hozier tour cardiff

HOZIER AT CARDIFF CASTLE

July 6, 2023 @ 5:00 pm - 11:00 pm

Hozier has announced his highly anticipated live return with news of his first UK tour in four years – joining us at Cardiff Castle on Thursday 6th July!

O2 Pre-Sale: Wed 22nd Mar, 9:30am Priority Tickets: Thu 23rd Mar, 9:30am Any remaining Tickets: Fri 24th Mar, 9:30am

MANIC STREET PREACHERS & SUEDE

What better way to kick off our 2024 LIVE series than with Welsh rock icons, the Manics & legends Suede!

BINGO LINGO

CARDIFF! brace yourselves….our Sold Out series continues. You know the score, we sell out every Friday, get your groups locked in early

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Old school hip-hop summer bbq.

The biggest old school hip-hop brand in the UK bringing together those who wanna get taken back to the 80s & 90s era of hip-hop!

This is truly one for the old school hip-hop heads! Guaranteed great vibes, energy and nostalgia all day and night!

Be sure to dress up as your favourite old school hip-hop artist and come down to dance with your gang

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DOORS OPEN: 2PM

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Our 3rd announcement of our 2024 series is none other than chart-topping boyband JLS, who will bring their XX tour to Cardiff Castle on Sun 7th July!

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• July 6, 2023 Setlist

Hozier Setlist at Cardiff Castle, Cardiff, Wales

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Tour: Unreal Unearth Tour statistics Add setlist

• Eat Your Young Play Video
• Jackie and Wilson Play Video
• From Eden Play Video
• To Be Alone Play Video
• Dinner & Diatribes Play Video
• Francesca Play Video
• Cherry Wine ( Solo ) Play Video
• Like Real People Do (with Victoria Canal ) Play Video
• Would That I Play Video
• Someone New Play Video
• Angel of Small Death and the Codeine Scene Play Video
• Almost (Sweet Music) Play Video
• Movement Play Video
• Take Me to Church Play Video
• Unknown/Nth Play Video
• Work Song Play Video

Edits and Comments

7 activities (last edit by catb2006 , 7 Jul 2023, 08:56 Etc/UTC )

Songs on Albums

• Angel of Small Death and the Codeine Scene
• Cherry Wine
• Jackie and Wilson
• Like Real People Do
• Someone New
• Take Me to Church
• To Be Alone
• Almost (Sweet Music)
• Dinner & Diatribes
• Would That I
• Eat Your Young
• Unknown/Nth

Complete Album stats

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Cardiff castle.

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Hozier Gig Timeline

• Jul 03 2023 O2 City Hall Newcastle Newcastle upon Tyne, England Add time Add time
• Jul 05 2023 Sounds of the City 2023 Manchester, England Add time Add time
• Jul 06 2023 Cardiff Castle This Setlist Cardiff, Wales Add time Add time
• Jul 08 2023 O2 Academy Bournemouth Bournemouth, England Add time Add time
• Jul 09 2023 O2 Academy Birmingham, England Add time Add time

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Hozier at Cardiff Castle review: Earnest, uplifting folk music

The Take Me to Church singer made a winning return to Cardiff after a four-year absence

• 06:35, 7 JUL 2023
• Updated 08:41, 7 JUL 2023

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It’s been quite the decade for Andrew Hozier-Byrne. Back in 2013, the Wicklow-born Irish singer was honing his craft in Dublin’s Trinity College, with songs that would later appear on his acclaimed debut album still being hashed out in empty rehearsal spaces and cramped attics.

Just a few months later, Take Me to Church’s story of a romantic relationship between two men and Catholic oppression caught fire on YouTube, topping the charts in 12 countries and earning the music student a record deal.

Recording in his parents’ attic, Hozier’s soulful delivery captured something uniquely Irish at a tumultuous time in Ireland, which reckoned with divisive referendums on same-sex marriage and abortion rights in the years that followed. It seemed like an impassioned call to arms for a country throwing off its conservative shackles. It's no wonder massive shows and award nominations followed.

