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Harry Styles Is Keeping the Love on Tour With Additional 2023 European Shows

Chicago and Austin are also getting additional shows this year.

By Starr Bowenbank

Starr Bowenbank

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Harry Styles ‘ Love on Tour has been a smash hit, so much so that the far-reaching trek is receiving a major expansion next year. On Friday (Aug. 26), Live Nation announced that the “As It Was” singer will be embarking on another European leg of his Love on Tour in 2023, and added new shows to his North and South American legs of the tour.

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After Styles’ 11 remaining dates at New York City’s Madison Square Garden, the star will be heading down to Austin’s Moody Center, which just received a sixth date slated for Oct. 3. Chicago will also be getting a sixth date tacked on to the 28-year-old’s residency at the city’s United Center, and is scheduled for Oct. 15. Gabriels will be supporting Styles during his Austin dates (Sept. 25-26, Sept. 28-29 and Oct. 2-3), while Jessie Ware will be the opening act for Chicago (Oct. 6, 8-9, Oct 13-15).

Harry Styles Wrote a 'Sweet and Creepy' Song for 'Don't Worry Darling'

For South America, Styles’ Nov. 29 date in Lima, Peru has received a venue upgrade to Estadio Nacional, which has a capacity of 43,086 attendees. São Paulo, Brazil, also gets a second date, with the singer tacking on a Dec. 13 date at the Allianz Parque. Styles will be playing the venue on Dec. 6. Koffee will support on all South American dates.

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The Grammy winner will be heading back to Europe in 2023 starting on May 13 at the CASA Arena in Horsens, Denmark, and will make stops in London, Paris, Amsterdam, Barcelona and more before wrapping things up at Italy’s RCF Arena. Wet Leg will support Styles on all European dates, with Inhaler joining the rock duo June 10.

Tickets go on sale via Live Nation on staggered dates: Lima tickets will be available starting on Aug. 29, with São Paulo the following day at 10 a.m. local time. The new Austin and Chicago dates will both go on sale on Sept. 1 at 10 a.m. local time, while the European dates go up for grabs at Sept. 2, also at 10 a.m. local time.

See the full list of the 2023 European Love on Tour dates below.

May 13 – Horsens, Denmark – CASA Arena May 17 – Munich, Germany – Olympiastadion May 22 – Coventry, UK – Coventry Building Society Arena May 26 – Edinburgh, UK – BT Murrayfield Stadium June 1 – Paris, France – Stade De France June 5 – Amsterdam, Netherlands –Johan Cruijff Arena June 10 – Slane, Ireland – Slane Castle*! June 13 – London, UK – Wembley Stadium June 14 – London, UK – Wembley Stadium June 20 – Cardiff, UK – Principality Stadium June 24 – Werchter, Belgium – Festivalpark June 27 – Dusseldorf, Germany – MERKUR SPIEL-ARENA July 2 – Warsaw, Poland – PGE Narodowy July 5 – Frankfurt, Germany – Deutsche Bank Park July 8 – Austria, Vienna – Ernst-Happel-Stadion July 12 – Barcelona, Spain – Estadi Olimpic Lluis Company July 14 – Madrid, Spain – Nuevo Espacio Mad Cool July 18 – Lisbon, Portugal – Passeio Maritimo Alges July 22 – Reggio Emilia, Italy – RCF Arena!

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Harry Styles' Love On Tour setlist 2023 in full: What will Harry sing at arena and stadium concerts across Europe, what time is he on stage at Dusseldorf Merkur Spiel-Arena and who are support acts Wet Leg?

While it's nothing new, and we're certainly not complaining, Harry Styles ' name is inescapable right now.

Not content with claiming 2022's Official biggest song with As It Was , even bagging the Official Charts Double as the year's biggest LP Harry's House simultaneously hit Number 1, making moves in the beauty business with Pleasing and sweeping up at the BRITs and GRAMMYs , the One Direction star's now preparing to treat fans across Europe to Love On Tour all over again.

Harry Styles' next Love On Tour concert is Merkur Spiel-Arena, Dusseldorf, Germany on June 27th and June 28th 2023.

Following the success of his Coachella sets and One Night Only performances everywhere from New York to Brixton last year, Harry's rescheduled European concerts kicked off on Saturday June 11 2022 at Glasgow's Ibrox Stadium.

