gilles peterson japan tour

GILLES PETERSON JAPAN TOUR 2023 In OSAKA

Party report.

Especial Records 25th Anniversary presents “GILLES PETERSON JAPAN TOUR 2023 In OSAKA” -Still Searching For The Perfect Beat- Special Guest DJ : GILLES PETERSON (Brownswood Recordings / BBC / World Wide FM - UK) TOSHIO MATSUURA DJ : YOSHIHIRO OKINO (Kyoto Jazz Massive / Especial Records) FREEDOM TIME CREW (Furutani, Miyoshi, Murakawa, Sano, Hiro.Hiroshi. Naia) Plus Special Closing DJ : okadada OPEN/START 21:00 CLOSE 5:00 ADV : 3000yen (200 Limited) DOOR : 3500yen Ticket : ■CIRCUS https://circus.zaiko.io/e/GILLESPETERSON ■e+ (イープラス) https://eplus.jp/sf/detail/3936710001-P0030001 CIRCUS OSAKA 2F-Nakanishi-Bldg. 1-8-16 Nishi-Shinsaibashi Chuo-Ku Osaka 542-0086 Japan

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Gilles Peterson、16年ぶりに来京。京都METRO「DoitJAZZ!」に出演決定

世界中のDJとアーティストに大きな影響を与え続けてきた英国の音楽伝道師にして超一流のDJ Gilles Peterson 来日公演が実現。16年ぶりとなる京都METRO公演として、『DoitJAZZ! × GILLES PETERSON JAPAN TOUR 2023』が9月15日(金)に開催される。

ジャンルの壁を超えマジカルな音楽体験を与え続けてきた、ダンスミュージックシーンの最重要人物であり、レーベル〈Brownswood Recordings〉やインターネットラジオ・プラットフォームWorldwide FMの運営など、30年以上に渡って音楽トレンドを発信し続ける彼の貴重な来日公演は必見だ。

共演には、盟友 松浦俊夫、さらにはDoit JAZZ!クルーという盤石のラインナップでこの記念すべき日を彩る。イベントの詳細は下記のとおり。

DoitJAZZ! GILLES PETERSON JAPAN TOUR 2023 -STILL SEARCHING FOR THE PERFECT BEAT- @ CLUB METRO, Kyoto

2023年9月15日(金) open 22:00

Special Guest: GILLES PETERSON (Brownswood Recordings/BBC/Worldwide FM I UK) TOSHIO MATSUURA

DoitJAZZ! DJs: Masaki Tamura Kazuhiro Inoue Naoki Yoda

[Tickets] Early Bird (早割) : ¥4000+1D [受付期間：8/4～8/8]＜5日間＞ Advance (前売) : ¥4500+1D Door (当日) : ¥5000+1D —————————————————————- ★5日間限定！枚数限定！早割（Early Bird）チケットを発売！

特別価格：¥4000+1D 受付期間：8/4(金) 19:00〜8/8（水）23:59迄

早割チケットお申し込み方法： メール件名に「9/15 ジャイルス・ピーターソン 早割希望」と記載いただき、お名前と枚数を明記して、 METRO (  [email protected]  )までメールをお送りください。

—————————————————————- ★前売（Advance）チケットは、8/9（水）10:00〜発売開始！ 

e+ ( https://eplus.jp/sf/detail/3932890001-P0030001  ) ZAIKO (  https://metro-kyoto.zaiko.io/item/358571  ) —————————————————————- ●TOTAL INFO： https://www.metro.ne.jp/schedule/230915/

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2023/09/08 FRI 17:00–18:30

GILLES PETERSON JAPAN TOUR 2023 来日記念番組

｢still searching for the perect beat」.