Read more: Westlife at Cardiff Castle review: A joy-filled gig with a lot of love

Returning for a sold-out show at Cardiff Castle on Thursday - his first in the Welsh capital since 2019’s visit to St David’s Hall – Hozier unleashes a setlist of past favourites from both his debut and 2019 follow-up Wasteland, Baby! as well as a smattering of new singles including Eat Your Young, Francesca and Unknown/Nth.

"Look at this beautiful f*cking place," the long-haired singer exclaims as he beams out at a Cardiff crowd blessed with a warm summer evening, a contrast to the rain revellers experienced at his Manchester show the night before. "Where else could you get a view like this? And I'm just talking about the people," he adds, the playful crowd-pleasing adding to his softly spoken charm.

Hozier's music is best described as brooding, introspective folk-pop with soaring choruses and a sprinkling of literature references. It's celebratory, inoffensive and genuinely affecting at times, propelled by his imposing vocals.

The night is packed with early favourites and lesser-known album tracks including the free-spirited Jackie and Wilson and James Joyce-inspired Angel of Small Death and the Codeine Scene, whose guitar-heavy stomp is given extra potency by an impressive backing band.

"We are in the home of the greatest singers on the planet," the singer remarks at some point in the set, one of several references to Cardiff's knack for carrying a tune (to varying degrees, depending on what time you stroll down St Mary Street on a Saturday evening.) Highfalutin literary references include a song influenced by Dante, and at one point I literally see a man walk by with two (not one, two!) books under his arm. I wonder if he finished both during the gig. Sir, if this was you, please get in touch.

Hozier has never been afraid to tackle serious themes in his music, but even the gig's more introspective moments hold up in such a large venue. Cherry Wine, a genuinely beautiful track about an abusive relationship sung alone by Hozier sans band, gets the respectful silence it deserves, the lanky singer dropping out to let the crowd sing the last chorus. Spanish-American singer-songwriter Victoria Canal, a support act earlier in the night, joins for a touching rendition of Like Real People Do that brings all the canoodling you might imagine from a song whose main hook is 'we should just kiss like real people do.'

Predictably, the crowd’s biggest reception is reserved for Take Me to Church, which has lost none of its power and is delivered with the towering baritone that, a decade into his career, remains arguably Hozier’s greatest quality. No longer wedded to his guitar as he was a decade ago, he confidently prowls from one side to the other with the mic, beating his chest and spurring on the crowd, perhaps more aware of the weight of his biggest hit than ever.

With his third album Unreal Unearth not due until August, Thursday’s Cardiff Castle show is something of a run-out for Hozier’s new work. While it is the older tracks that ignite the crowd, selling out a big outdoor venue after a few years off is no easy feat, and it’s hard to imagine his loyal congregation of fans won’t be singing the new songs at top volume in a few years' time.

There are more gigs to come at Cardiff Castle including The Lumineers on July 7 and Welsh icon Sir Tom Jones who has a number of dates that kick off on Friday, July 21.

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HOZIER ANNOUNCES HUGE UK TOUR AND SUMMER LIVE DATES FOR 2023

ANNOUNCES HUGE UK TOUR AND SUMMER LIVE DATES FOR JUNE & JULY 2023

INCLUDING LONDON OUTDOOR SHOW AT

ALEXANDRA PALACE PARK

NEW EP ‘EAT YOUR YOUNG’ – OUT NOW

Hozier has announced his highly anticipated live return with news of his first UK tour in four years. The Grammy-nominated, award-winning multi-platinum singer and songwriter and his band will perform headline dates across the UK this summer, which include four major outdoor shows at Glasgow Queens Park on 25th June, Manchester Castlefield Bowl on 5th July, Cardiff Castle on 6th July and London Alexandra Palace Park on 21st July.

In honour of his birthday today and St. Patrick’s Day, Hozier has also released his new EP “Eat Your Young”. The record includes all new material and features three songs – the title track, “All Things End,” and “Through Me (The Flood).” The EP is out now and available digitally HERE. Working on further music, his third album “Unreal Unearth” is set for release later this year.