If you're off to see Harry at his next date at Coventry Building Society Arena and want to know which songs you can expect, keep reading. He's even switched up the setlist especially for the European leg, adding a new 1D Four album fan favourite.

MORE: See where ever Harry Styles song and album charted in the UK

Harry styles setlist 2023: love on tour songs for merkur spiel-arena, dusseldorf, germany on june 27th and 28th 2023, 1. daydreaming, 3. adore you, 4. keep driving, 5. stockholm syndrome (one direction song), 7. little freak, 9. satellite, 10. late night talking, 12. music for a sushi restaurant (with village people ymca intro), 13. treat people with kindness, 14. what makes you beautiful ( one direction song) (with best song ever intro), 15. grapejuice, 16. watermelon sugar, 17. fine line, 18. sign of the times, 19. medicine, 20. as it was, more: everything you need to know about niall horan's the show, what were harry styles' love on tour australia and new zealand dates, 20 february 2023 - perth, australia, hbf park, 24 february 2023 - melbourne, australia, marvel stadium, 25 february 2023 - melbourne, australia, marvel stadium, 28 february 2023 - gold coast, australia, metricon stadium, 3 march 2023 - sydney, australia, accor stadium, 4 march 2023 - sydney, australia, accor stadium, 7 march 2023 - auckland, new zealand, mount smart stadium , what are harry styles' love on tour asia dates 2023, 11 march 2023 - bangkok, thailand, rajamangala stadium, 14 march 2023 - bulacan, philippines, philippine arena, 17 march 2023 - singapore, national stadium, 20 march 2023 - seoul, south korea, kspo dome, 24 march 2023 - tokyo, japan, ariake arena, 25 march 2023 - tokyo, japan, ariake arena, more: harry styles' biggest songs in the uk ever, what are harry styles' love on tour europe/uk and ireland dates 2023, 13 may 2023 - horsens, denmark, casa arena horsens, 14 may 2023 - horsens, denmark, casa arena horsens, 17 may 2023 - munich, germany, olympiastadion, 18 may 2023 - munich, germany, olympiastadion, 22 may 2023 - coventry, uk, coventry building society arena, 23 may 2023 - coventry, uk, coventry building society arena, 26 may 2023 - edinburgh, scotland, bt murrayfield stadium, 27 may 2023 - edinburgh, scotland, bt murrayfield stadium, 1 june 2023 - paris, france, stade de france, 2 june 2023 - paris, france, stade de france, 4 june 2023 - amsterdam, netherlands, johan cruijff arena, 5 june 2023 - amsterdam, netherlands, johan cruijff arena, 6 june 2023 - amsterdam, netherlands, johan cruijff arena, 10 june 2023 - slane castle, slane, county meath, ireland, 13 june 2023 - london, uk, wembley stadium, 14 june 2023 - london, uk, wembley stadium, 16 june 2023 - london, uk, wembley stadium, 17 june 2023 - london, uk, wembley stadium, 20 june 2023 - cardiff, wales, principality stadium, 21 june 2023 - cardiff, wales, principality stadium, who are harry styles' uk and european tour support act wet leg.

Wet Leg are an indie-rock duo consisting of friends Rhian Teasdale and Hester Chambers. Hailing from the Isle of Wight, Wet Leg signed with Domino Records and released their quirky debut single, Chaise Longue. Their self-titled debut album debuted at Number 1 on the Official Albums Chart in 2022.

Who are Harry Styles' Ireland support act Inhaler?

Inhaler are an Irish rock band from Dublin consisting of lead vocalist and rhythm guitarist Elijah Hewson (son of U2 's Bono), bassist and backing vocalist Robert Keating, lead guitarist Josh Jenkinson and drummer Ryan McMahon.

Hewson, Keating and McMahon formed Inhaler in 2012 at St Andrews College, with Jenkinson joining in 2015. Inhaler placed fifth in BBC's Sound of 2020 competition. On July 9 2021, Inhaler released their debut album It Won't Always Be Like This which topped the Official Irish Albums Chart in their native Ireland and went to Number 1 on the UK's Official Albums Chart.

