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Taylor Swift Announces 2023 U.S. Tour Dates

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Update 8/3/23:

For more information on Verified Fan for Taylor Swift | The Eras Tour 2024 U.S. and Canadian dates head to: Taylor Swift | The Eras Tour 2024 FAQs: LINK

Update 6/2/23:

For more information on Verified Fan for Taylor Swift | The Eras Tour dates in Mexico, head to: Taylor Swift | The Eras Tour FAQs (Spanish):  LINK Taylor Swift | The Eras Tour FAQs (English):  LINK

Update 11/16/22:

Taylor Swift Eras Tour Capital One Cardholder Presale Wednesday, November 16  | 2 p.m. local venue time

To best access the Taylor Swift Eras Tour Capital One Cardholder Presale ticket queues, fans should log into their Ticketmaster account and click on the link for your preferred dates below. 

Please keep in mind:

• Capital One Cardholder Presales are scheduled for Nov. 16 at 2 p.m. local venue time. 
• Queues will now open 15 minutes prior to the onsale time.
• To gain entry into the presale, enter the first 6 digits of your Capital One credit or debit card. Having an eligible Capital One credit or debit card does not guarantee tickets.
• At checkout, remember to use an eligible Capital One credit or debit card to pay for your Taylor Swift Eras Tour tickets (excludes Capital One private label retail cards). All other credit card types will not be allowed.
• Supplies are limited and the presale ends on Nov. 18, 2022 at 10 p.m. local venue time, or until tickets are sold out.

_______________________________________________________________________

Important information for buying tickets during the TaylorSwiftTix Presale powered by Verified Fan:

Our goal is to maximize the number of fans who have an opportunity to shop.

The link in your text will direct you to the show you were selected for — either a show that was available during registration or a show that was announced after registration closed.

If you were selected for a show available during registration, your code will enable you to shop  that  show  or any show in the same city  that was announced after registration closed. (You will not be able to shop a different show that was available during registration).

If you were selected for a show announced after registration closed — i.e., the link in your text directs you to one of those shows — your code is good for that show. We recommend you use the code for that show as it will have the greatest availability for you. If you choose, you can use your code instead for the show you prioritized first during registration; however, we expect demand for that show to be higher and your wait to be longer.

Remember, each code only allows you to purchase 6 tickets.

Update 11/11/2022:

New Shows Added

Due to unprecedented demand for tickets to Taylor Swift | The Eras Tour, presented by Capital One, after announcing 8 new shows last week, Taylor has added 17 additional shows in the US.

• Friday, March 17, 2023 – Glendale, AZ – State Farm Stadium
• Friday, March 24, 2023 – Las Vegas, NV – Allegiant Stadium
• Friday, March 31, 2023 – Arlington, TX – AT&T Stadium
• Thursday, April 13, 2023 – Tampa, FL – Raymond James Stadium
• Friday, April 21, 2023 – Houston, TX – NRG Stadium
• Sunday, April 23, 2023 – Houston, TX – NRG Stadium
• Sunday, April 30, 2023 – Atlanta, GA – Mercedes-Benz Stadium
• Sunday, May 7, 2023 – Nashville, TN – Nissan Stadium
• Sunday, June 4, 2023 – Chicago, IL – Soldier Field
• Friday, June 9, 2023 – Detroit, MI – Ford Field
• Friday, June 16, 2023 – Pittsburgh, PA – Acrisure Stadium
• Friday, June 23, 2023 – Minneapolis, MN – U.S. Bank Stadium
• Friday, June 30, 2023 – Cincinnati, OH – Paycor Stadium
• Friday, July 7, 2023 – Kansas City, KS – GEHA Field at Arrowhead Stadium
• Friday, July 14, 2023 – Denver, CO – Empower Field at Mile High
• Tuesday, August 8, 2023 – Los Angeles, CA – Sofi Stadium
• Wednesday, August 9, 2023 – Los Angeles, CA – Sofi Stadium

Registration is closed for TaylorSwiftTix Presale powered by Verified Fan. Fans who previously registered do not need to re-register for the added shows.

Anyone invited to participate in the presale will have access to purchase the added event(s) within their selected market.

Update 11/4/22:

Due to overwhelming demand, additional dates have been added to Taylor Swift | The Eras Tour, presented by Capital One!

The registration period for Taylor Swift Presale powered by Ticketmaster Verified Fan has closed.

• Friday, April 14th 2023 – Tampa, FL – Raymond James Stadium
• Friday, May 5th 2023 – Nashville, TN – Nissan Stadium
• Sunday, May 14th 2023 – Philadelphia, PA – Lincoln Financial Field
• Sunday, May 21st 2023 – Foxborough, MA – Gillette Stadium
• Sunday, May 28th 2023 – East Rutherford, NJ – MetLife Stadium
• Sunday, July 23rd 2023 – Seattle, WA – Lumen Field
• Friday, July 28th 2023 – Santa Clara, CA – Levi’s® Stadium
• Thursday, August 3rd 2023 – Los Angeles, CA – SoFi Stadium

The TaylorSwiftTix Presale begins on Tuesday, November 15 @ 10AM local venue time. There is a six (6) ticket limit per event.

__________________________________________________________________________

Taylor Swift just announced the U.S. leg of Taylor Swift | The Eras Tour, p resented by Capital One, and she wants to make sure her fans have the best chance to get tickets .

Demand is expected to be extremely high for Taylor Swift | The Eras Tour, presented by Capital One , so registering for the TaylorSwiftTix Presale powered by Verified Fan is your best chance to get tickets to see Taylor Swift live. While the TaylorSwiftTix Presale powered by Verified Fan doesn’t guarantee that everyone who registers will get a ticket, it does help ensure only fans are invited to purchase tickets.

Previous Lover Fest Verified Fan purchasers will receive preferred access to participate in the TaylorSwiftTix P resale. Please make sure that you register with the same Ticketmaster Account as your Lover Fest purchase.

Read on for information about how to register for your chance to buy tickets to Taylor Swift | The Eras Tour, p resented by Capital One.

Key Dates to Know

• TaylorSwiftTix Presale powered by Verified Fan Registration is open now until Wednesday, November 9 at 11:59PM ET .
• TaylorSwiftTix Presale powered by Verified Fan Invitations will be sent on the evening of Monday, November 14 .
• TaylorSwiftTix Presale powered by Verified Fan takes place on  Tuesday, November 15 at 10AM local venue time .
• General Public On-sale begins on Friday, November 18 at 10AM local venue time .

How many shows can I register for?

You may register for up to three (3) shows. When doing so, please be sure to rank your show preferences in order from highest to lowest. Please note: Registering for multiple shows does not guarantee that you will be selected for all shows you’ve ranked. If demand for tickets from verified fans exceeds supply for a given show, invitations may be subject to availability.

How many tickets can I purchase?

Fans may purchase a maximum of six (6) tickets per show using their unique access code. If you are selected for multiple shows, you will receive one (1) code for each show.

Can I change or update the shows I register for?

Yes, you can update your show preferences any time before registration ends. To do so, return to the TaylorSwiftTix Presale powered by Verified Fan registration link and click “edit entry”. Only your last selections will be considered once registration closes.

Can I register more than once to increase my invitation status?

No, only one registration is permitted per person.

When submitting my registration I received a 6-digit authentication code from Ticketmaster. Can I use this code to purchase tickets during the TaylorSwiftTix Presale powered by Verified Fan?

No, if selected for the TaylorSwiftTix Presale powered by Verified Fan you will receive a new, unique, alphanumeric access code the night prior to your show(s) going on sale. The previous 6-digit authentication code you received when registering was sent to verify your mobile phone number. It cannot be used to purchase tickets.

Can I register for the TaylorSwiftTix Presale powered by Verified Fan outside of the U.S.?

Yes, however you must use a U.S. or Canadian phone number. Please note that VOIP numbers are not supported.

When does registration close for the TaylorSwiftTix Presale powered by Verified Fan?

Registration closes on Wednesday, November 9 at 11:59PM ET .

When does the TaylorSwiftTix Presale powered by Verified Fan begin?

The TaylorSwiftTix Presale powered by Verified Fan will begin on Tuesday, November 15 at 10AM local venue time.

Does registering mean I get a TaylorSwiftTix Presale powered by Verified Fan access code?

Access codes are never guaranteed, and due to anticipated demand, fans will be selected at random to receive an invitation to shop for tickets during the TaylorSwiftTix Presale powered by Verified Fan.

I received a confirmation email, what does that mean?

This email is to confirm your details and that we successfully received your registration. It doesn’t, however, guarantee you’ll receive an invitation to purchase tickets. On Monday, November 14, you’ll receive an email with additional information about your invitation status.

Does getting an access code mean I will get tickets?

No. Only fans who have been verified and invited to shop by receiving an access code will have the opportunity to purchase tickets during the TaylorSwiftTix Presale powered by Verified Fan.

Receiving an access code means that you’ll have the opportunity to shop for tickets. However, the ability to purchase tickets is determined by supply and demand, and is not guaranteed. Tickets are available on a first come, first serve basis.

If selected, fans will also receive a text message to the phone number provided during registration. This text will include a unique access code and a link to shop. Keep an eye out for this text and be careful not to accidentally delete it.

The Waiting Room will open 30 minutes before the sale begins. You may only join the Waiting Room using the same Ticketmaster Account that you registered with.

When the sale begins, fans in the Waiting Room will be assigned a spot in line. When it is your turn to shop, you must enter your access code exactly as it appears in your text to access tickets.

Can I share my access code with my friends or family?

No. To purchase tickets with your unique code during the TaylorSwiftTix Presale powered by Verified Fan, you must be logged in to the Ticketmaster Account you registered with. Your access code is unique to your account and for this reason, fans will not be able to share their codes with friends or family.

What device should I use to purchase tickets?

All ticket purchases must be made online. Please be prepared to shop for tickets using your computer, mobile web, or Ticketmaster app. Tickets will not be available by phone call.

Can I sign into the same Ticketmaster Account on multiple devices to shop?

No, when you sign into the same account on multiple devices it may result in errors and/or limit you from shopping during the TaylorSwiftTix Presale powered by Verified Fan. Before the sale begins, please double check you are only signed into the Ticketmaster Account you registered with on one device.

How many tabs can I have open at once?

One tab per show.

You may only use multiple tabs on the same device when shopping for more than one show (if you received an invitation to multiple shows). As a reminder:

• If you’d like to shop for tickets to multiple shows, you will need to join the Waiting Room for each one.
• Please only join the Waiting Room once and only use one tab per show to reduce any delays.
• Once you join the Waiting Room, do not close your page.

I got an email telling me that I’m on the Waitlist, what does that mean?

Due to extremely high demand, not all fans who register may be invited to purchase tickets during the TaylorSwiftTix Presale powered by Verified Fan. Should additional tickets become available, a select number of registered fans may be randomly selected to move off the waitlist. If this happens, you will be notified via text message.

Will there be a way to purchase tickets other than the TaylorSwiftTix Presale powered by Verified Fan?

Yes. The General Public On-Sale will be Friday, November 18 at 10AM local venue time.

Why do I see tickets available to purchase on another site before the TaylorSwiftTix Presale powered by Verified Fan has even happened?

Many unofficial sellers will list tickets before they even go on sale. This practice is called speculative listing and fans should not trust resellers claiming to have tickets. Those speculative listings are not real tickets in hand. Beware of these sellers. Learn more about speculative tickets here .

Will there be VIP packages available for the tour?