Driven by the thought-provoking quintuple-platinum anthem “Take Me To Church,” Hozier’s self-titled full-length debut bowed at #2 on the Billboard Top 200 (the second biggest debut album of the year) and went on to achieve triple RIAA Platinum status. It enjoyed nine weeks at number 1 in his native Ireland (including spending an incredible 441 weeks in the Irish Top 50 charts). Indeed the album rose to no. 3 in the UK ahead of his third sell-out UK tour, while both “Take Me To Church”, and “Someone New”, were singles from the album.

The follow up to Hozier’s debut album, “Wasteland, Baby!” was released to massive critical acclaim in March 2019, entering the US Billboard Top 200 Chart at #1. The album’s 14 tracks (all original Hozier compositions) marked a major development in songwriting and subject matter. The most obvious is Hozier’s enlightened assessment of the global socio-political landscape. The multi-platinum selling album included the aforementioned single “Nina Cried Power” along with singles “Movement”, “Almost (Sweet music)”, and “Dinner and Diatribes”.

Last year Hozier teamed up with God of War: Ragnarok’s composer, Bear McCreary to write the song “Blood Upon The Snow”, which was featured in the soundtrack for the game. The same year he also released “Swan Upon Leda”, in a statement shared alongside the release, the star explained that he was sharing the track as a way of showing “solidarity” with those fighting for reproductive rights.

With over 22 billion global streams, numerous platinum album certifications, multiple award nominations and wins, Hozier is recognised as one of the foremost singer-songwriters of our generation.

Tickets for the new dates go on sale Friday 24th March at 9:30am and will be available from www.gigsandtours.com   / www.ticketmaster.co.uk  

UK LIVE DATES 2023

Sunday 25 June – Glasgow Queens Park ***

Sunday 02 July – Halifax The Piece Hall ***

Monday 03 July – Newcastle O2 City Hall **

Wednesday 05 July – Manchester Castlefield Bowl *

Thursday 06 July – Cardiff Castle *

Saturday 08 July – Bournemouth O2 Academy **

Sunday 09 July – Birmingham O2 Academy **

Friday 21 July – London Alexandra Palace Park *

*Special guests The Teskey Brothers & Victoria Canal

**Special guests Victoria Canal

*** Special guests Alison Russell & Victoria Canal

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Second london date added to paul heaton's uk tour, the mary wallopers announce their biggest ever uk tour, northern soul orchestrated uk tour is back for november 2024, steven wilson announce first solo tour in 7 years.

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Hozier, King of Whatever You Need Him to Be

The lyrical musician talks about the romanticism and art of his latest album, Unreal Unearth

Ten years after the release of “Take Me to Church,” the Irish singer is selling out arenas. What does that feel like for him?

“It feels really, really encouraging,” Hozier admits over Zoom, from his tour bus in Louisville. It is mid-September, and he is in Kentucky for the Bourbon & Beyond music festival. “I think the fact that these tickets were sold before the album was out was super encouraging to me, too. People didn’t really know what the new album was going to sound like, and they were still ready and really wanted to show up.”

Hozier (full name Andrew John Hozier-Byrne) is notoriously careful about his private life, but has revealed that several of the songs from Unreal Unearth are the results of a breakup and other personal losses he’s experienced over the course of the pandemic. He worked the album largely around the concept of Dante’s Inferno , the epic poem about the 14th-century Italian poet’s journey through the nine circles of Hell. “Francesca,” one of the singles, is based on a character from the second circle (for sinners guilty of lust) who was, in turn, based on Francesca da Rimini, a real-life medieval noblewoman who fell in love with her husband’s younger brother, Paolo. A modern power ballad, the song is an ode to love’s occasional recklessness—daring, devoted, braggadocious, and unrepentant. Hozier croons and then belts his passion. The eroticism of the line “I’d tell them, ‘Put me back in it’” electrifies the song, which ends with a hypnotic choral round that includes the avowal “Heaven is not fit to house a love like you and I.”

