatre in Birmingham for a five-day run between Tuesday 30th January and Saturday 3rd February.

The Full Monty follows the journey of six jobless men in 1990s Sheffield who must turn to male stripping to provide for themselves and their families. As an audience member who had not engaged with the source material, I was intrigued and apprehensive by the show’s central storyline, unsure whether the play would quickly transform into a prolonged male strip show. While the stripping sequences were performed with delightful playfulness and enthusiasm, in The Full Monty I found an uplifting, funny and poignant exploration of friendship, masculinity and hope in difficult circumstances.

In The Full Monty I found an uplifting, funny and poignant exploration of friendship, masculinity and hope in difficult circumstances

The play’s focus is not on the act of stripping itself but on the lives and bonds between the performers, their reasons for choosing such a path. Danny Hatchard brings a charming vulnerability to the lovable rogue Gaz, making him a compelling protagonist worthy rooting for. Some of Hatchard’s best scene are shared with Gaz’s partner in crime Dave (Neil Hurst),a self-deprecating, obese former crane operator. When Dave risks becoming a stereotype, Hurst’s performance wins audience’s affections through Dave’s journey of learning to love himself and his body by stripping. The six actors share an easy on-stage chemistry which is reflected in the palpable bond between their characters who in the face of a crisis of masculine identity become each other’s friends and support networks.

Beaufoy’s script is punctuated by slapstick humour and visual gags, exploiting the potential for penis-related laughs to the maximum. Elderly pensioner Horse’s (Ben Onwukwe) attempts at erotic dancing combined with an arthritis problem was a particular highlight. While always eliciting laughs from the audience, the humour of the show works best when paired with emotional material enabling the sensitive exploration of topics such as sexuality, depression and financial hardship. The aftermath of 1980s Thatcherite policy on the industrial north looms large in Jasmine Swan’s set design. Utilising a multi-functional, moveable steel-work structure as the basis for the set ensures quick, seamless scene transitions and highlights the significant role industry played in the makeup of Sheffield, its collapse forcing workers to adapt to a changing, declining economic climate.

The Full Monty is a story which quickly entered the public consciousness upon its film release in 1997 and feels particularly potent during the current cost of living crisis. It is a play with a large heart and will leave you feeling warm and touched by the men’s transformation. The next stop on The Full Monty’s tour is Cliffs Pavilion, Southend-on-Sea and will continue to travel around UK cities until April 2024.

Rating: 4.5/5

Enjoyed this? Read more from Redbrick Culture here:

Review: Skybound’s Transformers: Energon Universe

Launch Event for Bhangra Nation

Musical Review: Everybody’s Talking About Jamie 

Theatre review: The Full Monty

Jenny booth finds much to love about the stage adaptation of the popular film.

T he world’s first full-frontal fairy tale, The Full Monty is a hilarious and endearing story. Six mismatched, out-of-work Sheffield steelworkers get together to rehearse a strip show to earn some cash.

The genius of the original film was that as well as mining the earthy humour, it made you really feel for each of the six. Each in their way is struggling, whether with feelings of failure or irrelevance, or the pressure of mounting debt.

Fans of the film can relax. The stage play which runs at New Wimbledon Theatre this week delivers fully on the iconic characters and scenes. Simon Beaufoy who wrote the film has converted it into a fast-paced stage script, injecting genuine tension – will they or won’t they make it? – and a series of well-crafted climaxes.

Director Rupert Hill wisely did not tinker with a winning formula, except to flesh out the female characters more, which enriches the show.

There isn’t a weak link in the experienced cast, all veterans of long-running TV soaps, who understand the story inside out after a lengthy tour and make us really care for their characters. Gary (EastEnders, Hollyoaks) Lucy in particular has made a fine art out of playing Gaz with mingled cockiness, frustration and tenderness, as he comes up with the desperate stripper plan to pay his maintenance arrears so he can carry on seeing his son.

The pacing is excellent. Every time a character’s plight tugs at your heart strings – when Lomper (Joe Gill) tries to hang himself, Dave (Kai Owen) reveals he is impotent, or Guy (James Redmond) explains his boyfriend is dead, for example  – the action never lingers, swiftly moving on with a black joke or some ludicrous antic.

Naturally, the path to stripper stardom does not run smooth. Along the way the characters forge friendships and help one another through their black moments. The actors drew the Wimbledon audience into their charmed circle of camaraderie, so that we were fully involved before the feelgood ending.

Set in the Thatcherite 1980s, the stage show still contains echoes of the film’s angrier political messages (“I used to think Conservatives weren’t human, more like vampires,” says Dave’s Jean). Amid a wolf-whistling and whooping live audience, watching the show felt powerfully like being on a hen night at times. But it was the universal human stories which really struck a chord, bringing tears of laughter.

⭐⭐⭐⭐⭐

@jennydotbooth /@culturevult

• Until 4 May, New Wimbledon Theatre.

Buy tickets here.

Disclosure: This post contains affiliate links. If you click on an affiliate link, Time & Leisure may earn some advertising fees if you make a purchase. You will not be charged extra for this.

YOU MAY ALSO LIKE

We discovered the secrets of cocoa farming in Saint Lucia

Island Bliss: Our review of St Lucia

Review: Zia Lucia Chelsea

Privacy overview.

The Full Monty at Manchester Opera House – a hilarious walk down memory lane

A nostalgic watch as six blokes from Sheffield bare all to earn some extra cash. (Contains affiliate links)

The theatre adaptation of the groundbreaking cult classic movie The Full Monty has thrusted its way onto the stage in Manchester, making us both laugh and cry… sometimes at the same time.

On opening night, the Manchester Opera House is quite the experience, the foyer awash with excited northern women – your Nanny Pats to your Auntie Jeans and just about everything in between. There’s a hungry twinkle in all of their eyes as they practically clamber over each other to get through the doors and into their seats.

For anyone who may not have seen the 1997 classic (or you just hadn’t been born yet), the show is set in Thatcher-era Sheffield, where many of the steelworks were being closed down.

It follows Gaz (Danny Hatchard) and his best friend Dave (Neil Hurst) who, along with other members of the cast, have been let go from their jobs and are struggling to make ends meet.

Gaz’s antics have got him in trouble and he risks losing access to his son unless he can pull together the child maintenance cash.

The local Working Men’s club is visited by the sexy male strippers The Chippendales, inspiring him to pull together a group of out of work pals to strip for cash.

The film was ahead of its time, featuring a storyline of openly gay characters (Guy, played by Jake Quickenden and Lomper, played by Nicholas Prasad) which was relatively unheard of with section 28 and the ‘promotion of homosexuality’ being prohibited at the time. This theme is carefully and comically handled within the show, although some ‘of the time’ vernacular is used early on.

The set on stage is based around the steelworks, with everything having an industrial feel – you are immediately taken back to the 90s terraced streets of Sheffield.

The cast are all lively. You can tell they’re excited for their first night. It was, however, a bit of a slow start in my opinion. Possibly down to me slowly being reacquainted with the storyline which I hadn’t clued myself back up on, or maybe it was the slightly dated jokes, but it took me a little while to warm up.

Whilst Neil Hurst (Dave), Bill Ward (Gerald) and Ben Onwukwe (Horse) all gave particularly stand out performances throughout the show, all of the cast performed brilliantly and were a big hit with the audience.

We’re definitely outliers with some of the jokes, as the rest of the audience are absolutely howling practically the whole way through.

We’re practically deafened upon the arrival of Jake Quickenden – the mums, the huns and all the grans can hardly contain themselves. One woman is even asked to calm down as she was disturbing other audience members.

As the story continues, the lads recruit their former boss and Conservative party supporter Gerald (Bill Ward) to teach them to dance. An unlikely friendship is formed, showing how hard times can cross party lines.

The final performance is something to behold – a fantastic display of body positivity, where there is literally a body for everyone. The women in the audience are losing. their. minds. One has to be asked to ‘sit down’ three times by Opera House staff.

