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Star Trek: The Original Series

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Star Trek: The Original Series (referred to as Star Trek prior to any spin-offs) is the first Star Trek series. The first episode of the show aired on 6 September 1966 on CTV in Canada, followed by a 8 September 1966 airing on NBC in America. The show was created by Gene Roddenberry as a " Wagon Train to the Stars". Star Trek was set in the 23rd century and featured the voyages of the starship USS Enterprise under Captain James T. Kirk .

Star Trek was later informally dubbed The Original Series , or TOS, after several spin-offs aired. The show lasted three seasons until canceled in 1969 . When the show first aired on TV, and until lowering budget issues in its third season resulted in a noticable drop in quality episodes and placed in a 10 pm Friday night death slot by the network, Star Trek regularly performed respectably in its time slot. After it was canceled and went into syndication , however, its popularity exploded. It featured themes such as a Utopian society and racial equality, and the first African-American officer in a recurring role.

Ten years later, Star Trek: The Motion Picture reunited the cast on the big screen aboard a refurbished USS Enterprise . They appeared in five subsequent films, ending with Star Trek VI: The Undiscovered Country in 1991, during production of the spin-off series Star Trek: The Next Generation and shortly before Gene Roddenberry's death. Several original series characters also appeared in the seventh movie, Star Trek Generations , and in other Star Trek productions.

• 1 Opening credits
• 2.1 Starring
• 2.2 Also starring
• 3 Production crew
• 4.1 First pilot
• 4.2 Season 1
• 4.3 Season 2
• 4.4 Season 3
• 5.1 Concept
• 5.2 The first pilot
• 5.3 The second pilot
• 5.4 The series begins
• 5.5 The first season
• 5.6 Syndication
• 5.7 Reception
• 5.8 Remastered
• 6 Related topics
• 8 External links

Opening credits [ ]

• Main Title Theme (Season 1)  file info (composed by Alexander Courage )
• Main Title Theme (Season 2-3)  file info (composed by Alexander Courage )

Main cast [ ]

Starring [ ].

• William Shatner as Captain Kirk

Also starring [ ]

• Leonard Nimoy as Mr. Spock
• DeForest Kelley as Dr. McCoy ( 1967 - 1969 ; co-star 1966 - 1967 )

In addition, the following regulars were listed in the end credits as co-stars:

• James Doohan as Scotty
• Nichelle Nichols as Uhura
• George Takei as Sulu
• Walter Koenig as Chekov ( 1967 - 1969 )
• Majel Barrett-Roddenberry as Christine Chapel
• Grace Lee Whitney as Janice Rand

Production crew [ ]

• Gene Roddenberry – Creator, Writer, Producer, Executive Producer
• Gene L. Coon – Writer, Producer
• John Meredyth Lucas – Writer, Producer, Director
• Fred Freiberger – Producer (1968-69)
• Robert H. Justman – Associate Producer (Season 1-2), Co-Producer (Season 3), First Assistant Director (two pilots)
• D.C. Fontana – Writer, Script Consultant (1967-68)
• Steven W. Carabatsos – Writer, Story Consultant (1966)
• John D.F. Black – Associate Producer, Writer, Story Editor (1966)
• Arthur H. Singer – Story Consultant (1968-69)
• Byron Haskin – Associate Producer (first pilot)
• Walter "Matt" Jefferies – Production Designer, Art Director
• William E. Snyder – Director of Photography (first pilot)
• Ernest Haller – Director of Photography (second pilot)
• Jerry Finnerman – Director of Photography (61 episodes, 1966-1968)
• Keith Smith – Director of Photography (1 episode, 1967)
• Al Francis – Director of Photography (16 episodes, 1968-1969), Camera Operator (61 episodes, 1966-1968)
• Jim Rugg – Supervisor of Special Effects
• Rolland M. Brooks – Art Director (34 episodes, 1965-1967)
• Fred B. Phillips – Make-up Artist
• Robert Dawn – Make-up Artist (second pilot)
• William Ware Theiss – Costume Designer
• Gregg Peters – First Assistant Director (Season 1), Unit Production Manager (Season 2-3), Associate Producer (Season 3)
• Claude Binyon, Jr. – Assistant Director (third season)

Episode list [ ]

• List of TOS episodes by airdate
• List of TOS remastered episodes by airdate

First pilot [ ]

Season 1 [ ].

