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Ólafur Arnalds  

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Ólafur Arnalds (born November 3, 1986) is an award-winning experimental and electronic multi-instrumentalist, composer and producer from Mosfellsbær, in Iceland.

Arnalds' earliest musical excursions were as the drummer for a number of hardcore metal bands including Fighting Shit and Celestine. After occupying a support slot the German metal band Heaven Shall Burn, Arnalds gave the band a progressive-rock demo featuring digital piano and string accompaniments. A few months later Heaven Shall Burn contacted the composer and asked if he was willing to write the intro and outro for their new album. He was, and the album “Antigone” arrived in 2004 to positive reviews and Arnalds subsequently received a phone call from a The Erased Tapes label asking him if he’d like to make a whole album.

The resulting album entitled “Eulogy For Evolution and Variations of Static” was released in 2007 to good reviews and was followed by the EP “Variations of Static” in 2008. Due to his success Arnalds was invited to tour with fellow-Icelandic musicians Sigur Rós and released a string of EPs in 2009 with the names “Found Songs”, “Dyad 1090” and the experimental techno release “65/Milo”.

2010 brought a new full-length from the multi-instrumentalist entitled “…And They Have Escaped The Weight of Darkness” to which he received critical praise. Due to the often sparse and thoughtful nature of Arnalds’ music it is a good match for TV and film and in 2011 the composer became more high-profile after providing the soundtrack to Sam Levinson’s “Another Happy Day”.

Arnalds has subsequently released the collaborative EP with Nils Frahm “Stare” in 2012 and his third full-length album “For Now I Am Winter” in February 2013. The same year Arnald’s composed the score to the UK ITV series “Broadchurch”, which he won a 2014 BAFTA TV Craft Award for Best Original Music.

Live-Bewertungen

There we were, seated in a full, sold-out, BARTS concert hall in Barcelona (around 1000 persons), at an early hour (19.30!), thanks to the cleverness of Cooncert guys, who are making possible to bring to our city artists “by request”. And, as starter, we are playing the game that Ólafur Arnalds uses to break the ice (I guess an Icelandic person has many tricks for that). He asks the audience to sing a C-tuned vowel that is then processed and used as a background drone in his typical opening number: “Þú ert sólin”. Indeed, the trick works its magic and, all of a sudden, we connect with the artist moods and enter into a dreamy, blurry, blissful state. I nevertheless experience, for a short while, some flashbulb memories of Wim Mertens’ first concerts in Barcelona, almost 30 years ago. The “deja-vu” sensation is justified: in front of us, we have a young, blond-hair, well-tempered pianist (no pun intended!), weaving a fabric of minimalist music that transports to emotional landscapes, proving by experience that “there are many ways to feel sad, not just about love” as Arnalds said elsewhere. The concert started to flow with the help of a string quartet, computer support to play loops and process live sound and video, and some occasional touch of trombone. Arnald’s sparse piano playing style makes possible, at times, a turn-taking game between the keyboard and the tablet. This way, subtle reverberation soon proves to be one of the touchstones in Arnalds’ sound: as “silences” have a capital role in many of his tracks, what happens between the notes is never left untouched as true silence. Shades, shimmering and grain are nuances to be appreciated when the instruments seem to be leaving room to the room resonances. Additional intriguing “deja-vu” experiences are triggered by several tracks. The majestic “Only the Winds”, for example, has Sigur-Rossian development and melodic content; though timbrically it belongs to a different planet (piano and strings play here the role of guitars and a voice). In fact this composition sounds like a wink to his compatriots or, more specifically, as a quotation of Popplagið (8th track from Sigur Ros’ “()”). This blending of genres and artists appears again in one of the tracks (was it “Brostjor”?) to be found in “Dyad 1909”. The track comes from a choreography soundtrack inspired by Shackleton’s expedition to Antarctica and it mingles power and frailty, fire and snow. Can you conjure up in your mind a fusion between bits of industrial noisy percussion and delicate strings and piano? I can’t believe that the beats and rhythm are making me think of Esplendor Geometrico!!! The Antarctic inspiration is also present in “3326”, a virtuosistic violin piece that, because it is basically a “solo”, breaks the flowing atmosphere of the concert but helps to make the transition to its second part, mostly devoted to “For Now I Am Winter”, the most recent release by Arnalds. If you were told that Arnór Dan, a falsetto singer that then became the focus of the night, is the regular front man of an Icelandic metal band (Agent Fresco), you could probably not believe that, as he delivered the repertoire with intense but gentle velvet tones. His voice never sounded strained or harsh, and blended well with the sometimes somber and sometimes desolate tones of the songs. Some projections contributed to the winterish atmosphere, playing with the shadow of the singer and some “snowyfication” of those images. We all knew that the concert could not be long. Arnalds warned us from the beginning that he had to catch a plane at 23h to return on time to his recording discipline. And the clock was ticking and the bells were tolling for the farewell moment. Out of sight, from the right side of the scenario, the progressively fading violin notes of “Lag fyrir ömmu” called for all our attention. They enclosed a message to enhance our sonic awareness, give room to silence, and keep our noisy appliances off more often. By the end of the piece, the notes were barely audible and we had to wait until Arnalds made a gesture indicating that the end had already been reached long ago. We could have been there for eons, if only to eternally keep that fleeting illusion of Heaven.

