journeys little rock

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6000 W Markham St

Little Rock, AR 72205

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About the Business

Express yourself when you dress yourself with Journeys! Our store offers the latest styles of skate shoes, athletic sneakers, boots, platforms, sandals, clothing, and accessories for men, women, and kids. It's the one-stop for carefully curated selections from brands like Converse, Vans, Crocs, Birkenstock, HeyDude, Dr. Martens, UGG, Timberland, New Balance, adidas, and more. Our friendly staff will walk you through current trends and help you every step of the way to define your personal look. We can't wait to see you in store!" …

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I tried buying $150 pair of boots here, the sales guy said I couldn't try on a smaller size because it was pointless, it was the same size I had tried on. I bought the shoes anyway, tried them on a few more times and returned them. The girl sales associate was not helpful at all and just said deal with too tight shoes. She sent me next door to the other Journeys. That guy was more helpful and offered to special order the right size for me. I checked my receipt when I left and he had ordered the exact same size I returned: a 10. I called immediately and asked him to check to see if he had gotten a size 10 or 9 for me like I had asked for. He didn't take the time to check and said it'll come in as a 9, don't worry. Well it came in as a 10. Their service is terrible and they don't listen to customers requests. They are very hesitant to bring you sizes to try on despite the fact that I was going to spend hundreds of dollars.

I was here last Saturday evening. People here were very unkind, grumpy. One of staffs even stepped on my daughter's shoe but didn't even apologize, just walked away. very unpleasant experience here...

3.4 miles away from Journeys

ChaRissa K. said "Had to get my ends trimmed and my go to person (Lena) transferred to this locations. This is now my fav location solely due to her working here now." read more

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Charles M. said "I'm not a runner so I don't have a lot to go on, but I loved this store. I was looking online for some Altra running shoes for my daily exercise walks and found this store through the Altra site. It was cool to be able to browse…" read more

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Event starts {{ data.showing_start_time }}, “freedom tour 2022” featuring very special guest toto.

One of the most legendary rock bands of all time, Journey, announces their “Freedom Tour 2022” to include Wednesday, March 2 at 7:30 p.m. featuring very special guest Toto. The diamond-selling Rock & Roll Hall of Famers will take the stage in 40 cities across North America with their catalog of global chart-topping hits, including “Don't Stop Believin’,” “Any Way You Want It,” “Faithfully,” “Lights” and more. Presented by AEG Presents, the tour will perform at Little Caesars Arena on Wednesday, March 2 at 7:30 p.m.

Journey are one of rock music’s most influential icons and they are set to deliver a brand-new album, Freedom, in 2022. This summer, the band headlined the Lollapalooza Festival in Chicago, uniting thousands of fans across generations with their decade-spanning setlist of beloved anthems. The group also rocked Central Park with “Anyway You Want It” and “Don’t Stop Believin’” at We Love NYC: The Homecoming Concert, in addition to honoring 9/11 first responders at the Tunnel to Towers concert in August. Journey features founder Neal Schon (lead guitarist), Jonathan Cain (keyboards, backing vocals), Arnel Pineda (lead vocals) Jason Derlatka (keyboards, backing vocals), and Deen Castranovo (drums, backing vocals).

“It’s that time - time to get back to where we are used to being - on Stage!” says Neal Schon. “We are looking forward to shifting into high gear and bringing you the best show possible. The band is running on all 12 cylinders and very excited!  Please come and join us once again for an evening full of rocking stage connection fun. See you soon Friends.”  

About Journey

Since the group's formation in 1973, Journey has earned 19 top 40 singles, 25 gold and platinum albums, and has sold nearly 100 million albums globally. Their Greatest Hits album is certified 15 times-platinum, making Journey one of the few bands to ever have been diamond-certified, and their song “Don’t Stop Believin’”has been streamed over one billion times alone.  

Journey was inducted into the Rock And Roll Hall Of Fame in 2017 and 2018's co-headlining tour with Def Leppard was the band’s most successful tour to date, landing them in the Top 10 year-end touring chart with more than 1 million tickets sold, and earning them the prestigious Billboard “Legends Of Live” touring award. March 2019 saw the release of Escape & Frontiers Live In Japan, a live DVD/CD set from their concert at the Budokan in Tokyo featuring the band's first-ever performances of the albums Escape and Frontiers in their entirety. Journey has also received a star on the Hollywood Walk Of Fame and were inducted into the Hollywood Bowl Hall Of Fame. Additionally, the band is the subject of the award-winning documentary Don't Stop Believin': Everyman's Journey about the band’s resurgence upon adding Arnel Pineda as lead singer after founding member Neal Schon discovered the Philippines native on YouTube.

6000 W Markham Ste 3020 Little Rock, AR, 72205

Web: www.journeys.com

Category: Journeys , Footwear

Store Hours:

Nearby stores:, aerie - little rock.

