phish summer tour 2009

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• June 12, 2009 Setlist

Phish Setlist at Great Stage Park, Manchester, TN, USA

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• Chalk Dust Torture Play Video
• Stealing Time From the Faulty Plan Play Video
• The Divided Sky Play Video
• Possum Play Video
• Down With Disease Play Video
• Alaska Play Video
• Stash Play Video
• Golgi Apparatus Play Video
• Wolfman's Brother Play Video
• Poor Heart Play Video
• Kill Devil Falls Play Video
• Free Play Video
• Wading in the Velvet Sea Play Video
• Harry Hood Play Video
• Highway to Hell ( AC/DC  cover) ( First time played since 2/26/97 ) Play Video
• Also sprach Zarathustra, op. 30 ( Richard Strauss  cover) Play Video
• You Enjoy Myself Play Video
• Wilson Play Video
• A Day in the Life ( The Beatles  cover) Play Video

Edits and Comments

17 activities (last edit by AndySlash , 5 Mar 2023, 07:34 Etc/UTC )

Songs on Albums

• You Enjoy Myself (2)
• Golgi Apparatus
• The Divided Sky
• Chalk Dust Torture
• A Day in the Life by The Beatles
• Also sprach Zarathustra, op. 30 by Richard Strauss
• Highway to Hell by AC/DC
• Down With Disease
• Wolfman's Brother
• Kill Devil Falls
• Stealing Time From the Faulty Plan
• Wading in the Velvet Sea

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Bonnaroo 2009 setlists

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Phish gig timeline.

• Jun 09 2009 Asheville Civic Center Complex Asheville, NC, USA Add time Add time
• Jun 10 2009 Thompson-Boling Arena Knoxville, TN, USA Add time Add time
• Jun 12 2009 Bonnaroo 2009 This Setlist Manchester, TN, USA Add time Add time
• Jun 14 2009 Bonnaroo 2009 Manchester, TN, USA Add time Add time
• Jun 16 2009 The Fabulous Fox Theatre St. Louis, MO, USA Add time Add time

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Tour Dates: Phish Summer Tour 2009

Photo © Ryan Barkan/Live Music Blog.com

With the announcement from Phish today that they will be playing Fenway Park on May 31st , I wanted to get a thread going to see who’s hitting what shows on the Phish summer tour. I’ve got tickets already for Shoreline, plus I’m told I may have a ticket for each night of Red Rocks and the Gorge (!). So I’m psyched.

PHISH SUMMER TOUR 2009

05/31 – Fenway Park, Boston, MA – PUBLIC ONSALE 4/18 06/02 – Nikon at Jones Beach Theater – Wantagh, NY – PUBLIC ONSALE 4/17 06/04 – Nikon at Jones Beach Theater – Wantagh, NY – SOLD OUT 06/05 – Nikon at Jones Beach Theater – Wantagh, NY – SOLD OUT 06/06 – Comcast Center – Mansfield, MA – SOLD OUT 06/07 – Susquehanna Bank Center – Camden, NJ – SOLD OUT 06/09 – Asheville Civic Center – Asheville, NC – SOLD OUT 06/10 – Thompson-Boling Arena – Knoxville, TN – SOLD OUT 06/12 – Bonnaroo Music & Arts Festival, Manchester, TN – ON SALE NOW 06/14 – Bonnaroo Music & Arts Festival, Manchester, TN – ON SALE NOW 06/16 – Fox Theatre – St. Louis, MO – SOLD OUT 06/18 – Post Gazette Pavilion – Burgettstown, PA – SOLD OUT 06/19 – Verizon Wireless Music Center – Noblesville, IN – SOLD OUT 06/20 – Alpine Valley – East Troy, WI – SOLD OUT 06/21 – Alpine Valley – East Troy, WI – SOLD OUT 07/30 – Red Rocks Amphitheatre – Morrison, CO – SOLD OUT 07/31 – Red Rocks Amphitheatre – Morrison, CO – SOLD OUT 08/01 – Red Rocks Amphitheatre – Morrison, CO – SOLD OUT 08/02 – Red Rocks Amphitheatre – Morrison, CO – SOLD OUT 08/05 – Shoreline Amphitheatre – Mountain View, CA – SOLD OUT 08/07 – The Gorge – George, WA – SOLD OUT 08/08 – The Gorge – George, WA – SOLD OUT 08/11 – Toyota Park – Chicago, IL – LIMITED SEATING AVAILABLE 08/13 – Darien Lake Performing Arts Center – Darien Center, NY – SOLD OUT 08/14 – Meadows Music Theater – Hartford, CT – SOLD OUT 08/15 – Merriweather Post Pavilion – Columbia, MD – SOLD OUT 08/16 – Saratoga Performing Arts Center – Saratoga Springs, NY – SOLD OUT

Who’s hitting what?

