can you visit kyoto animation

Unlocking the Magic: Discover the Enchanting World of Kyoto Animation

Kyoto Animation, also known as KyoAni, is a renowned animation studio based in Kyoto, Japan. It has left an indelible mark on the world of anime with its captivating storytelling, stunning visuals, and unparalleled attention to detail. In this article, we’ll take a deep dive into the enchanting world of Kyoto Animation, exploring its legacy, artistic brilliance, success secrets, impact on the evolution of anime, beloved works, and creative process.

A Glimpse into Kyoto Animation’s Legacy

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Kyoto Animation’s legacy is built on a foundation of passion, dedication, and innovation. Since its establishment in 1981, the studio has consistently pushed the boundaries of animation, delivering exceptional content that resonates with audiences worldwide. With a focus on creating original works and nurturing talented animators, Kyoto Animation has cultivated a loyal fanbase and garnered critical acclaim.

One of the defining aspects of Kyoto Animation’s legacy is its commitment to portraying genuine emotions and human connections. The studio’s stories often delve into the complexities of relationships, exploring themes of love, friendship, and personal growth. This authenticity has struck a chord with viewers, making Kyoto Animation’s works relatable and emotionally impactful.

Additionally, Kyoto Animation has played a pivotal role in promoting diversity and inclusivity in the anime industry. By featuring a diverse range of characters and narratives, the studio has challenged stereotypes and created a more inclusive space for underrepresented voices.

When it comes to artistic brilliance, Kyoto Animation stands in a league of its own. The studio’s animation quality is renowned for its fluidity, attention to detail, and breathtaking beauty. Each frame is meticulously crafted, bringing the characters and their world to life with stunning realism.

One of the key elements that sets Kyoto Animation apart is its mastery of character animation. The studio excels in capturing subtle nuances of human expression, making the characters feel alive and relatable. Whether it’s a fleeting smile or a tear rolling down a cheek, Kyoto Animation’s animators have a keen eye for capturing the intricacies of human emotion.

Furthermore, Kyoto Animation’s background art is a feast for the eyes. From lush landscapes to intricately designed interiors, every setting is meticulously rendered, creating a visually immersive experience for the viewers. The attention to detail extends to the smallest elements, such as the play of light and shadow, adding depth and atmosphere to the scenes.

In addition to its visual brilliance, Kyoto Animation also excels in sound design. The studio’s use of music and sound effects enhances the storytelling, creating a multisensory experience that further immerses the audience in the narrative.

Kyoto Animation’s success can be attributed to a combination of factors, including its unique approach to storytelling, dedication to quality, and nurturing of talent.

One of the secrets behind Kyoto Animation’s success is its emphasis on original works. Rather than relying solely on adaptations, the studio takes risks by creating original stories that push creative boundaries. This approach allows the studio to maintain artistic integrity and deliver fresh, innovative narratives.

Another key aspect of Kyoto Animation’s success is its unwavering commitment to quality. The studio sets high standards for its animation, ensuring that every frame meets its exacting criteria. This commitment to excellence has earned Kyoto Animation a reputation for delivering consistently exceptional content.

Furthermore, Kyoto Animation’s focus on nurturing talent has played a crucial role in its success. The studio invests in the development of its animators, providing them with a supportive and collaborative environment to hone their skills. This investment in talent has resulted in a team of exceptionally skilled animators who bring Kyoto Animation’s stories to life with unparalleled brilliance.

Kyoto Animation has had a significant impact on the evolution of anime as an art form. The studio’s unique storytelling style and visual aesthetics have influenced countless anime creators and inspired new approaches to animation.

One of the key contributions of Kyoto Animation is its emphasis on character-driven narratives. The studio’s focus on exploring the complexities of human relationships and emotions has inspired other creators to delve deeper into character development, resulting in more nuanced and compelling stories.

In addition, Kyoto Animation’s attention to detail and commitment to quality has raised the bar for animation standards within the industry. Many studios have been inspired by Kyoto Animation’s meticulous approach, striving to match its level of craftsmanship and deliver visually stunning works.

Moreover, Kyoto Animation’s dedication to portraying diverse characters and narratives has had a profound impact on the anime industry. The studio’s inclusion of underrepresented voices and stories has paved the way for greater diversity and representation within the medium.

Kyoto Animation has produced a multitude of beloved works that have captured the hearts of anime enthusiasts worldwide. Let’s take a journey through some of the studio’s most iconic and cherished creations.

1. “K-On!”: This heartwarming series follows a group of high school girls who form a band and navigate the ups and downs of friendship. With its catchy music and endearing characters, “K-On!” has become a beloved classic.

2. “Clannad”: Known for its emotional storytelling, “Clannad” explores themes of family, love, and the power of human connections. The series has touched the hearts of viewers with its heartfelt narrative and memorable characters.

3. “Violet Evergarden”: This visually stunning series follows the journey of Violet Evergarden, a former soldier who becomes an Auto Memory Doll, writing letters for others. With its breathtaking animation and poignant storytelling, “Violet Evergarden” has garnered widespread acclaim.

4. “Free!”: A popular sports anime, “Free!” revolves around a group of friends who are part of a swim team. The series combines captivating sports action with heartfelt character development, creating a compelling and engaging narrative.

These are just a few examples of Kyoto Animation’s vast repertoire of beloved works. Each creation showcases the studio’s dedication to storytelling and its ability to captivate audiences with its unique charm.

Kyoto Animation’s creative process is a testament to the studio’s commitment to excellence and attention to detail. From the initial concept to the final product, every step is meticulously planned and executed.

The creative process begins with the development of a compelling story. Kyoto Animation’s writers work closely with the director and key staff members to craft narratives that resonate with audiences. This collaborative approach ensures that all aspects of the story, from the characters to the themes, are carefully considered.

Once the story is finalized, the animation process begins. Kyoto Animation’s team of talented animators meticulously bring the characters to life, paying close attention to their movements, expressions, and overall design. The studio’s dedication to character animation is evident in the fluidity and realism of the visuals.

In parallel, the background art team works on creating visually stunning and immersive settings. Through meticulous research and attention to detail, they ensure that every location in the anime is richly detailed and visually captivating.

Sound design also plays a crucial role in Kyoto Animation’s creative process. The studio collaborates with talented composers and sound engineers to create a soundtrack that complements the visuals and enhances the emotional impact of the story.

Throughout the entire creative process, Kyoto Animation maintains a strong focus on quality control. Every frame is carefully reviewed and refined to ensure that it meets the studio’s high standards. This attention to detail is what sets Kyoto Animation apart and contributes to its exceptional output.

Frequently Asked Questions about Kyoto Animation

A: In addition to the mentioned works, Kyoto Animation has also produced popular anime series such as “The Melancholy of Haruhi Suzumiya,” “Kobayashi-san Chi no Maid Dragon,” and “Sound! Euphonium.”

A: Kyoto Animation’s animation style is characterized by its attention to detail, fluidity, and realistic portrayal of human emotions. The studio’s animators excel in capturing subtle nuances of expression, making the characters feel alive and relatable.

A: Kyoto Animation has made significant contributions to the anime industry through its emphasis on original storytelling, commitment to quality, and promotion of diversity and inclusivity. The studio’s works have inspired other creators and raised the bar for animation standards.

A: Kyoto Animation stands out for its unwavering commitment to excellence, attention to detail, and dedication to portraying genuine human emotions. The studio’s unique storytelling style and visual aesthetics have garnered critical acclaim and a dedicated fanbase.

When it comes to exploring the world of Kyoto Animation, here is some expert advice:

1. Immerse yourself in the storytelling: Kyoto Animation’s works often delve into deep emotional themes and offer a unique perspective on the human experience. Take the time to fully immerse yourself in the narratives and allow the stories to resonate with you.

2. Appreciate the visual artistry: Pay attention to the meticulous animation and stunning background art that Kyoto Animation is known for. Notice the small details and how they contribute to the overall visual experience.

3. Explore the studio’s diverse repertoire: Kyoto Animation has produced works in various genres, from slice-of-life to fantasy. Don’t limit yourself to one type of anime and explore the diverse range of stories that the studio has to offer.

4. Support the studio: Show your support for Kyoto Animation by purchasing official merchandise and supporting the legal streaming platforms that distribute their works. By doing so, you contribute to the continued success of the studio and the anime industry as a whole.

By following this expert advice, you can truly unlock the magic of Kyoto Animation and appreciate the enchanting world it has created.

Izumi Kenta

Hi, I’m Izumi Kenta from Japan. By profession, I worked as a tourist guide and interpreter in Japan. Besides this profession, I’m a hobbyist blogger. I love to talk about different things about Japan and share them with a wider audience who wants to know about my country. To share my thoughts, I’ve created this site Visitjapan and brought some Japanese travel enthusiasts and tourists worldwide to share their experiences.

Access to Kyoto Animation Headquarters

2023/1/27 2023/1/27 Kyoto

About Kyoto Animation Headquarters

Kyoto Animation is a unique animation company in recent years, known for its excellent production. Kyoto Animation headquarters is a small three-story building, located in Kyoto Uji City, for ACG fans undoubtedly a place of pilgrimage. It’s a shame that the studio doesn’t allow tours, but there is a KyoAni SHOP on the second floor, where you can buy some SHOP limited peripherals and twisted eggs, and the paper bags sent seem to be SHOP limited as well. Not far from here there is another KyoAni Studio, probably not about 10 minutes away. One can let you quietly read a day comics with a variety of comfortable posture, and outdoor plaza can sunbathe, really comics fans of paradise.

Kyoto Animation Headquarters Ticket Prices

Free of charge

Kyoto Animation Headquarters opening hours

Kyoto Animation Headquarters Address

32, Kibata Osei, Uji-shi, Kyoto

http://www.kyotoanimation.co.jp/

Kyoto Animation Headquarters Introduction

Kyoto Animation is an animation company with a sense of exploration and ambition, he was not willing to just work for others, so he created KA Bunko gradually began his own project, although it is said that the new Kyoto is much different than the old Kyoto both in terms of sales of works and the popularity of works, but Kyoto has always been innovative, has been exploring its different animation style.