The sacrilegious power of love is a common theme throughout Hozier’s catalog, but Unreal Unearth is his most intimate album yet. You’d be hard pressed to get him to open up to the public about any details beyond the lyrics themselves, but does he ever try to fight against personal inspiration to avoid fan scrutiny?

“I think the art filters through all sorts of different layers of sediment and rock until it filters out of the spring,” he says. “It goes through all sorts of different filters that are psychic and emotional. So I think the ultimate question is … does the work feel honest to me? And I can’t really consider all too much more than that.” If he needs to check in with someone about the content of a song, he does, but he’s much more concerned about authenticity than about parasocial detectives.

Hozier may find comfort in maintaining a certain level of mystery. Earlier this year, a Spotify user shared a playlist titled submissive men !! that featured four Hozier songs, including “NFWMB,” from his 2018 EP Nina Cried Power . The musician finds his inclusion on the playlist “interesting” and raises his eyebrows at the idea that he might have some songs out serving as theme music for all the subby boys out there.

“I think I’m glad most people don’t know me all that well,” he says. “Sometimes I think the negative space between me and the actual me and fans is filled with very, I think, attractive descriptions of myself or attractive imaginings of myself.”

.css-1pfpin{font-family:NewParisTextBook,NewParisTextBook-roboto,NewParisTextBook-local,Georgia,Times,Serif;font-size:1.75rem;line-height:1.2;margin:0rem;padding-left:5rem;padding-right:5rem;}@media(max-width: 48rem){.css-1pfpin{padding-left:2.5rem;padding-right:2.5rem;}}@media(min-width: 64rem){.css-1pfpin{font-size:2.5rem;line-height:1.2;}}.css-1pfpin b,.css-1pfpin strong{font-family:inherit;font-weight:bold;}.css-1pfpin em,.css-1pfpin i{font-style:normal;font-family:NewParisTextItalic,NewParisTextItalic-roboto,NewParisTextItalic-local,Georgia,Times,Serif;} “The art filters through different layers of sediment and rock until it filters out of the spring.”

But he does agree that “NFWMB,” which stands for “Nothing Fucks With My Baby,” is a good choice for such a playlist. It’s about a lover who stands by your side at the end of the world and includes a verse full of arousing viciousness: “If I were born as a blackthorn tree / I’d want to be felled by you / Held by you / Fuel the pyre of your enemies.” Hozier concedes: “There’s great dedication in that song. It describes a kind of an outrageous admiration and dedication towards a figure, and it kind of describes a very terrifying person in the best way. So yeah, ‘NFWMB,’ I can agree with you.”

He also understands that listeners will hear and interpret what they will. “Ultimately, the listener finishes the piece in some way, shape or form. They bring their experience to it, and their experience bridges the gap between themselves and the song,” he says. (Justice for everyone who’s used “Cherry Wine” —whose gentle, romantic melody belies a story about intimate partner violence—as their wedding song.)

That said, he doesn’t want his music used for causes he doesn’t support. “What I’m concerned [with] is if it gets co-opted for something that’s harmful or deliberately harmful,” he says, his voice becoming firmer with his conviction. For as many love songs as Hozier sings, he is equally committed to social justice and calling attention to inequality and oppression. In “Butchered Tongue,” from Unreal Unearth , he highlights the colonialist practice of forcing indigenous peoples to abandon their mother languages. He also directly references pitchcapping , an ancient form of torture famously used by the English to put down the Irish Rebellion of 1798. Pointing out the atrocities of the world is as important to him as declarations of undying love.

“I'm very interested in Irish history, but I find that Irish history– it’s one little microcosm of something that happened across the world, you know what I mean? And so my understanding, the history of my place, where I come from—it informs my understanding of imperialism, of global imperialism, and it informs my understanding of global power structures,” he says. “They’re part of my psychic makeup, just from what I understand of my own country’s history, my own nation’s history. … It colors the lens, as it were, with how I see the world.”