All in all it’s a light, funny and heartwarming performance that is well worth having a ladies’ night out to watch. The show is on a short run, closing on Saturday 17 Feb, so get your tickets while you can.

• Madagascar the Musical at Manchester Opera House – a roaring stage success
• The best things to do in Greater Manchester this week | 12 – 18 February 2024
• 10 of the best theatre shows to see in Greater Manchester in 2024

Featured image: Ellie Kurttz

After three years of waiting, The Book of Mormon is back in Manchester at the Palace Theatre and it’s just as outrageously funny as before.

All I had ever heard about this musical going into it is how absolutely hilarious it is – I had little knowledge of the story line and from what I did know I was still unsure I would like it. But I didn’t just like it, I loved it and I can’t remember the last time I laughed that much in one evening.

Written by Trey Parker, Matt Stone and Robert Lopez, the masterminds being South Park, The Book of Mormon returned to the  Palace Theatre  on Wednesday 11 September and will run up until Saturday 5 October with lots of tickets still on sale.

The story follows two young Mormon missionaries, Elder Price and Elder Cunningham, who are sent to a remote village in Uganda to spread the teachings of the Church of Jesus Christ of Latter-day Saints.

Upon arrival, they are faced with harsh realities which starkly contrast with their own naïve expectations.

Also sounds quite serious doesn’t it? Well despite the plot line this is a show that had every member of the audience rolling around laughing from start to finish.

I must warn if you are not of fan of dark comedy, you’ll be better off catching Mamma Mia, but if you can lean into the humour you’ll be walking away with sore ribs and teary eyes.

As the story pans out the pair struggle to connect with the locals and each other while their religious mission takes unexpected and often absolutely absurd turns.

This is a musical that certainly doesn’t shy away from poking fun at religion, especially Mormonism, and has a knack for finding the funny side of culture clashes and colonialism.

While the show is famous for its comedy, something has to be said for the choreography, when you can take a moment from gasping at the contents of the lyrics you can appreciate that this cast can really dance.

Absolutely turning the musical genre on its head, it carries all the same profanity and shock-factor as South Park in the best way possible.

The two leads played by Adam Bailey and Sam Glen are phenomenal all the way through, how they don’t burst out laughing sentence is a skill itself, and had the audience clinging onto every punch line.

But for me the ensemble really make a musical and this cast is nothing short of spectacular, I would go and watch it again tomorrow.

The show is in Manchester at the Palace Theatre until October 5 and if you want an evening of non-stop laughing I could not recommend it more.

If you needed any more persuading, it’s been announced today that 15 tickets for each performance will be made available at £15 each, from 12pm the day of the performance so get your alarm set quick.

Grab your tickets here .

Read more :

• The Book of Mormon to offer lucky Manchester theatregoers £15 tickets on the day
• A murderously funny and thrilling take on an Agatha Christie classic – Murder on the Orient Express at The Lowry

Featured image: Paul Coltas

For the first time ever, smash hit show Moulin Rouge The Musical is heading to Manchester on its debut world tour.

The multi-award-winning spectacle has announced an eight week run of shows at the Palace Theatre .

Moulin Rouge The Musical is set to bring ‘a world of splendour and romance, eye-popping excess, glitz, grandeur and glory’ to Manchester next autumn.

The musical, based on Baz Lurhmann’s revolutionary film starring Ewan McGregor and Nicole Kidman, features more than 70 hit songs from across 160 years of music.

Audiences will hear everything from Offenbach to Lady Gaga as the Palace Theatre stage is transformed into 19th century Paris.

The musical is set amidst the unparalleled extravagance and beauty of the iconic Moulin Rouge nightclub, where the space beneath the red windmill is filled with bohemians and aristocrats, boulevardiers and reprobates.

It follows the tale of lovesick American writer Christian and the subject of his affections, Satine, the star of the Moulin Rouge.

Their glittering love story is halted by the nightclub’s host and mastermind, Harold Zidler, and the Duke of Monroth, who wishes to buy the Moulin Rouge – and with it, Satine.

The all-singing, all-dancing cast also includes starving artist Toulouse-Lautrec and tango dancer Santiago, along with a full line-up of Can Can dancers, musicians, and more.

This is the first time ever that Moulin Rouge The Musical has performed in Manchester, landing at the Palace theatre on 20 August 2025.

The show has won a whopping 10 2021 Tony Awards (including Best Musical), an Olivier Award, and masses more.

Carmen Pavlovic for Global Creatures, producer of Moulin Rouge! The Musical, said: “It is thrilling that the Manchester Palace will host Moulin Rouge! The Musical next year as part of its world tour.

“Manchester is such a welcoming, lively and culturally vibrant city, world renowned for its rich artistic and musical heritage.

“A city also known for defending free speech and liberty of opinion, so we know that the bohemians and artisans of the Montmartre will be embraced with open arms. We can’t wait to welcome Manchester to the Moulin Rouge!”

Casting is still to be announced.

Moulin Rouge! The Musical will come to the Palace Theatre Manchester between Wednesday 20 August and Saturday 4 October 2025. For information and to be first in line for tickets, sign up at  moulinrougemusical.com

Read more: Annie Mac is hosting a club night in Manchester for people who want to go bed early

Featured image: Matt Murphy

More Theatre

Extra date added for festive screening of The Holiday with live orchestra in Manchester

Art & Culture

A murderously funny and thrilling take on an Agatha Christie classic – Murder on the Orient Express at The Lowry

The Book of Mormon to offer lucky Manchester theatregoers £15 tickets on the day

Clint Boon takes us around Manchester's iconic Deaf Institute

101 Dalmatians at Palace Theatre, Manchester – puppets, puppies, and one evil villain

World premiere of A Knight’s Tale The Musical to open in Manchester next year

Huge theatre ticket sale launches with hit shows from just £15

The Wigan cafe with pancakes so good it has queues down the street

Huge food hall, luxury shops and more set to open at Manchester Airport

One of the Northern Quarter’s original coffee shops has suddenly closed down

We go meatballs deep with Mira's traditional Neapolitan sandwiches

• Listen Live
• How To Listen
• Local Sport
• School Closures
• Theatre Reviews
• Submit Your Event
• Contact the studio
• Commercial Team
• Volunteer with Moorlands Radio
• Competition Terms and Conditions

The much-awaited new production of The Full Monty has finally hit the stage of the Buxton Opera House and drew a packed audience for its opening night.

Billed by many as the perfect Girls’ Night Out, it had its obvious attractions for many in the audience but its themes of losing hope and self-respect remain as relevant to the modern day as when the original film came to the screen and provided a highly entertaining evening for all of those who attended.

Set in the depressed post-industrial era when Sheffield’s steel mills were closing it follows the fortunes of a group of ex-work colleagues who are all suffering from the loss of their previous jobs. Gaz (Danny Hatchard of Eastenders) is close to losing access to his son Nathan (Cass Dempsey) as he fails to keep up his maintenance payments to ex-wife Mandy (Laura Matthews); Gerald (Bill Ward of Emmerdale) has yet to break the news of his redundancy to wife Linda (Suzanne Proctor) who continues to max out the credit card; Dave (Neil Hurst of All Creatures Great and Small) is going through a body-image crisis that is seriously affecting his relations with partner Jean (Katy Dean); and Lomper (Nicholas Prasad) is so depressed he can’t even commit suicide properly.

A chance meeting outside the local club allows Gaz to realise that there is money to be made from a group of male strippers. With varying degrees of enthusiasm, his fellow workmates agree to follow the madcap scheme and recruit Horse (Ben Owukwu) – an ageing guy who is suffering from arthritis but can throw a few dance moves – and Guy (Jake Quickenden of Dancing on Ice) who has no choreographic talents but has other assets that could make him a big star.

The audience is then taken on the hilarious journey as the Chippendale wannabes attempt to learn their routine and build up the nerve to show off their talents. Will the men make it to the final stage and do the Full Monty? Go to the show and all will be revealed.