Kyoto Animation is a company that knows how to look at the atmosphere he is one of the softest head of Japanese animation companies, as long as he has experienced a failure he will never try the same type again, which is both his strength and his weakness.

Kyoto Animation is neither the most well-financed animation company, nor the one with the best production ability, nor the one with the most human resources, but he has produced successful commercial animation time and again through consistent quality of works and accurate grasp of the market. Kyoto animation’s biggest advantage is his stable quality of painting, said Kyoto painting good and other companies are not the same, Kyoto and A1, Bones, Sunrise different, he improve the quality of painting is not to improve the quality of the performance of a single painting, but through the increase in the number of original paintings to improve the quality of the corresponding painting, his single painting in the industry is not in the best of the line, but the victory is stable.

For the old Kyoto, the phrase “Kyoto production, must be the best” can be said to be true. For the new Kyoto, which is now exploring and shaping, I hope he can carry on this saying.

10 Best Kyoto Animation Anime Series To Watch, From Clannad To Miss Kobayashi’s Dragon Maid

Kyoto Animation anime

Without a doubt, Kyoto Animation is a big name in the anime industry. They have since solidified their position as the purveyor of the slice of life genre, with their unique art direction and stunning visuals.

With consistently amazing animation and storylines, it’s no wonder that most of their series are big hits amongst fans. From classics that propelled them to fame to underrated series, here’s your starter pack to the 10 best anime series Kyoto Animation has to offer.

1. The Melancholy of Haruhi Suzumiya

Haruhi Suzumiya is bored. And so the eccentric, adventure-loving protagonist decides to relieve her boredom by seeking out aliens, time travellers, and espers (humans with ESP, or the sixth sense). With the reluctant help of her schoolmate Kyon, Haruhi manages to set up a school club and recruits Nagato, Asahina, and Koizumi – all of whom have secret supernatural powers unbeknownst to their club leader.

At its core, The Melancholy of Haruhi Suzumiya is a school comedy with some supernatural elements, mixing genres such as romance, slice of life, science fiction, and mystery convincingly. The club goes around having fun, with Kyon and the group of supernatural beings trying to keep Haruhi entertained lest she wreak havoc on the world.

As Kyoto Animation was one of the first studios to adapt light novels, The Melancholy of Haruhi Suzumiya was considered groundbreaking at its time fo release. In particular, its infamous episode, Endless Eight , has become quite an unspoken rite of passage for fans of anime and the series alike.

The sequel movie, The Disappearance of Haruhi Suzumiya is hailed as a masterpiece by many, so be sure to catch it once you’re done watching the series.

Length: 28 episodes, 1 movie Available on: Netflix, Funimation, Crunchyroll

2. Tamako Market

Tamako Market tells the story of Tamako, daughter of a family-owned mochi shop located in a shopping district, and her encounter with Dera, a pompous bird who is on a mission to find a bride for his country’s prince.

After he binge eats mochi and is unable to fly back home, Dera stays behind at Tamako’s house. The series follows the heroine’s everyday life with Dera, her friends, and mochi.

As the purveyor of the slice of life genre, Kyoto Animation does what it does best – setting a believable setting and accurately depicting the liveliness of a typical Japanese shopping district. The animation is bubbly and bright, and gets its details down to a T, allowing viewers to live a peaceful, ordinary life through the adorable characters vicariously.

But don’t expect it to cover any significant plot, as the short series has no strong themes or plot. For those who are in the mood for relaxing shows, Tamako Market, with its comedy and romance elements, is the slow-paced, slice of life anime for you.

Length: 12 episodes, 1 movie Available on: Amazon Prime

When Kyoto Animation is mentioned, Hyouka does not immediately spring to mind as their representative work. But it is certainly the pinnacle of the slice of life genre, and an outstanding series that is a testament to the studio’s prowess in gorgeous animation and mood-setting.

Adapted from a 2001 Japanese mystery novel with the same title, Hyouka is about a group of high school students who solve inconsequential, ostensibly underwhelming everyday mysteries. Oreki, the sharp-witted protagonist, is often hailed as the Sherlock of the group – much to his chagrin, as all the boy wants to do is to lead a dull life and not stand out.

Though the series is rather episodic and nothing earth-shattering happens, not a moment feels repetitive – thanks to the well-written and nuanced characters who have flaws and desires, and the idealistic portrayal of friendship blossoming into romance.

Besides the characters’ development, Kyoto Animation’s attention to details and breathtaking art style make this a must-watch.

Length: 22 episodes, 1 OVA Available on: Muse Asia (YouTube)

4. Hibike! Euphonium

Hibike! Euphonium is a harmonious coming-of-age story that centres on Kumiko, a newly minted high schooler who decided to quit playing the euphonium after a setback in middle school.

Despite her determination to stay away from the instrument, she is unwillingly dragged into the school’s band club. Together with their strict club advisor and her new bandmates, Kumiko works hard to overcome her insecurities and aims for the national championships.

Don’t make the mistake of dismissing the series as your average high school club drama story, as the portrayal of the euphonium is incredibly accurate, from chord fingerings and sounds, to even instrument maintenance. If you enjoy slice of life anime series with no big drama, just plenty of solid music performances and relatable characters, give Hibike! Euphonium a go.

Season 3, which will focus on Kumiko’s third year in high school, was announced in 2019. But due to the arson attack at the studio in the same year, the series has been postponed and is set to be released in 2024.

Until then, catch up on the series and movies. The first two movies are film adaptations of the series, followed by the third movie Our Promise: A Brand New Day , which is meant to be a sequel after the second season. Liz and the Blue Bird , the final movie in the franchise, is a standalone film focusing on the friendship between Mizore and Nozomi, 2 side characters who were first introduced in season 2.

Length: 2 seasons, 26 episodes, 1 OVA Available on: Crunchyroll, Amazon Prime

5. Miss Kobayashi’s Dragon Maid

A cute moe comedy series with a ridiculous premise, Miss Kobayashi’s Dragon Maid is exactly what the title suggests. Tohru, an anthropomorphic dragon in a maid costume shows up one day at Kobayashi’s doorstep, as she offered the homeless dragon a place to stay in her drunken state the previous night.

With no choice but to take the dragon girl in, Kobayashi starts living with Tohru and subsequently Kanna, Tohru’s friend from the dragon world. Forming their own tight-knitted nuclear family, Tohru assumes the role of a maid and keeps the house in order, while Kobayashi acts as the breadwinner.

Notwithstanding the outrageous proportions and bust sizes of the characters, Miss Kobayashi’s Dragon Maid is a pretty wholesome show about familial ties you make on your own. Though nonsensical at times, it’s a light-hearted watch to breeze through.

Length: 2 seasons, 25 episodes, 2 OVAs Available on: Crunchyroll, Netflix

6. Nichijou: My Ordinary Life

The premise of Nichijou: My Ordinary Life might sound as bland as it can get – it follows a group of high school friends leading a normal life in the town of Tokisadame. But the comedic slice of life series is essentially a compilation of random and hilarious anecdotes.

Although their lives are seemingly mundane, the characters often find themselves in absurd and over-the-top comedic situations, making the series an entertaining watch. Happenings range from assaulting a policeman to retrieve their NSFW manga to wondering about the expiry date of a melon bread.

The series’s offbeat humour might not be everyone’s cup of tea, but the short episodic stories are easy to digest and perfect to watch over lunch breaks.

Length: 26 episodes Available on: Funimation

Widely recognised as the starter pack to the school girl slice of life genre, K-On! at its core, is basically a dopamine-inducing show featuring a bunch of cute girls goofing around after school and occasionally playing instruments.

Yui, a music novice, is roped in to joining her school’s Light Music Club in order to save it from disbandment. Though initially hesitant due to her lack of experience with musical instruments, Yui’s interest is piqued after witnessing the club’s live performance.

With the Light Music Club revived from the brink of dissolution, the group spends their day hanging out and practising.

Critics of the show may see the lack of a narrative structure as a major flaw of K-On! . But for hardcore fans, what’s regarded as a weakness is also their strongest suit. After all, who wouldn’t want to watch characters laze around and host tea parties in their club room after school?

Length: 2 seasons, 39 episodes, 2 OVAs, 1 movie Available on: Crunchyroll, Hulu

For fans who prefer something with more emotional depth, Clannad is no doubt your go-to series. The story starts with third-year student Tomoya encountering Nagisa, a sickly girl who had to repeat a year of school due to her illness, by chance one day.

When he learns that her dream is to revive and join the school’s dying drama club, Tomoya decides to lend Nagisa a hand. In doing so, he meets four other girls and after getting to know them better, he helps them with their personal problems and issues.

Compared to the first season which has more romcom elements that flesh out Tomoya’s relationship with the respective characters, its sequel, Clannad: After Story, is emotionally heavier as it follows Tomoya as he transitions into adulthood.

Touching on themes of inevitability of change that comes with growing up and the sense of loss, along with other heartaches that the characters experience, it gets realistically dark at times, so prepare a box of tissues on the side.

Length: 2 seasons, 47 episodes, 2 OVAs, 1 movie Available on: Netflix, Hulu

9. Amagi Brilliant Park

How do you ask someone out on a date? We can think of an infinite number of ways, but holding the other person at gunpoint is definitely not one of them. Amagi Brilliant Park starts with Sento borderline threatening Seiya to accompany her to the titular theme park by doing just that.

As it turns out, this is not a romantic first date Seiya envisioned it to be. Instead, he is being recruited to bring visitors back to the failing amusement park, where the mascots are actual living creatures from a magical realm known as Maple Land, instead of sweaty people in costumes.

If Seiya fails to attract more people and hit the quota of 250,000 visitors in three months, Amagi Brilliant Park will be forced to close down for good and have its land reclaimed by a greedy corporation.

As expected of Kyoto Animation, the art and visuals of the anime are vibrant, fitting of an exciting amusement park. Besides the attention to details to create the perfect setting, the explosion of colours and backdrop make the world of Amagi Brilliant Park come alive too.

Length: 13 episodes Available on: Crunchyroll

10. Violet Evergarden

An emotional tearjerker from start to finish, Violet Evergarden is a story about love and loss. Raised with the sole purpose to be a tool in the war, the robotic Violet knows nothing other than to strike down enemies when the situation calls for it.