In doing so, Inhaler were the first Irish group in 13 years since The Script in 2008 to claim a UK Number 1 with their debut album. On release, It Won't Always Be Like This became the fastest-selling debut album of the century on vinyl.

What time is Harry Styles on stage at Love On Tour at Merkur Spiel-Arena, Dusseldorf, Germany on June 27th and 28th 2023?

Harry goes on stage at around 8.30pm, though we'd recommend getting there in time to see Wet Leg's support slot earlier in the evening. Also, it's Harry. You know there are gonna be queues.

Where is Harry Styles playing on tour next?

Love On Tour's next stop is Merkur Spiel-Arena, Dusseldorf, Germany on June 27th and 28th 2023.

WATCH Harry Styles helps Italian fan to come out as gay at London's Wembley Stadium: "You're a free man!"

“You’re a free man” 🌈🏳️‍🌈🏳️‍⚧️ Harry Styles helps an Italian fan come out at his London show 🥹 Congratulations, Mattia 💖 #LoveOnTour #LoveOnTourLondon #HarryStyles pic.twitter.com/XVSJOicUSg — Official Charts (@officialcharts) June 19, 2022

Are tickets for Harry Styles' Love On Tour at Merkur Spiel-Arena, Dusseldorf, Germany on June 27th and 28th 2023?

Tickets are now sold out, sorry!

Watch Harry Styles' official Satellite music video below:

How to buy Harry Styles' Love on Tour merch at Merkur Spiel-Arena, Dusseldorf, Germany on June 27th and 28th 2023?

Fans can purchase Love on Tour merch from the designated stand at the arena.

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🧡 oliviasnoodles 🍜

“12. What Makes You Beautiful 15. Late Night Talking“

there isn’t a 13th or 14th song? unless occ are making a mistake again?

wet leg are ace btw :)

Sun 31 July 2022 - Lisbon Altice Arena, Spain

Lisbon is in PORTUGAL and NOT Spain! Please correct the article. Thanks!

Nelson Wells

That's a pretty big goof. something tells me this site doesn't care about accuracy as long as they're getting hits.

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Taylor swift performs in portugal for first time, praises crowds for eras tour love during emotional speech: “took my breath away”.

The superstar singer performed in Portugal for the first time ever over the weekend at back-to-back, sold-out shows at Estádio da Luz on the European leg of her Eras Tour.

By Chris Gardner

Chris Gardner

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In a nearly two-decade career, Taylor Swift had never performed in Portugal…until this weekend.

The superstar singer brought The Eras Tour to Lisbon for back-to-back, sold-out stops at Estádio da Luz in Portugal’s capital city. It was a weekend Swift said she won’t ever forget — and she’s already committed to coming back.

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Swift, long praised for an authentic connection to her die-hard fans and for expressing gratitude for those who fill her arenas, delivered a pair of shows for Lisbon that those in attendance won’t soon forget either. When the Lisbon dates went on sale last July, tickets reportedly sold out within 2.5 hours. That’s a shorter amount of time than the concert itself, which kicked off at 8:15 p.m. and continued for three hours and fifteen minutes, ending with fireworks over the outdoor arena as she capped off the Midnights era with “Karma.”

Taylor Swift takes the stage for her first show ever in Portugal, speaking Portuguese and kicking off the show in Lisbon #TSTheErasTour 🎥: @chrissgardner pic.twitter.com/RrqXZ47HtG — The Hollywood Reporter (@THR) May 24, 2024

The Eras Tour has been revamped for the European leg in the wake of Swift’s latest release, The Tortured Poets Department . She debuted songs from the album on the first European dates that kicked off earlier this month in Paris before continuing on to Stockholm and then Lisbon. But she saved one of the tracks, “Fresh Out the Slammer,” for a live debut in Lisbon during the surprise songs portion of the show.

“One of my favorite things about the Eras Tour is that, for me, it feels like going back through all of my favorite memories of getting to play shows for the last nearly 20 years of my life because we’ve gone on tour for almost every album I’ve ever put out,” Swift told the audience. “My big regret was that we didn’t get to take all of those tours to all of the places where I wanted to take them. And we absolutely should have come to Portugal on every single tour. This is not a mistake I will ever be making again. We are always going to come to Lisbon.”