Mehr erfahren

Als unangemessenen melden

When the mere act of breathing can feel like an intrusion. The most delicate hoar frost softly fades in a morning's warming air. Autumn's leaves held in momentary stasis, you fall through the lake's thin ice and spiral into the darkness; accepting of your fate, wholly captivated by the sheer beauty of the light dancing through the water; a sublime beauty that surrounds. Weightless now, tumbling through time, eyes gently closing on this world, only to find yourself flying with the birds. -

This is the heartsong that inspires an Ólafur Arnalds concert. The music floats ghostly from the stage and I'm held in a spider's web of finespun brittle piano shards, painterly washes of a string quartet and the occasional rush of percussion, all suspended on a sublimely tender light show; an exquisite dream. -

Arnalds is also incredibly warm and engaging. He mostly allows the music to do the talking, but punctuates each song, and when he picks up the mic to speak, with his hands unconsciously clasped in reverence befitting the mood; his humility shines through. Whether it's improbable reference to his previous life in punk band Fighting Shit, the evolution of his music through his grandmother's love of Chopin, or how earlier that day he'd been able to take a hot bath on Hot Bath Street in Bath 'Which kept me amused for a good few hours.' -

The evening ends with Lag fyrir ömmu, simply translated as Song For Grandma; a song he wrote upon her passing. After the heart-felt introduction, he walks to the rear of the stage, and with his back to the audience, plays this achingly beautiful piece on an upright piano, it's face removed, the hammers visibly dancing in the softest of light. As the song reaches its close the playing becomes softer and softer, lighter and lighter, to almost being imperceptible of sound as the spotlight fades too. There is then twenty seconds of nothing; complete, breathless silence. Arnalds slowly moves and 1500 people break the shatterable silence. Extraordinary

Increíble, espectacular, maravilloso y me quedo corto en palabras para describir este compositor. Un concierto genial, donde lo pudimos disfrutar en el mismísimo Palau de la música de Barcelona.

La pasión que desprende y el talento virtuoso de los músicos que le acompañan, hace que disfrutara cada segundo del concierto.

Al final, como no podía ser de otra manera, una gran ovación por parte del público. Sólo nos regaló un bis que me supo a poco, pero estoy seguro que aunque hubieran sido más, también me hubiesen sabido a poco.

Espero repetir en una próxima ocasión.

We owe his grandmother and MySpace a huge dept. The first one exposed him to classical piano music; and after he posted his first song on MySpace, he was picked up by a record label.

If not for those two factors, we would not have had one of the best musical experiences in 2018!

Ólafur Arnalds creates songs - or sound scapes - that range from near silence broken by a single violin string to full arrangements of 3 piano's, a string quartet, drummer, and electronic loops.

The man has a beautiful musical mind.

As usual the concert of Ólafur Arnalds was perfect. Pure magic during one hour and a half. Send me back to Iceland and all over amazing places in the world. Let me with the sensation that at the very end it will be not that bad. I will return to see him probably again and again and again and...

The Barbican was a good choice in term of sound quality. Not perfect, but still good quality.

The show was amazing!

Ólafur Arnalds is a great composer and Pianist!

If you like getting into a trance you should go to a show of Ólafur Arnalds! I saw a cellist 4 violins a drummer and ofcourse ÓlafurArnalds playing on 3 piano’s with electronical stuff!

I went home totally relaxt and slept very good after It! Thank you! ☺️

It was really awesome!

´Till next time!

It was one of the greatest live music experiences ever. The whole band and Ólafur Arnalds himself are such a talented crew. He is such a gifted musician. I would very much recommend any concert to anyone enjoying icelandic, classical meets electronic music. Suave music pulses. I really hope I can enjoy his music some time soon. Unmissable date!

I found the opening artist a bit random and going from quite good to failing, and then Ólafur entered and he really engaged very well with the public, specially to sit down on the floor and fix the software at some point. I enjoyed the concert, it wasn't amazing but I was pretty decent and visually outstanding.

A beautiful, magical, inspiring evening. Good supporting act too.

Olafur plays with a talented quintet (mostly strings). Many pieces from his newest album Re:membered.