But when Gilbert, her major, imparts his dying message to her and confesses that he loves her, the once-unfeeling robot decides to embark on a journey to decipher the meaning of his words.

Landing a job as an Auto Memory Doll, Violet ghostwrites letters for customers who are unable to express themselves, and begins to learn about complex human emotions for the first time in her life.

Although all animated works that are produced by Kyoto Animation are excellent from an artistic and cinematographic point of view, the studio really outdid themselves with Violet Evergarden. The animation and art are stunning, a testament to Kyoto Animation’s dedication to their craft.

Length: 13 episodes, 1 OVA, 2 movies Available on: Netflix, Funimation

Best anime series by Kyoto Animation

Besides producing masterpiece after masterpiece, Kyoto Animation is also well-known for providing good working conditions and paying proper salary to their animators. Despite the arson attack in 2019, it seems that the studio is slowly but steadily getting back on its feet, with several projects announced.

Let’s continue to support them by watching and appreciating the effort that goes into each series.

For more, check out:

Original anime film Bubble to drop on Netflix
Isekai anime series
Top anime tearjerkers of all times
Sports anime like Haikyuu!!
Japanese romance drama series

Cover image adapted from: Miss Kobayashi’s Dragon Maid Official Website , IMDb , @amaburiANIME

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Kyoto Animation: A unique force in Japan's anime industry

People pray in front of bouquets left for victims of the arson attack at a Kyoto Animation studio in Kyoto on Friday. | KYODO

It took Kyoto Animation Co. almost 40 years to establish itself as one of the leading animation production studios in the country.

At around 10:35 a.m. on Thursday, a suspect who has been identified by police as Shinji Aoba allegedly stormed into the studio's main building and set it on fire.

By the end of the day, 33 of the studio's employees had been confirmed dead. Another victim died Friday, pushing the death toll to 34. More than 30 people were also injured in the attack.

The death toll is the highest for an arson incident since 2001, when a blaze in Tokyo's Kabukicho district killed 44 people.

The hours following news of the attack saw an outpouring of anger, grief and confusion both at home and abroad.

Sentai Filmworks, an anime licensing firm based in Texas, set up a crowdfunding page to collect donations, raising about $1.6 million (about ¥172.3 million) by Saturday afternoon. In Japan, anime retailer Animate announced plans to accept donations at its stores.

Condolences also poured in from world leaders. Prime Minister Shinzo Abe called the attack "too appalling for words."

"In the face of the large number of casualties and the shocking sight, I am at a loss for words," he wrote in a Twitter post.

Apple CEO Tim Cook said Kyoto Animation artists had helped "spread joy all over the world."

"Kyoto Animation is home to some of the world's most talented animators and dreamers — the devastating attack today is a tragedy felt far beyond Japan," he tweeted.

Founded in 1981 by animator Yoko Hatta and her husband, Hideaki, Kyoto Animation, which is also known by its abbreviation KyoAni, was a different kind of studio from the very beginning.

For one thing, there was its distance from Tokyo, where the large majority of Japan's anime studios are located. This physical distance came to represent a deeper philosophical divide in terms of the company's business practices.

Most studios in Japan employ animators on a freelance basis, a practice that has created unlivable wages and overwork for many in the industry, especially young people.

But Kyoto Animation had developed a culture by the early 1990s that emphasized communication, education and full-time employment. The studio's in-house KyoAni School spent a large amount of time training young recruits, a significant percentage of whom were women.

The seeds planted during this period, when Kyoto Animation mostly provided subcontracting work for other studios, started to bear fruit in the 2000s as it began to produce its own series and films.

In an industry known for wildly fluctuating quality and production delays, Kyoto Animation distinguished itself for being remarkably consistent with both its animation quality and storytelling.

A definitive, original style began to emerge and the studio became known for its "slice of life" tales of high school camaraderie, angst and humor that struck a chord with viewers both at home and abroad.

Kyoto Animation characters were praised for their detailed, expressive eyes and movements, and the studio's preference to use real-life locations as the basis for background art led fans to embark on pilgrimages to those sites.

Early hits such as "The Melancholy of Haruhi Suzumiya," "Lucky Star" and "K-On!" — all adaptations of novels and manga — were helmed by in-house directors like Naoko Yamada, who joined Kyoto Animation out of university and made her directorial debut at age 24.

In the early 2010s, the studio set up the KyoAni Awards, to which aspiring writers would submit novels; winning novels would then be adapted into anime. Several of the studio's recent properties, including "Free!" and "Violet Evergarden," were the product of this system.

Meanwhile, Yamada's 2016 film "A Silent Voice" was crowned best animated feature at the 2017 Japan Movie Critics Awards.

Despite its geographical and philosophical distance from Tokyo, Kyoto Animation has been influential to the anime industry as a whole.

A number of studios founded after Kyoto Animation — including P.A. Works — have drawn inspiration from the trailblazing Kansai firm, establishing themselves outside of the capital and providing technical training and full-time salaries for their production staff.

And a number of production staff who trained at Kyoto Animation, including director Hiroko Utsumi and character designer Yukiko Horiguchi, have gone on to become independent, bringing the skills they learned at the studio to the industry at large.

As of last week, the studio was working on follow-ups to "Free!" and "Violet Evergarden," plus a new series based on the latest KyoAni Award-winning novel.

The materials for these works have all been destroyed in the fire, President Hideaki Hatta said Friday. Hatta praised the victims as "excellent colleagues" and described the incident as "a serious blow to our company and the industry."

It is unclear how soon — if ever — the studio will recover. And the incident is already having a ripple effect across the industry.

Promoting his new film "Weathering With You" on Friday, "Your Name." director Makoto Shinkai praised the studio as "a group of people who have polished their skills in order to create great images for audiences to enjoy."

"Accepting that anyone who expresses themselves takes a risk in doing so," Shinkai said, "I believe the only thing to do is to continue to make anime — unflinchingly."

In a time of both misinformation and too much information, quality journalism is more crucial than ever. By subscribing, you can help us get the story right.

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Visit Kyoto’s real-life locations from the anime Hello World

NAVITIME TRAVEL EDITOR

“HELLO WORLD” is an animated Science Fiction love story, set in Kyoto in 2027, which was released in September 2019, and was a huge hit in Japan. This movie is the latest film directed by Tomohiko Ito, who worked as an assistant director for “The Girl Who Leapt Through Time” and “Summer Wars”, and also worked on the popular anime “Sword Art Online”. The movie is about a shy male high school student living in Kyoto called Naomi Katagaki, who meets his future-self from 10 years in the future and he tries to re-live his younger days in order to find love and correct his life mistakes, with all sorts of complications resulting between the present and the future. Let’s check out the some of the locations in Kyoto that some of the scenes in “HELLO WORLD” were set in.

This elegant bridge is said to be one of the bridge models depicted in the main visual published on the official website of “HELLO WORLD”. The bridge stands out due to its vivid vermilion color, and is a popular photo spot where you can capture images of Kyoto's inspiring ancient scenery.

Kyoto Tower

As with Kisenbashi, Kyoto Tower is another landmark that has found itself being used as a model for the movie’s main visuals. Inspired by a lighthouse, this white tower is the tallest building in Kyoto and is symbolic of the city. Kyoto Tower is also illustrated on the background of the movie’s flyer, as is the temple Toji.

Nidec Kyoto Tower Ticket

Update date：2024/05/14

Kyoto Tower Hotel

721-1,Higashi-Shiokouji,Karasuma-dori,Shimogyo-ku Kyoto

Fushimi Inari Taisha

At the beginning of the story, Naomi Katagaki follows Karasu and appears in a scene set in Fushimi Inari Taisha, where he meets with his future-self (who he calls “teacher”) 10 years later. Fushimi Inari Taisha is the originating shrine of the Inari aspect of the Shinto beliefs, and is famous as one of western Japan's best places to visit during Hatsumode (i.e. Japanese New Year shrine/temple blessing visit). It’s an incredibly busy shrine, which is crowded with many worshippers and tourists throughout the year.

Fushimi Inari-Taisha, Arashiyama, Kiyomizu-Dera Day Tour from Kyoto

Kyo-machiya Stay WAKA Fushimiinari

Fushimi ku, Fukakusa, Kaidocho 51 Kyoto

Kamogawa Delta

The Kamogawa Delta, is at the confluence of the Kamo and Takano Rivers, in Demachiyanagi, Kyoto, and is a great viewing spot where you can see Mt. Hiei and the Daimonji fire festival. It is drawn on Hello World's teaser visual, and is also used in many Japanese dramas and movie locations, including the anime “K-On!” set in Kyoto.

The model for the impressive five-storied pagoda that was seen disintegrating into particles in movie’s trailer PV (released on July 16, 2019) is said to be the five-storied pagoda Toji (Kyoogokokuji). This temple is related to Kukai (aka Kobo Daishi), and the 55 meter high, five-storied pagoda is Japan’s tallest wooden structure and is one of the symbols of Kyoto Prefecture.

Asagiri Bridge

Asagiri Bridge is a 74m long vermilion bridge that connects Uji Shrine and Tachibana Island, and is a popular spot representative of the Uji area. There is a scene shown in the trailer PV released on July 16, 2019 where the two main characters are running hand in hand when lightning strikes a bridge, Asagiri Bridge is apparently the model for that bridge.

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Anime Spots in Kyoto – Shops, Locations & More!

Post author By blubbyweb
Post date April 18, 2019
No Comments on Anime Spots in Kyoto – Shops, Locations & More!

Kyoto is filled to the brim with culture and history. With hundreds of shrines and temples, the city has become a hotspot for tourists interested in heritage and culture. But, don’t be fooled – Kyoto is a great place for those searching for a little bit of otaku culture as well!

Kyoto International Manga Museum

This is the perfect place for those who love spending hours reading manga. For an entrance fee of 800 yen, you gain access to hundreds upon hundreds of manga, stacked in shelves that reach the ceiling. There are also shelves with foreign languages right at the entrance (including English!) and also a gift shop selling various merchandise.