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Looking Back At Every Phish Summer Tour Opener In The 3.0 Era [Videos]

It’s that time of year again:  Phish summer tour 2019 begins today! Phish will hit the road for a 26-date tour that will see them stop at a number of fan-favorite venues, make their debut at an arena in CT, and return to  Bonnaroo .

Related: We Gotta Get On The Road: Phish 2019 Summer Tour Preview [Videos]

As the band prepares to embark on their 2019 summer rounds with a pair of shows in St. Louis, we thought it would be fun to take a look back at the opening show from each Phish summer tour of the 3.0 era:

5/31/2009 – Fenway Park, Boston, MA

Five years after breaking up, Phish reunited in March 2009 with three triumphant comeback shows at “The Mothership,”  Hampton Coliseum . After the celebratory return run, all eyes turned to Phish’s summer tour opener in Boston at  Fenway Park . Phish celebrated the occasion by opening the show with a rare  a capella  performance of the “Star Spangled Banner,” performed on the Pitcher’s Mound with the band wearing custom Red Sox jerseys. Phish then moved to the stage, lighting up the crowd from the get-go with a soaring “Sample In A Jar.” This one-off in Boston saw the debuts of both “Ocelot” and the divisive “Time Turns Elastic,” and the show featured several “Take Me Out to the Ballgame” teases. Phish featured a few major bust-outs on the night, as the band played “Destiny Unbound” for only the second time since 1991, and covered Lynyrd Skynyrd’s “The Ballad of Curtis Loew” for the first time since August 2, 1993.

Watch fan-shot video of Phish’s “Ballad of Curtis Loew” bust-out from 5/31/09 below (via YouTube user  Mark Vanderbloemen ):

“Ballad of Curtis Loew” – 5/31/09

6/11/2010 – Toyota Park, Chicago, IL

Trey has never been shy about his love for the NHL’s Philadelphia Flyers , who were beaten in the Stanley Cup Finals by local heroes the  Chicago Blackhawks  just days before Phish opened their 2010 Summer Tour at Toyota Park . The band brought out “Jesus Just Left Chicago” early in the show to get the crowd going, stretched out “Limb by Limb” with a vocal jam, and performed a wild “Run Like An Antelope,” complete with a “Dave’s Energy Guide” tease and some Fishman-related lyrical ad-libs. This performance also saw the Phish debut of the band’s love letter to its fans, “Show of Life”.

Check out fan-shot video of Phish’s rendition of  ZZ Top ‘s “Jesus Just Left Chicago” at their Chicago-area 2010 Summer Tour opener, via YouTube user  Michael Maxwell :

“Jesus Just Left Chicago” – 6/11/10

5/27/2011 – Bethel Woods Center for The Arts, Bethel, NY

Marking the first night of a three-night tour-opening run at the beautiful  Bethel Woods , home of the iconic Woodstock Music & Art Fair , this weekend was filled with great vibes and even better music. Phish laid the groundwork for this classic run with a down-and-dirty opening night. The energy never let up after a dark “Tweezer” > “My Friend, My Friend” opened the show. Set two’s non-stop flow of “Carini” > “Back on the Train” > “Boogie On Reggae Woman” > “Waves” > “Prince Caspian” > “Crosseyed and Painless” > “Wading in the Velvet Sea” was gorgeous, with “Waves” serving as the improv centerpiece of the evening. This summer tour also found Phish releasing high quality, pro-shot footage after each show, and they started off this new tradition by releasing a video of this incredible “Waves.”