A limited number of VIP Packages + Tickets may be available at time of purchase. Check your event page for any VIP details.

What are the health check requirements?

In the best interest of fans and staff, the event organizers are monitoring local COVID-19 trends and will meet or exceed protocols mandated by local governments and local venues. By purchasing tickets to this event, you agree to abide by the health and safety measures in effect at the time of the event, which may include, but not be limited to, wearing masks, providing proof of vaccination & booster status and/or providing proof of negative COVID-19 test. Check back often for updates to your event venue website as guidelines are subject to change.

Where can I find more information on the U.S. leg of Taylor Swift | The Eras Tour?

For more information, visit here .

TAYLOR SWIFT | THE ERAS TOUR U.S. TOUR DATES

* = These venues are not ticketed by Ticketmaster – for more information, please visit the respective venue’s website.

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Taylor Swift's Eras Tour: All the U.S. and international dates and opening acts

Taylor Swift opened the Eras Tour at State Farm Stadium in Glendale, Arizona — which rebranded itself as "Swift Cit y" for the March 17 and 18 concerts — with a triumphant return to live performance as the first act in the history of that venue to sell out two nights on the same tour.

By that point, she'd already broken the all-time record for most concert tickets sold by an artist in a single day and passed Madonna's Sticky & Sweet Tour as the highest-grossing tour in history by a female artist.

And Swift rose to the occasion , leading her band through a marathon 44-song set that lasted more than three hours while delivering on her promise of "a journey through all of my musical eras."

So what does she do for an encore? Here's where the Eras Tour is headed next, adding two surprise songs to the set at each show. Here's a look at what she's played so far .

Taylor Swift Eras Tour: 5 magic moments at State Farm Stadium that Arizonans saw first

Taylor Swift Eras Tour dates in the US

• Friday-Saturday, March 17-18: State Farm Stadium, Glendale, Arizona.
• Friday-Saturday, March 24-25: Allegiant Stadium, Las Vegas, Nevada.
• Friday-Sunday, March 31-April 2: AT&T Stadium, Arlington, Texas.
• Thursday-Saturday, April 13-15: Raymond James Stadium, Tampa, Florida.
• Friday-Sunday, April 21-23 : NRG Stadium, Houston, Texas.
• Friday-Sunday, April 28-30: Mercedes-Benz Stadium, Atlanta, Georgia.
• Friday-Sunday, May 5-7: Nissan Stadium, Nashville, Tennessee.
• Friday-Sunday, May 12-14: Lincoln Financial Field, Philadelphia, Pennsylvania.
• Friday-Sunday, May 19-21: Gillette Stadium, Foxborough, Massachusetts.
• Friday-Sunday, May 26-28: MetLife Stadium, East Rutherford, New Jersey.
• Friday-Sunday, June 2-4: Soldier Field, Chicago, Illinois.
• Friday-Saturday, June 9-10: Ford Field, Detroit, Michigan.
• Friday-Saturday, June 16-17: Acrisure Stadium, Pittsburgh, Pennsylvania.
• Friday-Saturday, June 23-24: U.S. Bank Stadium, Minneapolis, Minnesota.
• Friday-Saturday, June 30-July 1: Paycor Stadium, Cincinnati, Ohio.
• Friday-Saturday, July 7-8: GEHA Field at Arrowhead Stadium, Kansas City, Missouri.
• Friday-Saturday, July 14-15: Empower Field at Mile High, Denver.
• Saturday-Sunday, July 22-23: Lumen Field, Seattle.
• Friday-Saturday, July 28-29 : Levi's Stadium, Santa Clara, California.
• Thursday-Saturday, Aug. 3-5 : Sofi Stadium, Los Angeles.
• Tuesday-Wednesday, Aug. 8-9: Sofi Stadium, Los Angeles.

Taylor Swift adds new US dates in 2024 for the Eras Tour

In early August, Swift announced these new U.S. dates for the Eras Tour in 2024:

• Friday-Sunday, Oct. 18-20: Hard Rock Stadium, Miami.
• Friday-Sunday, Oct. 25-27: Caesars Superdome, New Orleans.
• Friday-Sunday, Nov. 1-3: Lucas Oil Arena, Indianapolis.
• Thursday-Saturday, Nov. 14-16: Rogers Centre, Toronto.
• Thursday-Saturday, Nov. 21-23: Rogers Centre, Toronto.

Taylor Swift Eras Tour opening acts on US dates

Glendale was the only city on the Eras Tour to see Paramore as Taylor Swift's direct support. And that was a glorious stroke of good fortune. We also got Gayle, who crushed it in her own way and is playing several stops along the way. Here's a look at all the Eras Tour openers and where they're playing.

The era of surprises: All the surprise songs Taylor Swift has played on the Eras Tour so far in 2023

• March 17-18 at State Farm Stadium: Paramore and Gayle.
• March 24-25 at Allegiant Stadium: Beabadoobee and Gayle.
• March 31 at AT&T Stadium: Muna and Gayle.
• April 1-2 at AT&T Stadium: Beabadoobee and Gracie Abrams.
• April 13 at Raymond James Stadium: Beabadoobee and Gayle.
• April 14-15 at Raymond James Stadium: Beabadoobee and Gracie Abrams.
• April 21-23 at NRG Stadium: Beabadoobee and Gracie Abrams.
• April 28-29 at Mercedes-Benz Stadium: Beabadoobee and Gracie Abrams.
• April 30 at Mercedes-Benz Stadium: Muna and Gayle.
• May 5 at Nissan Stadium: Phoebe Bridgers and Gracie Abrams.
• May 6 at Nissan Stadium: Phoebe Bridgers and Gayle.
• May 7 at Nissan Stadium: Phoebe Bridgers and Gracie Abrams.
• May 12-13 at Lincoln Financial Field: Phoebe Bridgers and Gayle.
• May 14 at Lincoln Financial Field: Phoebe Bridgers and Gracie Abrams.
• May 19-20 at Gillette Stadium : Phoebe Bridgers and Gayle.
• May 21 at Gillette Stadium : Phoebe Bridgers and Gracie Abrams.
• May 26 at MetLife Stadium: Phoebe Bridgers and Gayle.
• May 27-28 at MetLife Stadium: Phoebe Bridgers and Owenn.
• June 2-3 at Soldier Field: Girl in Red and Owenn.
• June 4 at Soldier Field: Muna and Gracie Abrams.
• June 9 at Ford Field: Girl in Red and Gracie Abrams.
• June 10 at Ford Field: Girl in Red and Owenn.
• June 16 at Acrisure Stadium: Girl in Red and Gracie Abrams.
• June 17 at Acrisure Stadium: Girl in Red and Owenn.
• June 23 at U.S. Bank Stadium: Girl in Red and Gracie Abrams.
• June 24 at U.S. Bank Stadium: Girl in Red and Owenn.
• June 30-July 1 at Paycor Stadium: Muna and Gracie Abrams.
• July 7-8 at Geha Field at Arrowhead Stadium: Muna and Gracie Abrams.
• July 14-15 at Empower Field at Mile High: Muna and Gracie Abrams.
• July 22-23 at Lumen Field: Haim and Gracie Abrams.
• July 28-29 at Levi's Stadium: Haim and Gracie Abrams.
• Aug. 3 at Sofi Stadium: Haim and Gracie Abrams.
• Aug. 4 at Sofi Stadium: Haim and Owenn.
• Aug. 5 at Sofi Stadium: Haim and Gayle.
• Aug. 8 at Sofi Stadium: Haim and Gracie Abrams.
• Aug. 9 at Sofi Stadium: Haim and Gayle.
• Oct. 18-20 at Hard Rock Stadium: Gracie Abrams.
• Oct. 25-27 at Caesars Superdome : Gracie Abrams.
• Nov. 1-3 at Lucas Oil Arena : Gracie Abrams.
• Nov. 14-16 at Rogers Centre: Gracie Abrams.
• Nov. 21-23 at Rogers Centre : Gracie Abrams.

Taylor Swift Eras Tour international dates and opening acts

In June 2023, Swift announced international dates for The Era Tour. Here's where she's headed next at the conclusion of the U.S. tour:

• Thursday-Sunday, Aug. 24-27, 2023: Foro Sol, Mexico City, Mexico, with Sabrina Carpenter.
• Thursday-Saturday, Nov. 9-11, 2023: Estadio River Plate, Buenos Aires, Argentina, with Sabrina Carpenter.
• Saturday-Sunday, Nov. 18-19, 2023: Estadio Nilton Santos, Rio de Janeiro, Brazil, with Sabrina Carpenter.
• Friday-Sunday, Nov. 24-26, 2023: Allianz Parque, Sao Paulo, Brazil, with Sabrina Carpenter.
• Wednesday-Saturday, Feb. 7-10, 2024: Tokyo Dome, Tokyo, Japan.
• Friday-Saturday, Feb. 16-17, 2024: Melbourne Cricket Grounds, Melbourne, Australia, with Sabrina Carpenter.
• Friday-Sunday, Feb. 23-25, 2024: Accor Stadium, Sydney, Australia, with Sabrina Carpenter.
• Saturday-Monday, March 2-4, 2024: National Stadium, Singapore, SG, with Sabrina Carpenter.
• Thursday-Friday, May 9-10, 2024: Paris La Defense Arena, Paris, France.
• Friday, May 17, 2024: Friends Arena, Stockholm, Sweden.
• Friday, May 24, 2024: Estadio da Luz, Lisbon, Portugal.
• Thursday, May 30, 2024: Estadio Santiago Bernabeu, Madrid, Spain.
• Sunday, June 2, 2024: Groupama Stadium, Lyon, France.
• Friday-Saturday, June 7-8, 2024 : BT Murrayfield Stadium, Edinburgh, UK.
• Friday-Saturday, June 14-15, 2024 : Anfield Stadium, Liverpool, UK.
• Tuesday, June 18, 2024 : Principality Stadium, Cardiff, UK.
• Friday-Saturday, June 21-22, 2024 : Wembley Stadium, London.
• Friday-Saturday, June 28-29, 2024 : Aviva Stadium, Dublin, Ireland.
• Friday-Saturday, July 5-6, 2024 : Johan Cruijff Arena, Amsterdam, Netherlands.
• Tuesday, July 9, 2024 : Stadion Letzigrund Zurich, Zurich, Switzerland.
• Saturday, July 13, 2024 : San Siro Stadium, Milan, Italy.
• Thursday, July 18, 2024 : Veltins-Arena, Gelsenkirchen, Germany.
• Tuesday, July 23, 2024 : Volksparkstadion, Hamburg, Germany.
• Saturday, July 27, 202 4: Olympiastadion, Munich, Germany.
• Friday, Aug. 2, 2024: PGE Narodowy, Warsaw, Poland.
• Friday, Aug. 9, 2024: Ernst-Happel-Stadion, Vienna, Austria.
• Friday-Saturday, Aug. 16-17, 2024: Wembley Stadium, London.

Taylor Swift song list for Eras Tour

Taylor Swift told us on the opening night of The Eras Tour at State Farm Stadium that she planned to make the two-song acoustic mini-set near the end of her performance different at each concert. Other than that, this setlist from opening night is what you can expect to hear.

“Lover” album:

• “Miss Americana & The Heartbreak Prince.”
• “Cruel Summer.”
• “You Need To Calm Down.”
• “The Archer.”

“Fearless (Taylor’s Version)” album:

• “Fearless.”
• “You Belong With Me.”
• “Love Story.”