There were also some exhibits and facts about the industry, including the history of manga. When i was visiting, they also had a temporary exhibit on Shoujo Manga. On weekends, there are also events, including drawing workshops by visiting mangaka. If you do visit, come early so you have the time to grab a manga and start reading!

The English section had quite a few popular titles, including Naruto, One Piece, and Death Note. It’s definitely worth checking out if you like manga. You can check out my guide to the museum here .

Shopping District Around Kawaramachi Station

This is the best place in Kyoto to find anime merchandise as there are a wide array of hobby shops that cater to anime and manga fans. The most well known of these shops, animate, has a branch in this shopping area.

The Kyoto branches of Lashinbang, Gamers and Kikuya bookstore can also be found in the area, making it a great place if you want to pick up some manga or anime related items.

Besides these hobby shops, you can also find merchandise in a lot of other shops, even if they don’t specifically sell only these items (you can find a snoopy shop in Nishiki food market, for example). So have fun looking around the area! Location

Kyoto Station Shopping Area

There are a ton of shops and malls around Kyoto station. Department stores such as Bic camera and Yodobashi are great to find merchandise and other hobby items, including toys, games and gachapon.

Aeon Mall also has an arcade where you can try the claw machines, gachapons, purikura photo booths, arcade video games and even rental cosplay costumes! There is also a cinema which has a gift shop selling merchandise from the ongoing movies, so when I visited, there was a ton of fantastic beasts and Harry Potter stuff.

You can also find anime soundtracks in music areas or dvd stores in these department shops and malls, so do look out for them! Location .

Sightseeing

There are actually a few anime and manga that are set in Kyoto, such as Uchouten Kazoku, Inari Konkon Koi Iroha and Tatami Galaxy. Much of the actual city is featured in these anime, and it adds an extra layer of enjoyment as you explore. For example, the popular tourist attraction Fushimi inari serves as the inspiration and is featured in Inari Konkon Koi Iroha.

Besides this, Kyoto prefecture is also home to Kyoto Animation, which is based in Uji. As such, several of their extremely popular anime often feature Kyoto city and other parts of Kyoto prefecture. The anime Hibike Euphonium is set in Uji but also features Kyoto city.

Other popular anime from Kyoto Animation such as K-On!! and Lucky Star also feature Kyoto city when the characters go for school trips to some very popular tourist attractions, including Arashiyama, Ginkakuji and Kitano Tenmangu shrine.

Toei Kyoto Studio Park

This one is for those who love J-dramas, or more specifically, period dramas. If you’ve watched an Edo themed drama, there’s a high chance it was filmed in this theme park, and if you’re lucky, they may even be filming on the day you visit!

Inside the park, you can rent kimonos, samurai, ninja and geisha costumes! There are also samurai and ninja shows that display the various fighting styles. You can also try out the ninja mystery house.

For those of you more interested in anime, don’t fret- there’s also an Anime museum that showcases some of Toei animation’s works, including Sailor moon, Dragon Ball and Super Sentai, which although is not an anime, is the source material of the ever so popular Power Rangers. There are a ton of film related attractions. Location .

Kyoto is a beautiful city that has a little something for everyone. Even though the city is famous for the old, I assure you, it has plenty of the new too!

Sakuga Blog

The art of japanese animation.

Kyoto Animation’s Ever-Evolving In-House Culture, The Growth Of A New Animation Storyteller, And Tsurune: The Linking Shot

March 3, 2023 kvin comments 4 comments.

Kyoto Animation’s rebuilding process is allowing the most self-sufficient anime studio to foster in-house production in new ways, all while raising new generations of storytellers in animation—and Tsurune: The Linking Shot is a perfect example of it.

It’s been well over a year since we last covered the happenings at Kyoto Animation, and four times as long since we focused on Tsurune in particular. Over this period, the two of them have changed more than it appears at first glance—and they’ve done so in unison, partly due to thoughtful planning, but also through fortunate coincidences and convergent evolution. Since looking at one side of the story but not the other would paint an incomplete picture, it’s time to catch up with these two outliers in their respective fields.

Tsurune was originally broadcast in 2018, and its elevator pitch remains the same since then: it’s a series where scenarios from traditional, often hotblooded sports anime are transported to something much quieter and more introspective like kyudo . This is not to throw around the tired argument that this piece of genre fiction is actually about the characters unlike the rest , or even to insinuate that Tsurune ’s cast is bereft of loud youthful feelings, but rather to explain how the choice of sport completely changes the tone from the norm. It’s a familiar story with a wholly different spin through its storytelling , and its second season is doubling down on that appeal. Its first episode is largely dedicated to reminding the audience about that curious contrast, though it does so in the elegant way that characterizes this show’s direction.

In recent interviews for Animedia and spoon.2Di , series director Series Director: (監督, kantoku): The person in charge of the entire production, both as a creative decision-maker and final supervisor. They outrank the rest of the staff and ultimately have the last word. Series with different levels of directors do exist however – Chief Director, Assistant Director, Series Episode Director, all sorts of non-standard roles. The hierarchy in those instances is a case by case scenario. Takuya Yamamura noted how the structure and delivery of episode #01 underlined that difference in temperature; we first see the cast in the midst of a sports festival, represented through all sorts of boisterous pieces of animation , and then those same artists dial up the restrain to capture the nobility of kyudo . The shots themselves are still accompanied by bursts of explosive animation to make for a more impactful experience, and you can bet that a group of teenagers is quick to get their blood pumping , but that comes second to the solemn, ritualistic depiction of archery . Although many of the situations the characters find themselves in are genre staples, when you subject those to this contrast, priorities, and finesse of execution, Tsurune ends up feeling like it really stands on its own—and all those aspects have been greatly refined for this second season. But before we dig further into that, we should recap what the show is actually about, and how its team has evolved leading to this sequel.

The first season of Tsurune covered Minato Narumiya’s struggle to get over his target panic and the traumatic experiences that had soured his feelings for archery, which once represented a source of precious memories and a link with his late mother. He completed his gradual healing process alongside his companions at Kazemai High School’s kyudo club, a mix of childhood friends and new pals, and went as far as earning an unlikely win in the prefectural tournament over the powerhouse Kirisaki. While the series was hardly all that popular, and the tragedy that struck Kyoto Animation greatly reduced their output in the following years, it always felt like a title they would eventually revisit; after all, all but one KA Esuma anime have received some sort of follow-up, which is not a club it was likely to join.

In October 2020, it was announced that a Tsurune movie was indeed on the way, effectively ending the partnership with NHK for countrywide TV broadcast in favor of a model the studio is more familiar with. Although on paper Tsurune: The First Shot was billed as a recap film, the studio’s history with such projects was enough to tell that it wouldn’t be an insignificant effort. Yamamura opted to reconstruct the entire story in a way similar to Taichi Ogawa ’s reframing of Hibike! Euphonium S2 for Todoketai Melody ; which is to say, he approached the same narrative from a different angle and newfound focus, presenting it with copious amounts of new footage. Yamamura, who also took up the lead writer duties for the film, saw it as an opportunity to center everything around Minato and his mentor Masa. While the series had already drawn parallels between the two of them, The First Shot depicts shared memories and sceneries that unknowingly brought them together, to each other and to archery. It’s not meant to be a definitive version that renders the original series outdated, but it’s a great way to revisit it and enjoy a new side to this tale.

A mere look at some numbers tells you that this project received the type of attention that normally, at least elsewhere, it wouldn’t be granted. The First Shot clocked around 1800 cuts, 400 of which were wholly new sequences of animation. Most impressively, an extra 1100 of them were thoroughly recomposited and often had elements like the backgrounds repainted, all geared towards fitting the new aesthetic that all departments at the studio had conjured together. Simple addition gives you the punchline of the situation: when it came down to it, the staff found themselves remaking essentially everything. So much for a laid-back recap project.

For as impressive as all these narrative and visual changes are, the one aspect where the update was most meaningful is the audio. Alongside veteran sound director Yota Tsuruoka , Yamamura decided that a fresh start would be best served with a complete redub, going as far as telling the voice actors to forget all their previous work for Tsurune. Much like the originally inexperienced animation staff was reinterpreting the work years later, they were also meant to channel all they had learned since then into more natural takes on the characters. On top of that, Tsuruoka and Yamamura decided to challenge themselves by producing the studio’s very first 7.1 audio track, a step up from their previous 5.1 surround sound efforts. The very name of the series is owed to the sound of the vibrating bowstrings, the same one that got its main character to fall in love with kyudo —a visceral charm that the staff went to great lengths to capture, having felt there was room to further that purely sensorial appeal after the first season.

When considering those themes, these particular changes to the production process are easy to understand, but this also happens to be the point where things take a turn for the unusual. The First Shot was the first work at the studio to credit the sound production to Kyoto Animation themselves, and the second season has followed suit. As you might be aware, sound production encompasses a series of tasks that anime studios are not equipped to handle in any way, hence why they tend to be completely hands-off during these steps of the creative process.

Normally, this work is instead entrusted to specialized audio production companies. Those may have tight relationships with certain animation studios—such as the friendly bond between STUDIO MAUSU and ufotable—and perhaps even belong to entertainment conglomerates that happen to contain both animation and sound production companies , but you won’t find traditional anime studios dabbling into these tasks. For now, KyoAni is taking a managerial role more than a manufacturing one, but it’s frankly impossible to tell the future implications of unprecedented moves. Amusingly, KyoAni now in a situation where Tsuruoka’s own company Rakuonsha and their subsidiaries continue offering their expertise and equipment, while at the same time being part of the funding committee for a project that may be the beginning of the end for this relationship.

This expansion of creative duties goes hand in hand with another change to the studio’s pipeline: the establishment of the Kyoto Animation Editing Studio , first seen in the credits for Free! The Final Stroke in 2021. Despite the grandeur implied by that name, the original way they referred to it sums up its scale more appropriately: it’s the Kyoto Animation Media Room . While the studio’s more proactive role in sound production is something that might take a while to materialize into something tangible, the effects of this change are much more immediate from a creative point of view. And to understand them, we should quickly go over what anime editing is.