Olafur comes across as human, warm, modest - and funny!

Perhaps one of the most memorable concerts I've been to.

Memorable night! Well thought and presented stage, from the moment you enter the hall until the end of the concert.

Definitely worth going, it was obvious Olafur was passionate and immersed in his music, which made it a really honest and genuine experience.

Recommended!

Poster (23)

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Ólafur Arnalds Tourtermine und Tickets 2024-2025 in deiner Nähe

Du möchtest Ólafur Arnalds auf einem Konzert sehen? Hier findest du Informationen zu allen kommenden Konzerten von Ólafur Arnalds sowie Tourtermine und Ticketinformationen für 2024-2025.

Ólafur Arnalds wird derzeit nicht in der Nähe deines Standorts auftreten – hat aber vor, 1 Konzert in 1 Land in 2024-2025 zu geben. Alle Konzerte anzeigen.

Nächstes Konzert:

• Groningen, Netherlands

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• London (20)
• Berlin (17)
• Los Angeles (LA) (11)
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Ólafur Arnalds announces the launch of the OPIA Community music hub

Acclaimed Grammy-nominated artist Ólafur Arnalds , announces the launch of OPIA Community – a travelling music festival, label and community hub.

Born out of Ólafur’s desire to create an environment that encourages experiments and collaboration, OPIA was originally founded in 2019 as a one-day festival. The first edition was a sold out takeover at Southbank Centre in London featuring Ólafur himself and his electronic duo Kiasmos, along with performances by Hania Rani, Rhye, Grandbrothers, Poppy Ackroyd and more. While the pandemic paused all further plans for OPIA, the community established at this inaugural event kept steadily growing online.

2023 marks the rebirth of OPIA as a three-pronged entity: A travelling festival, a record label and a hub for community projects centred around unique, real world experiences.

Today, OPIA Community is born: A travelling festival series, a record label and a community hub made up of creators, thinkers, art lovers and everything in-between. Built around an idea by artist @olafurarnalds , we want to bring people together in this age of social disconnect. pic.twitter.com/fOoxlkjCZn — OPIA Community (@opiacommunity) July 26, 2023

“Coming from the small, close-knit music scene in Iceland, community and collaboration in music has always been hugely important for my creative output. In this age of streaming algorithms and social disconnect I wanted to establish a place to meet, to talk and create, to inspire and be inspired," says Arnalds. "That was the idea behind the first OPIA and I am ecstatic to finally bring it back in this new and revitalised form. My hope is that OPIA can host an environment where creativity thrives through real life experiences and connections.”

To mark this new chapter, OPIA announces a re-launch event at Berlin's venue-du-jour, Silent Green, on 18 October.

This intimate evening of performances includes a once in lifetime performance of Ólafur Arnalds & Friends, featuring many of his friends and collaborators. Also performing are the upcoming Costa Rican / Berlin-based pianist Sofi Paez, and Icelandic powerhouse JFDR.

Tickets for the event go on sale 31 July via Koka36 and DICE, but community pre-sale tickets will be available to newsletter and Discord members from 28 July.

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some kind of peace

Eulogy for Evolution 2017

Island Songs

For Now I am Winter

Living Room Songs

...And They Have Escaped the Weight of Darkness

Found Songs

Variations of Static

Eulogy for Evolution

and we’ll leave it there… (with Ella McRobb)

Vast (with Sandrayati)

Light Of Day (with Odesza)

some kind of peace – piano reworks

We Could Stay (with Josin)

Oceans (with RY X)

Blurred (with Kiasmos)

Trance Frendz (with Nils Frahm)

The Chopin Project (with Alice Sara Ott)

Swept EP (with Kiasmos)

Life Story Love and Glory (with Nils Frahm)

Looped EP (with Kiasmos)

Loon (with Nils Frahm)

Kiasmos (with Kiasmos)

Stare (with Nils Frahm)

Thrown EP (with Kiasmos)

65/Milo (with Kiasmos)

When We Are Born

The Invisible EP

ekki hugsa 360°

Let Me Fall (Lof mér að falla)

Petalclouds / Singapore Changi Airport Installation

Philip K. Dick’s Electric Dreams

Broadchurch - The Final Chapter

Out of Thin Air

Late Night Tales

Broadchurch

Kinesthesia

Gimme Shelter

Life in a Fishbowl (Vonarstræti)

Symphonie Cinétique

Another Happy Day

Two Songs for Dance

Jitters (Órói)

Ólafur’s fifth studio album, some kind of peace, is his most revealing and vulnerable work to date. A journey of Ólafur’s personal and creative growth, set against the backdrop of a world thrown into chaos. some kind of peace features guest appearances by Bonobo, Josin and JFDR.