The Casting Director has done an excellent job. Not only has he attracted a host of faces familiar to the audience from their television roles but has assembled a cast that throws itself into the action with enthusiasm. Hatchard is excellent as he varies from the lary lad to a man unable to cope with his problems; the role of Guy fits the very likeable Quickenden like a glove; Ward is perfect as the former foreman who is keen that his students learn from his expertise as a dance teacher; and Hurst is able to draw empathy from the audience while allowing his natural cheerfulness and comic timing to come to the fore.

All of the cast contribute to a fabulous evening but special praise must be given to the young Dempsey whose performance belied his youth. He owned the stage and stole the heart of everyone watching. A young man with a big future in theatre it would seem.

The current production is very faithful to the original film and its story remains as fresh as ever as it provides a solid story even without its much-anticipated ending. There were many moments of laugh-out-loud humour as the excitement for the final scene built up and there was raucous encouragement as the guys strutted their stuff before the finale was greeted by a prolonged standing ovation.

Be warned guys – the last ten minutes can be very rowdy!! But make no mistake, this production will run and run. It is certainly no flash in the pan!!

The Full Monty continues at Buxton Opera House until September 30 th when it begins its National Tour. For ticket information contact Buxtonoperahouse.org.uk

RELATED ARTICLES MORE FROM AUTHOR

Panto Preview: Dick Whittington @ The Regent

Theatre Review: Lord of the Dance @ The Regent

Theatre Review: Strictly Eric @ The New Vic

Useful links.

• How to Listen
• Get in contact with us
• Privacy Policy
• What's On Guide
• Useful Local Contacts

Get Social With Us

Download the app.

© 2024 Moorlands Radio C.I.C - All Rights Reserved

• As Featured In
• Local Events

The Full Monty UK Tour Review

 The Full Monty is one of those iconic British 90's movies that everyone seems to know. Whether you've seen it or not, you know the premise. A bunch of average Joe's get their kit off in order to help make ends meet whilst covering some themes such as mental health, body image, and sexuality. Whilst its origins are on the big screen, it's been living on the stage since Simon Beaufort created this award winning play in 2013. Billed as a true girl's night out, the Mayflower Theatre was certainly full of excited women ready for a fun evening ahead. 

I have to admit that this was a stellar cast. Each performer brought their own and allowed for dry humour that just fit and helped lead the story on. They truly left their inhibitions behind as they took to the stage with such sincerity and confidence. Danny Hatchard led the gang and I loved the relationship he had with his son Nathan (Theo Hills) who truly stole the show with his humour and heaps of energy on stage. To be surrounded by such big characters is a hard challenge, but he stood his own and won us over. 

Whilst I loved the premise, staging, and the way the play was presented, I did feel that the transitions between the scenes were quite long and clunky. Whilst I appreciate the moving of scenery is a massive task, at times I felt that the story was paused and the momentum dipped whilst things moved around. Despite this, I loved the show and felt that the characters truly made it special. And of course it can't be the Full Monty without the brilliant show at the end of it. To say it was blinding was an understatement! How the gang have the confidence to pull it off every day on stage is something to commend and celebrate. The audience loved it, and the actors seemed to have a fab time on stage too. 

The Full Monty is definitely a show for adult audiences. Covering themes that were touching, raw, and honest, it's a show that isn't afraid to take life by the balls and let everything hang free for the world to see. Amongst the humour, full on fun, and comedic times there is a show that takes a look at men's mental health and ways that they can band together to support each other. Whilst it's full on fun night out (quite literally!) it's also got heart to it too and is one not to be missed on the UK touring circuit. 

On at the Mayflower Theatre until 11/11/2023, it then continues on a UK tour. For more information and tickets please see below. 

The Full Monty - Mayflower Theatre Tickets

The Full Monty UK Tour Dates

*Note: tickets were gifted in exchange for a review. 

No comments

Popular Posts

Blog Archive

On: Yorkshire Magazine

• Terms & Conditions
• Privacy Policy
• Arts Interviews
• Bios & Memoirs
• Film & TV
• Food and Drink
• Non-Fiction
• Live Comedy
• Film Reviews
• Bands & Artists Q&A
• Album Reviews
• Live Reviews
• Photography
• Yorkshire Music Scene
• Yorkshire Theatre
• Spa Reviews
• Business Stories
• Jobs and Work
• Car Reviews
• Motoring News
• Food Features
• Recipe Box Reviews
• UK & International Restaurant Reviews
• Wine Questions
• Yorkshire Restaurant Reviews
• Family & Childcare
• Father’s Day
• Product Reviews
• Mother’s Day
• School & Education
• Valentine’s Day
• Hotel Reviews
• Travel Reviews
• Yorkshire Travel Reviews
• Yorkshire Cycling
• Yorkshire Features
• Yorkshire History
• Yorkshire Sport
• Yorkshire Transport
• Yorkshire Walks

The Full Monty – Review – Bradford Alhambra Theatre

By Sue Dean, November 2023

From curtain up, this stage adaptation of The Full Monty dives headlong into the gritty Northern humour and heartfelt storytelling that endeared so many to the 1997 British film, but it’s worth remembering The Full Monty is no knockabout farce. The well-known dance scenes only work alongside, not apart from, sombre source material that addresses themes of unemployment, self-acceptance, and even suicide – and at its core is a character-driven narrative about searching out an unlikely dream. It’s somewhat strange that 90% of the audience in Bradford Alhambra tonight are women, when this play is very much about men and male identity.

I wonder why that is?

The 90s setting is authentic, with meticulous attention to detail in recreating the era. The set appears to have been fashioned from Sheffield steel—a jigsaw-like, movable structure that transitions effortlessly into multiple settings, adding to the theatrical experience. The costumes too, including those iconic shell suits, transport you back to the 1990, whilst paying homage to the film.

“Authentic”

The entire cast embrace their roles with enthusiasm, maintaining the film’s charm and wit. Gaz, Dave, Lomper, Horse, and the others are portrayed with a genuine sense of camaraderie. Their chemistry is palpable, and it’s impossible not to root for their success.

The famous dole office scene, a fan-favourite, is executed beautifully. The subtle movement as Donna Summer’s “Hot Stuff” commences, gradually building to a spin, is testament to the production’s on-point meticulousness. The soundtrack, filled with fantastic ’90s tunes, complements every scene change, providing smooth transitions between locations.

The performances are praiseworthy, with Theo Hills as Nathan, the self-appointed group manager, delivering well-timed one-liners with ease and is certainly an actor to watch for in the future. Neil Hurst’s authentic Sheffield accent lends credibility to his portrayal of Dave. These actors, alongside the remainder of the cast, succeed in giving their characters the depth they need and help create a credible and engaging show.

“Celebration”

Indeed, the first half builds towards a truly memorable moment prior to the interval. No spoilers, but it’s a standout scene that adds layers to the narrative and surprises even those familiar with the film.

The biggest compliment I can offer is that The Full Monty stage play successfully captures the essence of the film, upholding the themes of friendship, self-acceptance, and overcoming adversity while infusing a live energy that holds your attention throughout. It really does become a joyous experience.

When the iconic final scene unfolds, the audience joins in in celebration, irrespective of gender. Regarding the question of whether the cast go “the Full Monty,” well, that’s something theatregoers must experience for themselves. Suffice it to say, one actor does indeed “leave his hat on”.

‘The Full Monty’ is at Bradford Alhmabra until 18th November images: Ellie Kurtz

Mind-Set (2023) – Film Review

Unraveling the crypto conundrum: a conversation with ..., related articles.

Disney’s Aladdin – Review – Bradford Alhambra

Grease The Musical – Review – Bradford Alhambra

Cirque: The Greatest Show – Review – Bradford Alhambra Theatre

The Syndicate – Review – Bradford Alhambra Theatre

Leave a reply cancel reply.

This site uses Akismet to reduce spam. Learn how your comment data is processed .

Featured articles...

An Interview with Michael Palin

An Interview with Film Producer Jonathan Sothcott

An Interview with Author, Rachel North

Brassed Off – Review – Stephen Joseph Theatre, Scarborough.