The editing process in anime is broadly separated into two phases, each of which with smaller tasks of its own. Those receive the confusing names of Offline Editing and Online Editing , spanning from the middle stages of the overall production process until the very end. Online Editing , sometimes referred to by professionals as video editing or V-hen (V編), is known for gathering up directorial and management staff to do the very last checks of a hopefully finished episode. However, the ones to handle the brunt of this process are not the animation studio, but rather a specialized company that runs audio and visual brightness checks— thanks Pikachu —and assembles the episode with its mandatory TV structure and commercial breaks. As the very last step in an industry where deadlines are often criminal, even promotional videos published by these companies will not hesitate to warn you about the pain of dealing with such catastrophic schedules.

Before things get to that point, though, there comes the more creatively oriented Offline Editing . Although each cut is assigned a length as early as the storyboarding stage, those are preliminary estimates that are only settled in this crucial step that fans rarely consider. This procedure, often credited simply as editing , adjusts the length of every shot in the work, defining its rhythm in the process. Although this cutting process also has directorial and management figures in attendance, veterans have remarked why the credits only list the singular editor for that title: it is them who do essentially all that work, despite being largely unknown figures. And as people in that scene tend to remark, they do so mostly in silence; contrasting to their live-action counterparts, who at least get to work with audio accompanying them, rather than doing so before dubbing and then having to readjust according to minute delivery changes. In contrast to the acid remarks from the aforementioned online editor, though, an offline one from the same company noted that the biggest challenge of their work is coming to grasp the specific worldview, feel, and rhythm of so many works . This is editing at its most meaningful.

If this step has so much creative weight, then, who are exactly those editors who handle it? Again, not in-house staff. Similarly to the audio production process we mentioned earlier, it’s specialized companies that take the lead here. Large entertainment corporations may have subsidiaries like Toei Digital Lab and TMS Photo , but those are multipurpose branches that aren’t subservient to their anime studio siblings. The closest case to an in-house editing effort in anime might have been in Madhouse titles edited by MADBOX, their subsidiary that is just one floor above in the same building; while MADBOX is a company of its own that offers all sorts of digital services to many other clients, this closeness can spark more internal synergy than the norm that is subcontracting this workload.

Having greatly benefited from in-house practices for every other stage of the production process, KyoAni is attempting to take this effect to the next level by genuinely bringing the editing process within their walls. While for now their lead editor is still Kengo Shigemura —another Rakuonsha-related name helping the studio grow independent from them?—all their recent projects have had Eri Matsuo as his assistant. Matsuo had joined the studio in the mid-00s as an animator, but after providing keys for a few years, she eventually shifted to other departments like merchandise production. If this new turn in her career pans out, she could be leading the studio’s latest campaign to further self-sufficiency and in-house production. Given that they’ve established this editing substudio for it, likely repurposing some of the space they regained in Studio 5 when they made the decision to put an end to their physical store, it appears that they’re giving it a serious try.

While these aren’t flashy changes to their pipeline, they add up to a pretty meaningful evolution of the model that the studio is now for. Their quest for truly in-house creation has spanned decades, and despite being one of the aspects that makes them so extraordinary within the world of anime, they spend no effort in marketing measures like this; nowhere but buried deep within the credits you’ll find these changes we’ve alluded to, which is rather common for the studio’s new policies. Given the pivotal role that sound and rhythm play in a title like Tsurune , these changes couldn’t have come at a better time—and yet this appears to be nothing but a happy coincidence, fortunate timing for a studio that always trends in this specific direction. For them, it really is all about creating animation that feels of their own, and doing so together. The consequences of that mindset have been brewing in the background of their work, and in the meantime, more specific and deliberate changes have influenced Tsurune ’s foreground as well.

It won’t take more than a single scene for most viewers to realize that Tsurune: The Linking Shot looks rather different than the first season, especially if they hadn’t been acclimated to this change by watching The First Shot . The evolution in the show’s aesthetic corresponds to desires that the painting, background art, and compositing departments all shared—inadvertently so until they spoke to each other about their new vision for the series—as well as changes in themes and tone in the story. Tsurune ’s visuals were originally more austere and moody, attempting to embody the restraint and elegance of kyudo , and directly informed by the trauma that hovered over its main character. Given a chance to meet its cast again after a healing process, though, all visual departments agreed that both the recap and this second season would be best presented through increased contrast and a brighter outlook.

Putting that into specific terms has involved lots of cross-department tasks, such as color scripts and painted storyboards, or preliminary assets being passed around departments so everyone is on the same page. Art director Art Director (美術監督, bijutsu kantoku): The person in charge of the background art for the series. They draw many artboards that once approved by the series director serve as reference for the backgrounds throughout the series. Coordination within the art department is a must – setting and color designers must work together to craft a coherent world. Shouko Ochiai , whose debut in that role was precisely on the original Tsurune , wanted to capture the bokeh effects that the compositing team had caught her fancy with into the backgrounds themselves, which has led to higher communication between departments. One aspect that she’s very particular about is depicting the age of all items and locations through believable wear and tear—an obsession she shares with color designer Color Designer (色彩設定/色彩設計, Shikisai Settei/Shikisai Sekkei): The person establishing the show's overall palette. Episodes have their own color coordinator (色指定, Iroshitei) in charge of supervising and supplying painters with the model sheets that particular outing requires, which they might even make themselves if they're tones that weren't already defined by the color designer. Azumi Hata , hence why they’ve collaborated a lot so that the texture of Tsurune ’s world feels thoroughly authentic.

Despite being synergistic on the whole, some of those interconnected changes have increased the workload and forced changes in the studio’s pipeline. Photography Photography (撮影, Satsuei): The marriage of elements produced by different departments into a finished picture, involving filtering to make it more harmonious. A name inherited from the past, when cameras were actually used during this process. director Kohei Funamoto saw it fit to filter the linework so that it comes across as thinner and more elegant, befitting the more ethereal look of The Linking Shot . To emphasize the changes in the scenery, he has tried to bring the light within the character art , rather than accidentally obscuring it through excessive flares. And yet, balancing those changes wasn’t doable without pouring more extensive compositing work into each shot; the thinner silhouettes had to remain well-defined, but also feel like they belong in this brighter, higher contrast world, hence Funamoto’s turn towards efficiency. He personally coded a program that automatically applies preliminary effects to a shot, which the digital artists at the studio can use as the basis to manually tweak them as they see fit. This is something Funamoto had individually done before, but this time he made it more user-friendly so that everyone at the studio can use it, greatly speeding up this costlier process.

Given that they’re motivated by the narrative in the first place, it’s no surprise that these aesthetic changes go hand in hand with new imagery and other means of visual storytelling. Even when returning to motifs from the first season, Yamamura wastes no time in twisting them to show the growth of the characters. An understated but very pointed scene in the first episode of The Linking Shot mirrors one of the first sequences in the original Tsurune , but through Yamamura’s renowned control of the gaze , it embodies the positive growth of the characters just as much as the brighter world that surrounds them. The opening sequence lives up to this season’s subtitle and main theme by pulling a similar trick —a switch from the ropes of trauma binding Minato to colorful, character-coded ribbons representing the bonds everyone is growing thanks to kyudo .

Yamamura always had the making of a capable storyteller, especially on a mechanical level. His sense of flow in particular is great; the nifty shot transitions he comes up with catch the eye, but just as important is the way he’ll introduce characters and events casually in the background before it’s their time in the spotlight, giving his work a very natural sense of continuity. His eye for detail has always been noticeable, but it’s taken some years of growth as a director to see him wield it in more purposeful ways. After accumulating more experience in the role, expanding his storytelling horizons by taking up writing duties in the preceding film, and building a great relationship with his peers that maximizes their talent, Yamamura suddenly stands as a new star director to look out for.

The effect of those relationships with other staff members is worth paying attention to—not only because it has a tangible effect, but also because it’s frankly amusing. During the production of The First Shot , Yamamura found himself surprised by the quality of everyone’s output. As they moved onto The Linking Shot , that surprise only increased as he saw them maintain that theatrical inertia all the same; it’s not often that you’ll find a series director Series Director: (監督, kantoku): The person in charge of the entire production, both as a creative decision-maker and final supervisor. They outrank the rest of the staff and ultimately have the last word. Series with different levels of directors do exist however – Chief Director, Assistant Director, Series Episode Director, all sorts of non-standard roles. The hierarchy in those instances is a case by case scenario. telling their team to relax, reminding them that they’re no longer making a movie.

Yamamura was oblivious as to why everyone at the studio was putting out such high quality work, but in interviews such as the ones featured in The First Shot ’s theatrical pamphlet and bluray release, the heads of each department gave their amusing answer: it’s mostly down to his nice character. They’re aware that Yamamura has very specific storytelling ideas—8 full storyboards in a single cours series is a KyoAni record—which only makes them more thankful that he’s always encouraging them to contribute their own thoughts. When turning in work, they recall how Yamamura will always leave them positive words, especially if they’re physically close to his desk; he’ll make a point to swing by and greet them with a smile, completely unaware of his motivational effect. The aforementioned Funamoto described the studio as a bunch of children thriving off all that praise, which is a fun example of how important a director’s character can be.

The production of Tsurune has always involved tons of research and cooperation with actual kyudo entities; equipment flooding the studio, staff attending competitions, discussing with experts, and lots of reading up. Some members at the studio have experience in kyudo and thus they’ve been able to help, but it’s those same people who insist on drawing a line with the realism. Assistant CG director Mitsuki Takaki is one such person, and she insisted on the need to lie to the audience—as storytellers, tricks like twisting space for emphasis is something they’re bound to do.