• Loom (feat. Bonobo) 3:47
• Woven Song 3:10
• Spiral 3:21
• Still / Sound 4:14
• Back to the Sky (feat. JFDR) 3:23
• New Grass 4:02
• The Bottom Line (feat. Josin) 4:02
• We Contain Multitudes 3:19
• Undone 5:04

Ólafur’s fourth studio album is an ode to the creative process. Ólafur has called it his „breaking-out-of-a-shell album“ where he gives free rein to his varied influences and creativity. The album is the first to feature his groundbreaking, custom built instrument STRATUS.

• re:member 6:05
• unfold ft. SOHN Listen 3:58
• inconsist 4:32
• they sink 2:35
• ypsilon 3:56
• partial 3:16
• momentary 2:05
• ekki hugsa 4:42

10 year anniversary edition of Ólafur’s debut album. Restored with the help of his friends, remixed by Ólafur himself and remastered by Nils Frahm. Redesigned by Torsten Posselt at FELD using the original photographs taken by Stuart Bailes during a trip to Ólafur’s home in Iceland in 2007.

• 0048 / 0729 5:24
• 3055 Listen 5:26
• 3704 / 3837 2:35

Over the course of seven weeks in the summer of 2016 Ólafur travelled to seven different locations around Iceland to record a series of new compositions. Each week saw the release of a new song and a video performance where Ólafur collaborated with local artists. The final result is a musical film directed by Ólafur’s long time collborator Baldvin Z.

• Árbakkinn 4:56
• Raddir 4:13
• Öldurót 4:28
• Particles 3:58
• Doria Listen 3:22

On his third studio album, Ólafur expanded on his explorations of minimal sound and electronica. For Now I am Winter is his first album to feature a full orchestra and vocals by fellow Icelander Arnór Dan.

• Sudden Throw 3:16
• For Now I am Winter Listen 5:05
• A Stutter 5:09
• Words Of Amber 3:22
• Reclaim 4:01
• Hands, Be Still 3:39
• Only The Winds Listen 5:21
• Old Skin Listen 4:08
• We (Too) Shall Rest 2:05
• This Place Was a Shelter Listen 3:50
• Carry Me Anew 3:35

As the title conveys, these tracks were performed and recorded in the living room of Ólafur’s Reykjavik apartment. Living Room Songs was Ólafur’s second seven day, one song per day, project and the first to include live video performances.

• Fyrsta Listen 4:16
• Near Light Listen 3:28
• Film Credits 3:31
• Tomorrow’s Song 2:57
• Lag fyrir Ömmu 3:32
• This Place is a Shelter 2:12

Ólafur’s second studio album displayed a new sense of sonic diversity and continued his mission of breaking down boundaries of genres and opening up an emotive world of beguiling electronic chamber music and delicate classical arrangements.

• Þú Ert Sólin Listen 3:25
• Þú Ert Jörðin 4:34
• Tunglið 4:27
• Loftið Verður Skyndilega Kalt 5:48
• Kjurrt 4:44
• Gleypa Okkur 5:48
• Hægt, Kemur Ljósið Listen 5:33
• Undan Hulu 5:08
• Þau Hafa Sloppið Undan Þunga Myrkursins 4:01

Found Songs was Ólafur first experimentation with writing, recording and releasing music in a seven day, one song per day, cycle. Each track became available for free download as soon as it was ready.

• Erla’s Waltz 2:14
• Romance 1:47
• Allt Varð Hljótt Listen 3:22
• Lost Song 3:41
• Ljósið Listen 3:29

This 5 song EP follow-up to Eulogy for Evolution featured Ólafur’s first experiments with electronics. These haunting songs earned him acclaim from both the contemporary and classical field – transcending a traditional divide.

• Fok Listen 4:29
• Við vorum smá... 2:22
• Lokaðu augunum 3:44
• Himininn er að hrynja, en stjörnurnar fara þér vel 5:37

Ólafur’s first studio album. A culmination of his first experiments piano and strings. With it, Arnalds set out to document the journey of life, from birth to death.

• 3055 Listen 5:28

„I found Ella on a Sunday doom-scroll, being a little curious about all the people who had used an improvisation I had posted a few weeks earlier in their content. Amidst all the noise I found Ella’s video. Her mesmerising voice over my improvisation just floored me. And after I had listened to it about 30 times I decided to just get in touch. A couple of weeks later she was on a plane to Iceland where we finished the song and filmed the video. A beautiful reminder of what social media can bring to creativity.“

A collaborative track for Sandrayati’s debut album, Safe Ground.

The closing track from Odesza’s album, The Last Goodbye, written by Ólafur and Odesza.