TOS Season 1 , 29 episodes:

Season 2 [ ]

TOS Season 2 , 26 episodes:

Season 3 [ ]

TOS Season 3 , 24 episodes:

Behind the scenes [ ]

Concept [ ].

Star Trek was created by Gene Roddenberry, whose interest in science fiction dated back to the 1940s when he came into contact with Astounding Stories . Roddenberry's first produced science fiction story was The Secret Weapon of 117 , which aired in 1956 on the Chevron Theatre anthology show. By 1963 Roddenberry was producing his first television series, The Lieutenant , at MGM .

In 1963, MGM was of the opinion that "true-to-life" television dramas were becoming less popular and an action-adventure show would be more profitable (this prediction turned out to be right, and led to series such as The Man from U.N.C.L.E ). Roddenberry had already been working on a science fiction concept called Star Trek since 1960 , and when he told MGM about his ideas, they were willing to take a look at them. As the production of The Lieutenant came to an end, Roddenberry delivered his first Star Trek draft to MGM. The studio was, however, not enthusiastic about the concept, and a series was never produced.

Roddenberry tried to sell his " wagon train to the stars " format to several production studios afterward, but to no avail. In 1964 , it was rumored that Desilu was interested in buying a new television series. Desilu was a much smaller company than MGM, but Roddenberry took his chances, greatly aided with the help of Desilu Executive Herb Solow . This led to a three-year deal with Desilu in April 1964 .

The first attempt to sell the Star Trek format to broadcasting network CBS (Desilu had a first proposal deal with the network) failed. CBS chose another science fiction project, Irwin Allen 's more family-oriented Lost in Space instead of Roddenberry's more cerebral approach. But in May 1964 , NBC 's Vice-President of Programming Mort Werner agreed to give Roddenberry the chance to write three story outlines, one of which NBC would select to turn into a pilot.

One of the submitted story lines, dated 29 June 1964 , was an outline for " The Cage ", and this was the story picked up by NBC. Now, the daunting task that Roddenberry and his crew faced was to develop the Star Trek universe from scratch. Roddenberry recruited many people around him to help think up his version of the future. The RAND Corporation's Harvey P. Lynn acted as a scientific consultant, Pato Guzman was hired as art director, with Matt Jefferies as an assisting production designer. This phase of creativity and brainstorming lasted throughout the summer, until in the last week of September 1964 the final draft of the "The Cage" script was delivered to NBC, after which shooting of the pilot was approved.

The first pilot [ ]

In early October, preparations for shooting "The Cage" began. A few changes in the production crew were made: Roddenberry hired Morris Chapnick , who had worked with him on The Lieutenant , as his assistant. Pato Guzman left to return to Chile and was replaced by Franz Bachelin . Matt Jefferies finalized the design for the Enterprise and various props and interiors. By November 1964 , the sets were ready to be constructed on stages Culver Studios Stage 14 , 15 , and 16 . Roddenberry was not happy with the stages, since they had uneven floors and were not soundproof, as Culver Studios had been established in the silent movie era when soundproofing had not been an issue to consider. Eventually, in 1966 , the rest of the series was shot on Paramount stages 9 and 10 , which were in better shape.

Casting of the characters was not a problem, apart from the lead role of Captain Pike (still known as "Captain April " at this point, later renamed "Captain Winter" before finally choosing "Pike") who Roddenberry convinced Jeffrey Hunter to play. Leonard Nimoy ( Spock ) had worked with Roddenberry on The Lieutenant . Majel Barrett , also a familiar face from The Lieutenant , got the part of the ship's female first officer, Number One . Veteran character actor John Hoyt , who had worked on many science fiction and fantasy projects before, was chosen to play the role of Doctor Phil Boyce . Young Peter Duryea and Laurel Goodwin were hired as José Tyler and Yeoman J.M. Colt , respectively. The extras were cast from a diversity of ethnic groups, which was significant because integration was not a usual occurrence in 1960s television, and segregation was still a reality in the United States.

To produce the pilot episode, Robert H. Justman was hired as assistant director; he had worked on The Outer Limits shortly before. Makeup artist Fred Phillips was brought in as well, whose first job it was to create Spock's ears. Another veteran from The Outer Limits was producer-director Byron Haskin , who joined as associate producer. On 27 November 1964 , the first scenes of "The Cage" (or "The Menagerie," as it was briefly known), were shot. Filming was scheduled to be eleven days, however the production went highly over budget and over schedule, resulting in sixteen shooting days and US$164,248 plus expenses.