Hozier’s 2018 single “Nina Cried Power” featured legendary Black singer and activist Mavis Staples. It’s an anthem dedicated to the legacy of social protest. In June 2020, he donated the royalties from “Jackboot Jump,” a song that mocks military and fascist response to protest, to the NAACP and Black Lives Matter, in response to the death of George Floyd. It’s impossible for Hozier to ignore such injustices, especially when people misuse his name to try to justify their biases.

That summer, as the United States reeled from the brutality of Floyd’s death at police officers’ hands, the Hozier 24/7 fan group on Facebook began deleting comments that referenced the killing, Black Lives Matter, or anything else “political” (a.k.a. Black). In response, Hozier himself tweeted a light scolding . It’s baffling that anyone could listen to his work—which is directly inspired by and frequently pays homage to Black music—and decide to ban what is ultimately a discussion of Black life.

Hozier seems to agree. “I felt like I couldn’t, in good conscience, not intervene into what would seem outrageous to me in a way, or just seemed deeply insensitive,” he says. He knows the problem isn’t confined to this one incident or this one fan group and appears frustrated by the need to reiterate the respect and love he has for Black artists.

“This is kind of part of the wider thing … I can talk about my influences being of Black artistry. It’s mentioned all the time. It is in the work. It’s literally in the work … and it’s just something that is not taken seriously,” he says.

Black fans have often taken to social media to express their own frustration at how white fans conveniently ignore Hozier’s tributes to Black artists, praising him instead as a ridiculously tall forest elf from a magical land far, far away. But Hozier says it’s natural for him to pay homage, to take care of the work he’s built his own on.

“It just seems strange that it wouldn’t be part of the conversation,” he says. “And it’s so fundamental to my influence. I named the songs after Black artists, and the work is signposted constantly back to it. I just try to be honest with it as best I can, and try to approach that conversation with the spirit of honesty and openness.”

That open approach is a part of his appeal. Hozier’s poetic lyricism can be emotionally devastating. The night after a show in support of Unreal Unearth , I went to a bar with a friend. A bottle of rosé deep, I got choked up, wondering if anyone would ever love me enough, or ever be so inspired by love as to dedicate a song as beautiful as “To Someone From a Warm Climate (Uiscefhuaraithe)” to me. The song is a special gift Hozier wrote for someone who had never experienced a cold winter, and references the Irish word for “the feel of coldness only water brings.” His voice moves between the dips and swells of his range as he sings it, and every time I hear the song, I have to figure out new ways to keep my heart inside my chest. The sensual vulnerability of Hozier’s music is at its peak in this song.

Unreal Unearth is his most musically and emotionally textured work so far. It may have been inspired by Dante’s Inferno , but the album is more like Pandora’s box. In the midst of all the ways it show us that love and greed can leave us devastated, it still offers hope that arriving on the other side of it all, into the light, will be worth it.

Nichole Perkins is the author of Sometimes I Trip on How Happy We Could Be (Grand Central Publishing, 2021).

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About This Show

First rising to prominence with the mega hit, Take Me To Church.

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Cardiff Castle Events > 06 Jul 2023

Thursday 06th Jul 2023

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4* clayton cardiff general admission package.

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Cardiff Castle, Cardiff

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Thursday 06th Jul - Friday 07th Jul

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About Hozier

Hozier is an Irish singer and songwriter from Dublin. He rose to fame in 2013 after releasing the hit single Take Me To Church. Later that year, his self-titled debut album was released to critical acclaim, peaking at number 2 on the official UK Albums Chart. In 2014, Hozier won a VH1 Music Award for Best Live Act and received a nomination for Song of the Year at the Grammy Awards. He has released two albums to date, both of which have topped the Irish charts, and toured extensively to promote them to fans around the world. Hozier's passionate and dark lyrics, enchanting melodies, and folk-rock instrumentals have earned him an international fan base.