“Evermore” album:

• “’Tis The Damn Season.”
• “Marjorie.”
• “Champagne Problems.”
• “Tolerate It.”

“Reputation” album:

• “… Ready For It?”
• “Delicate.”
• “Don’t Blame Me.”
• “Look What You Made Me Do.”

“Speak Now” album:

• “Enchanted.”

“Red (Taylor’s Version)” album:

• “We Are Never Ever Getting Back Together.”
• “I Knew You Were Trouble.”
• “All Too Well (10 Minute Version).”

“Folklore” album:

• “Invisible String.”
• “The Last Great American Dynasty.”
• “Illicit Affairs.”
• “My Tears Ricochet.”
• “Cardigan.”

“1989” album:

• “Blank Space.”
• “Shake It Off.”
• “Wildest Dreams (Taylor’s Version).”
• “Bad Blood.”

Wild card — a different acoustic song each show

• “Mirrorball.”

“Taylor Swift” album:

• “Tim McGraw.”

“Midnights” album:

• “Lavender Haze.”
• “Anti-Hero.”
• “Midnight Rain.”
• “Vigilante (expletive).”
• “Bejeweled.”
• "Mastermind."

Eras Tour Night 2 setlist: Here's how Taylor Swift second song list differed from Night 1

Reach the reporter at  [email protected]  or 602-444-4495. Follow him on Twitter  @ EdMasley .

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Taylor Swift’s The Eras Tour Is a 3-Hour Career-Spanning Victory Lap

By Waiss Aramesh

Waiss Aramesh

How do we measure the impact of a musician in 2023? Streams can be bought. Awards can be finessed. Is it when demand for show tickets leads to a congressional hearing about Ticketmaster’s policies? Or when flight attendants shout out a fanbase making a pilgrimage to see a tour opener? Or when TikToks of merch inspirations and setlist predictions rack up millions of views? Nearly a decade ago, a headline ran declaring ‘ Taylor Swift Is The Music Industry’ and those with even the slightest pulse on pop culture can tell she’s only grown more omnipresent since. It all led to a warm evening in Glendale, Arizona where months after delivering her most commercially-successful album to date, Midnights , Swift debuted a discography-spanning setlist that lasted over three hours and kicked off an aptly-named stadium run. The Eras Tour has arrived.

After night had fallen and GAYLE and Paramore revved the crowd up with a mix of recent chart-toppers (GAYLE’s “abcdefu”) and cultural anthems (Paramore’s “Misery Business”), it was time for the main event. At 7:57pm, a timer appeared on a massive screen prompting screams from all corners of State Farm Stadium. Lesley Gore’s “You Don’t Own Me” played as fans braced themselves for the arrival of Swift. When the timer hit 0:00, the house we’d seen in the “Lover” music video assembled on the screen, indicating that this evening was first and foremost about reviving the feelings each era evoked.

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It’s easy to compare one of Swift’s stadium shows to something you’d see on Broadway — never has that been more true than for The Eras Tour . The setlist is cut up into acts, grouped together by eras for each of Swift’s ten studio albums. For each era/act, Swift went full-send into that album’s look, feel, costume, color blocking, and more.

Many eras got a few songs. At one moment, it seemed like Swift’s soft spot for Folklore would mean we’d hear the entire album. On the opposite end, Speak Now ’s part of the show was short but impactful. Swift played only one song from her third studio album, “Enchanted,” while wearing a stunning floor-length ballroom gown designed by Nicole + Derr. Hopping from act to act, Swift made it extremely clear when she’s taking the audience out of one era and into another. This isn’t a hastily put together setlist with a vague thread of connective tissue — Swift is taking her audience on a nostalgic extravaganza.

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For “The Man,” Swift completed her Versace look with a blazer and made sure everyone could see the red bottoms when she kicked her feet up on a conference room table as she delivered the masterfully written and scathing assessment of gender inequality in pop culture. Swift closed out the Lover era act with “You Need to Calm Down” and “The Archer,” the latter getting a beautifully stripped down rendition so Swift’s vocals echoed across the stadium: “Because all of my enemies started out friends / Help me hold onto you.”

At one point, as Swift ran through hits from her Fearless era, she flashed a smile and announced to the crowd that she was taking us back to high school with her. The nostalgia seeped into the show, resulting in some of the loudest crowd participation yet, especially from those old enough to have grown up with Swift and were in high school at the same time she was. The singer ran through “Fearless,” “You Belong With Me,” and “Love Story,” reminding us of a time when we discovered the pop phenomenon unbeknownst to the level of celebrity she’d achieve.

Something about Swift — she’s online. If the fact that she decided to end last night with the TikTok-friendly “Karma” doesn’t make that obvious enough, her joke about disliking Evermore hammers home the point. 

Later on in the act reserved for her ninth studio album, in line with how theatrical the event was, Swift set up a beautiful dinner setting only to deliver a heart-wrenching rendition of “Tolerate It.” She also performed “Tis the Damn Season,” “Willow,” “Marjorie,” and “Champagne Problems,” giving fans a sizable taste of the Evermore live experience they weren’t able to receive when the project came out in 2020.

For the acts dedicated to Reputation and Red , fans were treated to a masterclass in visuals and hitmaking, two key elements that has assured Swift prolonged success for as long as she’s had it. The powerful, striking, snake motifs were an awesome callback for fans who attended the Reputation tour.

For Red , Swift went through “22,” “We Are Never Ever Getting Back Together,” and “I Knew You Were Trouble. She closed out the act with a beautiful performance of the 10-minute “Taylor’s Version” of “All Too Well.” In the evening’s most ethereal moment, small white confetti made to look like snow blanketed the State Farm Stadium as she neared the end of her magnum opus, singing “Because in this city’s barren cold/I still remember the first fall of snow/And how it glistened how it fell/I remember it all too well.” Not only is Swift a savant for world-building, but she’s perfected the ability to translate those worlds into the live experience.

Swift wasn’t shy about making sure people got the full Folklore live experience. A makeshift cabin, not unlike the one made during Swift’s 2021 Grammys performance, sat on the stage with Swift perched on it during “Invisible String.” The star also discussed how she finally got comfortable crafting narratives for purely fictional characters, rather than ripping them from the headlines about her life.

1989’s era act turned the party up and restored the energy, with Swift donning a Roberto Cavalli top and skirt and going through “Style,” “Blank Space,” “Shake It Off,” “Wildest Dreams,” and “Bad Blood.”

To cap off the evening, Swift returned to Midnights , performing album highlights “Lavender Haze,” “Mastermind,” and more. It was hard to ignore the immense gratitude the singer continued to exude throughout the evening, with the “thank yous” coming more and more often the closer she got to the end.

Eventually, the singer asked the crowd if they had time for one more and launched into her finale, “Karma,” a track with a passionate chorus that’s begging to be scream-sung in a room of over 70,000 who’ve been waiting for this exact moment for years. Maybe it’s fitting that an artist who’s had more than her fair share of ups and downs, and at times has been the most polarizing musician alive, ends her stadium tour opener with a song about how she can finally protect her peace. Karma’s a relaxing thought, indeed.

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Taylor Swift Announces 2023 ‘Eras Tour’ of U.S. Stadiums

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

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Taylor Swift announced Tuesday morning her long-rumored return to the road, with an outing dubbed the “ Eras Tour ” scheduled to hit U.S. stadiums beginning in March 2023 and running into August, with international dates set to be revealed later.

The support acts are very much all about the sisterhood, with a host of acts Swift has championed in the past. Opening acts for the U.S. leg of the tour are Paramore , Haim , Phoebe Bridgers , Beabadoobee, Girl in Red, Muna, Gayle, Gracie Abrams and Owenn.

The tour starts March 18, 2023 in what is apparently a sweet spot for Swift, Glendale, Ariz., the same place her last outing, the pre-pandemic “Reputation” tour, began in 2018.

Popular on Variety

As for which album we can consider the tour to be supporting, since she has released four original studios albums since her last tour? All of them. Swift described the tour as “a journey through the musical eras of my career (past and present!),” with a graphic showing her look from different phases of her career.

See the full itinerary, with color-coded graphics indicating which of the nine opening acts got the gigs in which cities:

The public on-sale happens at 10 a.m. local time on Nov. 18. As with all major tours nowadays, there will be an earlier rollout of tickets for credit card members, in this case holders of Capital One cards, beginning Nov. 15 at 2 p.m. through Nov. 17 at 10 p.m. local times.

As with her previous tour, there will be a Ticketmaster Verified Fan program “to ensure tickets get into the hands of fans.” Aspiring ticket buyers can register for the setup now through Nov. 9 here .

Unusually in the modern era of variably priced “platinum tickets” where fans get little information about set ticket prices, Swift has announced the cost of her tickets in advance. They run from $49 up to $449, with VIP packages that start at $199 and go up to $899.

Swift’s announcement promised that international dates are to follow.

There was an attention to detail in the tour announcement even in the graphics signifying the opening acts at different spots in the tour routing, with Bridgers, for instance, being represented by a tiny ghost, in honor of the skeleton costume she’s used on her own headlining tours.

Not accidental, probably, is how that same graphic breaks the tour itinerary down into two columns of 13 dates each. There will be 27 shows in 20 cities. The venues getting a two-night stand are in Los Angeles, Atlanta, Philadelphia and Chicago, as well as Arlington, Texas; Foxborough, Mass.; and East Rutherford, N.J.

The reception for “Midnights” upon its October release left no doubt just how strong the appetite for Swift tickets will be. It had the biggest week since Adele’s “25” album, per Luminate this week, with 1,578,000 album-equivalent units. Additionally, it was announced Monday that for the first time in history, all 10 top slots of the Billboard Hot 100 were filled by a single artist’s songs, with “Anti-Hero” leading the way at No. 1. Fans very much wanted the full album, anyway — of the nearly 1.6 million album units registered for “Midnights,” 1,140,000 were copies purchased in the form of the full album. It became Swift’s fifth album, out of her 10 original studio releases overall, to sell a million-plus copies in the first week out. The figure also represented the best first-week sales for an album by any performer since “Reputation” came out of the gate with 1,216,000.

The “Eras Tour” is being produced in-house by Taylor Swift Touring and promoted by the Messina Touring Group.

The tour’s opening acts expressed their enthusiasm in their own ways, such as the tweet from Muna that declared the group “gay for Tay” and pictured the trio in miniature, resting atop Swift’s lighter on the “Midnights” album cover.

gay for tay 🥺 @taylorswift13 https://t.co/RcKYrfmWFh pic.twitter.com/9gCqvPKnzH — MUNA (@whereisMUNA) November 1, 2022

The full U.S. tour routing:

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Swifties, rise! Taylor Swift is taking ‘Midnights’ on the road with U.S. stadium tour

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Taylor Swift is taking “Midnights” on the road.

Just a day after making Billboard history , the “Lavender Haze” singer announced Tuesday on “ Good Morning America ” that she will embark on her sixth concert tour.

“Good morning, America, it’s Taylor,” she said. “I wanted to tell you something that I’ve been so excited about for a really long time and I’ve been planning for ages, and I finally get to tell you I’m going back on tour. The tour is called the ‘Eras’ tour, and it’s a journey through all of my musical eras of my career.”