More than The Lakes: Visiting Kendal’s Cultural Corners – Travel Review

Aston Martin DB12 – Car Review

• Entertainment
• Things To Do
• Food & Drink
• Competitions
• Baker Street Cinema
• Vue Cinemas
• Borough Theatre
• Congress Theatre – Cwmbran
• Dolman Theatre – Newport
• New Theatre – Cardiff
• Sherman Theatre
• Swansea Grand Theatre
• Wales Millennium Centre
• Grand Pavilion Porthcawl
• Motorpoint Arena
• Pontardawe Arts Centre
• Principality Stadium
• The Riverfront
• Sophia Gardens
• St David’s Hall
• Gadlys Arms
• The Marquis Inn
• The New Inn
• Legends Cafe
• Restaurant 1861
• Spice Lounge
• Steel Horse Cafe
• The Walnut Tree
• Berrys Bar & Grill
• Blue Anchor Inn
• Hang Fire Southern Kitchen
• The Highwayman Inn
• Whitmore & Jackson Coffee Shop
• The Cross Oak
• Butterflies Bar & Kitchen
• Queen Victoria Inn
• The Lion Hotel & Restaurant
• Brecon Beacons
• Brecon Mountain Railway
• The Bank Bar & Kitchen
• The Felin Fach Griffin
• Three Horsehoes Inn
• Smart’s Deli
• The Cwtch Coffee Shop
• Cardiff Bay
• Cardiff Castle
• Bill’s
• Côté Brasserie
• Dragon Court
• Miller & Carter
• Eastern Flavas
• Mythos Meze Bar
• The Boat Inn
• The Coach & Horses
• The Millers Arms
• The Pepper Mill
• The Riverside Wine Bar
• The Woodlands Tavern
• The Hare & Hounds
• The Red Fox Inn
• Town & Country Collective
• Latte-Da Coffee & Kitchen
• Riverside Restaurant
• The Coach & Horses Inn
• The Kestrel Inn
• The Vine Tree
• Caspian Fish Restaurant
• The Greenhouse
• Cinnamon Garden
• Morgans Wine Bar
• The Gwestry
• The Towpath Inn
• Tafarn y Bont – Govilon
• The Old Black Lion
• Ye Olde Royal Oak
• Julie’s Deli
• The Aberglais
• Curros Restaurant
• Friendly Fox
• Las Iguanas
• James Sommerin
• The Little Crown Inn
• Margam Country Park
• Swansea Bay
• Britannia Inn
• Hanson At The Chelsea
• The Fountain Inn
• The Baytree
• The Blue Ball
• The Fat Seagull
• Bubbleton Cafe
• The Stowaway Coffee Shop
• Tintern Abbey
• The Anchor Inn
• The Filling Station
• The Royal George
• Bedwellty House
• The Mountain Air
• The Railway Tavern
• Morris’s
• Raglan Arms
• The Greyhound Inn
• The Nags Head Inn
• The White Hart Village Inn
• Angel Hotel – Abergavenny
• Celtic Manor Resort
• St David’s Cardiff
• St Pierre – Chepstow
• Aberfan Shopping Centre
• Capitol Shopping Centre – Cardiff
• Cardiff Indoor Flea Market
• Castle Quarter Arcade – Cardiff
• Cwmbran Centre
• Festival Park
• Friars Walk – Newport
• McArthurGlen Designer Outlet – Bridgend
• Morfa Shopping Park – Swansea
• Newport Retail Park
• Quadrant – Swansea
• Royal Arcade – Cardiff
• St David’s Dewi Sant
• Swansea Indoor Market
• Trago Mills
• Pontypridd RFC
• Welsh Rugby Union
• Cardiff City
• Newport County
• Swansea City
• Aberdare Golf Club
• Bargoed Golf Club
• Blackwood Golf Club
• Bridgend Golf
• Brynhill – Barry
• Bryn Meadows Golf Club
• Caerphilly Golf Club
• Cardiff Golf Club
• Castell Heights – Cardiff
• Celtic Manor Golf
• Clyne Golf Club – Swansea
• Coed-y-Mwstwr – Bridgend
• Cottrell Park – Cardiff
• Creigiau Golf Club – Cardiff
• Dinas Powis Golf Club
• Earlswood Golf Club – Swansea
• Fairwood Park – Swansea
• Glamorganshire Golf Club – Penarth
• Glynneath Golf Club
• Gower Golf Club – Swansea
• Greenmeadow – Cwmbran
• Grove Golf Club – Porthcawl
• Lakeside Golf Club – Powys
• Langland Bay – Swansea
• Llanishen Golf Club – Cardiff
• Llantrisant & Pontyclun Golf Club
• Llanwern Golf Club
• Monmouthshire Golf Club
• Neath Golf Club
• Newport Golf Club
• Pennard Golf Club
• Peterstone Lakes
• Pontypool Golf Club
• Rolls Of Monmouth Golf Club
• Royal Porthcawl
• St Pierre Golf Club
• Swansea Bay Golf Club
• Chepstow Racecourse
• Ffos Las Racecourse
• Hereford Racecourse
• Goytre Wharf
• National Showcaves Centre
• Rhondda Heritage Park
• South Wales Markets
• Visit Wales
• Work With Us

I’m a huge fan of the movie and even the TV series re-boot on Disney+ earlier this year, but somehow the transition from screen to stage has given the story more bite. Because we’re now living in difficult times, means we can all find something to relate to in the story, or more likely, we have a greater understanding of the real life issues the production touches on.

The Full Monty doesn’t shy away from depression, suicide, how we feel about how we look, and so much more. Issues which are openly discussed and dealt with today, but back in 1980’s Sheffield where the story is set, maybe not as much, if at all.

Like the movie, the play is also hysterically funny, perhaps even more so, with some of those classic lines we’ve heard a thousand times on screen.

We follow the same band of brothers, led by Gaz ( DANNY HATCHARD ) who are very much down on their luck but are determined to fight back and bare a little more than they ever thought they would have to.

As in the film, this production is a rollercoaster ride of ups and downs, laughs and heartbreak, a perfect way to Celebrating the 25th Anniversary of the movie.

The show is full of familiar faces, but within minutes all talk of ‘ isn’t that him from ‘…. is gone and you’re invested in each of the lives of these desperate guys.

JAKE QUICKENDEN is Guy, the fella with the least amount of worries in showing his buff body in the final routine. BILL WARD plays Gerald, the one with the love of garden gnomes and the secret he’s kept from his wife for months. NICHOLAS PRASAD is Lomper, NEAL HURST is Dave and the one most concerned about his body-image, despite reassurances from his wife that she still fancies him. And BEN ONWUKWE plays Horse, nicknamed not because he rode the 3:30 at Chepstow, but – well, I’m sure you’ve figured that one out (or so we think). He gives a mighty sexy dance routine, despite his knackered hip, it’s hilarious and had us all cheering along with every step.

I guess the story proves there is a hot bloke for everyone and really taps in to the beauty is only skin deep motto.

The show is directed by Michael Gyngell, choreography and what they call intimacy direction is by Ian West, Set and Costume design is by Jasmine Swan and takes us from the Sheffield streets to a derelict steel mill, the dole office and ultimately the working men’s club where the deed is done.

The cast are superb and you felt there’s a real bond between them all, which extends way past the two hours they’re on stage. The story centres around Gaz and his difficult relationship with his ever supportive young son Nathan, played last night by THEO HILLS and who was a bit of a stand-out star with some of the best lines in the show, all perfectly delivered. It’s also a story about six different lives with one common theme. Each of the players brought real heart and warmth to their roles.

The women are key to this male bonding tale, especially Dave’s wife Jean ( KATY DEAN ). And if you’re wondering – that unforgettable scene which takes the pee out of the way men pee is still there, and absolutely hilarious.

Of course, The Full Monty is a play and not a musical but what made the original movie great was a soundtrack, which to this day is still filling those festive dancefloors. And you’ll be pleased to hear that each of those classics is there and will have you mouthing along to them and maybe having a little wiggle in your seat.