Watch HD video of the stand-out “Waves” below via the band’s Vimeo:

“Waves” – 5/27/11

BONUS: While fans no doubt remember the tour-opening show itself, the most enduring highlight from Phish’s 2011 Bethel Woods run was their “Waves” soundcheck jam played the day before the tour began. The nearly 30-minute improv still stands among the finest jams of the 3.0 era. Check it out below via YouTube user  Dig Dug :

“Waves” – Bethel Woods Soundcheck – 5/26/11

6/07/2012 – DCU Center, Worcester, MA

2012 found Phish starting their tour in the Northeast, for two nights at Worcester, MA’s  DCU Center . This run acted as de-facto warm-up shows for the band’s memorable run from  Bonnaroo  through three nights at Atlantic City’s Bader Field . The first night in Worcester featured multiple excellent jams, anchored by the second set run of “Carini” -> “Taste” > “Ghost” > “Boogie On Reggae Woman.” Phish also surprised fans in the second set by performing the rare and highly sought-after “If I Could” for the first time in 102 shows. The band perfectly set the table for their big week to come, giving their local New England fans a special show that set the bar high.

Watch the band’s jaw-dropping, rip-roaring “Boogie On Reggae Woman” from 6/7/12 at the DCU Center below via  LazyLightning55a :

“Boogie On Reggae Woman” – 6/7/12

7/03/2013 – Darling’s Waterfront Pavilion, Bangor, ME

This show similarly served as a warm-up for a huge run, setting the stage for one of Phish’s strongest three-night stands at SPAC that weekend. While the show featured a somewhat standard setlist, the performance was no slouch, as it saw the band run seamlessly from “Theme From The Bottom” > “Chalkdust Torture” in set one, and found Page teasing “Manteca” as he led the band through a beautiful “Golden Age” jam in set two. A wild “Run Like An Antelope” closed the night, the band elongating the song with a short-but-sweet Type II improv section.

Watch Phish’s “Run Like An Antelope” from 7/3/13 at Darling’s Waterfront Pavillion below via Milton Kalmanowitz :

“Run Like An Antelope” – 7/3/13

7/01/2014 – Xfinity Center (Great Woods), Mansfield, MA

Another tour opener, another New England show. Phish loves to start their summer in familiar territory, and this show at the “venue formerly known as Great Woods” is all about that “Hood.” While the band usually saves their extended jams for later in the tour (after they’ve had a chance to loosen up on the road), Phish delivered a sublime 19-minute version of “Harry Hood” on the first night of their 2014 Summer Tour. This version of the classic song was simply incredible, as it launched off into a funky, exploratory jam near the end of Set II and brought the show to a huge climax, leaving fans begging for more as the band left the stage.

“Harry Hood” – 7/1/14

7/21/2015 – Les Schwab Amphitheater, Bend, OR

2015’s tour opener saw the band switch things up, leaving the cozy confines of New England behind as they ventured to the Pacific Northwest to kick off the summer festivities at  Les Schwab Ampitheater in Bend, OR. The show found the band feeling particularly loose, as they unleashed several debuts, two of which (“Blaze On” and “No Men In No Man’s Land”) would become centerpieces of their 2015 New Year’s Eve performance that year and, later, of their 2016 album,  Big Boat . All three were well received, and the band returned the positive energy in kind with huge jams out of both “Blaze On” and “No Men In No Man’s Land”, with a grinning  Trey Anastasio  unable to contain his excitement and smiling widely throughout.

Listen to the debut of “Blaze On” from Phish’s 2015 Summer Tour opener in Bend, OR below:

“Blaze On” – 7/21/15

6/22/2016 – Xcel Energy Center , St. Paul, MN

Excitement for the band’s 2016 Summer Tour exploded the day before their Minnesota opener last year when a video leaked from rehearsals showed that the band would be  debuting a brand new LED-based light show . As it turned out,  Chris Kuroda did not end up using the new LEDs too much in the one-off opener, and the show was relatively short on big jams. However, it featured a bevy of bust-outs, including TAB tune “Pigtail” (195 shows), traditional tune “Daniel Saw The Stone” (140 shows),  “Round Room” (192 shows), and “Uncle Pen” (123 shows), as well as a pair of tunes not played since their respective Halloween “Costume Set” performances:  The Velvet Underground ‘s “I Found A Reason” (493 shows) and  The Beatles ‘ “Dear Prudence” (796 shows).