Part of the reason for her early committal can surely be chalked up to how the crowd responded to seeing Swift for the first time in Portugal. The screams were, at times, deafening, and she received cheers for speaking Portuguese at several points during the show. (“Muito obrigada,” she said upon taking the stage; at two other points she asked for help by summoning security for distressed fans.)

During the Folklore/Evermore era, while Swift was seated at the piano, the audience erupted with cheers and applause that carried on for more than three minutes . So much so that the lights in the venue came on and Swift seemed caught off guard by the impromptu showing of love. She planted her hands on her head and said, “Oh my god. I love you.”

It’s official, I left my 🤍 in Lisbon. My first time in Portugal and you all made me feel like I was right at home. I’ll seriously never forget the way you treated us, the overwhelming love and passion and hands in the air and dancing and how you screamed every lyric!! Muito… pic.twitter.com/4KFQzl7U0j — Taylor Swift (@taylorswift13) May 26, 2024

Back to Friday night: “This crowd has been one of the most memorable crowds I’ve ever played for. I think every time I’m not here from now on, I’m going to be wanting to come back here.”

See key moments from the show below as well as the setlist, organized by era.

Taylor Swift performs "Fresh Out the Slammer" from #TSTTPD live for the first time during #TSTheErasTour in Lisbon, Portugal pic.twitter.com/CTa9L2VQNq — The Hollywood Reporter (@THR) May 24, 2024

"I love you, it's ruining my life" – Taylor Swift performs "Fortnight" from #TSTTPD at #TSTheErasTour in Lisbon, Portugal pic.twitter.com/1ILljXgZ79 — The Hollywood Reporter (@THR) May 24, 2024

A romantic scene unfolds in Lisbon as a man proposes to his girlfriend as Taylor Swift performs “Love Story" at #TSTheErasTour . And she said, “Yes!” Via: @chrissgardner pic.twitter.com/YTQoIS75Ku — The Hollywood Reporter (@THR) May 24, 2024

“Ayuda por favor,” Taylor Swift says as she tries to get security to help a distressed fan, her second time stopping to help someone in need tonight at #TSTheErasTour in Lisbon pic.twitter.com/3cMVb6J7IP — The Hollywood Reporter (@THR) May 24, 2024

Paramore lead singer Hayley Williams says she is inspired by how much fans love Taylor Swift as the band opens the Portugal stop on #TSTheErasTour pic.twitter.com/IOMy8EAJVy — The Hollywood Reporter (@THR) May 24, 2024

Eras Tour Lisbon Setlist

“Miss Americana & the Heartbreak Prince” “Cruel Summer” “The Man” “You Need to Calm Down” “Lover”

“Fearless” “You Belong With Me” “Love Story”

“22” “We Are Never Ever Getting Back Together” “I Knew You Were Trouble” “All Too Well”

“Enchanted”

“…Ready for It?” “Delicate” “Don’t Blame Me” “Look What You Made Me Do”

Folklore/Evermore

“Cardigan” “Betty” “Champagne Problems” “August” “Illicit Affairs” “My Tears Ricochet” “Marjorie” “Willow”

“Style” “Blank Space” “Shake It Off” “Wildest Dreams” “Bad Blood”

The Tortured Poets Department

“But Daddy I Love Him / So High School” “Who’s Afraid of Little Old Me?” “Down Bad” “Fortnight” “The Smallest Man Who Ever Lived” “I Can Do It With a Broken Heart”

Surprise songs

“Lavender Haze” “Anti‐Hero” “Midnight Rain” “Vigilante Shit” “Bejeweled” “Mastermind” “Karma”

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Whales Have an Alphabet

Until the 1960s, it was uncertain whether whales made any sounds at all..

This transcript was created using speech recognition software. While it has been reviewed by human transcribers, it may contain errors. Please review the episode audio before quoting from this transcript and email [email protected] with any questions.

[MUSIC PLAYING]

From “The New York Times,” I’m Michael Barbaro. This is “The Daily.”

Today, ever since the discovery that whales produce songs, scientists have been trying to find a way to decipher their lyrics. After 60 years, they may have finally done it. My colleague, Carl Zimmer, explains.

It’s Friday, May 24.