Head to the bottom of the page to listen to the soundtrack while you read the rest of this review…..

Back in the day The Full Monty was sold as a feelgood film, and all of that good felling was up on the New Theatre stage last night. Of course, we all waited for the climax to the story, when they guys donned their thongs, and took to the stage for the final routine, and it was fantastic. I don’t mind saying that I was a little nervous for the guys. It’s a difficult thing getting your kit off in front of a theatre full of people (I would imagine), but they did it with great style, panache and humour.

If you are looking for a moral to this tale I guess it comes with the final strip. As each layer is removed and thrown to the floor, so are the things which have held the guys back. If you’re gonna strip, do it with flair, if you’re going to live your life, no matter what it throws at you, grab it by the horn and live every moment to its fullest.

I have to admit to a little tear at times, and as I joined everyone on their feet for the final standing ovation, the tears became cheers for this fine production and great night out at the theatre.

THE FULL MONTY is magnificent and the cast pulled it off perfectly – and I don’t just mean their clothes in the final scene. You may know the story but you’ll still be rooting for these guys all way as they hope they have the bottle to leave their hat on – and very little else.

The tour is at the New Theatre in Cardiff this week, through to Saturday 2nd December. Performances are at 7:30pm each evening with a 2:30pm matinee on Wednesday and Saturday. Tickets start at £24, for more information, or to get yours go  HERE .

RELATED ARTICLES MORE FROM AUTHOR

Win a Family Ticket to Opening Night of Swansea’s Jack and the Beanstalk

A Chorus Line – Singularly Sensational and ‘One’ You Have to See

All For One, Fun For All – Black Rat Return With The Three Musketeers

We Chat to Corrie Favourite Wendi Peters Ahead of the Swansea Date for Sister Act

Rocky Horror is Back With the Stocking, Aitken, Waterman King Himself – Jason Donovan

PONTYPOOL Cast Announced as Wales Millennium Centre Extends Run

Alexandra Gate Business Centre 2 Alexandra Gate Ffordd Pengham Cardiff, CF24 2SA 02922-362359 [email protected]

• Privacy Policy

• WordPress.org
• Documentation
• Learn WordPress

The Full Monty – Belgrade Theatre, Coventry

Reviewer: james garrington.

Writer: Simon Beaufoy

Director: Michael Gyngell

It’s not a play about men stripping – it’s a play about why the men decide to strip.

This is Simon Beaufoy’s stage adaptation of his hit screenplay, not to be confused with the musical of the same name, and it’s set in the north of England during the Thatcher years – a time when whole swathes of industry were being closed down. Gaz and his friend Dave try to add to their income by stealing scrap metal from the mill, helped by Gaz’s son Nathan – but he still doesn’t have enough to pay the maintenance money he owes his estranged wife, and she is threatening to take away his access to his son. When they see how many women have turned up to watch a performance by The Chippendales they decide that there’s money to be made by taking their clothes off, but there are problems – they need more people, and they can’t dance. So they set about getting others involved in their plan.

There’s good work from the entire cast but inevitably the spotlight falls on the six men who form the group. Danny Hatchard makes an ideal Gaz, desperate and likeable despite having turned to crime, with Neil Hurst as an excellent Dave, overweight and constantly dieting. Bill Ward is suitably uptight as foreman and Conservative Club member Gerald, with Nicholas Prasad making a wonderfully shy and unassuming Lomper. Jake Quickenden is a supremely confident Guy, toned and tanned, and worryingly keen on taking his clothes off, with Ben Onwukwe a nicely-played Horse, who back in the day knew all the dance moves – but that was a long time ago and his body may not be as up for it as it was.

The set by Jasmine Swan is a thing of wonder, a large framework of girders and staircases that moves together in a multitude of different shapes to create different locations and settings. It creates great flexibility, though the scene changes take a little longer than is ideal and could perhaps have been choreographed more slickly or some business created to give the audience something to watch rather than large frames being dragged around the stage.

Dig deeper than the title and what you have is a piece about people. It’s about loss – loss of standing, loss of money, loss of hope, all delivered with a wry Northern humour. These men aren’t heroes, they’re human beings with their own body issues, they’re the people you see in the pub, and you feel for them and want them to succeed. Although delivered as a comedy, it has a serious heart – and whether you think everything they make fun of is appropriate or funny is something for personal taste. Despite the humour there’s a sense of realism that flows through, until the very final scene which abruptly brushes aside the reality to create a glitzy feelgood finale which jars slightly – but ultimately is a piece with a heart and soul, and it’s nicely done.

Runs until 7 October 2023 and on tour

The Reviews Hub Score

A comedy with a poignant heart.

The Reviews Hub - Central

Related articles.

Last Night I Dreamt That Somebody Loved Me: Songs and Stories of An Eighties Teenager – Tron Theatre, Glasgow

The Black Saint and The Sinner Lady – Barbican, London

Count Binface: Bindepedence Day – Oran Mor, Glasgow

Waiting For Godot – Theatre Royal Haymarket, London

The Full Monty

Based on the cult hit film of the same name, The Full Monty, a ten-time Tony Award nominee, is filled with honest affection, engaging melodies and the most highly anticipated closing number of any show. The powerhouse team of Terrence McNally ( Ragtime ) and David Yazbek ( Dirty Rotten Scoundrels ) cooks up 

While spying on their wives at a "Girls' Night Out," a group of unemployed steelworkers from Buffalo sees how much they enjoy watching male strippers. Jealous, out of work and feeling emasculated, the men come up with a bold and unclothed way to make some quick cash. In preparing, they find themselves extremely exposed; not merely physically but emotionally. As they conquer their fears, self-consciousness and prejudices, the men come to discover that they're stronger as a group, and the strength that they find in each other gives them the individual courage to "let it go."

The Full Monty is a story full of heart. Right to the end, audiences will be wondering if these lovable misfits will really pull it off. With a raucous mix of razor-sharp humor and toe-tapping pizzazz, this heartwarming, upbeat comedy is a must for any theatre looking for a big hit.

Concert Selections for The Full Monty

MTI is pleased to provide the pre-approved rental materials of select songs for your symphonic concert performance. Please note, MTI is unable to grant the necessary Performance Rights with this material rental. The Performance Rights needed must be obtained separately through the individual song’s respective small rights agency such as ASCAP, BMI, or SESAC. Please email [email protected] with any questions.

20 Piano-Conductor Scores, 1 Accordion, 17 Violin, 7 Viola, 6 Cello, 5 Bass, 1 Harp, 3 Horns, 1 Trumpet, 1 Trombone, 1 Reed I (Flute, Piccolo), 1 Reed II (Oboe), 1 Reed III (Clarinet, Optional Flute), 1 Reed IV (Clarinet, Optional Flute), 1 Reed V (Bassoon)

2 Keyboard 1/Conductor, 10 PV, 4 Reed(Clarinet, Piccolo, Flute, Alto Sax)Trumpet, Trombone, Guitar 1(Archtop), Guitar 2(Solid Body Electric), Keyboard 2 (synth.), Keyboard 3(synth.), 2 Percussion, Violin(6), Bass(3)

5 Bass, 6 Cello, 7 Viola, 17 Violin, 1 Drum, 1 Harp, 1 Horn, 1 Keyboard1,1 Keyboard2, 6 Piano Conductor Scores, 2 Percussion, 1 Reed 1, 1 Reed 2, 1 Reed 3,1 Reed 4, 1 Reed 5, 1 Trombone 1, 1 Trombone 2, 2 Trumpet 1&2, 1 Trumpet 3

1 Flute, 1 Clarinet 1, 1 Clarinet 2, 1 Oboe, 1 Bassoon, 2 Horn 1&2, 9 Violin 1, 8 Violin 2, 7 Viola, 6 Cello, 5 Bass, 3 Percussion, 1 Harp, 2 Vocal Score, 3 Chorus books