🚨 FIRST ON @GMA : @taylorswift13 is going back on tour! 🚨 Check out all the info on her "Eras" tour here: https://t.co/ESCtIe5at0 #Eras #MidnightsTaylorSwift #MidnightsTS #TaylorSwift pic.twitter.com/M5xbcraipv — Good Morning America (@GMA) November 1, 2022

Swift will launch the tour in U.S. stadiums on March 18, 2023, in Glendale, Ariz. — the same place she kicked off her 2018 Reputation tour. So far, 27 dates have been announced across the country that will take the tour into August when she closes out the first leg with two shows at SoFi Stadium in Inglewood on Aug. 4 and 5.

She will release international dates later.

The Grammy winner has also tapped a number of “brilliant opening acts” for the tour, including Paramore, beabadoobee, Phoebe Bridgers, girl in red, Muna, Haim, Gayle, Gracie Abrams, and Owenn.

“And really, I’m just so excited that I get to look you guys in the eye and say thank you for everything,” she added.

I’m enchanted to announce my next tour: Taylor Swift | The Eras Tour, a journey through the musical eras of my career (past & present!) The first leg of the tour will be in stadiums across the US, with international dates to be announced as soon as we can! https://t.co/KFuqvrhSGo pic.twitter.com/eVyTcuW8sK — Taylor Swift (@taylorswift13) November 1, 2022

Prospective concertgoers will have to sign up for Ticketmaster’s Verified Fan program to register for presale tickets now through Nov. 9. Once they receive a code, they will be able to purchase tickets on Nov. 15. Those tickets will start at $49 and go up to $449. VIP packages start at $199 and go up to $899.

Verified fans from Swift’s Lover Fest tour will also receive preferred access to participate in the TaylorSwiftTix Presale once registered with the same Ticketmaster account as the previous purchase.

All other public ticket sales begin Nov. 18 at 10 a.m. local venue time.

Swift’s announcement comes more than a week after she released her tenth studio album, “Midnights,” on Oct. 20 . The singer announced the album back in August during an acceptance speech at the Video Music Awards.

In a statement after the show , she described “Midnights” as a “a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face.”

Leading up to the release, Swift teased fans by trickling details about the album — including writing credits for boyfriend Joe Alwyn and “The Batman” star Zoë Kravitz.

“Midnights” made its grand entrance by briefly crashing Spotify and treating fans to bonus tracks and a companion music video for the single “Anti-Hero.”

Times critic Mikael Wood wrote that “Midnights” “returns to an earlier Swift mode in both sonic and lyrical terms.”

Out of the woods, Taylor Swift’s ‘Midnights’ heralds the return of a pop-music mastermind

After two rootsy pandemic albums, ‘Midnights’ picks up right where 2014’s ‘1989’ and 2017’s ‘Reputation’ left off.

Oct. 20, 2022

Adding to the excitement around “Midnights” was the album’s commercial success. Swift’s new album broke records on Spotify last week and on Monday, the singer became the first artist to fully occupy the top 10 spots of the Billboard Hot 100 chart.

“10 out of 10 of the Hot 100??? On my 10th album??? I AM IN SHAMBLES,” Swift tweeted on Monday.

Taylor Swift becomes first artist to occupy top 10 spots of Billboard Hot 100

Swift’s dominance means that, for the first time in history, there were no male artists in the top 10 of the Hot 100.

Oct. 31, 2022

10 out of 10 of the Hot 100??? On my 10th album??? I AM IN SHAMBLES. https://t.co/q1n5Zc6pYA — Taylor Swift (@taylorswift13) October 31, 2022

Swift’s upcoming tour comes amid critical and commercial hype for “Midnight” and more than four years since her “Reputation” tour in 2018.

Times staff writer Nardine Saad contributed to this report.

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Alexandra Del Rosario is an entertainment reporter on the Los Angeles Times Fast Break Desk. Before The Times, she was a television reporter at Deadline Hollywood, where she first served as an associate editor. She has written about a wide range of topics including TV ratings, casting and development, video games and AAPI representation. Del Rosario is a UCLA graduate and also worked at the Hollywood Reporter and TheWrap.

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What Made Taylor Swift’s Concert Unbelievable

At her epic opening show, the pop star played 44 songs and conjured actual magic.

Updated at 11:24 a.m. ET on March 19, 2023

GLENDALE, Ariz.—Breaking: Taylor Swift is not simply a voice in our ears or an abstract concept to argue over at parties, but a flesh-and-blood being with a taste for sparkling pajamas and the stamina of a ram. All concerts are conjurings, turning the audience’s idea of a performer into a real thing, but last night’s kickoff of Taylor Swift’s Eras tour in Glendale, Arizona, heightened the amazement with Houdini-escapes-handcuffs physicality. After years of having their inner lives shaped by Swift’s highly mediated virtual output, more than 70,000 individuals can now attest to the vibrancy of Taylor Swift the person. Somehow, seeing her up close made her seem more superhuman.

Every aspect of the night felt shaped by the Ticketmaster-breaking reality that she has not shared air with masses of mortals since touring in 2018, and that she released six albums in the interim (four original, two rerecorded). The emotional brew was excess and gratitude, cut with nostalgia for time lost, and made chaotic by physical circumstances. The structure was unwieldy yet urgent: 44 (yes, 44) songs over more than three hours. Swift created the vibe of an ecstatic cram session, like an epic outing with a far-flung bestie visiting for one night only. “So, uh, is it just me or do we have a lot of things to catch up on?” Swift asked early on, sitting behind a piano whose mossy encrusting gave it the look of long-submerged treasure and helped underscore her point.

Going into the night, fans speculated about how Swift would bring her perfectionism to bear on the tricky question of which songs to perform. Maybe she would swirl her albums together into a sleek playlist, reframing a now-sprawling catalog around some thematic through line. But she instead decided to segment the night by album, leaving the big lessons of her trajectory to emerge from the juxtapositions already present in it. And really, any expectations of a focused fireside chat fell away at the beginning of the set, when the onstage clock struck midnight (though really it was only 8 p.m.).

No space on earth could’ve handled the hype released at that moment. Her opening pick was unexpected: a woozy, truncated “Miss Americana and the Heartbreak Prince,” a somewhat deep cut from 2019’s Lover (key refrain: “It’s been a long time coming”). Then came the hugely awaited live debut of the fan favorite “Cruel Summer,” a track emblematic of Lover ’s careening, happy-go-lucky maximalism. Overlapping waves of sound—fans wailing like emergency sirens, the thump and bump of Swift’s live band and backing tracks—ricocheted around the Super Bowl venue into an awful din. Everyone was singing along but no one, at least where I was sitting, could hear Swift . She was facing a physics problem: How do you tell a story in a literal echo chamber?

The answer was for Swift to slow down and take control as she always has, with her words. With each break to address the audience, Swift’s knack for focusing emotions and maneuvering them helped coalesce a mood. In those overwhelming first few minutes, her first statement was relatable: “I don’t know how to process all of this .” Soon she explained that the concept of the show was to “adventure” through her first 17 years of music, album by album—in unstated, and thereby suspenseful, order. Then came the night’s first true gut punch, the ballads “Lover” and “The Archer.” For the latter, Swift stood alone, listing her vulnerabilities to a pulsing beat, until pyrotechnic sparks fell in a curtain behind her. This was where we all wanted to be: feeling one-on-one intimacy but with spectacular three-dimensionality.

The turning of one “era” to the next was like the turning of a pop-up-book page, revealing new colors, architecture, and story lines. Swift’s art direction remains intuitive and unfussy, but the detail work is sharp, helping to re-enchant familiar imagery. For the segment devoted to the cozy Folklore , she lazed, catlike, on the slanted roof of a cabin whose frame glowed with what seemed to be starlight. The requisite giant snakes of Reputation , her 2017 armored tank of an album , hung amid stark, vertically imposing scaffolding. By contrast, the urban wonderland of 1989 was horizontal, with the stage becoming a fashion runway for Swift’s lively dancers to stomp across in crisscrossing patterns. On a night this long, little visual surprises went far. At one point, she induced gasps by seeming to dive into the stage and then swim to the other side, as if it were a pond.

The ordering of the eras, and of the songs within eras, also kept the suspense high. Swift’s beloved 2010 album, Speak Now , emerged for only the keening “Enchanted,” sung by Swift in a ball gown amid a field of flowers. Her self-titled debut also appeared just once, in a humble, piano-bound performance of her first single, “Tim McGraw.” By contrast, the 2020 album Evermore —seen by some as a glorified B-sides collection—got five tracks with lavish set changes. After spending the past few years letting her work speak for itself while the audience litigated its meaning and merits, she was finally asserting a point of view about her own catalog. Evermore , she said, is “an album I absolutely love, despite what some of you say on TikTok.” She cast a hilariously suspicious gaze across the enormous room. “I see it—I see all of it.”

Her facial expressions were often just as potent, making up for the sonic detail that the stadium’s acoustics swallowed. With her older lyrics achieving the cultural familiarity of folktales, Swift was game for theatrical reinterpretation. Giving fans the “Delicate” performance they’d agitated for on social media, Swift went comedic, delivering “You can make me a drink” as an impatient command, not a come-on. For the 2010 Fearless section, she acted charmingly blasé as she strapped on her guitar, invited us “back to high school,” and made half-hearted cheerleading gestures. These early songs were still great, but, she seemed to say with a wink, she’d grown a lot since writing them. The most stunning performances, however, were dead serious, conveying icy resentment in glistening eyes and a sternly set jaw, as on “Champagne Problems,” “My Tears Ricochet,” and the 10-minute version of “All Too Well.”

Oh yeah, that’s right—that giant set list made time for a 10-minute song . When she donned a glittering robe and began strumming that wounded ballad, it was the prestige of a magic show. The audience could at last wrap their heads around the fact that she was really going for it , not just with this song but with this whole marathon-revue concept she’d been dreaming up for years. Late in the night, she broke from the era-by-era format with an acoustic moment—one whose featured song, she said, would change every night of the tour. For this opening show, she picked Folklore ’s “Mirrorball,” clarifying her mission statement: “I’m still trying everything / To keep you looking at me.”

She succeeded in keeping us looking, though it must be said that by the time the culminating Midnights era rolled around, the crowd—at least those who’d survived—had moved from excitement to awestruck submission. Around me, seats where people had screamed at throat-scorching frequencies at the beginning of the night were now empty. Small children who’d been brought to the show were napping in the arms of their chaperones. I felt the sort of happy daze that often precedes deep sleep. The concert had been unbelievable, but so was the fact that this one human woman planned to do it again the next night, and for many after.

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The Startling Intimacy of Taylor Swift’s Eras Tour

By Amanda Petrusich

Critics are always bellyaching about the death of the monoculture—we no longer consume the same cultural objects at the same time or in the same way, and as a result we feel disconnected, adrift, lost. The mind-boggling inescapability of Taylor Swift ’s latest endeavor—a sixty-date stadium romp known as the Eras Tour—offers one enormous exception. The tour recaps all ten of Swift’s studio albums, presenting each as an epoch, with its own elaborate sets, costumes, and vibes. (The scope of the show reinforces the hysterical demands on twenty-first-century pop stars: be something new every time you show up, or don’t show up at all.) Swift cancelled her previous tour, in 2020; the sweeping concept of this one, combined with the long delay to see her live again, guaranteed that the demand for tickets would be preposterously high. Ticketmaster bungled the rollout so badly that the company received a public talking-to from Swift herself. Not long afterward, the Senate Judiciary Committee held a hearing to investigate whether Live Nation Entertainment, which owns both Ticketmaster and many major concert venues, has an illegal monopoly. The tour, which concludes in November, could, by some foggy estimates, make Swift a billionaire.