I have to say, after many years of working with you on everything from the pandemic to —

— CRISPR DNA technology, that it turns out your interests are even more varied than I had thought, and they include whales.

They do indeed.

And why? What is it about the whale that captures your imagination?

I don’t think I’ve ever met anybody who is not fascinated by whales. I mean, these are mammals like us, and they’re swimming around in the water. They have brains that are much bigger than ours. They can live maybe 200 years. These are incredible animals, and animals that we still don’t really understand.

Right. Well, it is this majestic creature that brings us together today, Carl, because you have been reporting on a big breakthrough in our understanding of how it is that whales communicate. But I think in order for that breakthrough to make sense, I think we’re going to have to start with what we have known up until now about how whales interact. So tell us about that.

Well, people knew that whales and dolphins traveled together in groups, but up until the 1960s, we didn’t really know that whales actually made any sounds at all. It was actually sort of an accident that we came across it. The American military was developing sophisticated microphones to put underwater. They wanted to listen for Russian submarines.

As one does. But there was an engineer in Bermuda, and he started hearing some weird stuff.

[WHALE SOUNDS]

And he wondered maybe if he was actually listening to whales.

What made him wonder if it was whales, of all things?

Well, this sound did not sound like something geological.

It didn’t sound like some underwater landslide or something like that. This sounded like a living animal making some kind of call. It has these incredible deep tones that rise up into these strange, almost falsetto type notes.

It was incredibly loud. And so it would have to be some really big animal. And so with humpback whales swimming around Bermuda, this engineer thought, well, maybe these are humpback whales.

And so he gets in touch with a husband and wife team of whale biologists, Roger and Katy Payne, and plays these recordings to them. And they’re pretty convinced that they’re hearing whales, too. And then they go on to go out and confirm that by putting microphones in the water, chasing after groups of whales and confirming, yes, indeed, that these sounds are coming from these humpback whales.

So once these scientists confirm in their minds that these are the sounds of a whale, what happens with this discovery?

Well, Roger and Katy Payne and their colleagues are astonished that this species of whale is swimming around singing all the time for hours on end. And it’s so inspirational to them that they actually help to produce a record that they release “The Song of the Humpback Whale” in 1970.

And so this is being sold in record stores, you know, along with Jimi Hendrix and Rolling Stones. And it is a huge hit.

Yeah, it sells like two million copies.

Well, at the time, it was a huge cultural event. This record, this became almost like an anthem of the environmental movement. And it led, for whales in particular, to a lot of protections for them because now people could appreciate that whales were a lot more marvelous and mysterious than they maybe had appreciated before.

And so you have legislation, like the Marine Mammal Act. The United States just agrees just to stop killing whales. It stops its whaling industry. And so you could argue that the discovery of these whale songs in Bermuda led to at least some species of whales escaping extinction.

Well, beyond the cultural impact of this discovery, which is quite meaningful, I wonder whether scientists and marine biologists are figuring out what these whale songs are actually communicating.

So the Paynes create a whole branch of science, the study of whale songs. It turns out that pretty much every species of whale that we know of sings in some way or another. And it turns out that within a species, different groups of whales in different parts of the world may sing with a different dialect. But the big question of what these whales are singing, what do these songs mean, that remains elusive into the 21st century. And things don’t really change until scientists decide to take a new look at the problem in a new way.

And what is that new way?

So in 2020, a group of whale biologists, including Roger Payne, come together with computer scientists from MIT. Instead of humpback whales, which were the whales where whale songs are first discovered, these scientists decide to study sperm whales in the Caribbean. And humpback whales and sperm whales have very, very different songs. So if you’re used to humpback whales with their crazy high and low singing voices —

Right, those best-selling sounds.

— those are rockin’ tunes of the humpback whales, that’s not what sperm whales do. Sperm whales have a totally different way of communicating with each other. And I actually have some recordings that were provided by the scientists who have been doing this research. And so we can take a listen to some of them.

Wow, It’s like a rhythmic clicking.

These are a group of sperm whales swimming together, communicating.

So whale biologists knew already that there was some structure to this sound. Those clicks that you hear, they come in little pulses. And each of those pulses is known as a coda. And whale biologists had given names to these different codas. So, for example, they call one coda, one plus one plus three —

— which is basically click, click, click, click, click, or four plus three, where you have four clicks in a row and a pause and then three clicks in a row.