(1x) FULL SCORE; (2x) PIANO/VOCAL SCORE; (1x) FLUTE (+Piccolo); (1x) CLARINET; (1x) BASSOON; (2x) HORNS 1 & 2; (1x) TRUMPET IN C; (1x) ALT. TRUMPET IN Bb; (1x) PIANO; (1x) SYNTHESIZER; (5x) PERCUSSION: Trap Set, Triangle, Temple Block, Concert Bass Drum; (17x) VIOLINS; (7x) VIOLAS; (6x) CELLO; (5x) BASS

1 Flute, 1 English horn, 1 Clarinet in Bb, 1 Clarinet 2, 1 Clarinet 3, 1 Bassoon, 1 Horn, 2 Trumpet 1&2, 1 Trumpet 3, 1 Trombone, 9 Violin AC, 8 Violin BD, 7 Viola, 6 Cello, 5 Bass, 2 Percussion, 2 Piano Conductor

1 Oboe 1, 1 Oboe 2, 1 Flute 1, 1 Flute 2, 1 Flute 3, 1 Clarinet 2(in B), 2 Bassoon 1&2, 1 Clarinet 1(in Bb), 1 Tuba, 1 Trumpet 1, 1 Trumpet 2, 1 Trumpet 3, 1 Trombone 1, 1 Trombone 2, 1 Horn 1(in F), 1 Horn 2(in F), 1 Horn 3(in F), 1 Horn 4(in F), 9 Violin 1, 8 Violin 2, 7 Viola, 6 Cello, 5 Bass, 3 Percussion, 1 Narrator, 1 Fullscore

Please Note: In some instances (i.e. Reeds, Percussion, etc.), additional copies of parts may be provided, in the event you wish to split out the doublings to multiple players.

(1x) Full Score; (2x) Piano/Conductor Score; (2x) Woodwind 1: Flute, Piccolo; (1x) Woodwind 2: Oboe; (1x) Woodwind 3: Clarinet; (2x) Woodwind 4: Clarinet, Bass Clarinet; (1x) Woodwind 5: Bassoon; (1x) Horn; (2x) Trumpets; (1x) Trombone 1; (1x) Trombone 2; (1x) Trombone 3; (3x) Percussion: Small Triangle, Bell Tree, Tambourine, Timpani, Gran Casa, Cymbal; (1x) Organ; (1x) Harp; (17x) Violins; (7x) Viola; (6x) Cello; (5x) Bass

1 Bass, 2 Guitars, 1 Drums, 2 Percussion, Keyboard 1, Keyboard 2, 1 Reed 1, 1 Reed 2, 1 Reed 3, 20 Piano-Conductor Score, 1 Full Score

Reed 1 (Clarinet, Alto Sax), Reed 2 (Clarinet, Alto Sax), Reed 3 (Piccolo, Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Baritone Sax), 3 Trumpets, 1 Trombone, Keyboard 1, Keyboard 2, Drums, Percussion, Bass. Your rental set will also include 3 Piano-Conductor Scores.

(1x) FULL SCORE; (3x) PIANO/CONDUCTOR SCORE; (2x) REED 1: Clarinet, Piccolo; (2x) REED 2: Oboe, Clarinet; (1x) REED 3: Clarinet; (3x) REED 4: Bassoon, Bass Clarinet, Baritone Saxophone; (1x) HORN 1; (1x) HORN 2; (1x) TRUMPET 1; (1x) TRUMPET 2; (1x) TROMBONE; (1x) TUBA; (1x) PERCUSSION 1: Suspended Cymbal 1, Suspended Cymbal 2, Suspended Cymbal 3, Triangle, Crash Cymbal; (1x) PERCUSSION 2: Timpani; (1x) PERCUSSION 3: Vibraphone, Mark Tree, Glockenspiel, Suspended Cymbal, Gong, Chimes; (1x) PIANO; (1x) GUITAR: Acoustic; (8x) VIOLIN 1; (8x) VIOLIN 2; (7x) VIOLA; (6x) CELLO; (5x) BASS

2 Piano Conductor Scores, 1 Full Score, 2 Guitar 1 (Acoustic, Mandolin), 1 Guitar 2 (Acoustic), 5 Bass, 3 Percussion (Timpani, Vibraphone, Crotales, Chime, Suspended Cymbal), 17 Violin 1/Violin 2, 7 Violin 3 (Viola)/Viola, 6 Violincello

1 Flute, 1 Reed 2, 1 Reed 3, 1 Reed 4, 1 Bassoon, 1 Horn 1, 1 Horn 2, 1 Trumpet 1, 1 Trumpet 2, 1 Trumpet 3, 1 Trombone 1, 1 Trombone 2, 17 Violin, 7 Viola, 6 Cello, 5 Bass, 3 Percussion, 1 Accordion, 1 Guitar, 2 Piano Conductor, 25 Chorus books

1 Flute 1, 1 Flute 2, 1 Oboe, 1 Clarinet 1, 1 Clarinet 2, 1 Bass clarinet, 1 Bassoon, 2 Horn, 2 Trumpet 1&2, 1 Trumpet 3, 1 Trombone 1, 1 Trombone 2, 1 Tuba, 1 Vibes, 9 Violin AC, 8 Violin BD, 7 Viola, 6 Cello, 5 Bass, 3 Percussion, 1 Harp, 2 Piano Conductor, 4 Chorus books

(1x) Full Score; (2x) Piano/Vocal Score; (1x) Flute; (1x) Clarinet; (1x) Bassoon; (2x) Horns 1&2; (1x) Trumpet in C (TACET); (1x) Alt. Trumpet in Bb (TACET); (1x) Piano; (1x) Synthesizer; (3x) Percussion: Bells, Crotales; (17x) Violins; (7x) Violas; (6x) Cello; (5x) Bass

Show Essentials

It's A Woman's World

Big-ass rock, life with harold, big black man, you rule my world, michael jordan's ball, jeanette's showbiz number, breeze off the river, you walk with me, you rule my world (reprise), cost estimator.

Estimate the approximate cost of your licensing fees by providing a few details about your production.

Similar Shows

Community marketplace.

Manage your events and ticket sales online and create epic experiences.

Give Your Cast and Crew the Tools for a Successful Rehearsal Process

The ultimate book for theater lovers of all ages.

Bring Broadway to your own backyard by licensing the authorized keyboard programming for your show.

Promote your show with the officially licensed logo.

Listen to a cast or demo recording before licensing your next musical.

Run rehearsals straight from your mobile device using a virtual accompanist that plays every note of your show’s score.

Facilitate cueing, blocking and all of your production needs with this customizable copy of the libretto. 

Enable your creative team to easily track the moving pieces of your production.

Change the key of any song and optimize your performer’s vocal range.

Questions & Answers

• In London or across the UK
• at Edinburgh Fringe
• List Your Show
• Advertising
• Ballet & Dance

• Off-West End
• Regional & Tours
• Digital Theatre
• Join us as a Reviewer

The Full Monty Tour Review

The Full Monty Tour

Currently touring the UK in a run planned well into 2017, ‘The Full Monty’ is already stirring up a great deal of excitement and building an army of fans.

Based on the 1997 film and originally staged on the west end in 2013, this play version is closer to Simon Beaufoy’s original screenplay than the short-lived musical version which also ran in the West End in 2000

Set in Sheffield, as the steel industry was taking its last dying breath, ‘The Full Monty’ tells the story of a group of out of work steelworkers trying to make ends meet.  ‘Gaz’ needs to find money urgently to pay maintenance for his son ‘Nathan,’ when the ‘Chippendales’ come to town, causing a frenzy in the process. Realising it could be a fast way to earn some cash, he hastily sets about forming his own group of male strippers, who come in all shapes and sizes.

Gary Lucy reprises the role of ‘Gaz’ from the London production. He is clearly very comfortable in the role and delivers each line and movement with precision, making the whole performance very natural and polished.

You might also like

First Look: The 20th Anniversary Production of Alan Bennett’s The History Boys

First Look: The Full Monty on Tour

‘Guy’ is played by Chris Fountain, although he doesn’t make an appearance until the end of the first act, he certainly makes a memorable impression! Throughout the second act, he is full of energy and his talents as an actor are undeniable.