出演：GILLES PETERSON（from UK）、松浦俊夫 司会：吉岡加奈 通訳：門井隆盛

■GILLES PETERSON JAPAN TOUR 2023 来日記念番組　｢STILL SEARCHING FOR THE PERECT BEAT」

1980年代よりクラブシーンのキーパーソンとしてジャズを中心にしながらもジャンルという音楽の境界線を砕き、多くのアーティストと点で結ばれながら世界中のアーティスト、DJに影響を与え続け、リスナーに愛されてきたイギリスを代表するDJジャイルス・ピーターソン。4年ぶりの来日を記念してスペシャルなトーク番組をDOMMUNEにて超緊急配信決定！

■Gilles Peterson （ジャイルス・ピーターソン）

1980年代よりクラブ・シーンのキーパーソンとしてジャズを中心にしながらも、ジャンルという音楽の境界線を砕き、多くのアーティストと点で結ばれながら世界中のDJとアーティストに大きな影響を与え続け、またリスナーに愛されてきたイギリスを代表するDJ。ラジオ・プレゼンター、クラブDJ、アーティストのプロデュース、フェスティバル主催・キュレーションなど、40年近く第一線で音楽トレンドを発信し続けるテイスト・メイカー。英国営放送局BBC Radio 6 Musicにて週末の看板番組を担当。また2016年、自らオンライン・ラジオ・プラットフォーム「Worldwide FM」を立ち上げた。ロンドンで開催されるWorldwide Awards、フランスのセットで開催されるWorldwide Festivalのホストを務め、2019年にはイギリスで新しいフェスティバルWe Out Hereを立ち上げた。またレーベル・オーナーとして新世代のアーティストを紹介する為に「Brownswood Recordings」を主宰し、次々と新しい才能を発掘し、世に送り出している。自身の作品としては2021年にインコグニートのブルーイとのプロジェクトSTR4TAをスタート。これまでに2枚のアルバムをリリース。また最近は初の著書「Lockdown FM - Broadcasting In A Pandemic」を上梓した。 http://www.gillespetersonworldwide.com

■松浦俊夫 （TOSHIO MATSUURA）

1990年、United Future Organization (U.F.O.)を結成。5作のフル・アルバムを世界32ヶ国で発表し高い評価を得る。2002年のソロ転向後も国内外のクラブやフェスティバルでDJとして活躍。またイベントのプロデュースやホテル、インターナショナル・ブランド、星付き飲食店など、高感度なライフスタイル・スポットの音楽監修を手掛ける。2013年、現在進行形のジャズを発信するプロジェクトHEXを始動させ、Blue Note Recordsからアルバム『HEX』をワールドワイド・リリース。2018年、イギリスの若手ミュージシャンらをフィーチャーした新プロジェクト、TOSHIO MATSUURA GROUPのアルバムをワールドワイド・リリース。「TOKYO MOON」(interfm 金曜 23:00) 好評オンエア中。 http://www.toshiomatsuura.com

Contact presents Gilles Peterson -Still Searching for The Perfect Beat- supported by sacai at Spotify O-EAST / AZUMAYA

Lineup：GILLES PETERSON（Brownswood Recordings / BBC / Worldwide FM I UK） TOSHIO MATSUURA、DAISUKE G.、FRASER COOKE Lighting：MACHIDA Laser & Visual Effect：REALROCKDESIGN https://x.gd/qkJb4

• 2023/09/09 Local Green Festival’23 YOOKOHAMA
• 2023/09/09 O-EAST / AZUMAYA TOKYO
• 2023/09/15 KYOTO METRO Doit JAZZ! × GILLES PETERSON
• 2023/09/16 CIRCUS OSAKA
• 2023/09/17 THEATER 010 FUKUOKA
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• このイベントは終了しました。

DoitJAZZ! × GILLES PETERSON JAPAN TOUR 2023 -STILL SEARCHING FOR THE PERFECT BEAT-

Special Guest: GILLES PETERSON (Brownswood Recordings / BBC / Worldwide FM I UK) TOSHIO MATSUURA DoitJAZZ!DJs: Masaki Tamura Kazuhiro Inoue Naoki Yoda Supported by Flor de Caña

世界中のDJとアーティストに大きな影響を与え続けてきた英国の音楽伝道師にして超一流のDJ「ジャイルス・ピーターソン」が来日、実に16年振りの京都METRO公演も決定しました!!!ジャンルの壁を超えマジカルな音楽体験を与え続けてきた、ダンスミュージックシーンの最重要人物であり、レーベル〈Brownswood Recordings〉やインターネットラジオ・プラットフォームWorldwide FMの運営など、30年以上に渡って音楽トレンドを発信し続ける彼の貴重な来日公演は必見!!!