You can check out fan-shot footage of Phish’s “Weekapaug Groove” from 6/22/16 in St. Paul featuring one of the first looks at the 2016 LEDs, below via YouTube user  lifeboyfourtwenty :

“Weekapaug Groove” – 6/22/16

7/14/2017 – Northerly Island , Chicago, IL

Phish’s unusual 2017 summer tour kicked off with three nights at Chicago’s Northerly Island, part of a brief run of shows preceding the band’s historic Baker’s Dozen residency at MSG. The show gave fans a first look at yet another new lighting rig, a mobile marionette-style setup that became one of the most talked-about aspects of the summer’s festivities. The performance opened in unusual fashion with “What’s The Use?”, and the first set continued to surprise with the Phish debuts of  a cappella  cover “In The Good Old Summer Time” and  Trey Anastasio Band tune “Everything’s Right”. The debut of “Everything’s Right” was nothing short of impressive, as the band stretched the upbeat anthem into the improvisational highlight of the set. The show also featured the debuts of a pair of Phish originals: “Leaves”, which would go on to be played at both MSG and Dick’s later in the summer, and “Love Is What We Are”, which has not been played since its encore appearance on 7/14/17.

Watch fan-shot footage from the “Everything’s Right” jam below via YouTube user  TheKamherst :

“Everything’s Right” (Phish debut, partial) – 7/14/17

7/21/2017 – Madison Square Garden, New York, NY

Okay, so this  technically wasn’t a tour opener. But while the Baker’s Dozen came packaged as part of a 2017 “Summer Tour,” we can all agree that it was—in virtually every way possible—its own, separate thing. Night 1 of the Baker’s Dozen was an exciting time. By the end of the coconut-flavored performance, the “mission” of the dozen was clear—thirteen nights, thirteen donuts, thirteen very special shows—but going into the historic residency, the only thing we knew was that we knew nothing. The picture began to come into focus immediately, as Phish opened the run with their debut of an obscure, flavor-appropriate cover, “Shake Your Coconuts”, with lyrics adjusted to reference the Baker’s Dozen. The show also featured standout versions of “Reba” and “Seven Below”, a compact and  highly potent “Moonage Daydream” , and a second set-opening “Tweezer” that would loom over the entirety of the Dozen before making its closing statement with a night 13 “Tweezer Reprise” encore.

Watch Phish open the Baker’s Dozen  with “Shake Your Coconuts” below via YouTube user  Starrlight Mighty5 :

“Shake Your Coconuts” – 7/21/17

7/17/2018 – Lake Tahoe Outdoor Arena at Harvey’s, Stateline, NV

Phish’s 2018 summer tour kickoff took place at  Harvey’s , the familiar home of one of the most famous Phish jams of the modern era, the “ Tahoe Tweezer “. While this show didn’t come close to producing such a high caliber of improvisation, it wasn’t without its highlights—including an exceedingly-solid-for-opening-night “Moma Dance”/”Ghost” segment in the first set that clocked in at just over 30 minutes and a strong “No Men In No Man’s Land” > “Carini” to kick off set two.

“No Men In No Man’s Land” > “Carini” – 7/17/18 [partial]

[Video: M G ]

We can’t wait to see what Phish has in store for us this summer. Let’s get this show on the road!

For a full list of Phish’s summer tour dates, head here .

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PHISH SUMMER TOUR 2009

How to get Phish Sphere tickets and full US tour: Prices and concert dates

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You enjoy yourself , because Phish is heading out on tour this year. The rock band is slated to perform at the MSG Sphere in Las Vegas this month for four nights only ahead of their recently announced summer concert tour. We have everything you need to know about buying Phish Sphere tickets and getting access to their 2024 concert tour this summer.

• See also: Adele tickets |  Aerosmith tickets  |  Metallica tickets | Bruce Springsteen tickets | Steve Nicks tickets | Madonna tickets  |  Usher tickets |  Rolling Stones tickets

The multi-city endeavor is just the longtime jam band's latest touring venture. Phish started in the '80s, came to prominence in the '90s, and disbanded multiple times in the early 2000s. Only after their 2008-2009 reunion did they begin touring again regularly, to the joy of their devout multi-generational fans. Trey Anastasio, Mike Gordon, and Jon Fishman have been with the band since its inception in 1983, with Page McConnell joining shortly after.

With Phish's Sphere dates quickly approaching and the summer tour around the corner, Phish tickets are getting snapped up left and right. We've got you covered if you want to buy some before they all go. Below, find all of the details on Phish's sphere and concert tour schedule, purchasing details, and original and resale ticket prices. Plus, you can check out specifics on StubHub and Vivid Seats whenever you want.

Phish Sphere and 2024 concert tour schedule

Phish will play the Sphere April 18-21. The band's full concert tour will kick off July 19 and run until September 1. All concert times are listed in local time zones.