The fundamentals set in that first episode spread across the entire show with remarkable consistency, as you’d expect from a series director Series Director: (監督, kantoku): The person in charge of the entire production, both as a creative decision-maker and final supervisor. They outrank the rest of the staff and ultimately have the last word. Series with different levels of directors do exist however – Chief Director, Assistant Director, Series Episode Director, all sorts of non-standard roles. The hierarchy in those instances is a case by case scenario. who is this involved with hands-on storyboarding. Given that encouragement to pitch in personal ideas that the key staff mentioned, though, it’s no surprise that Yamamura left some room for weekly variability—especially coming from the episode directors processing his work. His tendencies are still on full display in episode #02, but under Taichi Ogawa’s episode direction Episode Direction (演出, enshutsu): A creative but also coordinative task, as it entails supervising the many departments and artists involved in the production of an episode – approving animation layouts alongside the Animation Director, overseeing the work of the photography team, the art department, CG staff... The role also exists in movies, refering to the individuals similarly in charge of segments of the film. , the focus on the sensorial experience of kyudo takes a noticeable turn. While the emphasis on the sound is still there , Ogawa has very distinct markers to capture the feeling of a specific moment such as the temperature of a shot. His precision when slowing down the most magical instances is a perfect fit for an episode where a young girl first comes across kyudo and realizes its visceral and aesthetic appeal.

Noriyuki Kitanohara ’s bolder layouts in episode #03 quickly come across as another noticeable stylistic shift, though again, not one that dilutes Yamamura’s strengths . The more episodes pass, the more that his overarching vision and confident storytelling pay off. After a first season where Minato had to learn to love kyudo again, his brimming passion for the sport in the early stages of the sequel feel like something to root for—and yet, Yamamura had already peppered the first episode with hints that he might be taking it too far .

When facing strong opponents that he’s grown too obsessed with matching, that passion leads to Minato losing his own archery , which sets the whole team’s rhythm off. It’s a feeling of getting in his own head too much that Yamamura represented through neat dolly zooms, and also a headband—deliberately similar to the symbolic ribbons in the opening—being let loose, which he unsurprisingly confirmed to represent the accidental severing of the ties with his team. There’s also a boldness to the delivery, twisting the usually pleasant kyudo noises into lousy rushed wooshes . The newbie Yamamura who directed the first season might not have dared to add friction to his work like this, but the current series director Series Director: (監督, kantoku): The person in charge of the entire production, both as a creative decision-maker and final supervisor. They outrank the rest of the staff and ultimately have the last word. Series with different levels of directors do exist however – Chief Director, Assistant Director, Series Episode Director, all sorts of non-standard roles. The hierarchy in those instances is a case by case scenario. will gladly do so.

The fourth episode marks the first storyboard Storyboard (絵コンテ, ekonte): The blueprints of animation. A series of usually simple drawings serving as anime's visual script, drawn on special sheets with fields for the animation cut number, notes for the staff and the matching lines of dialogue. not drawn by Yamamura himself, which if anything reinforces the thematic— and in some regards, stylistic —consistency of the show; even in the gaps left by an almost omnipresent series director Series Director: (監督, kantoku): The person in charge of the entire production, both as a creative decision-maker and final supervisor. They outrank the rest of the staff and ultimately have the last word. Series with different levels of directors do exist however – Chief Director, Assistant Director, Series Episode Director, all sorts of non-standard roles. The hierarchy in those instances is a case by case scenario. , the show’s visuals continue to embody the overarching themes just as poignantly. One of those, introduced in the very early stages of the season , is the gap in social standings between different characters and schools altogether. Given the emphasis put into it, it’s no exaggeration to say that it’s one of the major points of The Linking Shot . Mind you, this doesn’t mean that Tsurune has a particularly sharp point to make about inequality in the real world, not by any stretch. It does have awareness of those different realities and a very elegant way to expose them, but ultimately, all it wants to do is present its sport as an even field where all sorts of people can bond together. It’s naïve, cheesy, and exactly the type of beat I want out of sports series.

Episode #05 serves as an even better example of the balance between Yamamura’s consistent vision and the individuality provided by his peers. Despite his return to storyboarding duties, the episode’s volume feels nothing like the rest of the show. The intensity, the emotional outbursts , it all feels like it belongs in Free! instead—and that’s in great part because the episode was directed by Yamamura’s Osaka senior Eisaku Kawanami , who has headed the franchise in recent years and thoroughly represents the spirit of that branch of the studio .

And yet, this is all applied to a narrative thread that had carefully been laid out beforehand. Kazemai’s downfall in the third episode had really gotten to Kaito Onogi, the most impulsive member of their team. Fearful of his own short fuse because of past incidents— ones he lacks the full context for —he let those nasty feelings bottle up inside and placed the blame on himself, thoroughly pissing off his best friend Nanao. In dire need of just letting out steam, the two of them face in the most fiercely depicted archery match yet … which deflates into laughter after their beautifully timed, hilarious failure. As it becomes clearer that their main goal this season is to get the whole team on the same page, this wild ride of an episode ends up playing quite an important role.

In contrast to that, episode #06 is designed to be a bit of a side story within the narrative—though one that’s still thematically fitting for this second season. The girls at Kazemai’s kyudo club had consistently gotten some of the cooler character moments in the show: they’ve shown time and again that they have it together much better than the guys and so they’ve pushed them in the right direction, but they’ve never really had their due time in the spotlight. This episode addressed that by dedicating most of its runtime to their local competition, beautifully portrayed with a unique visual language to their kyudo that sets them apart from the rest of the cast. Yamamura’s storyboards emphasizing the flow of teamwork are a learning moment for the guys as they try to chase their own synchronicity, but at no moment it feels like the girls are getting this moment simply to further the development of the guys; theirs is a cool moment that stands toe to toe with any other highlight in the show.

The way Yamamura achieved that is just as interesting as the result itself, in that it exemplifies just how inescapable the figure of Naoko Yamada has become. During her tenure as the studio’s superstar director, Yamamura had stood out as the Osaka director who most closely worked with her; he was notoriously one of the few contributors to her theatrical storyboards, notoriously drawing some for Koe no Katachi alongside the late Yoshiji Kigami , and even in TV projects he had some of his best moments closely supervised by Yamada. Given that much of his growth is occurring after her departure, though, you might assume that her influence over Yamamura would lessen with time—and you’d be completely wrong. He may have found his own voice as a director, but in the process, he’s found himself leaning even more in framing , mannerisms , and entire scenarios from Yamada’s work that still resonate with him.

In regards to the overarching theme of kyudo as a means of fostering connections, few episodes hit as hard as #07. During the first season, Minato had a rival in Shu Fujiwara, the ace of powerhouse school Kirisaki. While he was never particularly villainous, he had an aura to himself that separated him from everyone else, reflected in his nickname The Prince . Since early on, The Linking Shot has been making a point about this and its effects on his teammates, humanizing both parties in the process . Being aware of an issue and being prepared to address it are different stages, though, and it’s taken Shu some unexpected external help to start truly mending his interpersonal relationships. And that has come from Kazemai’s sweetheart, Ryohei Yamanouchi.

Ryohei is the brightest character in Tsurune without question, an old acquaintance of Minato and Seiya who can befriend right about everyone. However, what he lacks in comparison to all his new companions is actual experience with kyudo . In episodes like this, Yamamura beautifully captures that feeling through imagery like one late-dropping leaf disturbing the rest . And this just so happens to give him common ground with Shu, despite their social standings, character, and kyudo expertise being completely different. Throughout this season, Ryohei has befriended Shu’s little sister Sae— a staff favorite if I’ve ever seen one . Despite being very fond of her, Shu always tried to keep a bit of a distance because of his own insecurities about his standing in the family, which are again very elegantly summarized by Yamamura . It’s not until Ryohei nonchalantly soothes those worries that he opens up some more; the sheltered prince now begins to open some doors . Iterating on the character-coded ribbon imagery we see throughout the series, one shot casually sums it up: it’s Ryohei’s own color and hands that connect the paper strings that represent Sae and Shu .

As we reach the last arc of the show with episodes #08 and #09, it’s time to finally introduce the major element I’ve been avoiding thus far: the new rival school in Tsujime, led by Eisuke Nikaido. Their very first appearance in the epilogue of The First Shot had Nikaido swearing he’d crush our protagonists, and their formal introduction at the start of this season didn’t seem any less aggressive. There’s certainly some clash with the show’s usual tone, as you’d expect from the team that specializes on an archery stance that was meant for war purposes, but those early airs of villainy dissipated fast. Instead, they’ve been another outlet for the show’s overarching themes.

Yamamura has drawn attention to the increase in eyecatching tracking shots as one of the means to bump the production values of the series compared to the first season. For some sequences that don’t have those fully-realized 3D environments but that they still wanted to give a dynamic, authentic vibe to, art director Art Director (美術監督, bijutsu kantoku): The person in charge of the background art for the series. They draw many artboards that once approved by the series director serve as reference for the backgrounds throughout the series. Coordination within the art department is a must – setting and color designers must work together to craft a coherent world. Ochiai researched film of trains and horse racing—ways to portray rapidly scrolling terrain that don’t devolve into anime’s usual shortcut of 流背 /speedline backgrounds.

Tsujimine represent one of the most extreme contrasts in standings that we’ve seen across the show, and Kazemai’s visit to Kirisaki’s fancy shooting ranges in episode #08 couldn’t make that any more obvious . That puts them in an underdog position that’s more traditional of protagonists, and Yamamura himself has mentioned that much of the second half of this series is meant to humanize them and why not, root for the guys somewhat. Where it does admonish them, though, it’s in their attitude towards kyudo , especially as Nikaido himself is approaching it. In researching the sport, the staff reached the common conclusion that archery is a competition strictly against yourself, without external foes—exactly the opposite view that Nikaido currently sports. There is a stark, sometimes very amusing contrast with Minato: someone who has come to purely love the sport and used it to better himself, genuinely unaware of the animosity that oozes from Nikaido. Kyudo dorks , I swear.

The following episode finally unveils the reasons for Nikaido’s resentment, which had only been vaguely alluded to before. Through a mix of small misunderstandings and misplaced adoration for his master, Nikaido now holds a bitter grudge for those he feels stole his mentor’s rightful place, imagining them to be snobs who took that spot through the power of money—rather than kids with a genuine passion for kyudo . Episode #09 also offers a window into his insincere habits developing, perfectly illustrated through the storyboards of a veteran like Tatsuya Ishihara and KyoAni’s acting finesse . The Nikaido of the present has been rightfully called out as a liar by his own teammate, despite being able to keep a straight face when doing so. Back then, though, he was clearly not used to suppressing his feelings yet, hence why sequences like that are peppered with nervous mannerisms when he can’t bring himself to tell his master how he feels.