But there were still a lot of visual effects to be made. An eleven-foot filming model of the USS Enterprise , designed by Matt Jefferies, was built by Richard Datin , Mel Keys , and Vern Sion in Volmer Jensen 's model shop , and was delivered to the Howard Anderson Company on 29 December 1964 .

In February 1965 , the final version of "The Cage" was delivered at NBC and screened in New York City. NBC officials liked the first pilot. Desilu's Herb Solow says that NBC was surprised by how realistic it looked, and that it was "the most fantastic thing we've ever seen." The reason the pilot was rejected was because it was believed that it would attract only a small audience, and they wanted more action and adventure. They also had problems with the "satanic" Spock and the female first officer (Number One). However, NBC was convinced that Star Trek could be made into a television series, and that NBC itself had been at fault for choosing the "The Cage" script from the original three stories pitched. Also, after spending US$630,000 on "The Cage" (the most expensive TV pilot at the time), they didn't want to have their money wasted. NBC then made the unprecedented move to order a second pilot.

The second pilot [ ]

For the second pilot, NBC requested three story outlines again. These were " Where No Man Has Gone Before " by Samuel A. Peeples , and " Mudd's Women " and " The Omega Glory " by Roddenberry. Although it was the most expensive of the three, NBC chose " Where No Man Has Gone Before ", as it had the most action and most outer space spectacle. However, the other two premises were also made into episodes of the series later.

Filming the second pilot began in July 1965 , and took nine days to complete. The entire cast of " The Cage " was replaced except Spock. Jeffrey Hunter chose not to reprise his role as Captain Pike, mostly by the advice of his wife, who felt that "science fiction ruins her husband's career". Roddenberry wanted both Lloyd Bridges and Jack Lord for the role of the new captain, however both declined. Finally William Shatner , who had previous science fiction experience acting in episodes of The Twilight Zone and The Outer Limits , was chosen. The new captain was named James R. Kirk (later renamed James T. Kirk).

For the role of the chief medical officer, Roddenberry chose veteran actor Paul Fix . Canadian actor James Doohan got the role of chief engineer Scott , and young Japanese-American George Takei was featured as ship's physicist Sulu . The latter two reprised their roles in the upcoming series, though Sulu was a helmsman in the series. Other actors considered for being regulars were Lloyd Haynes as communications officer Alden and Andrea Dromm as Yeoman Smith , but neither of them were re-hired after the pilot.

Many of the production staff were replaced. Robert Dawn served as head make-up artist, however Fred Phillips returned to the position in the series itself. Academy Award winner cinematographer Ernest Haller came out of semi-retirement to work as the director of photography. Associate producer Byron Haskin was replaced by Robert H. Justman , who now shared double duties as producer and assistant director.

The Enterprise model was updated for the second pilot, and many new outer space effects shots were made, most of which were reused in the series itself. The sets were also updated a bit, most notably the main bridge and the transporter room. Most of the uniforms, props, and sets were reused from " The Cage ", however some new props (including the never-seen-again phaser rifle ) and a brand new matte painting (the planet Delta Vega ) were made specially for this episode.

" Where No Man Has Gone Before " was accepted by NBC and the first season of a regular series was ordered for broadcasting in the 1966-67 television season. History was made.

The series begins [ ]

Preparation for the first regular season began in early 1966 . All the Enterprise interior sets were updated, as well as the introduction of brand new uniforms. The look of the show became more colorful and more vivid. The Enterprise model was also updated once more. Also, the entire production was moved from Desilu's Culver City studios to the main Gower Street studio's Stage 9 and 10 ( Paramount Stage 31 and 32 from 1967 onward) in Hollywood.

Kirk (Shatner) and Spock (Nimoy) were kept as the series stars, with Grace Lee Whitney joining the two as Yeoman Janice Rand (replacing Andrea Dromm as Yeoman Smith). Whitney had worked with Roddenberry a year before on an unsold pilot titled Police Story . Publicity photos promoting the new series were made at this time, with the three of them, mostly using props left from the two pilots (most notably the aforementioned phaser rifle). Shatner and Nimoy wore their new uniforms on these photographs, while Whitney had to wear an old, pilot version.