Need travel arrangements?

• Flights & hotel:  Expedia  |  Booking.com  |  CheapOAir
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• Accommodation:  Expedia  |  Airbnb  |  Tripadvisor  |  SkyScanner  |  Booking.com  |  CheapOAir
• Parking:  Spot Hero  |  The Parking Spot

How to buy tickets for Phish Sphere and concert tour

Original standard Phish Sphere tickets are completely sold out through the band's website. They're also sold out through Ticketmaster . However, tickets to the Sphere performances (including a 4-day pass) are still available through resale vendors like StubHub and Vivid Seats . 

Tickets to the summer tour were announced at the end of February, which prompted a ticket request period on Phish's website. The ticket request period closed on March 11, and tickets went on sale to the general public starting March 15. Some remaining original standard tickets are available through Ticketmaster and Live Nation. Resale tickets are available on StubHub and Vivid Seats for all dates, including the Uncasville tour stops, which have sold out of original standard tickets.

How much are Phish tickets?

Tickets to see Phish at the Sphere are relatively expensive compared to other Phish concert prices, but you'll find cheaper tickets on the band's last day at the Sphere compared to their first three performances. On StubHub , the cheapest tickets to Phish's Sphere dates start at $387 (April 21). Vivid Seats offers similar prices, with tickets starting at $384 for the same date.

The cheapest possible standard original tickets still available for the summer tour start at $67.20 for GA Lawn Tickets at multiple tour stops. Prices on resale websites are relatively comparable (and sometimes cheaper) for the summer tour. On StubHub, the least expensive ticket prices start at $45 in Bethel, NY on August 9. Vivid Seats offers similar rates, with tickets going for $53 on the same date. 

Over the past month, summer tour resale listings have decreased significantly in price, now that original tickets are available to the general public. The cheapest listings for Sphere performances, however, have only gone up in price over the past 30 days. 

Will there be international tour dates?

As of right now, Phish hasn't announced any international tour dates. Since reuniting, the band rarely performs outside the United States after their nationwide tours. But they have performed limited international engagements in the past, including in Mexico, so there's always a possibility of announcing additional dates outside of the U.S.

How to watch Phish Sphere performances from home

It was recently announced that pay-per-view webcasts for Phish's Sphere performances are available to purchase . The listing offers access to both single-day live streams and a four-day package. The webcasts are available in both HD and 4K, with the former starting at $29.99. For additional costs, fans can also get t-shirts commemorating Phish's Sphere shows along with webcast access. 

Note: Certain services and regions prohibit the resale of tickets. Business Insider does not endorse or condone the illegal reselling of tickets, and entry into an event is at the venue's discretion.

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Phish is a jam band run by a control freak. That’s perfect for the Sphere.

Trey anastasio leaves nothing to chance when staging his surreal spectacles, which invade the new las vegas landmark this month. his goal: to let the rest of the band groove without distraction..

W hen Phish sold out all four of the April concerts it had booked at the Sphere , just as quickly as everyone expected, the obvious question arose: Why not do more?

After all, U2 opened the $2.3 billion venue that remade the Las Vegas skyline this past fall with what was supposed to be a 25-show run — until demand built to a fever pitch, and the rock veterans shrewdly extended their stay, amortizing their investment in a dazzling, site-customized light-and-video show over an entire 40 nights.

And yet as Phish prepared to take up the Sphere’s second residency slot, and the band’s fervid fans bid up aftermarket prices well beyond U2’s, guitarist and frontman Trey Anastasio hesitated.

What would an extra weekend of shows mean for quality control?

He posed the question to show director and co-creative director Abigail Rosen Holmes. “It’ll be good,” she told him. “But it won’t be great. If you just do four nights, it’s going to blow minds.”

That was all Anastasio needed to hear.

“Then we’re not doing it,” he recalled telling her.

That is the Phish way. To the uninformed, it may come across as yet another breezy, shambolic jam band, inheritor of the Grateful Dead’s traveling circus. But devoted members of the Phish “herd” understand the complex dynamics that drive these erstwhile Vermont hippies. Anastasio and his bandmates want every show to be the aural equivalent of an Easter egg, offering joy and surprise and an unreplicable magic. At some shows, fans encounter an unannounced rock opera, staged with actors and elaborate props; at another, they’ll each walk away with a free box of mac-and-cheese. Phish never repeats a set, and it refuses to commemorate its classic albums.