I attended a show at MetLife Stadium, in New Jersey. It was a warm Saturday evening in May, and I wore a cardigan. My daughter, who is about to turn two, had picked out my socks, which had cats all over them—a little wink to the fans, I thought. (Swift loves cats.) Let me tell you: no one was looking at my socks. This crowd had made it fashion. The fits were shimmering and often bespoke. The eye makeup was elaborate. The pavement outside the stadium was dappled with thousands of fallen sequins. Strangers were mouthing the word “slay” to each other. Forearms were wrapped in bracelets featuring Swift-isms spelled out in lettered beads. I was seated in front of two people dressed as fully decorated Christmas trees. (Swift was brought up on a Christmas-tree farm in Pennsylvania.) The crowd was ecstatic, doting, and very sober. The line for chicken fingers was, per my calculation, fifteen times longer than the line for beer.

Swift has for years been a savant of what I might call “you guys” energy, a chatty, ersatz intimacy that feels consonant with the way we exist on social media—offering a glimpse of our private lives, but in a deliberate and mediated way. When Swift addressed the seventy-four thousand people who had gathered to see her, I felt as though she was not only speaking directly to me but confessing something urgent. After one long applause break, she said, “There’s nothing I can say that can accurately thank you for doing that. You just, like, screamed your head off for an hour and a half. That was insane.” Maybe it’s her savvy use of what feels like the singular “you.” When I attempted to explain this feeling to other people, it sounded as though I had been conned. Yet I’d prefer to think of it as an act of kindness: Swift sees each of us (literally—we were given light-up bracelets upon entering) and wants us to know it.

On TikTok , fans discuss each concert with a fervor and knowledge that reminds me of the grizzled heads who spend years analyzing old Grateful Dead set lists. Swift’s show is famously long—more than three hours. By the end, mothers were carrying out sleeping children. I found Swift’s stamina astounding. (She is onstage the entire time, save costume changes.) Some eras translate better than others to the shape and echo of a football stadium. The lusty bite of “Reputation,” for instance, overpowered the aching ballads of “evermore.” There were some nice surprises: Phoebe Bridgers came out to sing “Nothing New,” a wounded song from “Red (Taylor’s Version),” and the Bronx-born rapper Ice Spice performed on a smug remix of “Karma.” Toward the end of the set, Swift does two acoustic songs, on piano or guitar. It’s the only part of the show that reliably changes. That night, she performed “Holy Ground” and “False God.” The latter is one of Swift’s most carnal songs. “I know heaven’s a thing / I go there when you touch me,” she sings.

Swift’s voice has become richer and stronger over the years; its clarity and tone foreground her lyrics. Played on piano, absent the R. & B. production of the studio version, “False God” felt, suddenly, like a reflective song about resigning yourself to failure. Love and sex are a trap, its lyrics suggest; never trust the fantasy sold to you by pop songs:

We might just get away with it The altar is my hips Even if it’s a false god.

Swift is sometimes described as “professional,” which feels like a pejorative—it suggests decorum, efficiency, steadiness, and various other qualities that, in general, have nothing to do with great art. She has perhaps been unfairly dismissed as too capable and too practiced, an overachieving, class-president type. I’ll admit that I’ve struggled, at times, with the precision of her work. If you’re someone who seeks danger in music, Swift’s albums can feel safe; it’s hard to find a moment of genuine musical discord or spontaneity. Over time, though, I’ve come to understand this criticism of Swift as tangled up with some very old and poisonous ideas about genius, most of which come from men slyly rebranding the terrible behavior of other men. (Swift sees it this way, too. On “The Man,” she imagines life without misogyny: “I’d be a fearless leader / I’d be an alpha type.”)

The intense parasocial bond that Swift’s fans feel with her—the singular, desperate throb of their devotion—can swing from charming to troublesome. When Swift débuts new costumes, as she did in New Jersey, a wave of glee washes over Twitter. But when she puts out a new song (“You’re Losing Me”) with lyrics that suggest romantic turmoil (“And I wouldn’t marry me either / A pathological people pleaser”), it can provoke vitriol—in this case toward the actor Joe Alwyn, Swift’s former partner. (Weeks earlier, Swifties were outraged after one of Alwyn’s co-stars posted a photo of him on a scooter, which was read as an egregious slight because Swift has been in a public battle with a music executive named Scooter Braun.) It’s hard enough to understand a relationship when you’re inside it; trying to piece together a narrative via song lyrics and a few paparazzi photos seems like a fundamental misunderstanding of human relations. Swift was recently rumored to be dating Matty Healy , of the British rock band the 1975. Healy is, depending on whom you ask, either an irascible provocateur or a disgusting bigot. Some of Swift’s fans deemed him a racist torture-porn enthusiast, owing to comments he made on a podcast, and groused about him after he and Swift were photographed together. Though it would be easy, and maybe even correct, to dismiss this sort of hullabaloo as ultimately innocuous—just people being hyperbolic online, in the same way one might tweet, say, “Taylor Swift can run me over with a tractor”—the swarm-and-bully tactic feels at odds with Swift’s music, which has always lionized the misunderstood underdog. Maybe Healy deserves it. Alwyn, at least, seems innocent. This is the obvious flip side of Swift’s purposeful cultivation of intimacy. From afar, her fans’ possessiveness appears both mighty and frightening.

Still, the intensity of her fandom manifests so differently offline. Swift’s performance might be fixed, perfect (it has to be, of course, to carry a tour so technically ambitious), but what happens in the crowd is messy, wild, benevolent, and beautiful. I was mostly surrounded by women between the ages of fifteen and twenty-five. As Swift herself once sang, on “22,” that particular stretch into post-adolescence is marked by feeling “happy, free, confused, and lonely at the same time.” The camaraderie in the audience invited a very particular kind of giddiness. My best friend from childhood had accompanied me, and when she returned from the concession stand carrying two Diet Pepsis so enormous that they required her to bear-hug them for safe transport, I started laughing harder than I have laughed in several years.

As the night went on, I began to understand how Swift’s fandom is tied to the primal urge to have something to protect and be protected by. In recent years, community, one of our most elemental human pleasures, has been decimated by COVID , politics, technology, capitalism. These days, people will take it where they can get it. Swift often sings of alienation and yearning. She has an unusual number of songs about being left behind. Not by the culture—though I think she worries about that, too—but by someone she cared about who couldn’t countenance the immensity of her life. In her world, love is conditional and frequently temporary. (“You could call me ‘babe’ for the weekend,” she sings on “ ’tis the damn season,” a line I’ve always found profoundly sad.) On the chorus of “The Archer,” she sings, “Who could ever leave me, darling? / But who could stay?” Toward the end of the song, she adds a more hopeful line: “You could stay.”

As she sang that “you” on Saturday, she raised an arm and pointed directly to the audience. Swift has written many songs that describe her devotion as a punishment to be endured. “I love you, ain’t that the worst thing you ever heard?” she bellows on “Cruel Summer.” She believes that the force of her affection will push people away. But her fans have remained. They have buoyed her; in turn, she has given them everything. ♦

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“For the first time, we’ll be showing the entire concert (including “cardigan”, plus 4 additional songs from the acoustic section!!) and I’m calling it, huge shock, “Taylor Swift | The Eras Tour (Taylor’s Version),” the 34-year-old singer announced on Instagram on Feb. 7.

Those who still can’t get enough of The Eras Tour can enter to win Marriott Bonvoy’s sweepstakes for a chance to win an all-inclusive four-day, three-night trip for two to Taylor Swift’s concert in Vancouver, Canada; or two concert tickets (without flights and hotel) to select cities in Europe, the United States or Canada. Tour stops included in the concert package contest include Stockholm, Madrid, Zurich, Milan, Miami, New Orleans, Toronto and more; learn more here .

The announcement follows Swift’s big reveal during her recent Grammys speech that her 11th studio album, The Tortured Poets Department , will be released on April 19. (Take advantage of Target’s pre-order deal by March 16 online here .)

Related: Where to Buy Sold-Out Tickets for Taylor Swift’s Eras Tour Dates in Canada

Last year, Swift released an approximately three-hour extended version of her blockbuster concert film , which is available to rent online for $19.89 on Prime Video (which offers exclusive bonus content), Apple TV and other transactional video-on-demand (TVOD) streaming platforms. It includes performances of “Long Live,” “The Archer” and “Wildest Dreams,” which were not in the theatrical run.

In addition to becoming the top-grossing concert movie of all time in North America, the AMC Theatres-distributed Taylor Swift: The Eras Tour earned a Golden Globe nomination for cinematic and box office achievement.

Where to Watch Taylor Swift: The Eras Tour (Taylor’s Version) Concert Film Online

Taylor Swift: The Eras Tour (Taylor’s Version) will be available to stream on-demand on Disney+ on March 14 at 6 p.m. PT/9 p.m. ET. Although the streamer doesn’t currently offer a free trial, Verizon Wireless subscribers with eligible Unlimited plans can get Disney+ for free for six months when they sign up by May 17 — so you can technically stream The Eras Tour (Taylor’s Version) online for free; learn more here .

Disney+ costs $7.99 per month for the ad-supported plan, but one of the best deals on the streamer is the Disney Bundle . New or returning subscribers save 44 percent off the Disney+, ESPN+ and Hulu bundle compared to paying for each service separately. That brings the price to $14.99 per month, compared to $26.97 monthly separately.

You can also upgrade to the  ad-free version of the Disney Bundle for $24.99 — a 42 percent savings over paying for each service without ads individually. Lock in the price to get all three streamers mentioned above, with no ads on Hulu or Disney+. The plan also lets you download content to watch on the go (say, for when you don’t have a WiFi connection).

Fans don’t need to be a member of Amazon Prime or Prime Video to stream the movie on the platform; however, those who want to watch on Apple TV will need an Apple TV+ subscription to buy or rent on that service. If you stream The Eras Tour on Prime Video , you’ll get access to additional X-Ray content that will showcase each song as it plays in the film and the ability to connect to Amazon Music to listen to more tracks from the tour.

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Taylor Swift | The Eras Tour

DUE TO UNPRECEDENTED DEMAND FOR TICKETS TO TAYLOR SWIFT | THE ERAS TOUR, 17 ADDITIONAL SHOWS HAVE BEEN ADDED TO THE U.S. LEG OF THE TOUR

TWO NEW SHOWS JUST ADDED AT SOFI STADIUM ON AUGUST 8 & 9, 2023

TAYLOR SWIFT | THE ERAS TOUR 

PRESENTED BY CAPITAL ONE

MARKS FIRST ARTIST TO PRESENT FIVE SHOWS AT SOFI STADIUM

Due to unprecedented demand for tickets to Taylor Swift | The Eras Tour, after announcing 8 new shows last week, 17 additional shows have just been added to the U.S. leg of the tour including two new shows at SoFi Stadium on Tuesday, August 8th and Wednesday, August 9th. Taylor Swift marks the first artist to present five shows at SoFi Stadium.

Taylor Swift | The Eras Tour at SoFi Stadium • Thursday, August 3 with HAIM, and Gracie Abrams • Friday, August 4 with HAIM, and OWENN • Saturday, August 5 with HAIM, and GAYLE • Tuesday, August 8 with HAIM & Gracie Abrams (NEW) • Wednesday, August 9 with HAIM & GAYLE (NEW)

Ticket Information: Registration is closed for TaylorSwiftTix Presale powered by Verified Fan. Those registered for the presale will receive an email with information on added dates.

Public on-sale begins Friday, November 18 at 10AM local venue time.