Hours: 10am - 9pm (0.1 miles)

Ann Taylor - Little Rock

American eagle outfitters - little rock, banana republic - park plaza, forever 21 - park plaza mall, location map:.

About Journeys

Journeys is a retailer of footwear stocking a huge range of the top brands loved by teens and young adults. The first Journeys retail store to open was the Rivergate Mall Journeys in Nashville, TN, opened by Jim Estepa in December 1986.

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JOURNEYS (Outlets of Little Rock) - Little Rock, Arkansas

JOURNEYS in Outlets of Little Rock

JOURNEYS outlet in Little Rock, Arkansas AR 72210 - location at Outlets of Little Rock. Address: 11201 Bass Pro Parkway, Little Rock, AR 72210. Business information: Hours, holiday hours, Black Friday information.

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Hours (regular hours of Outlets of Little Rock)

• Monday 9:00 AM - 10:00 PM
• Tuesday 9:00 AM - 10:00 PM
• Wednesday 9:00 AM - 10:00 PM
• Thursday 9:00 AM - 10:00 PM
• Friday 9:00 AM - 10:00 PM
• Saturday 9:00 AM - 10:00 PM
• Sunday 11:00 AM - 7:00 PM

Black Friday & Special hours

Monday, Dec 11 – Sunday, Dec 24   Monday – Saturday 9am – 10pm  Sunday 11am – 7pm  Monday, Dec 25 – Tuesday, Dec 26   Monday Closed  Tuesday 8am – 9pm 

NEW YEAR’S DAY HOURS Monday, Jan 1 10am – 6pm

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Vampire Weekend did not make a ‘doom and gloom record’

The indie-rock band, which plays Monday night at SDSU, is making a but it’s a journey out of negativity into “something a little deeper.”

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From the first seconds of Vampire Weekend’s new album, “Only God Was Above Us,” it’s clear that something has changed. “Ice Cream Piano” starts with hiss, buzz, feedback and a hovering, distorted guitar note — the opposite of the clean pop tones that have been the band’s hallmark. It’s the beginning of an album full of startling changes and wild sonic upheavals, all packed into 10 songs.

The new album, like all of Vampire Weekend’s work, is meticulous, self-conscious and awash in musical and verbal allusions — sometimes direct, sometimes cryptic. But it’s also a broad pendulum swing from its 2019 release, “Father of the Bride,” a leisurely, jam-band-influenced sprawl that ran nearly 58 minutes.

“Only God Was Above Us,” the group’s fifth album, released April 5, is eight songs and 10 minutes shorter. The band is now touring in support of “Only God Was Above Us,” with a concert on Monday at Cal Coast Credit Union Amphitheatre in San Diego.

“With every album we have to push in two directions at once,” Ezra Koenig, Vampire Weekend’s singer and primary songwriter, said in a recent interview. “Sometimes that means we have to be poppier and weirder. Maybe with this record, it’s about both pushing into true maturity, in terms of worldview and attitude, but also pushing back further into playfulness. There’s a youthful amateurishness along with some of our most ambitious swings ever.”

Koenig, 39, described the new album’s sequence of songs as “a journey from questioning to acceptance, maybe to surrender. From a kind of negative worldview to something a little deeper.” Ultimately, he said, the LP is optimistic. “It’s not a doom and gloom record. And even if there’s songs where the narrator is trying to figure something out or feels confused, that’s not all. That’s part of the story — it’s not the thesis of the album that the world is dark and horrible.”

The album also exults in musical zingers, non sequiturs and startling off-grid eruptions. The songs often morph through multiple changes of tempo and texture, riffling unpredictably through indie-rock austerity, orchestral lushness, pop perkiness and hallucinatory electronic studio concoctions, like the cascade of wavery, overlapping piano lines in “Connect.” Where “Father of the Bride” had a folky openness, “Only God Was Above Us” is crammed with ideas that gleefully collide.

Ever analytical, Koenig mused that Vampire Weekend’s albums each reflected patron saints. He named Paul Simon for the band’s self-titled 2007 debut, Joe Strummer and Sublime for “Contra” from 2010, Leonard Cohen for “Modern Vampires of the City,” and the Grateful Dead’s Jerry Garcia and Robert Hunter, along with Phish, for “Father of the Bride.” The new album, he said, may reflect a short-lived tour he didn’t get to see: the 1997 pairing of Rage Against the Machine and Wu-Tang Clan, which reached the cover of Rolling Stone.

“Distortion, heaviness, hardness,” Koenig said. “We were drawn toward those qualities on this record in a more direct way than ever before.”