Scott (Doohan) and Sulu (Takei) were also kept, the latter becoming the ship's helmsman instead of physicist. Two additions made the Enterprise main crew complete: DeForest Kelley was hired to play the new chief medical officer, Leonard McCoy , as Roddenberry had known him from previous projects, including the aforementioned Police Story . Actress Nichelle Nichols got the role of communications officer Uhura , who became a symbol of the racial and gender diversity of the show. Nichols was a last minute addition, weeks before filming began on the first regular episode.

Jerry Finnerman became the new director of photography, while Fred Phillips, Matt Jefferies, and Rolland M. Brooks returned to their former positions. Writer John D.F. Black was brought in as the second associate producer (next to Justman). While Roddenberry and Black handled the script and story issues, Justman was in charge of the physical aspects of production.

Filming of the first regular episode, " The Corbomite Maneuver " began on 24 May 1966 . Finally Star Trek debuted on NBC with a "Sneak Preview" episode at 8:30 pm (EST) on 8 September 1966 . NBC chose " The Man Trap " (the fifth episode in production order) to air first, mainly because they felt it was more of a "traditional monster story" and featured more action.

The first season [ ]

In August 1966 , several changes were made in the Star Trek production staff. Roddenberry stepped down as line producer and became the executive producer. His replacement was Gene L. Coon , who also regularly contributed to the series as a writer. While Black had also left the series, story editor Steven W. Carabatsos came in, sharing story duties with Roddenberry and Coon. To handle post-production, Edward K. Milkis was brought in by Justman. Carabatsos had left Star Trek near the end of the season, and was replaced by D.C. Fontana , formerly Roddenberry's secretary and a writer for the series.

Syndication [ ]

• See : Syndication

Due to the overall length of the episodes of The Original Series , several minutes of each episode are frequently cut during the show's reruns, notably on the Sci-Fi Channel . Starting in April 2006 , the G4 network began airing the full length episodes in "Uncut Marathons" on Saturdays. G4 stopped airing these full-length versions in November 2006, and has discontinued its run of Star Trek 2.0 , which was a trivia-oriented and interactive version of the show for the viewers.

For current airings see Where to watch .

Reception [ ]

The Original Series has been nominated for and won a number of awards over the years. Some of the awards include:

• The series was nominated for thirteen Emmy Awards during its run, but did not win any.
• It was nominated eight times for the "Best Dramatic Presentation" Hugo Award , sweeping the nominees in 1968. It won twice, and Roddenberry won a special award in 1968.
• The 2003 "Pop Culture Award" in the TV Land Awards .
• The 2005 Saturn Award for "Best DVD Retro Television Release."

Aaron Harberts and James Frain cited TOS as their favorite Star Trek series. ( AT : " O Discovery, Where Art Thou? ")

Remastered [ ]

On 31 August 2006 , CBS Paramount Television announced that, in celebration of the 40th anniversary of Star Trek , the show would return to broadcast syndication for the first time in sixteen years. The series' 79 episodes were digitally remastered with all new visual effects and music. The refurbished episodes have been converted from the original film to high-definition video, making it on par with modern television formats.

Related topics [ ]

• TOS directors
• TOS performers
• TOS recurring characters
• TOS writers
• Character crossover appearances
• Undeveloped TOS episodes
• Desilu Stage 9
• Desilu Stage 10
• Star Trek Writers/Directors Guide
• Star Trek: The Original Series novels
• Star Trek: The Original Series comics (DC)
• Star Trek: The Original Series comics (IDW)
• Star Trek: The Original Series soundtracks
• Star Trek: The Original Series on VHS
• Star Trek: The Original Series on Betamax
• Star Trek: The Original Series on CED
• Star Trek: The Original Series on LaserDisc
• Star Trek: The Original Series on DVD
• Star Trek: The Original Series on Blu-ray

External links [ ]

• Star Trek: The Original Series at Wikipedia
• Star Trek: The Original Series at Memory Beta , the wiki for licensed Star Trek works
• Star Trek: The Original Series at StarTrek.com
• Star Trek: The Original Series at the Internet Movie Database
• Star Trek: The Original Series at the Movie and TV Wiki
• Public Radio Special: The Peace Message in Star Trek

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Star Trek – Season 1, Episode 21

The return of the archons, more like this, cast & crew.