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All the proof Taylor Swift is making first major change to Eras Tour

Welcome to "The Tortured Poets Department" (Eras Tour Version).

It looks like Taylor Swift 's Eras Tour is getting a brand new era, straight from the Tortured Poets Department .

Since the announcement of her new 11th studio album ( which dropped April 19 ), fans have been anxiously waiting to see if her worldwide, career-spanning tour would get a shakeup to accommodate the new music. While Swift is remaining mum, and a rep for the singer didn't respond to an EW request for comment, a new YouTube Short posted to Swift's account seems to provide all the clarity Swifties needed that a change is imminent.

In the video, which is part of Swift's #ForAFortnightChallenge tied to the album's first single, "Fortnight," the 14-time Grammy winner can be seen rehearsing for tour with her backup dancers. While some shots are obviously from the Folklore , Lover , and other existing "eras" of the show, several blink-and-you'll-miss-it moments have never been seen before.

In one, Swift, clad in workout gear, appears to be wearing the same boots seen in her "Fortnight" video . She's holding on to a banister that looks like it has the Tortured Poets Department emblem on it — the "P" and the "D" can just be made out.

taylor swift/youtube

Although the video is in grayscale, and therefore exact colors are impossible to identify for sure, several shots feature what looks like a new white-ish mic, which has never been seen before. The new era's color, of course, is also an off-white hue.

Perhaps the most interesting moment of the new clip, though, is one that features what looks like new choreography and costumes. Swift's backup dancers can be seen in top hats and dancing with canes, while she sings in the front middle of the group — choreography and props which have so far not been featured in the concert.

This is all speculative until the tour resumes in Paris, France, on May 9, of course, but if Swift is adding a whole new era, it would mark the first major change to the setlist since Swift began performing it last March.

Throughout the tour, she's made little swaps here or there: She added performances with some of the artists who opened for her like HAIM or Phoebe Bridgers, and she added "Long Live" to the Speak Now section when that re-recorded album released during tour. She also swapped out "Invisible String" for the "The 1" in the Folklore section after news of her split with Joe Alwyn broke.

But, nothing has majorly been added or subtracted from the show, which is already a whopping three-and-a-half hours long. Now, if anyone could pull off adding more runtime to Eras, it's the "Mastermind" herself, but it's more likely that some songs will be getting cut to make room for new material. Fans have theorized that the tracks that didn't make it into the VOD rental of the Eras Tour concert film — "The Archer," "Wildest Dreams," "Cardigan," and "Long Live" — could be first on the chopping block, but we'll just have to wait and see what Ms. Swift has up her cryptic and Machiavellian sleeve.

Sign up for Entertainment Weekly 's free daily newsletter to get breaking TV news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more.

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The Eras Tour cast: Meet Taylor Swift's dancers, singers and band members

Taylor Swift's The Eras Tour has been out for a week on Disney+ , and there's no doubt some dedicated fans have watched it 13+ times. The three-and-a-half-hour phenomenon is a bedazzled force that moves through 49 songs from Swift's 10 eras. The movie was shot over three nights in Los Angeles and included helicopter, drone and onstage camera angles. By now everyone knows the ringleader of The Eras Tour, but what about the cast and crew who shine alongside her?

Here's a look at Swift's six bandmates, four backup vocalists and 15 dancers featured in the film with the time stamps for when they appear on screen.

More: Covering 'This Swift Beat': Sign up for the Taylor Swift newsletter

'Strike the band up, 1... 2... 3...'

The Eras Tour band is led by Mike Meadows and Max Bernstein. Meadows has been with Swift for more than 15 years, starting on her "Fearless" tour. The guitarist also sings and plays keyboards, cello, harmonica and mandolin. In a cute TikTok, his wife shared a compilation video from Nissan Stadium about how proud she is . Swift places her arm on Meadows during "Love Story" at 33:12.

Max Bernstein rocks out on the guitar, keyboards and pedal steel, which is a steel guitar with pedals and knee levers. He shared a post on Instagram with the caption , "So incredibly grateful to be a little part of the biggest and best show." He joined Swift for the "Reputation Stadium Tour" in 2018. His parents are journalists Nora Ephron and Carl Bernstein, and his brother Jacob is a reporter for The New York Times. Bernstein is to the right of Swift and her "Fearless" heart hands at 26:12.

Paul Sidoti may be the most well known band member. His distinct rocker hair is almost as big as his stage presence. Sidoti has been a vocalist and guitarist with the singer since 2007. He is approachable on the tour and has taken photos with fans in the audience. Sidoti's website also says he's available for "online guitar, bass, and piano lessons via Zoom." Swift touches Sidoti's face during "You Belong With Me" while singing "you've got a smile that can light up this whole town" at 28:15.

Amos Heller is the bassist. Like many of Swift's bandmates, the husband and father of three has been with her since 2007. Heller picked up his first electric bass at 13. His cover of Metallica's "Blackened" shows he's a master thrasher. Swift struts with Heller during "You Belong With Me" at 27:58.

Ooomph! Matthew Billingslea is the drummer crashing the cymbals, beating the toms and pedaling the bass. In 2023, he was nominated for pop drummer of the year at the Drumeo Awards. Billingslea joined Swift's band in 2013 for the Red Tour. Billingslea pops up during "Fearless" at 25:38.

Rounding out the bandmates is Karina DePiano . The classically trained pianist gets a shoutout from the singer following Swift's performance of "Champagne Problems." DePiano performs an interlude at 50:35 while Swift sets a table before singing "Tolerate It." DePiano started 2024 with a Pianote nomination for pop pianist of the year .

'We sing it proudly'

The fearless ladies who make up Swift's choir are "The Starlights."

Up first is Melanie Nyema , the section leader. The vocal virtuoso has backed many artists including Gladys Knight, Sara Bareilles, Solange Knowles, Florence + The Machine and Imagine Dragons. She's been with Swift since 2012 when she performed "We Are Never Ever Getting Back Together" at the VMAs. Check out her spiritual version of "Gotta Have You." Nyema is left of Swift at 30:33 when she hugs "The Starlights."

Kamilah Marshall is the vocalist dance captain. Marshall came into the fold during the Red Tour. Her song "Canyon" showcases her writing and singing in an outpouring of gratitude. The Broadway actress has credits including "Hairspray" and "Lion King." In 2021, she told the Academic Magnet High School newspaper in South Carolina, "I know I’m supposed to be doing what I do.” You can also see her in the dinner scene of " All Too Well: The Short Film ." Marshall is the "cheer captain" on the left at 28:52 during the "Fearless" era.

Jeslyn Gorman joined Swift during her Red Tour. The vocal riffer has a song, "Falling Like Snow," and has toured with stars Meghan Trainor, Jason Derulo, Rita Ora and Nick Jonas. The Florida native and latte enthusiast moved to Los Angeles. Gorman, like the other "Starlights," thanked Swift on her birthday, "Your heart and generosity is beyond BEYOND. And just when I think you’ve DONE IT, you TOP THAT!" Gorman shimmies at 32:40.

Eliotte Woodford wears the purple "Speak Now" dress and bangs the side of her vitrine during the "Look What You Made Me Do" portion of the Eras Tour at 1:07:38. Woodford has been with Swift since 2013. The wife and mother graduated from Washington University in St. Louis, where she was a part of the a cappella group the "Mosaic Whispers." Her singing and dancing reel shows her early work with Swift .

'I don't wanna dance if I'm not dancing with you'

Fifteen dancers led by choreographer Mandy Moore and associate choreographers Amanda Balen and Jeremy Hudson create some of the most iconic moments during the 10 eras. Moore met Swift through mutual friend Emma Stone who worked with Moore on "La La Land." Her credits are extensive. Most recently, she put together the exemplary Ryan Gosling performance of "I'm Just Ken" at the Oscars.

Amanda Balen is the dance captain. The blond beauty hails from Ontario, Canada. She is famous among the Lady Gaga fandom for dancing in several of the star's music videos and being a part of the Roseland Ballroom residency in New York City in 2014. Balen has worked with Katy Perry and Pink. You can find her at 14:18 during "The Man" to the left of Swift.

Tori Evans lights up the stage. In her decade-plus career, the University of Arizona alumnus has been featured in Ricky Martin music video "Qué Rico Fuera" , swam in synchro-formation next to Beyoncé and strutted on "The Masked Singer ." Evans' resume also includes dancing for Cardi B, Mary J Blige, Jason Derulo and Maroon 5. Her dance teacher of 15 years, Lana Wright, told Morgan Hill Life , "Tori was always that ray of sunshine... I always knew Tori could accomplish her goals, if she really wanted it." You can catch Evans during "Blank Space." She hands Swift a glow-up club at 2:13:45.

Audrey Douglass has danced with the devil, in addition to many other television credits. The performer has boogied and waltzed on Netflix's "Lucifer," Apple TV+'s "The Morning Show," FX's "American Horror Story: 1984," Paramount+'s "1923" and "Dancing with the Stars." Douglass serves up sass as "Shay" in Dua Lipa's "Physical" work out video . Dancing runs in the family, because Douglass' older sister, Hannah, was one of the co-captain dancers on Beyoncé's Renaissance World Tour . As the "Lover" house burns down, you can see Douglass to the left of Swift at 2:22:52.

Jan Ravnik (pronounced "yawn") is the smooth dancer who caught the eye of social media with his abs-olutely distracting "Lavender Haze" ladder dance . The Slovenian dancer has worked with Paula Abdul, Mariah Carey, Bruno Mars, Khalid and Luis Fonsi. Ravnik was awarded the "Best Dancer in Slovenia" and credited as the "Best Trainer/Choreographer" by the Slovenian Olympic committee. When he's not grooving on the international stage, he goes for long distance bike rides and takes artsy photos. You can see what's got the internet's attention at 2:36:46.

Taylor Banks strikes like a viper at 55:48, during "...Ready For It?" Banks was born in New Orleans, grew up in Pennsylvania and moved to Los Angeles to shine. The dancer has been moving to the beat since she was 3 and been featured with artists including Justin Timberlake, Jennifer Lopez, Mariah Carey, Cher, Ciara, Chris Brown, Jessie J, The Jacksons, Jason Derulo, Dua Lipa, Billie Eillish and Beyoncé. The fitness model has repped brands like Nike, Reebok, Skechers and Under Armour.

Sydney Moss was born and raised in Memphis, Tennessee. The spunky and fun dancer moved to Los Angeles after high school and has worked with Janet Jackson, Justin Timberlake, Doja Cat, Mariah Carey and Jennifer Lopez. Moss has a beautiful rendition of "You're Losing Me" with fellow dancer Jan Ravnik. She dresses Swift in her bejeweled blazer during "The Man" at 9:03.

Natalie Lecznar is a former Radio City Rockette. The Chapman University graduate married her college sweetheart. She was on Season 5 of "So You Think You Can Dance." The vibrant dancer is easy to spot with her fire-red locks. She is known for her performance in the "Folklore" era when she becomes Rebekah Harkness during the "Last Great American Dynasty" at 1:51:41.

Whyley Yoshimura , why don't you come on over and shake, shake, shake? The dancer notably flips his long hair, still smooth despite the humidity, during "Shake It Off" at 2:17:40. Yoshimura is a native Hawaiian who went to the Kamehameha Schools on Oahu. He started dancing for Janet Jackson at 18 and went on to be her assistant choreographer for the "Unbreakable Tour." He is an LGBTQI+ advocate for the Rainbow Railroad .