As things stand, the three main schools and their lead characters represent different stages in the same arc; parallels that the show has given visual form too, contrasting the opening doors from Shu’s meeting with Ryohei to a still completely shut mindset for Nikaido . The series has stated that there’s no single path towards team unity, hence why they all need to figure out their own ikiai , but what is clear is that there needs to be an awareness of the need to work together, and willingness to open up yourself in the process. Led by an honest boy like Minato and having addressed their points of friction, Kazemai are clearly the closest to that goal right now. It was their natural evocation of that synergy that got them to beat the much more technically proficient Kirisaki at the end of the first season, and that’s something even the latter have taken notice of and finally started to address in The Linking Shot . Meanwhile, and despite having the bones of a tightly-knit team of misfits, Tsujimine haven’t even reached that awareness stage—all because of Nikaido’s clouded vision.

Before we wrap things up, it’s time to circle back to the changes at KyoAni as a whole. The exploration of those themes isn’t the only common element between episodes #08 and #09: they also happen to be the long-awaited debuts for new key staff at the studio. Ever since the hateful arson attack back in July 2019, we’ve been tracking the movements of the studio as they tread a new path forward. A couple years ago, we noted that they were expanding their training aspirations by increasing the capacity of the KyoAni School, and the regular hiring has since then ramped up too. Ever since the last show of theirs we covered and without accounting for their trainees, there are 12 new fully-fledged animators at the studio—5 of which already acting as key animators, including some highly promising individuals.

That would add up to a pretty active year in the studio’s heyday, but even more so after their workforce took a massive hit. Due to the specific building that was targeted, the arson attack disproportionally affected animators—meaning designers and directors as well—and essentially halved their team. On top of all the brutal loss of life and mental scars, some individuals made the choice to leave once all their ongoing work was over, as the death of their closest peers in age and experience had left them a bit stranded. For a still smaller team, an influx of new talent is certainly a lot more noticeable, and also a trickier prospect; a more sizable group of newbies in a studio unwilling to compromise in their quality demands even more extensive mentorship, which appears to be the solution they’ve once again settled on. KyoAni is no stranger to training schemes within their productions themselves , and their recent efforts have solidified that even further with the way that their animator rotations are organized. In productions as orderly as The Linking Shot ’s, it’s very easy to notice how the newcomers are surrounded by specific bets with a knack for teaching, at all levels of the animation process.

The most telling aspect of their rebuild has been the studio’s willingness to take a long time to replenish the positions with the highest responsibility. KyoAni lost multiple directors and supervisors in the arson, but it’s taken 3 full years to start rolling out those big promotions. One of the most frustrating issues in the anime industry right now is the way unprepared young artists are thrown into those high-responsibility roles. For every success story, there are a dozen of bitter ones; even if those individuals have the potential to do a fantastic job leading entire productions, and actual affinity for the specific role they’ve been given, it’s not that but sheer desperation that pushes them into these positions.

In contrast to that, KyoAni has refused to lower the bar for access—maintaining their very high-quality standards in the process, and hopefully making it easier for these new leading voices to have satisfying debuts. And judging by their first leading roles, things appear to be going well. Tamami Tokuyama , whom we’ve been following as an animator with the potential to become a new designer at the studio , finally got her first opportunity as the sole animation director for episode #08. Her distinct style , with a roundness that isn’t common to Tsurune , fed into all the playful sequences in the episode without compromising on the show’s detail and delicacy . And even more impressive was the directorial debut of Mei Isai , whose thoroughly intense approach carried one of the most demanding episodes from a storytelling perspective. Without much screentime to play around, her ability to quickly establish very precise moods made Nikaido’s flashback all the more compelling. Some of her underlying ideas feel reminiscent of Ogawa’s , but with an overall level of energy you wouldn’t normally see in his work. It’ll be interesting how much of it holds once she gets a chance to storyboard Storyboard (絵コンテ, ekonte): The blueprints of animation. A series of usually simple drawings serving as anime's visual script, drawn on special sheets with fields for the animation cut number, notes for the staff and the matching lines of dialogue. as well, which shouldn’t take long.

And that’s the final tease we’ll leave you with. The obvious compromise that KyoAni has had to make over the last few years has been in the volume of their output, which was already restrained beforehand when you consider the size of the studio. Years later, now that their slow rebuilding efforts are really making a difference, they seem ready to start leaving those days behind. For months, some staff members in the official blog have vaguely alluded to already being well underway a new TV production, and one that shouldn’t be the already announced Euphonium sequel that’s slated for 2024. Though the release window is unclear because of KyoAni’s currently ridiculous production buffer, they appear to be shifting back to a more familiar pace, inching closer to a fully operative status. They’ve gotten here slowly, carefully, in a mindful way—as if creating animation was a kyudo performance too.

Support us on Patreon to help us reach our new goal to sustain the animation archive at Sakugabooru, Sakuga Sakuga (作画): Technically drawing pictures but more specifically animation. Western fans have long since appropriated the word to refer to instances of particularly good animation, in the same way that a subset of Japanese fans do. Pretty integral to our sites' brand. Video on Youtube, as well as this Sakuga Sakuga (作画): Technically drawing pictures but more specifically animation. Western fans have long since appropriated the word to refer to instances of particularly good animation, in the same way that a subset of Japanese fans do. Pretty integral to our sites' brand. Blog. Thanks to everyone who’s helped out so far!

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Places to go in Kyoto! 8 Pilgrimage Spots of Holy Land of Anime and Animation Selected

2021-07-07 Management office

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When you start watching an anime, you can't stop watching it, and before you know it, you are hooked on it and want to go to a sacred place to watch it. In such a case, let's go to the holy place and see the same scenery. You can also enjoy eating the same food and feeling the same emotions as the main characters. We hope you will make a pilgrimage to a holy place in Kyoto.

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LIVE STREAM TICKETS

SEAT TICKETS

Live Stream Tickets with goods

¥14,300 (tax included)

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¥5,500 (tax included)

For the "Canvas Art", you can enjoy the illustrations such as CD jackets of the opening theme, ending theme, and main theme from the past titles. Easy-to-display size (S3size: W273mm x H273mm) is also a great point.

"Mini Design Tickets" are specially designed using clear material and paper. The front side features a design that expresses the world view of each title, while the back side features the characters that appeared in the event key visual. We hope you will enjoy the world view of our animation.

Canvas Art Size: S3 (273mm x 273mm), Printing: Full color, Material: Canvas (painting cloth), Wooden frame

Mini Designed Tickets (in 12 types) Size: W130mm x H52mm, Printing: Full color, Material: Clear material, paper, grommet

*Premium commemorative goods are identical to the items attached to the "seat tickets with premium commemorative goods."
*Premium commemorative goods are not available separetely.
*The "Mini Designed Ticket" is only for ornamental purposes. It cannot be used to participate in events or to watch streaming.
*Please note that the Premium Commemorative Goods are subject to change without notice.
*Inquiries for the defects of the Premium commemorative goods, please contact below: Shipping problems: ePlus customer center 050-3101-7711（10:00AM～6:00 PM including weekends, holidays） Merchandise problems: Contact us via [ Contact Form ] on our website. ( Please select [About Tickets] for the type of inquiry.)

*Registration for e+ membership (free of charge) is required in advance.
*Please note that applications and payments cannot be processed on the following days due to system maintenance: [the first and third Thursday of each month/ from 2:00 AM to 8:00 AM]
*Please note that the premium commemorative goods are not available for overseas delivery, therefore customers residing overseas cannot purchase Special Live Stream Tickets with Premium Commemorative goods. We appreciate your kind understanding in advance.
*The number of "Special Live Stream Tickets with Premium Commemorative goods" is limited. Even during the sales period, the application may be closed when the number of tickets reaches the expected number.

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*Premium commemorative goods are not included.
*If you prefer to get the premium commemorative goods, please purchase the "Special Live Stream Tickets with Premium Commemorative goods".

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*After confirming your payment, you will receive an email with the URL to view the live performance. (Or you can click "QR Ticket" on the e-plus application status page) Please login with your e-plus ID/PW you used for purchase.
*Please note that the archive will not be available on the following days due to system maintenance: [1st and 3rd Thursday of each month/from 2:00 AM to 8:00 AM]
*Please make sure that your device has the recommended environment when purchasing. Also, please ensure your device and software are not broken or damaged. We will not be able to provide any support outside of the recommended environment.

Live stream tickets will be available!

Details are soon to be announced.

Seat Tickets for Venue with Premium Commemorative goods

¥18,700 (Tax / Shipping fee included)

Seat Tickets for Venue (no goods included)

¥9,900 (tax included)

*We are scheduling to deliver the premium commemorative goods to your registered address at "Kyoani Shop! Ticket Counter" in mid-November prior to the event.
*About Premium commemorative goods: If any troubles caused in the shipping or any damages are found, please contact us from[ CONTACT FORM ].*Make sure to select[About Tickets] for the type of inquiry.

*If you prefer to get the premium commemorative goods, please purchase the " Seat Tickets for Venue with Premium Commemorative goods".

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-Due to the ticketing system, the payments and pickups of the tickets can only be made by the following method: -Payment & Pickup at 7-ELEVEN -Payment with credit card/Pickup at 7-ELEVEN We appreciate your understanding.
-Please note that if we find the same person's multiple applications, it may be invalid. We ask for your kind understanding to allow many people to join this event.

Notes on seat ticket lottery application

-Due to the current situation and as a precaution against new coronavirus infections, applications and purchases of tickets for performances held at venues will be limited to those residing in Japan. We appreciate your kind understanding.
-Application and purchase of the tickets require registration of membership on the external website "Kyoani Shop! Ticket Service"(free of charge.)
-Login IDs and passwords registered at the previous event (the 4th KyoAni & Do Fan Thanks Event) can still be used.
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-Order and payment status will be available at the memberships page on [ Kyoani Shop! Ticket Service ]
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1) Log in to "My page” from the application page via the button on the upper right corner of the page.
2) After logging in, click the “Application details and results."
3) Choose and click the application number you want to cancel.
4) Click the lottery application cancellation button.