"The heart of a song lives in the performer" Released in October 2022, this distinctive 10-track album celebrates each artist’s individual character, sound and interpretation as the essence of each song on some kind of peace. The line-up fea tures contributions from across the musical spectrum – spanning modern classical, electronic, jazz and alternative worlds – with performances by Hania Rani, Yiruma, Dustin O’Halloran, JFDR, Alfa Mist, Lambert, Sophie Hutchings, tstewart, Eydís Evensen and Magnús Jóhann.

• Zero — Alfa Mist 3:28
• Spiral — Dustin O’Halloran 3:34
• We Contain Multitudes — Yiruma 4:25
• Still / Sound — Sophie Hutchings 4:51
• The Bottom Line — Jófríður Ákadóttir 4:29
• Back To The Sky — Lambert 3:45
• Undone — Magnús Jóhann 4:15
• Loom — Eydís Evensen 3:57
• Woven Song — Hania Rani 3:48
• New Grass — Machinedrum 3:37

We Could Stay was written in Iceland during the same session as the recordings for Josin’s feature on The Bottom Line from some kind of peace and released in 2022.

Ólafur’s first collaboration with RY X, based on his track ypsilon from the album re:member.

Kiasmos marked their return in 2017 with a new 12″ EP titled Blurred which included remixes from British producer Bonobo and German electronic musician Stimming.

• Blurred Listen 5:06
• Jarred 5:36
• Paused 5:27
• Blurred (Bonobo Remix) 6:01
• Paused (Stimming Remix) 7:11

On the 28th of July 2015 Nils Frahm and Ólafur Arnalds invited Alexander Schneider and his camera to document an improvised session at Nils’ studio in Berlin. The result was several new pieces written and recorded in 8 hours with no overdubs and no edits. Watch the film here . Also available on Ólafur and Nils’ Collaborative Works CD.

• 20:17 Listen 5:55

A collaboration with acclaimed German-Japanese pianist Alice Sara Ott. The project presents some of Chopin’s work in a new context with Ólafur’s own recompositions.

• Verses Listen 4:03
• Piano Sonata No. 3: Largo 9:17
• Nocturne in C Sharp Minor (ft. Mari Samuelsen) 4:24
• Reminiscence Listen 4:28
• Nocturne in G Minor 3:01
• Eyes Shut / Nocturne in C Minor 6:41
• Written in Stone 3:27
• Letters of a Traveller 4:18
• Prélude in D Flat Major (“Raindrop”), Op.28, No.15 5:57

Kiasmos’ 2015 EP was recorded in various locations, including Reykjavík and Berlin, and features three original tracks and a remix by Tale of Us.

• Swept (Tale Of Us Remix) 7:04

Ólafur and Nils’ 2-track release Life Story Love and Glory is a live improv affair on two pianos, recorded in 2012 at Nils’ Durton Studio in Berlin but kept hidden until 2015.

• Life Story Listen 5:40
• Love and Glory 5:25

A special 3-track EP featuring album debut album highlight ‘Looped’ and remixes of album tracks ‘Held’ and ‘Burnt’ by Dauwd and Lubomyr Melnyk.

• Looped 5:40
• Held (Dauwd Remix) 6:02
• Burnt (Lubomyr Melnyk Rework) 12:01

Loon contains five synthesizer-led pieces recorded in autumn 2014. The album takes the ambient sounds of Stare and adds more percussive elements and dub influences. All mixes were recorded straight onto tape. Also available on Ólafur and Nils’ Collaborative Works CD.

• Four Listen 3:08
• Wide Open 5:47

Kiasmos is where Ólafur and his friend and frequent collaborator Janus Rasmussen meet to share their love for minimal, experimental techno. Their debut album of the same name came out 2014.

• Held Listen 5:01
• Looped 6:00
• Swayed 4:23
• Thrown 8:59
• Dragged 5:00
• Burnt Listen 9:20

Erased Tapes label mates and friends Ólafur and Nils recorded Stare, their first of many collaborative albums, as a surprise release for the label’s founder Robert Raths.

• A2 Listen 4:46
• B2 (Max Cooper Remix) 9:26

The Thrown EP features two original tracks and guest remixes by FaltyDL and 65daysofstatic.

• Thrown 8:21
• Thrown (FaltyDL Remix) 4:14
• Wrecked 6:54
• Wrecked (65daysofstatic Remix) 4:53

65/Milo was Kiasmos’ debut record, a split 12″ with Erased Tapes label mate Rival Consoles.

• Walled 6:22
• Milo (Rival Consoles) 2:43
• Func (Rival Consoles) 3.57
• ARP (Rival Consoles) 5:42

A psychological thrilled created for Apple TV+. After suffering a traumatic head injury that leaves her with serious memory loss issues, Sophia embarks on a quest to piece her life back together. However, she realises that the people who are helping her may not have her best interests in mind.