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• Hozier with support from Brittany Howard and Lord Huron, Cardiff on the 9th July 2024
• Hozier, Glasgow on the 10th July 2024
• Lollapalooza Chicago 2024, Chicago on the 1st August 2024
• Hozier - Unreal Unearth Tour 2024, Columbus on the 7th August 2024
• Hozier - Unreal Unearth Tour 2024, Kansas City on the 9th August 2024
• Hozier - Unreal Unearth Tour 2024, Quincy on the 6th September 2024
• Hozier - Unreal Unearth Tour 2024, Sacramento on the 9th September 2024
• Hozier - Unreal Unearth Tour 2024, Los Angeles on the 17th September 2024
• Hozier - Unreal Unearth Tour 2024, Los Angeles on the 18th September 2024
• Hozier - Unreal Unearth Tour 2024, Los Angeles on the 20th September 2024
• Hozier - Unreal Unearth Tour 2024, San Antonio on the 24th September 2024
• Hozier - Unreal Unearth Tour 2024, Oklahoma City on the 26th September 2024
• Hozier, Perth on the 5th November 2024
• Hozier, Perth on the 6th November 2024
• Hozier, Adelaide on the 8th November 2024
• Summersalt - Hozier, Torquay on the 10th November 2024
• Hozier, Melbourne on the 12th November 2024
• Hozier, Melbourne on the 13th November 2024
• Hozier, Sydney on the 15th November 2024
• Summersalt - HOZIER, Sydney on the 16th November 2024
• Hozier, Brisbane on the 18th November 2024
• Hozier - Unreal Unearth Tour 2024, Auckland on the 20th November 2024
• Hozier, Christchurch on the 22nd November 2024
• Lytham Green, Liverpool on the 3rd July 2024
• Marlay Park, Dublin on the 5th July 2024
• Finsbury Park, London on the 7th July 2024
• Chepstow Racecourse, Cardiff on the 9th July 2024
• Glasgow Green, Glasgow on the 10th July 2024
• Grant Park, Chicago on the 1st August 2024
• Schottenstein Center, Columbus on the 7th August 2024
• Azura Amphitheater, Kansas City on the 9th August 2024
• Gorge Amphitheatre, Quincy on the 6th September 2024
• Golden 1 Center, Sacramento on the 9th September 2024
• The Kia Forum, Los Angeles on the 17th September 2024
• The Kia Forum, Los Angeles on the 18th September 2024
• The Kia Forum, Los Angeles on the 20th September 2024
• Frost Bank Center, San Antonio on the 24th September 2024
• Paycom Center, Oklahoma City on the 26th September 2024
• Rac Arena, Perth on the 5th November 2024
• Rac Arena, Perth on the 6th November 2024
• Adelaide Entertainment Centre Arena, Adelaide on the 8th November 2024
• Torquay Common, Torquay on the 10th November 2024
• Sidney Myer Music Bowl, Melbourne on the 12th November 2024
• Sidney Myer Music Bowl, Melbourne on the 13th November 2024
• Qudos Bank Arena, Sydney on the 15th November 2024
• Roche Estate, Sydney on the 16th November 2024
• Riverstage, Brisbane on the 18th November 2024
• Spark Arena, Auckland on the 20th November 2024
• Wolfbrook Arena (Horncastle Arena/Christchurch Arena), Christchurch on the 22nd November 2024
• Pine Knob Music Theatre, Detroit , 2024
• Ruoff Music Center, Noblesville , 2024
• Darien Lake Performing Arts Center, New York City , 2024
• Ithink Financial Amphitheatre, Boca Raton , 2024
• Kia Center, Orlando , 2024
• Moody Center, Austin , 2024
• 3Arena, Dublin , 2023
• Sse Arena, Belfast , 2023
• Ovo Arena Wembley, London , 2023
• Bp Pulse Live (Resorts World Arena), Birmingham , 2023
• Ovo Hydro, Glasgow , 2023
• Zenith Paris - La Villette, Paris , 2023
• Ziggo Dome, Amsterdam , 2023
• Englefield Estate, Reading , 2023

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