For this interview, Koenig spoke via video from his home in Los Angeles. Behind him — from the collection of his wife, actress Rashida Jones — was a wall of photographs by artist Taryn Simon from the project “Contraband”: bootleg DVD boxed sets that were confiscated by U.S. Customs, arrayed in Minimalistic formations. Like Vampire Weekend’s songs, they neatly frame disruptive material.

Vampire Weekend has always had two distinct aspects — its fastidious album work and its frisky live shows — and may soon have three. (More on that later.) The central one is the music the band constructs in the studio, which is minutely tweaked and painstakingly considered. Vampire Weekend’s songs uphold a long-established tradition of concise pop songwriting. But even as it delineates clear verses and choruses, the band pushes every other parameter.

“With some types of art, you probably have to put a lot of thought into how to create layers of meaning,” Koenig said. “Songs are, by their nature, relatively short. They have repetitive hooks. Then if you want to go maximalist and fill it with production details and arrangements, you can. And if you want the lyrics to push out into some weird place, you can.”

Yet the basics of pop songwriting keep the band’s experimentation grounded. “You can zig and zag from verse one to verse two to verse three, but you keep coming back to the same chorus,” he added. “But now it’s recontextualized by the second verse. I think all that stuff is built into the format. It’s this great populist art form where you can get really out there but the structure holds it together.”

Beginning with the 2013 album “Modern Vampires of the City,” Vampire Weekend’s studio output has increasingly been a collaboration between Koenig and producer and multi-instrumentalist Ariel Rechtshaid, who has worked on hits with Madonna, Usher, Haim and others.

“I’ve been part of making things that sound expensive and beautiful,” Rechtshaid said in a video interview from his Los Angeles studio. “But on this record, when the songs were at a certain stage, we were just, like, ‘This sounds exciting to us.’ It wasn’t a gimmick. It wasn’t like, ‘Here’s the decision to make something that feels noisy or dirty or distorted.’ It’s that the songs were emoting properly.”

The band and Rechtshaid have been working on — and reworking — most of the new album’s songs since 2020. Two tracks, “Gen-X Cops” and “The Surfer,” originated much earlier. The untamed slide-guitar line of “Gen-X Cops” came from Brooklyn sessions in 2012, while “The Surfer” includes much-altered elements of a song Koenig had begun writing with Rostam Batmanglij, who left Vampire Weekend in 2016.

“Sometimes you get lucky and the music, the production, the lyrics and the performance all come together and it fits on the record you’re working on,” Koenig said. “And sometimes, you know there’s something special about it, but you have to put it aside and just let time do its thing.”

Although Vampire Weekend’s members have settled in Los Angeles, its new album is suffused with thoughts of 20th-century New York City. Those were the decades before Vampire Weekend got started at Columbia University in 2006. “Weird, half-baked memories and pictures and thoughts and family history,” Koenig said. “That’s the version of New York that’s floating through this record.”

Vampire Weekend hit the road for its spring-summer tour on April 8. Real-time performing used to be a fraught prospect for such a perfectionist group but not anymore.

“I would hear other musicians talk about, ‘Oh man, you know, touring is tough, but then once you get onstage, all your worries go away and you’re just connecting with the audience,’” Koenig recalled. “And I’d think, ‘What are these people talking about? That’s when the worries start.’”

For its 2019 tour, Vampire Weekend expanded its stage lineup to seven musicians and vocalists, opening up more possibilities in the songs and relieving some of the virtuosic pressures.

“Now, when we get together to rehearse, there’s a youthful, playful vibe,” Koenig said. “We’re always coming up with ideas that make us laugh.”

Along with recording and touring, Vampire Weekend may soon unveil a third facet. Chris Baio, the band’s bassist, and Chris Tomson, its drummer, did separate video interviews from the studio space they share in Los Angeles — a converted medical office where Vampire Weekend started meeting in summer 2020 for weekly, COVID-distanced jam sessions, playing in separate rooms and recording hundreds of hours of music.

Those sessions may lead to the emergence of a new trio that happens to have the same members as Vampire Weekend, performing unreleased material.

“We kind of have an imaginary back story for that band,” Koenig added. “It was a band that came out around 1989, 1990, and they were a little bit too punky for the jam scene and a little bit too jammy for the punk scene. And there’s a little bit of the Minutemen in there. The truth is, this is very premature because that band is still hashing out its sound. I don’t want to say too much.”

Could the unnamed trio open shows on Vampire Weekend’s tour? “That has been discussed,” Koenig said dryly.

“We’re just trying to create a sound that we’ve never quite heard before,” he had noted earlier. “That’s what keeps us going.”

Vampire Weekend with LA LOM

When: 7 p.m. Monday, June 10

Where: Cal Coast Credit Union Amphitheatre, San Diego State University, San Diego

Tickets: $88 to $136

Online: as.sdsu.edu/calcoast/event/474

Pareles writes for The New York Times.

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