Moonhaven, a dystopian sci-fi series released on AMC+, focuses on Bella Sway, a lunar cargo pilot and smuggler 100 years in the future who finds herself accused of a crime and marooned on Moonhaven, a utopian community set on a 500 square mile Garden of Eden built on the Moon to find solutions to the problems that will soon end civilization on Mother Earth.

A film by Vincent Moon and Ólafur Arnalds. When We Are Born is a unique live performance film that tells a touching and thoroughly human story based in part on Ólafur’s life. Through themes of rituals, relationships and exploration of our inner landscapes, this is a film focused on how we all move forward — and made especially potent in the times of disconnect and isolation we now live in.

An EP based on the music from the 2014 documentary The Invisible Front. The film tells the story of Lithuanian resistance in 1944 and the love between Luksa and Nijole. Includes fan favourites Happiness Does Not Wait and Epilogue (also featured in the Oscars-award winning film Nomadland by Chloé Zhao).

• Partisans 3:56
• The Invisible Front 3:24
• Letters 2:01
• Kadizonas 4:23
• Microcosm 3:20
• Respite 2:43
• Happiness Does Not Wait 3:16
• Epilogue 4:09

An audio-visual experience to be premiered at Reeperbahn Festival 2019, where the dome of the Hamburg Planetarium was be transformed into a place of surreal sensuality. The project is a collaboration between Ólafur and designer and art director Torsten Posselt of FELD.

Ólafur scored Baldvin Z’s 2018 internationally celebrated and multi award-winning film. Let Me Fall is based on true stories from a horrifying world of drugs and violence in the underbelly of Icelandic society.

A collaboration with art+com studios, Petalclouds is the central artwork at Terminal 4 at Changi Airport in Singapore. The ever changing kinetic installation spans across 200 metres under the roof of the Central Galleria and Ólafur’s specially composed music can be heard through speakers at various places inside the terminal.

Ambitious Amazon Prime sci-fi anthology series based on the works of writer Philip K. Dick. Ólafur scored the first episode of the series, ‘The Hood Maker’.

Release of the award winning soundtrack for the third and final season of the UK hit crime series Broadchurch, composed by Ólafur.

• I Could Hear Water 4:01
• Re-Enactment 3:21
• Interrogation 1:29
• The Final Chapter 3:59
• Right By You 3:26
• I Could Have Stopped It 4:17
• Ellie’s Theme 3:05
• I Felt Guilty 2:53
• Going Under 3:55
• Attack 1:25
• Say It Was Me 2:17
• Not Alone 3:16
• Tell Us What Happened 3:27
• Take My Leave of You (feat. Arnor Dan) Listen 2:49

Ólafur’s score to Out of Thin Air, a thrilling Icelandic documentary on biggest-ever criminal investigation in the country’s history.

Ólafur’s Late Night Tales mix presents many fellow Icelandic artists and frequent international collaborators. It also includes three exclusives: his own ‘Kinesthesia I’ and ‘RGB’ and ‘Orgoned’ by his techno side project Kiasmos.

• Jómsvíkingarímur - ýta eigi feldi rór (Hjálmar Lárusson, Jónbjörn Gíslason) 1:12
• Forever (Juliana Barwick) 5:30
• Last Remnants (Koreless) 4:21
• How Did I Get Here - Instrumental Version (ODESZA) 2:10
• A Noise (Anois) 4:05
• Góða Tungl (Samaris) 4:11
• Pre (Rival Consoles) 5:14
• Lion - Jamie Xx Remix (Four Tet) 7:09
• Jasmine (Jai Paul) 4:14
• Our Love Comes Back (James Blake) 3:39
• Pull (Spooky Black) 4:13
• Say My Name 5:41
• And Still They Move (Sarah Neufeld, Colin Stetson) 2:57
• Orgoned (Kiasmos) 6:00
• Kinesthesia I 1:46
• Ethereal (Hjaltalín) 6:39
• Undone (David Tennant) 3:52
• Late Night Tales - Continuous Mix 69:23

Ólafur wrote the original score to ITV’s hit series Broadchurch. His work on the series won him several awards including a BAFTA and the Televisual Bulldog Awards.

• Main Theme 1:12
• The Journey 4:21
• So Close Listen 2:10
• Suspects 4:05
• What Did They Ask You? 4:11
• She’s Your Mother 4:38
• Excavating the Past 5:14
• The Meeting 7:09
• Broken 4:14
• I’m Not the Guilty One 3:39
• So Far Listen 4:13
• Beth’s Theme Listen 5:41

Ólafur collaborated with So You Think You Can Dance choreographer Travis Wall and Shaping Sound Co. on this crowd-funded funded dance film.