William Shatner

Capt. James T. Kirk

Leonard Nimoy

DeForest Kelley

Dr. Leonard McCoy

James Doohan

Engineer Montgomery Scott

Nichelle Nichols

George Takei

Star Trek — Season 1, Episode 21

Episode info.

Screen Rant

David ajala on star trek: discovery season 5, michael & moll relationships, and grudge's farewell to set.

Screen Rant interviews David Ajala about Cleveland Booker's relationships with Michael Burnham and Moll in Star Trek: Discovery season 5.

Warning: SPOILERS For Star Trek: Discovery Season 5, Episode 5 - "Mirrors"

• Cleveland Booker's expertise is crucial in catching new Star Trek: Discovery villains Moll and L'ak in Season 5.
• Book reunites with Burnham in their hunt for the Progenitors' treasure.
• David Ajala talks about Book's growth, Grudge, and that he is open to return in Star Trek: Starfleet Academy .

David Ajala returns as Cleveland Booker in Star Trek: Discovery season 5, as the former courier's expertise is vital to catching Moll (Eve Harlow) and L'ak (Elias Toufexis), Discovery season 5's new villains. Booker's pet cat, Grudge, is also back.

In Star Trek: Discovery season 5, Cleveland Booker joins Captain Michael Burnham (Sonequa Martin-Green) and the USS Discovery's hunt for the ancient treasure of the Progenitors , which has the power to create life. Book's reunion with Burnham is awkward as they have been estranged since their romance ended. Meanwhile, Book realizes Moll is the daughter of his mentor, Cleveland Booker IV, and he is desperate to connect with Moll, who is the closest thing Cleveland now has to family.

Star Trek: Discovery Season 5 Returning Cast & New Character Guide

Screen Rant interviewed David Ajala about Cleveland Booker's need to connect with Michael Burnham and Moll in Star Trek: Discovery season 5, filming on Star Trek: Strange New Worlds' Enterprise sets, and the potential of returning as Book in Star Trek: Starfleet Academy .

Grudge Took The End Of Star Trek: Discovery Hard

Screen Rant: When you and the cast found out that Discovery season 5 is the final season , who told Grudge and how did Grudge react?

David Ajala: I had to tell Grudge. And you wanna know a secret? Grudge took it pretty well, actually. I mean, she's far from being overly sentimental. But I think the main thing that she was just disappointed by is that she will no longer have a whole trailer to herself. She was a bit bummed out by that. I told her, 'Hey, you've got me.' She's like, 'Yeah.'

Did she get on the phone and call her agent?

David Ajala: So you know she's got an agent, then. So you know that she has a whole entourage. It's an agent, manager, stylist, groomer. Someone who feeds her cat treats. Myself. I'm part of the entourage. There's a few. It's a bit embarrassing, but we love her.

When Discovery ended, did you keep anything from the set? Tell me you kept one of Booker's coats.

David Ajala: Absolutely, I kept something, John, but I don't wanna get in trouble. So I can't say what. I may have taken one thing. (laughs) You have to.

Although Discovery isn't over yet, looking back, what's your lasting impression of Cleveland Booker and Michael's relationship, and playing it for three years with Sonequa?

David Ajala: When Sonequa reached out to me, [and] I knew that I was joining the show or I had been cast, she said, ‘Welcome to this wonderful world where everyone supports each other, where we're so excited to be on set, where we literally believe that we have lightning in a bottle.’ I believe that their relationship is lightning in a bottle, but it's lightning that feels, dare I say it, safe. It's exciting, and it feels safe. I think these two will always be in each other's lives. I think they bring out the best in each other. And behind every great woman is herself.

What It Was Like Filming On Star Trek: Strange New Worlds' Enterprise Sets

This week's episode of Discovery is one of my favorites of season 5. You, Sonequa, Eve Harlow, and Elias Toufexis spent most of the episode on the Enterprise set. I need to know what that was like for you.

David Ajala: Oh, it was amazing. Like, truly, because it's one thing, seeing it on the screen. And having seen it many times over the years, and then now to physically be in that space... It was tricky. It was. And I think seeing it for the first time, my reaction was captured on camera because I wanted it to be that. And just to see how Sonequa looked around and took in the space, and held the space in such reverence and awe just really helped to enjoy the magic of that moment.

You guys shot that episode during Strange New Worlds' hiatus, right? They had already finished season 2.