共演には 盟友 松浦俊夫、さらにはDoit JAZZ!クルーという盤石のラインナップでこの記念すべき日を彩ります！

Supported by Flor de Caña

ARTIST INFO

Gilles peterson ジャイルス・ピーターソン.

1980年代よりクラブシーンのキーパーソンとしてジャズを中心にしながらも、ジャンルという音楽の境界線を砕き、多くのアーティストと点で結ばれながら世界中のDJとアーティストに大きな影響を与え続け、またリスナーに愛されてきたイギリスを代表するDJ。ラジオ・プレゼンター、クラブDJ、アーティストのプロデュース、フェスティバル主催・キュレーションなど、40年近く第一線で音楽トレンドを発信し続けるテイスト・メイカー。英国営放送局BBC Radio 6 Musicにて週末の看板番組を担当。また2016年、自らオンライン・ラジオ・プラットフォーム「Worldwide FM」を立ち上げた。

ロンドンで開催されるWorldwide Awards、フランスのセットで開催されるWorldwide Festivalのホストを務め、2019年にはイギリスで新しいフェスティバルWe Out Hereを立ち上げた。 またレーベル・オーナーとして新世代のアーティストを紹介する為に「Brownswood Recordings」を主宰し、次々と新しい才能を発掘し、世に送り出している。

自身の作品としては2021年にインコグニートのブルーイとのプロジェクトSTR4TAをスタート。これまでに2枚のアルバムをリリース。また初の著書「「Lockdown FM – Broadcasting In A Pandemic」を発表した。 http://www.gillespetersonworldwide.com

松浦俊夫 TOSHIO MATSUURA

1990年、United Future Organization (U.F.O.)を結成。5作のフルアルバムを世界32ヶ国で発表し高い評価を得る。 2002年のソロ転向後も国内外のクラブやフェスティバルでDJとして活躍。またイベントのプロデュースやホテル、インターナショナル・ブランド、星付き飲食店など、高感度なライフスタイル・スポットの音楽監修を手掛ける。2013年、現在進行形のジャズを発信するプロジェクトHEXを始動させ、Blue Note Recordsからアルバム『HEX』をワールドワイド・リリース。2018年、イギリスの若手ミュージシャンらをフィーチャーした新プロジェクト、TOSHIO MATSUURA GROUPのアルバムをワールドワイド・リリース。2023年1月「TOKYO MOON」(interfm 金曜23:00) の3作目となるコンピレイションアルバム『TOKYO MOON -somewhere, not here-』をリリースした。 http://www.toshiomatsuura.com

Masaki Tamura(Do it JAZZ! / KJCC)

DJ / Architect 17年目を迎える京都を代表するJAZZイベント「DoitJAZZ!」を主宰。ホテル・ラウンジ・レストランのサウンドサポートも行う等、京都を中心に全国で活躍。

Gilles Petersonがスタートしたオンライン・ラジオステーション”Worldwide FM”の 京都サテライト”WW KYOTO”のDJを５年間担当し、海外ラジオへのMIX提供や楽曲制作、また一級建築士としても空間設計を行うなど活動は多岐にわたる。

配信番組の制作、野外フェスやホテルでの公演、アートエキシビジョンを手掛ける、「Jazz」と「京都」をフィルターにして活動するクリエイティブ・チーム”Kyoto Jazzy Creative Council（KJCC)”を沖野修也・Yukari BBと共に運営。また東京発のインディペンデントラジオ「Tsubaki fm」京都支部を担当し、シーンの音楽を幅広く発信中。

近年ではJazzy Sport KyotoからJazzに特化したMix CD 「POWER JAZZ」、トラックメイカー名義の「Mark N」としてコンピレーションに参加するなどリリースを重ねる。

DoitJAZZ! WEB : http://www.doitjazz.jp/ Soundcloud : https://soundcloud.com/doitjazz

Kazuhiro Inoue

関西を中心に各地でDJとして活動。Acid JazzやRareGrooveの全盛時にClubでのJazzに興味を持つ。生音を中心に、Jazz、Soul、World Music、Progressive Rock、Noise、現代音楽等から徹底したDigで独自のGrooveを掘りおこしている。これまでに数多くのEvent でDJとして参加し、国内外の著明DJからも好評を得る。現在はJazzイヴェントDo it Jazz at metro、三昧 at JAPONICA、World Music イヴェントChila-Chila at Spanish Harlem Latin Clubにおいてフロアを沸かせている。

Mix CD　『Other Vibrations』 連載　ジャズ批評『Other Aspects』 Web Site : http://blog.goo.ne.jp/infinitesounds

Naoki Yoda (DoitJAZZ!)