Ólafur’s original score to Gimme Shelter, directed by Ron Krauss, starring Vanessa Hudgens, Brendan Fraiser and Rosario Dawson.

• Highway 2:49
• Born To Die (Lana Del Rey) 4:45
• In a Strange Place 0:56
• What Was Meant To Be 2:11
• Streets 2:40
• Price Tag (Jessie J) 3:08
• Runaway 1:36
• Overcome 1:28
• Never Alone 2:12
• And I Will Hear You 1:47
• Leave With Me 1:17
• A Threat 0:52
• The Apple of my Eye Listen 4:46
• Abandonment 1:57
• To Build a Home (Cinematic Orchestra) 6:07
• Someday Listen 3:03
• The Walk Back Home (Paul Haslinger) 2:51
• A Mother’s Prayer (Céline Dion)

Ólafur wrote the score for this Icelandic Box Office hit using only a felt piano. The film, directed by long time collaborator, Baldvin Z, became one of the most successful films in Icelandic movie history.

Ólafur joined German media artist Joachim Sauter (art-com) in making this collaborative, interactive art installation at MADE in Berlin. The show won several ADC awards including for music and sound.

Winner of the Sundance Film Festivals prestigious Screenwriting Award, Another Happy Day is the feature film debut of writer and director Sam Levinson and features an outstanding ensemble cast including Ellen Barkin, Demi Moore and Thomas Hayden-Church.

• The Land Of Nod 2:32
• Through The Screen 1:42
• Before The Calm 1:19
• Lynn’s Theme Theme Listen 1:56
• Alice Enters 2:57
• The Wait 3:35
• A Family Stroll 2:10
• Poland Listen 3:30
• Out To Sea 4:10
• Autumn Day 3:26
• Everything Must Change 6:37

A limited 7″ vinyl single featuring two rarities from dance works.

• Endalaus II 3:53
• For Teda 4:33

Ólafur first attempt at a film score was for this horror thriller short by Academy Award nominated director Ruari Robinson.

Ólafur collaborated with the Icelandic Dance Company and choreographer Alan Lucien Oyen on Endalaus.

Órói was Ólafur’s first full film score as well as director’s Baldvin Z first feature film. A touching story of teenagers coming to terms with life.

A collaboration with acclaimed choreographer Wayne McGregor and the Random Dance Company. The piece is inspired by Shackelton’s expedition to the South Pole and ran at Sadler’s Wells in London as a part of In The Spirit of Daghiliev.

• Frá upphafi 1:46
• Lokaðu augunum 3:53
• Brotsjór Listen 3:53
• Við vorum smá 3:16
• Til enda 4:09
• Og lengra Listen 3:55

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Mitten in der Woche 2h auf den Start der Veranstaltung zu warten ist nicht jedermanns Sache. Draußen gab es einen winzigen Kiosk, aber keine Toilette, und wenn man über eine Stunde da rumsteht, ist das sicher schon ein Grund für mäßige Laune. Drinnen dann noch mal 1,5 Warten - puh. Am Ende gab es schöne Musik und gute Stimmung.

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Ólafur Arnalds

June 8, 2022 @ 8:00 pm - 10:00 pm, event navigation.

• « Richmond Academy of Dance: Celebration of Dance
• All the Lonely People »

Award-winning artist, composer and producer Ólafur Arnalds is back on the road following the release of his monumental album ‘some kind of peace’.

Ólafur’s performances continue to captivate audiences across the globe as he invites them to join him on a journey where he presents his most personal and raw music to date — being played live on stage for the first time ever. His haunting and often intensely emotional shows are an exercise in intimacy, a space for the artist and audience to share their vulnerability through music.

His tour in support of 2018’s ‘re:member’ was met with high critical acclaim. With more than 150 concerts Ólafur played to hundreds of thousands of fans and sold out some of the world’s most iconic concert halls such as the Royal Albert Hall, Elbphilharmonie and Sydney Opera House.

Ólafur and his team of fellow craftsmen and musicians put on a spellbinding performance that brings together past, present and new material. His groundbreaking, self-playing Stratus pianos will be along for the ride — creating unexpected harmonies and surprising melodic sequences that make every performance unique.

‘some kind of peace’ is an album about letting your guard down, remarkable in its openness and its honesty. In light of everything that has happened these shows will undoubtedly feel especially meaningful.

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Kiasmos announce first live shows in five years for UK and Europe in 2024

The dates include a show in London

Kiasmos have announned their first live shows in five years in the UK and Europe next year.

The Icelandic duo will be hitting the road for three dates including a show at London’s Outernet on May 29.