Right. And the question would seem to be, is this decipherable communication, or is this just whale gibberish?

Well, this is where the computer scientists were able to come in and to help out. The whale biologists who were listening to the codas from the sperm whales in the Caribbean, they had identified about 21 types. And then that would seem to be about it.

But then, an MIT computer science graduate student named Prajusha Sharma was given the job of listening to them again.

And what does she hear?

In a way, it’s not so much what she heard, but what she saw.

Because when scientists record whale songs, you can look at it kind of like if you’re looking at an audio of a recording of your podcast, you will see the little squiggles of your voice.

And so whale biologists would just look at that ticker of whale songs going across the screen and try to compare them. And Sharma said, I don’t like this. I just — this is not how I look at data. And so what she decided to do is she decided to kind of just visualize the data differently. And essentially, she just kind of flipped these images on their side and saw something totally new.

And what she saw was that sperm whales were singing a whole bunch of things that nobody had actually been hearing.

One thing that she discovered was that you could have a whale that was producing a coda over and over and over again, but it was actually playing with it. It was actually stretching out the coda,

[CLICKING] So to get a little bit longer and a little bit longer, a little bit longer.

And then get shorter and shorter and shorter again. They could play with their codas in a way that nobody knew before. And she also started to see that a whale might throw in an extra click at the end of a coda. So it would be repeating a coda over and over again and then boom, add an extra one right at the end. What they would call an ornamentation. So now, you have yet another signal that these whales are using.

And if we just look at what the sperm whales are capable of producing in terms of different codas, we go from just 21 types that they had found in the Caribbean before to 156. So what the scientists are saying is that what we might be looking at is what they call a sperm whale phonetic alphabet.

Yeah, that’s a pretty big deal because the only species that we know of for sure that has a phonetic alphabet —

— is us, exactly. So the reason that we can use language is because we can make a huge range of sounds by just doing little things with our mouths. A little change in our lips can change a bah to a dah. And so we are able to produce a set of phonetic sounds. And we put those sounds together to make words.

So now, we have sperm whales, which have at least 150 of these different versions of sounds that they make just by making little adjustments to the existing way that they make sounds. And so you can make a chart of their phonetic alphabet, just like you make a chart of the human phonetic alphabet.

So then, that raises the question, do they combine their phonetic alphabet into words? Do they combine their words into sentences? In other words, do sperm whales have a language of their own?

Right. Are they talking to each other, really talking to each other?

If we could really show that whales had language on par with humans, that would be like finding intelligent life on another planet.

We’ll be right back.

So, Carl, how should we think about this phonetic alphabet and whether sperm whales are actually using it to talk to each other?

The scientists on this project are really careful to say that these results do not definitively prove what these sperm whale sounds are. There are a handful of possibilities here in terms of what this study could mean. And one of them is that the whales really are using full-blown language.

What they might be talking about, we don’t know. I mean, perhaps they like to talk about their travels over hundreds and thousands of miles. Maybe they’re talking about, you know, the giant squid that they caught last night. Maybe they’re gossiping about each other.

And you have to remember, sperm whales are incredibly social animals. They have relationships that last for decades. And they live in groups that are in clans of thousands of whales. I mean, imagine the opportunities for gossip.

These are all at least imaginable now. But it’s also possible that they are communicating with each other, but in a way that isn’t language as we know it. You know, maybe these sounds that they’re producing don’t add up to sentences. There’s no verb there. There’s no noun. There’s no structure to it in terms of how we think of language.

But maybe they’re still conveying information to each other. Maybe they’re somehow giving out who they are and what group they belong to. But it’s not in the form of language that we think of.

Right. Maybe it’s more kind of caveman like as in whale to whale, look, there, food.

It’s possible. But, you know, other species have evolved in other directions. And so you have to put yourself in the place of a sperm whale. You know, so think about this. They are communicating in the water. And actually, like sending sounds through water is a completely different experience than through the air like we do.

So a sperm whale might be communicating to the whale right next to it a few yards away, but it might be communicating with whales miles away, hundreds of miles away. They’re in the dark a lot of the time, so they don’t even see the whales right next to them. So it’s just this constant sound that they’re making because they’re in this dark water.