Not exactly what you expect to find among the A-list nostalgia acts that dominate the Strip, which in coming months will host residencies by Mariah Carey, Garth Brooks and the Killers, re-creating their 2004 album “Hot Fuss.”

“There is a quality of Vegas where older bands go to play their old album, to make a lot of money late in the twilight of their career,” Anastasio says. “That’s not what we’re interested in.”

So Phish will sweep into town on April 18, intent on playing about 80 songs over the course of four concerts, repeating none. And yes, that will include most of the new material from “Evolve,” an album fans won’t hear until its July release. (The title track drops Thursday.)

Meanwhile, the Sphere’s high-tech 160,000-square-foot LED screen will offer the band a proper swirling canvas for its elaborate visions, as channeled by Holmes. She got her start as lighting director on the Talking Heads’ groundbreaking 1983 Stop Making Sense tour and has since collaborated with Roger Waters, Peter Gabriel, Miley Cyrus and Janet Jackson.

She is also — as is required in the Phish camp — an excellent secret-keeper. Anastasio divulges that the four shows will be linked by a theme, but neither he nor Holmes will say what it is.

“I’m not trying to be cagey,” she says. “I just want people to not have any idea what’s about to happen when they come into the room. That’s part of the fun of this.”

T he path to the Vegas Sphere began in an incongruous place: the tie-dye-friendly campus of the University of Vermont, where Anastasio jammed with longtime bassist Mike Gordon and dress-wearing drummer Jon Fishman for the first time on Dec. 2, 1983, in a student dining hall. A fourth member, guitarist Jeff Holdsworth, dropped out before graduation but the others kept going, soon joined by keyboardist Page McConnell.

It was a Burlington band through and through, imbued with the crunchy spirit of a city that had elected Bernie Sanders mayor, launched Ben & Jerry to ice cream fame and nurtured Bread & Puppet, a politically radical theater company known for its antiwar, anti-nuke parables told through gigantic puppets.

Phish built its loyal audience over a decade through constant touring, without MTV or radio hits. Eventually, after signing with Elektra, the band played “Saturday Night Live” and David Letterman’s show. But the musicians followed the Grateful Dead’s grass-roots model by creating their own company, Dionysian Productions, to handle tours and merch.

It was perhaps not surprising that Phish intersected with certain other aspects of Dead culture. Every show was a freewheeling party, awash in exotic substances. As the party grew, so did Anastasio’s personal struggles, and the band made the difficult decision to break up. The farewell show in 2004 in Coventry, Vt., grossed almost $9 million, but the guitarist remembers a more dizzying number: the 3,000 friends on the guest list for the out-of-control backstage festivities.

But Phish never fully drifted apart. The musicians were best friends as much as bandmates. Even at Anastasio’s lowest point — he was briefly jailed after a 2006 narcotics arrest — he remained in regular communication with Fishman, Gordon and McConnell. Stranded in Upstate New York for 14 months as he completed a felony drug-court program, he found himself picking up the phone to call McConnell.

“Like, a lot,” Anastasio recalls. “And he wasn’t happy because the band had broken up. Yet I never got that. I would call him, and he would answer the phone, and we would talk. I can’t even say how much I care about that man.”

“I guess in my heart, I never actually believed that the band was over,” explains McConnell.

In 2009, a rehabilitated Anastasio returned to the stage with the rest of Phish. There were some changes. The band members signed to a management company, Red Light, to liberate themselves of the pressure of overseeing a staff. And they altered the culture. No more open bar. Not even a can of beer. There was no discussion about this. It just happened.

“I think everyone was relieved to stop having these huge scenes backstage,” says McConnell. “It was just, you know, Trey’s sober and do we really want a bunch of people drinking backstage?”

Even while the easy, loose-limbed sound of classic Phish sprang back to life, the revived band’s prankster glee seemed to swell in scope and ambition. Lighting master Chris Kuroda handled a rig that grew so large it couldn’t always fit into arenas. At a show in 2009, Fishman was shot out of a cannon. In 2017, Phish played 13 Madison Square Garden concerts in a row (now known as “The Baker’s Dozen”) in which not a single song was repeated and a special doughnut was distributed to everyone in the audience. In 2018, a Halloween show turned into the debut of Kasvot Växt, an alter ego band of white-suited Scandinavian ’80s-synth enthusiasts, with an entire set of new songs written just for the gig.