渡英していた経験から現地のTech House、BREAK BEATや00年代のCROSSOVER系サウンドに影響されたエッジの効いたサウンドやMoodymanに代表されるようなJazzyかつSexyなトラックをplayする。09年イギリスにてインスタレーション作品Sound for Planetariumを発表。15年にシアトルのプロデューサーThe CheebacabraのリミックスアルバムRetouchedに参加するなど楽曲制作も行う。JAPONICA music storeにてバイヤーを務めていた経験に裏打ちされた選曲は必見。

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• イベント・リリース情報

GILLES PETERSON JAPAN TOUR 2023 -STILL SEARCHING FOR THE PERFECT BEAT-

• 『イベント・リリース情報』 一覧

音楽トレンドの第一線で活躍するテイストメイカー、GILLES PETERSON (Brownswood Recordings / BBC / Worldwide FM I UK)のJAPAN TOURが決定！ ジャンルにとらわれないプレイで世界中のDJとアーティストに大きな影響を与え続けるその才能をTHEATER 010で体感せよ！

[DAY] 2023/09/17（SUN） 22:30-5:00 [TICKET] ADV / 3,500 JPY DAY / 4,000 JPY [Special Guest] GILLES PETERSON (Brownswood Recordings / BBC / Worldwide FM I UK)（@gillespeterson） TOSHIO MATSUURA （@toshiomatsuura） [DJ’s] NOMATA （@nomata_sfpb） SOHKI （@sohki_alive） Masuo （@masuo0325）

GILLES PETERSON (Brownswood Recordings / BBC / Worldwide FM I UK) 1980年代よりクラブシーンのキーパーソンとして愛されてきたGILLES PETERSON（ジャイルズ ピーターソン）。 ジャズを中心にしながらも、ジャンルにとらわれないプレイで世界中のDJとアーティストに大きな影響を与え続ける存在。その才能はDJのみに留まらず、ラジオプレゼンターやアーティストプロデュース、フェスティバル主催、キュレーションなど幅広い領域で発揮されている。 松浦　俊夫 TOSHIO MATSUURA（@toshiomatsuura） 1990年、United Future Organization (U.F.O.)を結成。 5作のフルアルバムを世界32ヶ国で発表し高い評価を得る。 2002年のソロ転向後も国内外のクラブやフェスティバルでDJとして活躍。 またイベントのプロデュースやホテル、インターナショナル・ブランド、星付き飲食店など、高感度なライフスタイル・スポットの音楽監修を手掛ける。 2013年、現在進行形のジャズを発信するプロジェクトHEXを始動させ、Blue Note Recordsからアルバム『HEX』をワールドワイド・リリース。 2018年、イギリスの若手ミュージシャンらをフィーチャーした新プロジェクト、TOSHIO MATSUURA GROUPのアルバムをワールドワイド・リリース。 2023年1月「TOKYO MOON」(interfm 金曜23:00) の3作目となるコンピレイションアルバム『TOKYO MOON -somewhere, not here-』をリリースした。

• あら酔っと -音頭セレクション- 祭‼
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GILLES PETERSON JAPAN TOUR 2023 In OSAKA

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大阪府大阪市中央区西心斎橋1-8-16 中西ビル2F

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Jazz is Gilles Peterson’s bread and butter. He literally lives, breathes and sweats jazz, and has done for years. The size of Gilles’s discography is absurd and serves as a timeline for the evolution of Gilles’s sound. Gilles’s DJ career has spanned various radio stations – both legal and pirate – and has taken him to venues across the globe, allowing him to bring his unique genre of acid jazz to the masses. Gilles’s DJ sets are effervescent. He peppers his jazz-heavy music with sprinklings of funk and Latin beats, creating a sound that is equal parts energizing and chilled out. It’s a genre that you’d be just as happy moving to on a night out, as you would sitting down to listen to during a chilled evening in. It’s a hard balance to strike, but Gilles does it every time. It’s his forte.