Raphael Thomas is the "Tolerate It" star at 54:02. The Jamaican's nickname is "The Sandman." He toured with Mary J. Blige on the "Good Morning Gorgeous" tour , was featured in Rihanna's "Savage X Fenty Show" on Amazon Prime, danced for Janet Jackson in the 85 West Music Festival and lit up the stage with Beyonce during her "Homecoming" performance at Coachella.

Kevin Scheitzbach polishes up real nice! The "Bejeweled" dancer gets a breakout moment at 2:47:13 strutting some of his best moves. Scheitzbach specializes in jazz funk and street styles of dance. He runs FlowXS , a choreography company, with his equally charismatic and talented brother Michael. The two grew up in Toronto, Canada.

Kameron Saunders is the only dancer with a speaking line that he switches up nightly at the Eras Tour during "We Are Never Ever Getting Back Together" at 1:26:33. The ebullient dancer also shines during a "Bejeweled" dance solo at 2:48:10. The Missourian was honored in Kansas City when the council dubbed Jan. 25 Kameron Saunders Day of Dance. You can catch him and his fast-footed moves in the ensemble of "The Color Purple" and "Spirited." Saunders' brother Khalen is a defensive tackle for the New Orleans Saints.

Natalie Peterson is a professional dancer, fitness instructor, dance educator and Amazon influencer . The Chapman University graduate specialized in Latin dance. Before the Eras Tour, she served as the assistant choreographer for Karol G’s "Bichota Tour" and got her Lagree Fitness certification. You can spot her twirling in "Style" on the right of Swift at 2:10:39.

Tamiya Lewis is the crowd pleaser who wheels the "Red" road case onto the stage. During the tour, she opens it to reveal song snippets from "State of Grace," "Holy Ground," "Red" and "Everything Has Changed" (depending on the show). That part was cut from the movie, but you still see her bringing the case onstage to unleash hundreds of red balloons at 1:20:12. The 21-year-old is an alumnus of the Velocity Dance Convention , a dance convention and competition that provides classes to dancers across the U.S.

Sam Mcwilliams is the lovable dancer who appears to the right of Swift at 2:09:56. If you don't blink, you can also catch his famous "Style" flip at 2:10:41. The Oregon native has been dancing for most of his life. Check out a video of him in 2017 dancing to Meghan Trainor's "Me Too." In 2021, he was named the Radix senior male core performer , and he almost made the top 12 on Season 17 of "So You Think You Can Dance." Recently, Mcwilliams showed off his lyrical, limber and tumble talents in a duet dance with fellow dancer Jan Ravnik .

Karen Chuang hands Swift her microphone during "The Man" at 9:26. A few seconds later as she's poring over a typewriter, Swift takes her paper and chucks it. Chuang is officially a Gleek as one of her first television appearances was as a Vocal Adrenaline dancer in "Another One Bites The Dust." She also performed in the 2016 "Grease Live!" and Lady Gaga's Super Bowl halftime show. Chuang graduated Summa Cum Laude from UCLA.

More: A year of the Eras Tour: A look back at Taylor Swift's record-breaking show

Swift and her crew have 69 shows left to perform on the Eras Tour. She will release her 11th era album "The Tortured Poets Department" on April 19 before heading to Paris to perform on May 9.

Don't miss any Taylor Swift news; sign up for the free, weekly newsletter "This Swift Beat."

Follow Taylor Swift reporter Bryan West on  Instagram ,  TikTok  and  X as @BryanWestTV .

Travis Kelce auctioned 4 tickets for Taylor Swift's Eras Tour — and made $80,000

• Travis Kelce auctioned off four Taylor Swift Eras Tour tickets for $80,000 at a charity event.
• The auction took place at Patrick Mahomes' 15 and Mahomies Foundation Golf Classic gala.
• In 2023, Swift's Eras Tour contributed significantly to her estimated earnings of $1.1 billion.

Travis Kelce sold four tickets to Taylor Swift's Eras Tour for $80,000 at a charity auction hosted by Patrick Mahomes.

Kelce and Swift attended the auction at The 15 and Mahomies Foundation Golf Classic gala in Las Vegas on Saturday, which raised money for health, wellness, and community resources that impact the lives of children.

Swift seemingly decided to auction off the tickets spontaneously, as they weren't included in the docket.

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"I think, um, I was just talking to my significant other, and uh, we might have one other auction item that wasn't on the docket," Kelce said in a video posted to TikTok , cited by People .

"Has anybody heard of the Eras tour?" he said. The crowd cheered in response.

Kelce went on to say they had four tickets for the Eras Tour's US dates in New Orleans, Miami, Oregon, and Minneapolis later this year.

Harry Santa-Olalla, the auctioneer, confirmed in an Instagram post that the tickets sold for $80,000.

Santa-Olalla also documented the moment Kelce "convinced" Swift to auction the four tickets in an Instagram Story, according to People.

Several videos circulating on social media showed Swift and Kelce entering the event , and later, Swift was filmed waving a red napkin as the tickets were auctioned.

Bloomberg estimated that Swift earned $1.1 billion in 2023, largely due to the success of the Eras Tour.

An analysis by research company QuestionPro, cited by a Business Insider report , found that the average Swiftie spent $1,300 to head to the Eras Tour in 2023.

Some fans who spoke to BI's Juliana Kaplan admitted to spending up to $20,000 on expenses relating to Swift's tour, including flights, accommodation, costumes, and tickets.

Last year, data from the research company QuestionPro provided exclusively to CNN estimated Swift's tour will gross $2.2 billion in North American ticket sales, and that is before the resale market.

Watch: A look back at Tina Turner's life and work

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Taylor Swift Has Given Fans a Lot. Is It Finally Too Much?

Swift has been inescapable over the last year. With the release of “The Tortured Poets Department,” her latest (very long) album, some seem to finally be feeling fatigued.

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By Matt Stevens and Shivani Gonzalez

Four new studio albums. Four rerecorded albums, too. A $1 billion oxygen-sucking world tour with a concert movie to match. And, of course, one very high-profile relationship that spilled over into the Super Bowl .

For some, the constant deluge that has peaked in the past year is starting to add up to a new (and previously unthinkable) feeling: Taylor Swift fatigue.

And it is a feeling that has only solidified online in the days following the release of “The Tortured Poets Department,” which morphed from a 16-song album into a 31-song, two-hour epic just hours after its release .

Many critics (including The New York Times’s own) have suggested that the album was overstuffed — simply not her best. And critiques of the music have now opened a sliver of space for a wider round of complaint unlike any Swift has faced over her prolific and world-conquering recent run.

“It’s almost like if you produce too much… too fast… in a brazen attempt to completely saturate and dominate a market rather than having something important or even halfway interesting to say… the art suffers!” Chris Murphy, a staff writer at Vanity Fair, posted on X .

Which is not to say nobody listened to the album; far from it. Spotify said “Poets,” which was released on Friday, became the most-streamed album in a single day with more than 300 million streams .

And of course, many of Swift’s most ardent fans, known as “Swifties,” loved her 11th album or, at least, have decided to air any reservations in private conversations. The first days of the album’s release have been greeted with the usual lyrical dissections for key allusions hidden within the songs, attention to every word that few other artists receive.

But others, including some self-identified Swift fans, have freely admitted frustration. Fans and critics alike have contended that Swift’s lyrics have become a tad verbose and that the tracks on this latest album — many of them breakup songs — sounded a whole lot like others she has already put out . The internet has also provided an almost unlimited supply of jokes about the length of the album .

Some admonished Swift for selling so many versions of “Poets” only to double its size after those orders were in, part of a cynically corporate rollout . (Care for the CD , vinyl or the Phantom Clear vinyl ?) The Daily Mail cobbled together what it deemed “The 10 WORST lyrics in Taylor Swift’s new album — ranked!”

For its part, Reductress , the satirical women’s magazine, offered a post titled “Woman Doing Her Best to Like New Taylor Swift Album Lest She Face the Consequences.”

Those who dare to publicly criticize Swift are acutely aware of the potential for backlash. Murphy, the Vanity Fair writer, made a dark joke about it . At least one X user who posted a lengthy thread eviscerating Swift, the album and its rollout took the post private after it got more than three million views. Paste Magazine opted not to put a byline on its harsh review of Swift’s album, citing safety concerns for the writer.

In an unusual twist, even Swift herself is widely viewed as admonishing her most militant defenders in one particular song on the new album, “But Daddy I Love Him.” Some contingents of Swift’s fanbase strongly disapproved of her brief relationship with Matty Healy of the 1975 and appear to now be bristling at the amount of record real estate Healy consumes on the latest album .

Weird, complicated times in Taylor land.

“It might be a tough few days for the fanbase,” Nathan Hubbard, a co-host of the Ringer podcast, “ Every Single Album ,” wrote in a social media thread about “Poets” on Friday . “They’ll hear some valid criticism they aren’t used to (if the critics dare), and for many they’ll have to reconcile their own truth that this isn’t their favorite, while still rightly celebrating it and supporting her.”

Indeed, grinding through the 31-song double album after midnight had felt like “a hostage situation,” Hubbard wrote.

On a new podcast episode, which was released over the weekend, Hubbard and his co-host, Nora Princiotti, were among those who pointed out that while the album may be imperfect, Swift simply may have needed to purge herself of the songs on “Poets” to process a turbulent time in her life.

Princiotti said she enjoyed much of the album and was careful to stipulate that “Poets” did contain several “special songs.”

But she also allowed for some “tough love.”

“Musically, I do not really hear anything new,” she said, adding that Swift “could have done a little bit more self editing.”

“I don’t think the fact that this is a double-album that is more than two hours in length serves what’s good about it,” Princiotti said. “And I think that for the second album in a row, I’m still sort of left going, ‘OK, where do we go from here?’”

Princiotti ultimately graded “Poets” a “B.” And in the world of her podcast and universe of Taylor Swift, Princiotti acknowledged — that might have been an all-time low.

An earlier version of this article misstated the title of Taylor Swift’s new album. It is “The Tortured Poets Department,” not “The Tortured Poets Society.”

How we handle corrections

Matt Stevens writes about arts and culture news for The Times. More about Matt Stevens

Shivani Gonzalez is a news assistant at The Times who writes a weekly TV column and contributes to a variety of sections. More about Shivani Gonzalez

Inside the World of Taylor Swift

A Triumph at the Grammys: Taylor Swift made history  by winning her fourth album of the year at the 2024 edition of the awards, an event that saw women take many of the top awards .

‘The T ortured Poets Department’: Poets reacted to Swift’s new album name , weighing in on the pertinent question: What do the tortured poets think ?  

In the Public Eye: The budding romance between Swift and the football player Travis Kelce created a monocultural vortex that reached its apex  at the Super Bowl in Las Vegas. Ahead of kickoff, we revisited some key moments in their relationship .

Politics (Taylor’s Version): After months of anticipation, Swift made her first foray into the 2024 election for Super Tuesday with a bipartisan message on Instagram . The singer, who some believe has enough influence  to affect the result of the election , has yet to endorse a presidential candidate.

Conspiracy Theories: In recent months, conspiracy theories about Swift and her relationship with Kelce have proliferated , largely driven by supporters of former President Donald Trump . The pop star's fans are shaking them off .