So we might want to imagine that such a species would talk the way we do, but there are just so many reasons to expect that whatever they’re communicating might be just profoundly different, so different that it’s actually hard for us to imagine. And so we need to really, you know, let ourselves be open to lots of possibilities.

And one possibility that some scientists have raised is that maybe language is just the wrong model to think about. Maybe we need to think about music. You know, maybe this strange typewriter, clickety clack is actually not like a Morse code message, but is actually a real song. It’s a kind of music that doesn’t necessarily convey information the way conversation does, but it brings the whales together.

In humans, like, when we humans sing together in choruses, it can be a very emotional experience. It’s a socially bonding experience, but it’s not really like the specific words that we’re singing that bring us together when we’re singing. It’s sharing the music together.

But at a certain point, we stop singing in the chorus, and we start asking each other questions like, hey, what are you doing for dinner? How are you going to get home? There’s a lot of traffic on the BQE. So we are really drawn to the possibility that whales are communicating in that same kind of a mode.

We’re exchanging information. We’re seeking out each other’s well-being and emotional state. And we’re building something together.

And I think that happens because, I mean, language is so fundamental to us as human beings. I mean, it’s like every moment of our waking life depends on language. We are talking to ourselves if we’re not talking to other people.

In our sleep, we dream, and there are words in our dreams. And we’re just stewing in language. And so it’s really, really hard for us to understand how other species might have a really complex communication system with hundreds of different little units of sound that they can use and they can deploy. And to think anything other than, well, they must be talking about traffic on the BQE. Like —

— we’re very human-centric. And we have to resist that.

So what we end up having here is a genuine breakthrough in our understanding of how whales interact. And that seems worth celebrating in and of itself. But it really kind of doubles as a lesson in humility for us humans when it comes to appreciating the idea that there are lots of non-human ways in which language can exist.

That’s right. Humility is always a good idea when we’re thinking about other animals.

So what now happens in this realm of research? And how is it that these scientists, these marine biologists and these computer scientists are going to try to figure out what exactly this alphabet amounts to and how it’s being used?

So what’s going to happen now is a real sea change in gathering data from whales.

So to speak.

So these scientists are now deploying a new generation of undersea microphones. They’re using drones to follow these whales. And what they want to do is they want to be recording sounds from the ocean where these whales live 24 hours a day, seven days a week. And so the hope is that instead of getting, say, a few 100 codas each year on recording, these scientists want to get several hundred million every year, maybe billions of codas every year.

And once you get that much data from whales, then you can start to do some really amazing stuff with artificial intelligence. So these scientists hope that they can use the same kind of artificial intelligence that is behind things like ChatGPT or these artificial intelligence systems that are able to take recordings of people talking and transcribing them into text. They want to use that on the whale communication.

They want to just grind through vast amounts of data, and maybe they will discover more phonetic letters in this alphabet. Who knows? Maybe they will actually find bigger structures, structures that could correspond to language.

If you go really far down this route of possibilities, the hope is that you would understand what sperm whales are saying to each other so well that you could actually create artificial sperm whale communication, and you could play it underwater. You could talk to the sperm whales. And they would talk back. They would react somehow in a way that you had predicted. If that happens, then maybe, indeed, sperm whales have something like language as we understand it.

And the only way we’re going to figure that out is if we figure out not just how they talk to themselves, but how we can perhaps talk to them, which, given everything we’ve been talking about here, Carl, is a little bit ironic because it’s pretty human-centric.

That’s right. This experiment could fail. It’s possible that sperm whales don’t do anything like language as we know it. Maybe they’re doing something that we can’t even imagine yet. But if sperm whales really are using codas in something like language, we are going to have to enter the conversation to really understand it.

Well, Carl, thank you very much. We appreciate it.

Thank you. Sorry. Can I say that again? My voice got really high all of a sudden.

A little bit like a whale’s. Ooh.

Yeah, exactly. Woot. Woot.

Thank yoooo. No. Thank you.

Here’s what else you need to know today.

We allege that Live Nation has illegally monopolized markets across the live concert industry in the United States for far too long. It is time to break it up.