Watching Gilles DJ live feels a bit voyeuristic. It’s clear that crafting these musical fusions is something very personal. His music really is a part of him and he’s totally in love with it. It’s very cool to see Gilles become one with his music, and I’ve rarely seen other DJs as in the moment as Gilles is. For this reason alone it’s worth seeing him live. Catching one of his tour dates is a must, I guarantee you’ll have a phenomenal night.

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Its that time of the year when the excellent Gilles Peterson’s Worldwide awards comes around again. It doesn’t feel like a year has gone past when I was last at Koko. The awards took place in London on the 17th January 2015.

100% dope dj set from the best of his kind all over the globe. All support acts were also really decent.

Ridiculously cheap for the quality of music you get to listen to.

Looking forward to the next time

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Gilles Peterson: The 20 – Japanese Jazz

Stuck in Brownswood Basement with over 50,000 records in his collection, Gilles Peterson used his time in lockdown to explore deep into the crates and round up ‘The 20’ favourite songs across WWFM’s most celebrated genres. ⁠

On today’s show, Gilles presents The 20: Japanese Jazz to remember the 2011 TOHOKU Earthquake and Tsunami Disaster.

Takeo Moriyama – Watarase [Denon]

Hozan Yamamoto With Shungo Sanada Quintet   – Ina Bushi [Union Records]

Ryo Fukui – Early Summer [Nadja]

George Kawaguchi – Invader 7 [Three Blind Mice]

Shigeharu Mukai – Cumulonimbus [Better Days]

Hiroshi Fukumura – Hunt Up Wind [Inner City Records]

Teruo Nakamura – Rising Sun [Polydor]

Terumasa Hino – Samba De La Cruz [Flying Disk]

Pacific Jam – Night Trip [Discomate]

Sadao Watanabe – Round Trip: Going & Coming [CBS]

Minoru Muraoka – The Positive And The Negative [United Artists]

Mikio Masuda – Let’s Get Together [East Wind]

Ryo Kawasaki – Trinkets & Things [Openskye]

Jiro Inagaki & Soul Media – Breeze [Columbia]

Kamiko Kasai – I Thought It Was You [Sony Records]

Hideo Shiraki – In Fiesta [Teichiku Reckords]

Toshiko Akiyoshi – Kisarazu Zinku [Jazzman]

Hozan Yamamoto – Silver World [Phillips]

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Eclectic avenue

Gilles Peterson doesn't like the term world music. And he doesn't like the word jazz much either, although he's a DJ who has spent his life promoting music that fits into either, or both, of these categories, along with anything from soul to hip-hop, ambient styles or electronics. "I always thought world music was a put-offa" he explains. "It's too much of a stereotype. And jazz is not a word you can use, but it's important music, so just slip it in. Maybe one of the reasons for my survival is that I don't ever throw my entire body into one particular term. It's hard to place me."

He went on to enthuse about early recordings by the Nigerian star, the late Fela Kuti, describe a recent British tour on which his "regular Gilles Peterson student club DJ set" was combined with live "brilliant free jazz" from drummer Steve Reid, who has worked with everyone from Fela Kuti to John Coltrane, and then to discuss the wild, distorted traditional sound of the Congolese band Konono Number One, his choice as album of the year.

Peterson is no newcomer, for it's been 20 years since he started out on the pirate radio scene in south London, but he's one of the few true champions of eclectic global music, as shown by his forthcoming Worldwide music awards, now upgraded from London's Cargo to Koko in Camden (where Madonna made both her recent London appearances).

Since the death of John Peel, there's been much talk about the great man's all-embracing musical taste and bravery, but little sign that radio's national controllers want to continue his experiments. There are some excellent world music shows, including Andy Kershaw's adventurous mix, but they exist on Radio 3.

Folk music (also once championed by Peel) is on Radio 2, and that leaves Peterson as the one varied, global and experimental music enthusiast on Radio 1. He's well aware of the privilege. "It's a brilliant position. I can push techno alongside avant-garde jazz; the only other person with such carte blanche was John Peel." So how does he react to comparisons made between them? "We were opposite to each other in terms of musical taste. But his approach was important for being unconventional. He was into energy and was rebellious - but I'm not quite like that."