Fountain has a very touching scene with Anthony Lewis, who plays ‘Lomper,’ this is a great character to see develop throughout the play and Lewis plays it just right, from the shy and awkward young man lacking friends or purposes, he grows to be a central member of the group.

Andrew Dunn, a veteran of British comedy plays ‘Gerald’ and gets a lot of laughs, as does Kai Owen playing ‘Dave.’ Louis Emerick completes the group of strippers in the role of ‘Horse.’  The role of Nathan is alternated by four talented young actors.

Overall ‘The Full Monty is incredibly funny, and from start to finish, the cast gets the laughs, but it’s very natural humour; humour drawn from the situation rather than a litany of set up jokes.  There are also some very touching scenes, like the one between Chris Fountain and Anthony Lews, but also between ‘Gaz’ and his son ‘Nathan.’

The staging is impressive for a touring production, with an elaborate set that doesn’t utilise the bright rear lighting that was employed in the West End – that’s a good thing. It’s important to remember this is a play, so the music is limited, but of course, a few bursts of ‘You Can Leave Your Hat On’ seemed more than enough to whip the audience into a frenzy.

Some of those audience members appeared to forget it was a play at all and continued to wolf-whistle and shout out during key pieces of the dialogue.  I’m sure the cast are used to this and seemed to barely notice, continuing unperturbed.  And while that behaviour wouldn’t be acceptable at most plays, everyone just seemed to accept it. The truth is, we were all having a great time, and that’s the point of the show, get together with some friends and have a good old laugh.

Greg Stewart

Greg is an award-winning writer with a huge passion for theatre. He has appeared on stage, as well as having directed several plays in his native Scotland. Greg is the founder and editor of Theatre Weekly

Related Articles

Full Cast Announced for THE FULL MONTY UK Tour

Danny Hatchard, Jake Quickenden And Bill Ward To Star In The Full Monty UK Tour

The worst show I have ever seen .wont be recommending to anyone . 32 pound down the drain !!!

As a whole the show was fantastic laugh a minute and the little boy who played nathan stole the show. Unfortunatley Gary Lucys accent was an insult to the sheffield accent 🙁

Poor would not recommend this one . lost concentration very quickly Acoustics were weak and we struggled to hear anything very muffled and all over the place

Great night sadly let down by a very weak lead in Gary Lucy . He was poor last time and has had a couple of years to work on his accent but to no avail . We could not hear him as previous comments have noted .

Absolutely fantastic, wish I had gone before the last night so I could have gone and watched it again .

Could not understand what Gary Lucy was saying ,he spoilt the show for me

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Privacy Policy Agreement * I agree to the Terms & Conditions and Privacy Policy .

• Join Our Community
• Privacy Policy
• Cookie Policy
• Terms and Conditions

Recent News

Magdalene Sesay The First Recipent Of The Go Live Theatre Scholarship

The Almeida Theatre announces five new productions

© 2022 Theatre Weekly

• Off West End
• Regional & Tours

Jeff Recommended

The full monty.

From the unemployment line to the self-made man, The Full Monty bares it all!

Subscriptions on sale Monday, February 5, 2024.

Single tickets on sale June 2024.

Lobby doors open one hour prior to performance.

Content Warning: Contains adult themes, including references to suicide, strong language and brief full-frontal nudity. Please contact the box office with questions.

From the unemployment line to the self-made man, 
 The Full Monty bares it all! The Full Monty is a side-splitting musical that follows Jerry, Dave and pals, part of a group of unemployed steelworkers in Buffalo, New York. With their backs to the wall, they decide to create a male strip show to help pay their mortgages and provide for their families after layoffs.

Facing economic — and in some cases personal — disaster, and their insecurities, these taboo-busting boys bare their souls and their bodies. Thanks to a hearty blue-collar work ethic, they happily abandon the daily unemployment grind for a different kind of grind, stripping off the layers of toxic masculinity to reflect the true ingenuity of the American spirit — gettin’ it done!

Throw any old thing on top of your birthday suit, and join us for this empowering tale that proves the naked truth that anything can be accomplished with the right mix of friends and courage. The songs in this 10-time Tony Award nominee capture the spirit of the ’90s, delivering the goods with songs like “You Rule My World” and inspiring lyrics in “Breeze Off the River”.

The Full Monty delivers a feel-good experience that challenges stereotypes and celebrates the triumph of the human spirit.

A working-class musical that works for tips!

Book by TERRENCE MCNALLY Music and lyrics by DAVID YAZBEK Based on the motion picture released by FOX SEARCHLIGHT PICTURES and written by SIMON BEAUFOY Produced by UBERTO PASOLINI and directed by PETER CATTANEO

Contains adult language and brief nudity. Contact the Box Office for additional content advisories, 
if any. THE FULL MONTY Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com

Accessibility Performances

Audio described performances.

Audio description is a voice-over service provided via headset for people who are visually impaired, allowing them to sit anywhere in the audience and enjoy the performance. Commentary and narration are provided to assist the listener in understanding the visual elements of the show, from descriptions of facial expressions to explanations about props, costumes, lighting, scenery and more.

• Frozen The Broadway Musical : Saturday, January 4, 2025 at 2:00 p.m. *Due to a limited number of headsets, please inform the Box Office when you purchase tickets if you will require an audio description headset for the performance.

Open Captioned Performances

The open captioning setup includes a LED screen close to the stage. Purchase tickets to these performances online, over the phone or in person. Standard ticket prices apply.

• The Full Monty : Wednesday, October 2, 2024 at 7 p.m.
• Frozen The Broadway Musical : Wednesday, January 8, 2025 at 1:30 p.m.
• Waitress : Wednesday, March 26, 2025 at 1:30 p.m.
• Cats : Wednesday, June 11, 2025 at 7 p.m.

American Sign Language Interpreted

There will be two certified sign interpreters translating all dialogue and lyrics into American Sign Language.

Broadway Series – Use code: ASLPARAMOUNT

• The Full Monty : Friday, October 4, 2024 at 8 p.m.
• Frozen The Broadway Musical : Friday, January 10, 2025 at 7 p.m.
• Waitress : Friday, March 28, 2025 at 8 p.m.
• Cats : Friday, June 13, 2025 at 8 p.m.

BOLD Series – Use code: ASLBOLD

• Peter and the Starcatcher : Friday, August 30, 2024 at 8 p.m.
• An Act of God : Friday, November 8, 2024 at 8 p.m.
• The 25th Annual Putnam County Spelling Bee : Friday, April 18, 2025 at 8 p.m.

For tickets ($30), visit our website at paramountaurora.com and use the promotional codes, OR email [email protected].

Sensory-Friendly Performance

Sensory-friendly/relaxed performances are designed to create a performing arts experience that is intended for patrons who have autism or other social, cognitive and physical challenges that create sensory sensitivities and their families.

• Frozen The Broadway Musical : Wednesday, January 15, 2025 at 7 p.m.

For sensory-friendly tickets, visit our website at paramountaurora.com and use code SENSORY , OR call the Box Office.