On Thursday, the Justice Department sued the concert giant Live Nation Entertainment, which owns Ticketmaster, for violating federal antitrust laws and sought to break up the $23 billion conglomerate. During a news conference, Attorney General Merrick Garland said that Live Nation’s monopolistic tactics had hurt the entire industry of live events.

The result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices.

In a statement, Live Nation called the lawsuit baseless and vowed to fight it in court.

A reminder — tomorrow, we’ll be sharing the latest episode of our colleagues’ new show, “The Interview.” This week on “The Interview,” Lulu Garcia-Navarro talks with Ted Sarandos, the CEO of Netflix, about his plans to make the world’s largest streaming service even bigger.

I don’t agree with the premise that quantity and quality are somehow in conflict with each other. I think our content and our movie programming has been great, but it’s just not all for you.

Today’s episode was produced by Alex Stern, Stella Tan, Sydney Harper, and Nina Feldman. It was edited by MJ Davis, contains original music by Pat McCusker, Dan Powell, Elisheba Ittoop, Marion Lozano, and Sophia Lanman, and was engineered by Alyssa Moxley. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly.

Special thanks to Project SETI for sharing their whale recordings.

That’s it for “The Daily.” I’m Michael Barbaro. See you on Tuesday after the holiday.

• May 31, 2024   •   31:29 Guilty
• May 30, 2024   •   25:21 The Government Takes On Ticketmaster
• May 29, 2024   •   29:46 The Closing Arguments in the Trump Trial
• May 28, 2024   •   25:56 The Alitos and Their Flags
• May 24, 2024   •   25:18 Whales Have an Alphabet
• May 23, 2024   •   34:24 I.C.C. Prosecutor Requests Warrants for Israeli and Hamas Leaders
• May 22, 2024   •   23:20 Biden’s Open War on Hidden Fees
• May 21, 2024   •   24:14 The Crypto Comeback
• May 20, 2024   •   31:51 Was the 401(k) a Mistake?
• May 19, 2024   •   33:23 The Sunday Read: ‘Why Did This Guy Put a Song About Me on Spotify?’
• May 17, 2024   •   51:10 The Campus Protesters Explain Themselves
• May 16, 2024   •   30:47 The Make-or-Break Testimony of Michael Cohen

Hosted by Michael Barbaro

Featuring Carl Zimmer

Produced by Alex Stern ,  Stella Tan ,  Sydney Harper and Nina Feldman

Edited by MJ Davis Lin

Original music by Elisheba Ittoop ,  Dan Powell ,  Marion Lozano ,  Sophia Lanman and Pat McCusker

Engineered by Alyssa Moxley

Listen and follow The Daily Apple Podcasts | Spotify | Amazon Music | YouTube

Ever since the discovery of whale songs almost 60 years ago, scientists have been trying to decipher the lyrics.

But sperm whales don’t produce the eerie melodies sung by humpback whales, sounds that became a sensation in the 1960s. Instead, sperm whales rattle off clicks that sound like a cross between Morse code and a creaking door. Carl Zimmer, a science reporter, explains why it’s possible that the whales are communicating in a complex language.

On today’s episode

Carl Zimmer , a science reporter for The New York Times who also writes the Origins column .

Background reading

Scientists find an “alphabet” in whale songs.

These whales still use their vocal cords. But how?

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The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, M.J. Davis Lin, Dan Powell, Sydney Harper, Mike Benoist, Liz O. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Corey Schreppel, Rob Szypko, Elisheba Ittoop, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, John Ketchum, Nina Feldman, Will Reid, Carlos Prieto, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Dan Farrell, Sophia Lanman, Shannon Lin, Diane Wong, Devon Taylor, Alyssa Moxley, Summer Thomad, Olivia Natt, Daniel Ramirez and Brendan Klinkenberg.

Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sam Dolnick, Paula Szuchman, Lisa Tobin, Larissa Anderson, Julia Simon, Sofia Milan, Mahima Chablani, Elizabeth Davis-Moorer, Jeffrey Miranda, Renan Borelli, Maddy Masiello, Isabella Anderson and Nina Lassam.

Carl Zimmer covers news about science for The Times and writes the Origins column . More about Carl Zimmer

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