Peterson is sitting in his studio in Finsbury Park, north London, surrounded by CDs and vinyl. It's here that he records radio shows that are broadcast across the world, from Dubai to New Zealand, Belgrade, or that excellent eclectic Parisian station, Radio Nova. According to Peterson, "Radio Nova were my biggest inspiration, more so than Peel. Because they played this mélange, and had a blackness that wasn't there with Peel."

How would he describe his mix? "My history is black music and jazz. But as dance music has become more wide and crazy, I've been excited by new areas, like minimal electronic music from Germany or a new jazz trio from New York ..."

His Worldwide awards will be "a celebration of that philosophy", and what he likes to call "the worldwide movement, not the world music movement" of those who share his taste. Listeners to his Radio 1 show have been invited to vote for favourite new bands or clubs, and 40 DJs from around the world will play "one record each". Appearing live will be Fat Freddy's Drop, the New Zealand band that features a soulful Maori singer and reggae influences, and has become something of a world music crossover success. Then there will be Japan's Soil and Pimp Sessions, described by Peterson as "a cross between the Lounge Lizards and Art Blakey and the Jazz Messengers, with the energy of the Ramones thrown in. And they look great. Japan is where it's at!"

Peterson's rise to become an international DJ and taste-maker (his term) started in humble style. He's half-French, and was brought up in Sutton, south of London. At school in the early 1980s, he defied the punk fashion to become a soul boya "one of only three in the school, and I only got away with it because I was in the rugby team". He managed to find soul imports in Sutton market and started his own DIY pirate radio station. Programmes were recorded in his garden shed and then, with help from his dad, the results were broadcast from Epson Downs "by putting up an antenna and connecting it to the car battery. We then took calls from listeners in the local phone box."

He never looked back, even when his parents returned to the Continent without him when he was 16. He worked as a DJ across south London, and was heavily involved in the growing pirate radio scene. It was, he saysa "a very exciting, edgy time", especially as the potential for hefty profits led to growing rivalry between the pirates. He remembers broadcasting from above a hairdresser's in Crystal Palace "and we got raided and another station nicked all our gear".

In the process, he acquired his musical education. He first heard a John Coltrane record as a teenager "at a Soul Weekender held at a holiday camp in Norfolk", and first heard Fela Kuti being played at the Electric Ballroom in Camden. He says that "as a club DJ playing jazz and funk and black and dance music, it was inevitable that I'd come across Puerto Rico, Cuba, Brazil and Africa". Along with the DJ work came his involvement in the record industry, from the Acid Jazz label to the influential Talkin' Loud, which he founded in 1990 and which will be remembered for its adventurous roster that ranged from Courtney Pine and Roni Size to hip-hop celebrities, the Roots. He quit to concentrate full-time on DJ work after noting the rise of DJ culture. "I was coming from an earlier generation" he admits. "I was the last person to realise how powerful the DJ was."

As a DJ, he has kept the Peterson CDs coming, with a series of compilations. Last year there was Gilles Peterson in Brazil, followed this year by Gilles Peterson in Africa, which again included one CD of original recordings matched against another of sometimes less interesting remixes (why bother to play around with Cesaria Evora if the result isn't as good as the original?). Now there's yet another very different double-album set, Gilles Peterson's BBC Sessions, with contributions from the likes of Björk, Fat Freddy's Drop and Nitin Sawhney, who played his tribute to the DJ, Gilles Smiles. The album was promoted by a concert at the Barbican last month featuring a far less exotic line-up. And next? He's launching a new label, to be called either Quiet Fire or Brownswood, "just as a hobby", and has started recording the Heritage Orchestra for that. Then there are the continuing global DJ sessions, soon to include a visit to Argentina, and before all that, of course, those Worldwide awards.

"I have a responsibility to break new music because there are so few areas where new music can get exposed at the moment," says Peterson. Even if one doesn't always share his taste, it's impossible not to applaud.

· Gilles Peterson's Worldwide music awards are at Koko, London NW1, on Monday. Gilles Peterson in Africa and Gilles Peterson's BBC Sessions are on Ether Records. Details: bbc.co.uk/radio1

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