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News Nintendo Now Plans to Open Museum in Kyoto This Fall

Nintendo reported on May 7 during its financial results briefing that the company will open its museum in Uji City, Kyoto in fall 2024.

The company first announced its Nintendo Museum project in June 2021 under the tentative " Nintendo Gallery" name, and it originally scheduled the museum for completion on the former Nintendo Uji Ogura Plant site in March 2024.

The plant's building will be renovated to allow the construction of the museum on its grounds, including the land surrounding the building.

The museum will showcase past products from the game company and serve "as a way to share Nintendo 's product development history and philosophy with the public."

Nintendo used its Uji Ogura Plant site to manufacture hanafuda , European-style, and other playing cards in the past, and the site also served as a customer service center for product repairs. However, the company moved its operations to its newer Uji Plant in November 2016.

Nintendo reported on Twitter on Tuesday that the company will announce the successor to the Switch console within the company's current fiscal year, which ends on March 31, 2025.

Nintendo also announced with its latest financial highlights on Tuesday that the Switch has sold 141.32 million units, while software sales for the console amount to 1.23582 billion units.

Sources: Nintendo , Animation Business Journal

this article has been modified since it was originally posted; see change history

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Pop star crystal kay on singing anime songs and growing up mixed-race in japan, the dangerous convenience store manhwa volume 1 review, made in abyss volumes 11-12 manga review, odekake kozame anime about young shark gets new series (updated), akira konno's kujima utaeba ie hororo comedy manga gets anime, slam dunk anime episodes 61-101, the ann aftershow - yatagarasu gets violent, code geass: rozé of the recapture - part 1 anime film review, this week in games - switchin' it up, creative producer goro taniguchi, director junichi yamamoto talk web3 anime.

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Regarding the decline of the memorial visit on July 18

We sincerely express our gratitude for your continued kindness and support.

It has been almost two years since the incident that took place at our 1st studio. With grief in our hearts, we have been producing animations while supporting each other and have kept moving forward day by day since then.

Although we had been considering holding the memorial ceremony for prayer, in light of the COVID-19 infections, we decided to stream the memorial video on our youtube channel as we had in the past year.

*We respectfully request your kind prohibition of visiting.
*Flowers and monetary condolence gifts are gratefully declined.
*The replay of the memorial video will be available throughout 7/18.
*Streamed in Japanese only.

We sincerely ask for your cooperation in refraining from visiting the site of the 1st studio, including surrounded areas, regardless of the date. Kind attention to the residents in the area is highly appreciated.

We greatly appreciate your understanding and cooperation.

July 2, 2021. Kyoto Animation Co., Ltd.

COMMENTS

Kyoto Animation Website
the 5th Annual Kyoto Animation Thanks Event - Special Extra Offer: We will extend the archive streaming period with [Anime-Focused version ]! Nov. 18, 2021 ... Regarding the decline of the memorial visit on July 18 Jun. 5, 2020. Notice: Temporary closure of " Kyoani&Do Shop!" physical store Apr. 27, 2020 ...
Unlocking the Magic: Discover the Enchanting World of Kyoto Animation
Kyoto Animation, also known as KyoAni, is a renowned animation studio based in Kyoto, Japan. It has left an indelible mark on the world of anime with its captivating storytelling, stunning visuals, and unparalleled attention to detail. In this article, we'll take a deep dive into the enchanting world of Kyoto Animation, exploring its legacy ...
Kyoto Animation
Kyoto Animation Co., Ltd. (Japanese: 株式会社京都アニメーション, Hepburn: Kabushiki-gaisha Kyōto Animēshon), often abbreviated KyoAni (京アニ, Kyōani), is a Japanese animation studio and light novel publisher located in Uji, Kyoto Prefecture.It was founded in 1985 by husband and wife Hideaki and Yoko Hatta, who remain its president and vice-president respectively.
Access to Kyoto Animation Headquarters
One can let you quietly read a day comics with a variety of comfortable posture, and outdoor plaza can sunbathe, really comics fans of paradise. Access to Kyoto Animation Headquarters. Kyoto Animation Headquarters Ticket Prices. Free of charge. Kyoto Animation Headquarters opening hours. 9:00~17:00. Kyoto Animation Headquarters Address
The Evolution Of Kyoto Animation: A Unique Anime Studio And Its
Housewives painting anime cels. Yoko Hatta, a painter with experience on classic titles like Princess Ribbon at Mushi Production, left the studio and moved to Kyoto after marrying Hideaki Hatta. Once she was there, she gathered a few housewives from the neighborhood with time to kill under the name Kyoto Anime Studio, dedicated to painting cels for Tatsunoko Pro and Pierrot productions for the ...
10 Best Kyoto Animation Anime Series To Watch, From ...
3. Hyouka. Image credit: Kyoto Animation. When Kyoto Animation is mentioned, Hyouka does not immediately spring to mind as their representative work. But it is certainly the pinnacle of the slice of life genre, and an outstanding series that is a testament to the studio's prowess in gorgeous animation and mood-setting.
Information
We appreciate your consideration of the transportation system and local residents. As a substitute, we are going to stream the memorial video on the day on our official YouTube channel online. *Streamed in Japanese only. Saturday, July 18, 2020 (10:30-10:40) *A moment of silence will be held from 10:35. Streamed on YouTube's KyoaniChannel.
The Incredible Artists of Kyoto Animation: Part 1
Kyoto Animation reverberated with talent and sincerity that reached millions of fans so that they too felt the studio's unyielding love. ... But when you look across Nishiya's career, you can see ...
KyoaniChannel
KyoaniChannel is the official channel for Kyoto Animation.
Kyoto Animation: A unique force in Japan's anime industry
Jul 20, 2019. It took Kyoto Animation Co. almost 40 years to establish itself as one of the leading animation production studios in the country. Within a matter of minutes Thursday, dozens of the ...
Visit Kyoto's real-life locations from the anime Hello World
The Kamogawa Delta, is at the confluence of the Kamo and Takano Rivers, in Demachiyanagi, Kyoto, and is a great viewing spot where you can see Mt. Hiei and the Daimonji fire festival. It is drawn on Hello World's teaser visual, and is also used in many Japanese dramas and movie locations, including the anime "K-On!" set in Kyoto.
What Makes Kyoto Animation So Special?
Kyoto Animation excels at the little things, at making small moments seem real - and the results of that can feel as emotionally climactic as any device a louder show might offer.
ART
Thank you, Kyoto Animation. https://www.youtube.com/watch?v=Frw73YgNlicOn the final day of our stay in Kyoto, what better place to visit than the "holy land"...
Are any animation studios open to the public for tours?
10. Kyoto animation has a shop just below one of its working areas. You don't even have to make an appointment to visit it! It used to offer a dedicated tour which allowed visitors to look at animators paint transparent plastic film but it was sadly discontinued.
Took the pilgrimage to the Kyoto Animation studio today. : r/anime
Take the JR Nara line from Kyoto Station to Kohata Station. From there the first building is literally outside the station and will give you instructions on finding the second. Neat, I'll be living less than 40 minutes away starting in less than two weeks. Story Time: Something I been wanting to share.
Anime Spots in Kyoto
Besides this, Kyoto prefecture is also home to Kyoto Animation, which is based in Uji. As such, several of their extremely popular anime often feature Kyoto city and other parts of Kyoto prefecture. ... they may even be filming on the day you visit! Image credits. Inside the park, you can rent kimonos, samurai, ninja and geisha costumes! There ...
The Impact Of Kyoto Animation: 5 Things You Need To Know
Here are some highlights about the studio that help to explain its international impact on the entertainment industry. 1) A progressive work environment. "Nichijou - My Ordinary Life". Kyoto ...
Kyoto Animation's Ever-Evolving In-House Culture, The Growth Of A New
It's been well over a year since we last covered the happenings at Kyoto Animation, and four times as long since we focused on Tsurune in particular. Over this period, the two of them have changed more than it appears at first glance—and they've done so in unison, partly due to thoughtful planning, but also through fortunate coincidences and convergent evolution.
Places to go in Kyoto! 8 Pilgrimage Spots of Holy Land of Anime and
Not only as a sacred place for the anime, Arashiyama and Togetsu Bridge are also tourist spots with a lot to see even if you are just sightseeing. ＜Facility Information＞. Name: Togetsu Bridge. Address: Ukyo-ku, Kyoto-shi, Kyoto 616-8385.
THE 5th KYOTO ANIMATION THANKS EVENT KYOANI MUSIC FESTIVAL
The first-ever Kyoto Animation's music festival Blu-ray will be available on 2022.11.24! The first-ever Kyoto Animation's music festival Blu-ray will be available on 2022.11.24! TOP; Blu-ray; ... you can enjoy the illustrations such as CD jackets of the opening theme, ending theme, and main theme from the past titles. Easy-to-display size ...
Information
Any entry into the premises of Kyoto Animation 1st Studio is prohibited without permission. Since the vicinity is a residential area, we ask for your cooperation in not disturbing the residents. In particular, visitors with no relation to the community are asked to refrain from the following acts on or around the premises: -Any other activities ...
Nintendo Now Plans to Open Museum in Kyoto This Fall
12:56 Nintendo Now Plans to Open Museum in Kyoto This Fall; 12:05 Japan's Video Game Rankings, April 22-28; 11:05 Japanese Animation TV Ranking, April 29-May 5; 10:05 Japanese Animation TV Ranking ...
Kyoto to Tokyo: By Shinkansen, Bus, Car and Plane
Summary: Kyoto to Tokyo via Shinkansen. Travel time: 2 hours 10 minutes to 4 hours (depending on type of train) Depart from: Kyoto Station Cost: ~¥13,320 (non-reserved seat), ~¥14,250 (reserved seat in an ordinary car), ~¥18,720 (reserved seat in a green car) Pros: Fast, frequent, comfortable, and you can enjoy the scenery on the train.
Information
We sincerely ask for your cooperation in refraining from visiting the site of the 1st studio, including surrounded areas, regardless of the date. Kind attention to the residents in the area is highly appreciated. We greatly appreciate your understanding and cooperation. July 2, 2021. Kyoto Animation Co., Ltd. Kyoto Animation Website.