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Taylor Swift Is Not Attending the 2024 Met Gala to Focus on European Tour Dates

Swift kicks off her Europe tour in Paris on May 9

Melody Chiu is an Executive Editor at PEOPLE overseeing music, events and emerging content. She has been with the brand since 2009, editing, writing and reporting across all entertainment verticals. She has written cover stories on Taylor Swift, Selena Gomez, Melissa McCarthy, Blake Shelton, Jordan Turpin and Sandra Oh. The Los Angeles native graduated from the University of Southern California and has appeared on Extra! , The Talk, Access Hollywood and Good Morning America .

Taylor Swift is skipping the 2024 Met Gala , PEOPLE can confirm.

Despite reports that she would be attending , the singer, who just dropped her Tortured Poets Department album on April 19, is sitting out fashion's biggest night. Instead, she'll be focusing on rehearsals and tour prep ahead of her Eras Tour dates picking back up on May 9 in Paris before traveling all over Europe during the spring and summer.

The Met Gala, which always takes place on the first Monday in May, will be held on May 6, which would have been a tight squeeze ahead of the tour for Swift, 34.

Emma McIntyre/TAS23/Getty

TMZ previously reported that Swift and her boyfriend, Kansas City Chiefs tight end Travis Kelce, would not be attending the Met Gala this year.

Swift has already attended the prestigious night six times (her most recent appearance was in 2016) while Kelce has yet to make his debut at the prestigious event.

The Grammy winner has had a huge couple of weeks, following the release of The Tortured Poets Department as she prepares to head back out on tour. She has taken over the Billboard chart (again!), has seen her album rack up 1 billion Spotify streams in a week and emotionally shared glowing reviews for her work .

No big deal, right?

John Shearer/Getty

While there’s going to be a blank space with Swift absent, the Met Gala is sure to bring out all the heavy hitters in fashion. 

This year’s theme is centered on the “Sleeping Beauties: Reawakening Fashion” exhibit, which will feature approximately 250 items — including 15 significant pieces such as an 1877 Charles Frederick Worth silk satin ball gown — that span over 400 years of history. “It is very much an ode to nature and the emotional poetics of fashion,” said Andrew Bolton, Wendy Yu Curator in Charge of the Costume Institute. 

Expectedly, the dress code is themed “The Garden of Time” and is inspired by J.G. Ballard’s 1962 short story of the same name. The story follows a count and countess living “in their utopia of leisure, art, and beauty,” as noted by Vogue , who predicts that stars will show up in ensembles paying homage to florals, music and time.  

John Lamparski/Getty

Zendaya , Jennifer Lopez , Chris Hemsworth and Bad Bunny will lead the pack as the four co-chairs of the night. Despite the Met Gala being a few weeks away, some of them have yet to finalize their looks (who can blame them, it’s a lot of pressure). 

The Challengers actress, an already five-time attendee (her insane Cinderella transformations on the famous steps is simply unforgettable) told Vanity Fair recently that she still doesn’t “really know” what she’s wearing, but she has “ideas.” 

Meanwhile, the This is Me…Now singer is still ruminating over a few potentials. “I have a few different sketches. I’m still deciding,” Lopez told Vogue this week. “I’m also one of those people who chooses at the last minute. Like, I like choices, and then I go, ‘Okay, this is how I feel today,’ and then we try to kinda create some type of amazing look — ‘cause that is the night for looks!”

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Why Are Taylor Swift Eras Tour Tickets So Much Cheaper in Europe?

Tickets for Swift's 51 shows overseas are 87 percent cheaper than her remaining U.S. shows, providing a model for how to keep prices low in the States.

By Dave Brooks

Dave Brooks

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Girl in Red Says Taylor Swift's Approval Has Given Her Confidence After Eras Tour

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That means a fan in Miami could fly to Paris for about $900 a person (according to prices generated on kayak.com), spend two nights at a four-star hotel at $250 a night and purchase a $340 concert ticket for a grand total of $1,740 — which is still $760 less than the cheapest tickets currently available for her Miami shows.

Tickets to see Swift in Stockholm (May 17-19) are even cheaper, at $312 for the cheapest tickets, while tickets for her show in Portugal (May 24-25) start at $336 and in Spain (May 29-30) start at $324. Prices do start to climb in the United Kingdom, with the get-in-the-door price hovering around £540 (about $674 USD) for Swift’s Liverpool shows (June 13-15). Prices to see Swift at Wembley Stadium (June 21-23) hover around £720 ($900).

The reason for the huge difference in price, experts say, is due in part to longstanding consumer skepticism about resale tickets in most of Europe. That’s coupled with a much more aggressive regulatory environment where artists and consumers are empowered to report and remove illegal ticket listings, and where prices are kept low thanks to laws limiting how high tickets can be marked up over face value.

Sam Shemtob , managing director for ticket resale advocacy group Face-value European Alliance for Ticketing (FEAT), points to Europe as a model for how governments can be more vigilant about regulating resale markets. In countries like France, Germany and the Netherlands, ticket resellers face limits on how much tickets can be marked up on secondary sites — typically 20% over face value. Other countries like the United Kingdom allow resale but restrict who is allowed to post tickets for resale and give artists and event promoters the right to take some resale ticket listings down.

Adopting European-style regulations in the United States by restricting ticket markups to 20% above face value would transform the concert business overnight and likely drive prices down dramatically on the secondary market. Markup caps would also likely make programs like Ticketmaster’s platinum ticket pricing (which charges high markups for a small percentage of tickets to offset the resale market) obsolete and significantly reduce the number of ticket brokers and bad actors using bots to disrupt ticket sales and illegally buy up tickets.

Shemtob notes that Europe’s ticketing rules aren’t just about protecting price, but are also designed to empower citizens to take action.

On Jan. 1, 2025, Europe’s Digital Services Act (DSA) will go into effect, creating a uniform set of guidelines for online ticket resale requiring resellers to disclose their names and contact details to potential ticket buyers. The DSA also mandates that resale platforms track takedowns of public ticket listings (to help provide a record of the deceptive activity taking place) and ban deceptive marketing practices.

While many of the DSA’s reforms mirror U.S. efforts to clean up ticketing, Shemtob says a provision in the DSA bill that makes it simple to flag, report and take down ticket listings that violate the rules is a game-changer for consumer advocates. The law creates “a clear process for removing illegal ticket listings as and when they appear,” he said in a statement provided to Billboard , putting in place “the groundwork for a fairer, more transparent ticket-buying experience for consumers.”

Besides keeping prices in Europe low, the legislation has also led to a surprising boom in tourism from U.S. fans traveling to the continent to pursue cheaper Eras Tour tickets: A spokesperson for StubHub told Billboard that 68% of ticket purchases for Swift’s 51-show run in Europe have come from U.S. buyers.

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Pickleball to Eras Tour prep: How Taylor Swift’s skorts helped Popflex go viral

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Talk about a Swift sellout.

Following last Friday’s release of her new album, “The Tortured Poets Department,” Taylor Swift took to YouTube Shorts to share some rare behind-the-scenes footage from her personal life, including a several-second snippet of herself playing pickleball in a tutu-style lavender skirt.

Despite the clip’s brevity, it took mere moments for Taylor Swift Style blogger Sarah Chapelle to ID the singer’s activewear as the Popflex Pirouette Skort ($60) — and just 15 minutes for the style to sell out completely in Swift’s lilac shade. Before long, it was wiped out of stock in all 11 colors.

“I was in shock. Pure shock,” the activewear brand’s founder, Cassey Ho , tells Page Six Style. At the time Swift posted the video, Ho was at the hair salon with her phone on “Do Not Disturb” mode, so she missed the first handful of calls from her husband as he tried to alert her of the major moment.

“It finally went through because when you do that on iPhone, it counts as an emergency,” she says, quipping, “This was an emergency.”

In an effort to meet the overwhelming demand, Ho enabled preorders for the lavender skort on her Shopify site — “we never do this,” she says — and has since sold “about 7,000” of the Swift-approved style. Since they’ll all be made from scratch, the skorts will ship in August.

“I don’t want to rush through anything; I want to make sure everyone who’s ordering the skort gets the same quality that Taylor got,” she notes.

Popflex Pirouette Skort

But this was no flash-in-the-pan stroke of fortune for Ho and her brand — Swift returned to YouTube Thursday to share a compilation of clips from her recent Eras Tour rehearsals, which happened to be peppered with Popflex pieces.

In one scene, she pairs her Pirouette Skort with the brand’s Corset Bra ($44); in another, she takes the streamlined Twirl Skort ($54) for a spin, while a third shows her striking a confident pose in the Crisscross Hourglass Booty Short ($45).

Popflex Corset Bra

Popflex Twirl Skort

Popflex Crisscross Hourglass Booty Short

Ho confirms none of the merchandise was gifted to the superstar.

“I think she placed an order — I don’t know when,” she tells us. “And it seems like she must have bought a lot of things!”

The fitness entrepreneur and influencer, who’s also the founder of the popular YouTube channel Blogilates , describes her designs as “romantic, feminine, but also always solving a problem,” pointing to Popflex’s inclusive size range (XXS to 3X) and multiple available legging lengths as examples of the latter.

“We all know that Taylor loves princesses and castles and love stories. And so I think because of that, she’s really drawn to the femininity and the romantic-ness of it all.”

Scoring the Grammy winner’s stamp of approval is especially meaningful for Ho, who’s been a Swiftie since 2006.

In 2014, after posting a YouTube video spotlighting her favorite songs from Swift’s emotional “Red” album — “I was going through a lot at the time,” she says — the vlogger even scored an invite to one of her idol’s “secret sessions,” and was one of the first people to hear Swift’s then-unreleased “1989” record in the musician’s own LA home.

“ The Taylor Swift walks out with her red lips and her cropped hair and her crop top, and I’m physically shaking, and she walks over and says, ‘Cassey, I love your videos,'” Ho recalls. “I’m like, ‘What do you mean?!’ “

Years later, the pair’s lives have paralleled in other ways; while Swift was fighting for ownership of her master recordings , Ho was battling larger companies selling bootleg versions of her creations.

“When I designed the Pirouette Skort a few years ago, I remember telling my husband, ‘This is the one that’s going to be stolen by Shein .’ I just knew, because it’s so different,” she says.

Since then, Ho tells me she’s dealt with two separate instances of the fast-fashion giant knocking off her signature design and selling it for cheap; she recently applied for a design patent to protect her work.

“It took a whole year for me to get the patent, but it was weirdly awarded on my birthday,” she says, adding that she announced the milestone with a TikTok set to — what else? — Swift’s tune “Karma.”

View this post on Instagram A post shared by Cassey Ho (@blogilates)

Unfortunately, the patent hasn’t put the kibosh on all the copycats.

“Amazon and TikTok Shop make it really easy,” the designer says, telling us she’s flagged “a ton” of listings for lookalike skorts that include customer reviews and photos taken from her own website — including snaps of Ho herself.

“Every day is like Whac-A-Mole; we take one [listing] down, they start a new account and put it up again,” she adds. “Dupe culture — counterfeit culture — has gotten out of control.”

But considering most Swifties now swear to only listen to the musician’s rerecorded versions of her earlier albums, Ho is confident that those in search of Swift’s skort will add “Cassey’s Version” to their carts.

“Swifties want the real thing. They want the thing that Taylor’s wearing,” she says. “And I just hope that the skort makes everyone who gets it really happy.”

Shop more of our favorite Popflex styles below:

Popflex Corset Pirouette Dress

Popflex Crisscross Hourglass Twirl Skort

Popflex That’s A Wrap Skort

Popflex Zip Cloud Hoodie

Popflex Crisscross Hourglass Flared Leggings With Pockets

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