B ut there was only one way for Phish to maintain the organic, improvisational sound that fans fell in love with while carrying out its ever more theatrical visions.

The mandate was to allow the musicians to remain in the moment, plucking jams out of thin air, and not let them get distracted by the cues involved with sending a giant drone whale soaring over the crowd or an all-male kick line in flesh-tone bodysuits dancing onto the stage in time for the closing chords of “Carini.”

Phish could only achieve this by shifting even more power to the band’s in-house control freak: Anastasio.

His wife, Sue, calls him the “relentless communicator.” He is the one who bonds the disparate figures who handle everything including sound, lighting, production and design in the Phish universe. Anastasio has a mantra, “Teams win,” that he repeats more than 10 times in a two-hour interview. He also peppers the conversation with an endless list of names (Garry … Abbey … Chris … Amy … “the French guys at Moment Factory ” … and of course Page, Mike and Fish) of people who deserve credit.

But ultimately, he concedes, this is not a democracy. Having one leader with never-ending energy is how you launch three major production-number set pieces in 18 months while also playing the Sphere and recording a new album.

“There was a time when we started doing these New Year’s gigs, where we’d all four be together, and all the management would all sit in a room and have multiple meetings of all of us, and eventually that kind of wore down to just Trey taking that on himself,” says McConnell. “If there was something that was really major, we would all discuss it together. But most of these things are just details, you know what I mean?”

The Sphere run started with a conversation at a Rangers game with James Dolan, the chief executive of Madison Square Garden, where Phish has played 83 times (more than Elton John, less than Billy Joel), and the mastermind behind the new Vegas venue .

There was initially talk of Phish going in first. But after U2 ultimately opened the venue in September, Anastasio and Holmes went to see the gig.

A longtime fan, Anastasio admired the way U2 commanded the arena. But he knew the Phish gig would have to be different. Take those hero shots of Bono and the Edge, looming large on the LED wrap as they strutted the stage.

“It suited Bono because he is that kind of star,” says Anastasio. “But that’s not me. I don’t do that. And same with Edge. There’s one song where he just rocks into the camera. He steps forward and he’s 800 feet high on the wall. I’m not going to do that.”

So what would he do? Holmes asked him early on.

“I said, ‘What do you think this is? Do you think this is one of those New Year’s productions or is this a Phish show in a great new environment?’” she recalls. “And his thought is that it’s a Phish show in a great new environment. And so that’s sort of how we framed thinking about all of the creative choices we’ve made. We wanted to absolutely make the most out of the room and also support Phish doing what Phish does best.”

Obviously, there would have to be four different sets for the four nights. That was barely a discussion. Sure, it would have been a lot easier for Holmes and the tech folks if they could stick to the same 20-song set list each night. But that would be like telling Jackson Pollock to paint poodle portraits.

“What won’t let us repeat a set is the fact that we don’t want to,” says McConnell. “We want to keep it fresh for ourselves and fresh for everybody else.”

Kuroda, the light master, would be on hand to work with Holmes. But Phish’s usual rig wouldn’t fit into the Sphere. And then there was the challenge of the sound.

At the U2 show, Anastasio was struck by how mono the mix was, as if all the speakers were crammed together, booming from the small stage on which the band performed. He discovered that there was a reason for this: The Sphere’s shape spawns reverberations that make it difficult to effect a true stereo sound without creating bounces and delays that would distract people on one side or the other. But Anastasio recognized it wasn’t inherent to the venue’s sound system. When he went to see the short Darren Aronofsky sci-fi film that screens regularly in the space with a different setup, he was impressed by the acoustics.

Enter veteran Phish sound man Garry Brown. With the help of the Sphere staff, he crafted a miniaturized version of the venue in Rock Lititz, Phish’s regular rehearsal space in central Pennsylvania.

“I don’t know what limitations U2 put on themselves, but obviously with them being the first one in the building, it was a learning experience,” says Brown. “With my mini-Sphere, I could technically go in, sit in Section 201, which is all the way left, you know, far away, all the way over. And I could technically sit there and place the instruments where I felt they could work. And then I could move around to 13 different seats in the venue digitally, to see if what I was doing was working. And so I’ve created a soundscape that is a lot wider than what U2 did.”