Meet the Cast

Jerry Lukowski

Making Paramount debut

Rebecca Hurd*

Pam Lukowski

Previously in Beautiful

Jared David Michael Grant*

Dave Bukatinsky

Previously in Jesus Christ Superstar, Little Shop of Horrors, Charlie and the Chocolate Factory, Billy Elliot , and Beautiful

Veronica Garza*

Georgie Bukatinsky

Previously in The Secret to My Success, Groundhog Day , and School of Rock

Jackson Evans*

Harold Nichols

Previously in Beauty and the Beast , and School of Rock

Ann Delaney*

Vicki Nichols, Ensemble

Previously in Newsies, Into the Woods , and Little Shop of Horrors

Malcolm MacGregor

Previously in Mary Poppins, Hairspray, Mamma Mia!, Disney’s The Little Mermaid, The Producers, The Sound of Music, Into The Woods , and Little Shop of Horrors

Diego Vazquez Gomez

Ethan Girard

Bernard Dotson*

Noah “Horse” T. Simmons

Jeanette Burmeister, Ensemble

Previously in Music Man, The Sound of Music , and Billy Elliot

William Daly

Nathan Lukowski

Previously in Fun Home

Ellis Myers

Caron Buinis*

Ensemble, Molly MacGregor, u/s Jeanette Burmeister

Previously in Music Man, Oklahoma!, Cabaret , and Wizard of Oz

Lydia Burke*

Ensemble, Joanie Lish, u/s Vicki Nichols, u/s Molly MacGregor

Previously in Kinky Boots, Groundhog Day, Little Shop of Horrors, Charlie and the Chocolate Factory, Billy Elliot , and Beautiful

Alanna Chavez

Ensemble, Estelle Genovese, u/s Pam Lukowski, Intimacy Captain

Previously in Fun Home and Into the Woods

Evan C. Dolan*

Ensemble, u/s Buddy “Keno” Walsh, u/s Malcolm MacGregor, u/s Ethan Girard

Previously in Sweeney Todd, Newsies, Beauty and the Beast, Cinderella , and Charlie and the Chocolate Factory

Tiyanna Gentry

Ensemble, Swing, u/s Estelle Genovese, u/s Susan Hershey, u/s Joanie Lish

Donovan Hoffer*

Ensemble, Buddy “Keno” Walsh, Dance Captain

Kevin Kuska

Ensemble, Swing, u/s Teddy Slaughter, u/s Reg Willoughby, u/s Tony Giordano, u/s Marty, u/s Minister, u/s Police Sergeant

Previously in Billy Elliot and Beautiful

David Moreland

Ensemble, Teddy Slaughter, Marty, u/s Jerry Lukowski, Fight Captain

Lee Palmer*

Ensemble, Police Sergeant, u/s Noah “Horse” T. Simmons

Abby C. Smith*

Ensemble, Susan Hershey, u/s Georgie Bukatinsky

Previously in Charlie and the Chocolate Factory , and Beautiful

David Stobbe

Ensemble, Tony Giordano, u/s Dave Bukatinsky

Matt Thinnes

Ensemble, Minister, Reg Willoughby, u/s Harold Nichols

Artistic Team

Creg sclavi.

Associate Director

Tor Campbell‡

Choreographer

Kory Danielson

Music Director & Conductor

Michelle Lilly

Scenic Designer

Izumi Inaba^

Costume Designer

Heather Gilbert^

Lighting Designer

Adam Rosenthal

Sound Designer

Katie Cordts

Wig, Hair, & Makeup Designer

Aimee Plant

Properties Designer

Ethan Deppe

Electronic Music Designer

Violent Delights

Intimacy & Fight Directors

Matthew Silar*

Stage Manager

Emma Franklin*

Assistant Stage Manager

Rachel Campbell*

Associate Choreographer

Cameron Tragesser

Assoc. Music Director & Assoc. Conductor

* indicates member of Actors’ Equity Association (AEA) † indicates member of United Scenic Artists (USA) ‡ indicates member of Stage Directors and Choreographers Society (SDC)

Back to Top

Find a Performance

• Cast & Creatives

The Everyman Theatre Cheltenham and Buxton Opera House in association with Mark Goucher and David Pugh present

The Full Monty

Sometimes You Have To Bare All

Simon Beaufoy's award winning play based on the Fox Searchlight Pictures motion picture

BOOK NOW FOR THE FULL MONTY!

• Privacy Notice
• Terms And Conditions
• Site by 2smallfeet

• Advanced Search
• Most Popular
• Enhanced Performances
• Largest tours
• Panto/Christmas Shows
• UKTW News/Reviews
• Newsletters
• Latest Information

The Full Monty

Archive listings.

Cast/Performers

Creatives/company.

The Full Monty Broadway Reviews

Critics' reviews, add your review.

Recommended For You

The ‘Clue’ play is like the Disney ride version of the movie

The national tour of the new adaptation, now at the Kennedy Center, digs into the film’s farcical aspects but doesn’t quite capture its suspense.

“One plus two, plus one, plus one …”

“Let us in! Let us in!” “Let us out! Let us out!”

“Communism was just a red herring.”

If these quotes sound familiar, you’re probably one of the many devotees of the cult classic “ Clue,” the 1985 movie improbably based on a board game that went on to delight fans for decades.

You also may have been at the Kennedy Center on Tuesday evening, where fans showed up in full force, some even in costume, for opening night of “Clue: Live on Stage!,” anticipating the well-worn lines even before they were delivered, and seeing whether the stage version could capture even some of the film’s magic.

The Style section

This production is a relatively recent phenomenon (even if unauthorized, amateur versions of the work have popped up before, if my high school drama department is any indication). Originally produced at the Bucks County Playhouse outside of Philadelphia in 2017 and later developed as “Clue: A New Comedy” at the Cleveland Play House in 2020, the show, written by Sandy Rustin (with additional material by Hunter Foster and Eric Price), is now on an extensive national tour, but it has never appeared on Broadway.

Few adaptations have been made to Jonathan Lynn’s quippy film script, beyond some minor adjustments. (Especially given current headlines , it’s probably for the best that we aren’t connecting monkeys’ brains to Cantonese cuisine right now.) We’re still at a foreboding mansion in the McCarthy era on a dark and stormy night, with six strangers being offered pseudonyms to use at a dinner party (Mrs. Peacock, Professor Plum, etc.). There, they’ll confront a butler who seems to know way too much about their unsavory pasts, and their host, Mr. Boddy, who ostensibly has been blackmailing them for years. Boddy flips the script by offering each of them a deadly weapon (a lead pipe, a revolver — all familiar to players of the board game) to get rid of that nosy butler; when he turns out the lights, murder and high jinks ensue.

“Clue: Live on Stage!” really digs into the farcical, slapstick elements of the movie with great success, giving “Noises Off” - style vibes as the players uncover corpses and dodge crashing chandeliers. Set pieces drop from the ceiling or unfold rapidly from the walls, with Lee Savage’s design effectively capturing the mansion’s dark corners and secret passages. (Fun allusions to the game abound, including maps that resemble its board and the notepad checklists players use to solve the crime.)

The play, which clips along at a brisk 90 minutes, can sometimes feel like the Disney ride version of the film, drawing out its most iconic moments for familiar laughs. (Yep, we’re making out with corpses to the tune of “Life Could Be a Dream” here, too. And Tari Kelly gets extensive, earned applause when she delivers Mrs. White’s “flames on the side of my face” monologue.) The story’s connections to Washington, where all of the blackmail victims’ less-than-American activities are taking place, give “Clue” the chance to make the occasional inside joke with the Kennedy Center audience. (An Old Ebbitt Grill reference, for example.) But the zany romp is less successful in achieving the film’s moments of foreboding suspense, or the wicked edge underlying much of its humor.

To re-create the improbable, lightning-in-a-bottle chemistry of the original movie’s cast (Tim Curry! Madeline Kahn! Michael McKean!) would be a herculean task, and although “Clue” doesn’t quite get there, it’s clear that the players are having a good time. As the clumsy Mr. Green, John Shartzer is particularly adept at the role’s physical comedy demands, and Christina Anthony quickly becomes an audience favorite with her direct, eyebrows-raised take on Miss Scarlet. John Treacy Egan gets a lot of mileage out of Colonel Mustard’s buffoonery, though Mark Price struggles at times to take full comedic command of the proceedings as the butler, Wadsworth.

Why a stage version of “Clue” now, nearly 40 years after the film? There probably isn’t some deep explanation beyond introducing a beloved work to new audiences. A young woman walking out behind me Tuesday evening told her companion that she’d enjoyed the play; had she seen the movie? She’d thought about it, but no, not yet. “It looked really, really old,” she said with a laugh. Give it a whirl, kid. It might charm you even more.

Clue: Live on Stage! , through Oct. 6 at the Kennedy Center. 90 minutes with no intermission. kennedy-center.org .