Further shows will be staged at Huxleys in Berlin on May 31 and the Opia Festival in Utrecht in the Netherlands on June 2.

Tickets for the London show go on sale tomorrow at 10am GMT and can be purchased here .

Kiasmos return to the live stage for the first time in over five years. Headline performances announced for London and Berlin on May 29/31, and a headline slot at OPIA Festival in Utrecht on June 2, 2024. Tickets on sale this Friday. More info & tickets: https://t.co/sJVaEEeSHG pic.twitter.com/wh5BJk2uWd — Kiasmos (@kiasmos_) December 13, 2023

In a statement posted on their social media channels, announcing the forthcoming shows, they wrote: “Kiasmos return to the live stage for the first time in over five years. Headline performances announced for London and Berlin on May 29/31, and a headline slot at OPIA Festival in Utrecht on June 2, 2024.”

The last time Kiasmos performed live in London was when Icelandic composer, multi-instrumentalist, and band member Ólafur Arnalds did a one-night takeover of London’s Southbank Centre in 2019, alongside Rhye, Grandbrothers, Poppy Ackroyd, Josin, Hania Rani, Hӧgni & Ensemble, and Vaal.

Recommended

The band formed in 2007 and released their self-titled debut LP in 2014 on Erased Tapes Records.

They released four EPs including 2012’s ‘Thrown’, ‘Looped’ and ‘Swept’ in 2015 and ‘Blurred’ two years later.

Reviewing the single ‘Burnt’ from their 2014 debut, NME wrote : “Full of melancholy-frosted electronics and emotive swells of classical piano, the new single from Nordic duo Ólafur Arnalds and Janus Rasmussen is a delicate, icy slowburn – much like the project itself.

‘Burnt’ proves good things come to those who wait, though – a brute, beautiful Jon Hopkins -ish classical-electronic crossover that sounds like a rave-up in the lonely burrows of a misty glacier.”

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Olafur Arnalds

Olafur arnalds tour dates.

Icelandic composer Ólafur Arnalds has announced a huge North American tour in 2022 promoting his new album 'some kind of peace' . The 15-city journey takes place in May/June making U.S. stops in New York, Boston, Chicago, Boulder, Seattle, Portland, Eugene, San Francisco and Los Angeles. Canadian shows are planned for Montreal, Quebec City, Ottawa, Toronto, Calgary and Vancouver. Prior to the tour, the BAFTA-winning musician will be heading over to Europe before the end of the year.

Arnalds released his fifth studio album 'some kind of peace' on August 26th, 2020 via Mercury KX. The new album follows up 2018's 're:member' which features a guest appearance by SOHN on the track 'unfold' . Back in 2016, the record producer released his contribution to the critically-acclaimed compilation album series 'Late Night Tales' joining artists like Franz Ferdinand , Bonobo , Belle and Sebastian , MGMT , Arctic Monkeys and The Flaming Lips .

Olafur Arnalds Concert Schedule

No events =(, olafur arnalds tour albums and songs.

Olafur Arnalds: Living Room Songs

Olafur Arnalds: Found Songs

Olafur Arnalds: ...and they have escaped the weight of darkness

Olafur Arnalds: Eulogy for Evolution

Olafur Arnalds: re:member

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• Ólafur Arnalds

Tue / June 14, 2022 - 8:00PM

The Icelandic multi-instrumentalist, composer, and producer Ólafur Arnalds brings together hushed and fluid piano melodies with electronic textures, swelling strings, and 21st-century innovation.

Masks and proof of full vaccination (final dose 14 days prior) are required. Credit/refunds are available due to health concerns. Click to learn more.

About this Performance

Composer and multi-instrumentalist Ólafur Arnalds has played in metal bands and toured in a dance-music duo, but the music he releases under his own name is subtle, gentle, and quietly aching with what Rolling Stone has called a “signature gorgeous melancholy.” His most recent album, 2020’s Some Kind of Peace , was lauded for its “breathtaking vulnerability” by the Sydney Morning Herald . Whether he’s collaborating with a string quartet, hooking up with likeminded composer Nils Frahm, or scoring prestige dramas like the BBC’s Broadchurch , the emotional clarity of Arnalds’ sonic language is always instantly recognizable.

Programs, artists, dates, prices, and availability subject to change. Ticket limits may apply. All sales are final.

Ólafur Arnalds - Sunrise Session II with Josin

Ólafur Arnalds and Bonobo, "Loom"

Ólafur Arnalds, "Zero"

Ólafur Arnalds, JFDR, "Back To The Sky"

Ólafur Arnalds, "We Contain Multitudes" (from home)

Ólafur Arnalds Performs Live on KEXP

Ólafur Arnalds – NPR Tiny Desk Concert

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