For Anastasio, the Vegas gigs will offer a chance to experiment with a new venue packed with sonic and visual opportunities. But then, having achieved mastery over the Sphere, Phish will happily put it in the past. This summer, the band will move on to multiple dates in Mansfield, Mass.; East Troy, Wis.; and the four-day Mondegreen Festival in the Woodlands of Dover, Del.

And Anastasio has his own visions yet to fulfill for those shows. He is always happiest with the one he just completed.

“I thought the Mexico shows [in February] were just crushing in terms of music,” he says. “Just the music itself. I know bands always say, ‘Well, our last shows were the best shows,’ and most of the time they’re lying. I’m actually not.”

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What is the difference between these 2 Moscow metro tours on the same tour group page? One is less expensive than the other but both have positive reviews.

https://www.getyourguide.com/moscow-l181/moscow-2-hour-metro-tour-t92409/

https://www.getyourguide.com/moscow-l181/moscow-metro-tour-t19283/

We would like to go on this tour but could not decide which one to book. Thank you.

I see the only difference - one mentioned Spanish-speaking guide, the other not-presumably English...

I've seen one more - for 60+ euro!

Looks a bit unreal :)))

This topic has been closed to new posts due to inactivity.

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Field hockey - Dinamo Elektrostal Moscow

Hockey Club Dinamo Elektrostal is a field hockey team from Russia, based in Moscow. The club was founded in 1994.

Dinamo Elektrostal Moscow - Results

2021/2022 2018/2019 2017/2018 2017 2015/2016 2013/2014 2011/2012 2007/2008

Men's Euro Hockey League - Final Round - 2021/2022

Dinamo elektrostal moscow - identity.

• Official name : Hockey Club Dinamo Elektrostal
• Country : Russia
• Location : Moscow
• Founded : 1994
• Wikipedia link : http://nl.wikipedia.org/wiki/Dinamo_Elektrostal

Dinamo Elektrostal Moscow - Titles, trophies and places of honor

• Best result : First Round in 2021/2022
• Best result : 1st
• 1 times first in 2010
• 1 times second in 2009
• 1 times third in 2017

Postal Address

• Preplanned tours
• Daytrips out of Moscow
• Themed tours
• Customized tours
• St. Petersburg

Moscow Metro 2019

Will it be easy to find my way in the Moscow Metro? It is a question many visitors ask themselves before hitting the streets of the Russian capital. As metro is the main means of transport in Moscow – fast, reliable and safe – having some skills in using it will help make your visit more successful and smooth. On top of this, it is the most beautiful metro in the world !

. There are over 220 stations and 15 lines in the Moscow Metro. It is open from 6 am to 1 am. Trains come very frequently: during the rush hour you won't wait for more than 90 seconds! Distances between stations are quite long – 1,5 to 2 or even 3 kilometers. Metro runs inside the city borders only. To get to the airport you will need to take an onground train - Aeroexpress.

RATES AND TICKETS

Paper ticket A fee is fixed and does not depend on how far you go. There are tickets for a number of trips: 1, 2 or 60 trips; or for a number of days: 1, 3 days or a month. Your trips are recorded on a paper ticket. Ifyou buy a ticket for several trips you can share it with your traveling partner passing it from one to the other at the turnstile.

On every station there is cashier and machines (you can switch it to English). Cards and cash are accepted. 1 trip - 55 RUB 2 trips - 110 RUB

Tickets for 60 trips and day passes are available only at the cashier's.

60 rides - 1900 RUB

1 day - 230 RUB 3 days - 438 RUB 30 days - 2170 RUB.

The cheapest way to travel is buying Troyka card . It is a plastic card you can top up for any amount at the machine or at the ticket office. With it every trip costs 38 RUB in the metro and 21 RUB in a bus. You can get the card in any ticket office. Be prepared to leave a deposit of 50 RUB. You can get it back returning the card to the cashier.

SamsungPay, ApplePay and PayPass cards.

One turnstile at every station accept PayPass and payments with phones. It has a sticker with the logos and located next to the security's cabin.

GETTING ORIENTED

At the platfrom you will see one of these signs.

It indicates the line you are at now (line 6), shows the direction train run and the final stations. Numbers below there are of those lines you can change from this line.

In trains, stations are announced in Russian and English. In newer trains there are also visual indication of there you are on the line.

To change lines look for these signs. This one shows the way to line 2.

There are also signs on the platfrom. They will help you to havigate yourself. (To the lines 3 and 5 in this case).