David Ajala: That's right.

When you were on Strange New Worlds ' sets, did you notice a difference between their set and Discovery' s set? Is there something they have that you guys don't, and you were like, 'Hey, how come they have this and we don't?' Or was it vice versa?

David Ajala: It was more vice versa? Oh, man, y'all don't have this, but we do? All right, then. It is what it is. There were few little tiny details that we were very grateful for at the time. But you can tell the distinct difference between the two sets. They're not too dissimilar, but I definitely prefer our set. And that's not being biased. I think it's just more fun, because there's a lot of little hidden things that we have that helped us to get through our days when we're filming. I'll say that much without getting in trouble.

Booker Tries to Connect With Burnham & Moll In Discovery Season 5

I love that Book is very zen this season. In season 4, he was in dire straits. His planet blew up. He lost his family. He lost Michael. He went to prison. But Book is very centered now. Can you talk about this new approach to playing Book and where he's at in season 5?

David Ajala: Thank you, by the way, John. I appreciate that. I think with this version of Cleveland Booker, he is someone who, loosely, I'll say this, he has had a fall from grace very, very publicly, but with the best of intentions. He's also someone who has been given a second chance. And I feel that he understands the grace he's been afforded to be given a second chance. And I think he grabs that second chance like a life raft. It helps to be intentional again. So I think he's operating from a place of a much deeper level of intentionality. And I think, also, he loves Michael, and he wants to be seen in the best light with regard to Michael because he care. Beyond the ego, I think he cares deeply for her.

I honestly think Michael and Book is one of the greatest love stories ever told in Star Trek. And you know, it's not over yet. But the depth of it, the honesty, just the beauty of the two of them, the way they support each other, even when they're at odds, I think it's just beautiful to watch.

David Ajala: That's wonderful. Thank you, John.

Talk to me a little bit about Booker's desire to connect with Moll . I understand Book's feeling that she's the closest thing to family he has left.

David Ajala: Exactly. And it's such a profoundly huge idea to digest, but his whole planet, Kwejian, was obliterated. There is nothing left of it whatsoever. In fact, the only physical thing he has is the chain, the necklace around his neck. That's the only thing he has of Kwejian. And then, now, to be in such close proximity with an individual who is the closest thing to family that he has, this feels also like another second chance. But this second chance, I guess, is a lot more complicated. But I think because of the need Cleveland Booker has to connect. I think he will do the utmost to try and reach Moll.

I also really like how Moll and L'ak remind Book of himself and Michael during the courier days. I just love that.

David Ajala: Yeah, I'm really happy you picked up on that, John. That is such a lovely little detail, which I think charges the energy better and increases the stakes because now he's looking at a parallel version of him and Michael Burnham. He gets them. He understands the thrill they seek, the thrill of the chase. Better the devil you know, right? I love that. And more will be revealed as the episodes continue.

Book's Future In Star Trek After Discovery

This is the final season. If Discovery had continued, was there ever a chance of Booker actually joining Starfleet? Is that something you or he would have wanted?

David Ajala: Potentially. I think it's an invitation that he would have been gracious enough to accept and not to claim. But I think what's important to Cleveland Booker is to be the master of his fate, and to keep and maintain that autonomy. So, if there's a hybrid version of being able to maintain that autonomy, and also be of service to Starfleet, whatever that role looks like, Cleveland Booker would gladly take that role.

Before I let you go, I'm gonna float an idea about you, and tell me what you think: Professor Cleveland Booker - Starfleet Academy.

David Ajala: Done deal. But you missed one key ingredient and feature: Professor Cleveland Booker and Grudge - Starfleet Academy. I ain't trying to get no enemies out here, John. I need to make sure I put some respect on the Queen's name.

Yes. I've got it: Chancellor Grudge - Starfleet Academy.

David Ajala: There you go. There you go. I love that. Done deal. Love that so much. And so will Grudge.

About Star Trek: Discovery Season 5

The fifth and final season of Star Trek: Discovery finds Captain Burnham and the crew of the USS Discovery uncovering a mystery that will send them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries. But there are others on the hunt as well … dangerous foes who are desperate to claim the prize for themselves and will stop at nothing to get it.

Check out our other Star Trek: Discovery season 5 interviews here:

• Sonequa Martin-Green
• David Ajala and Doug Jones
• Wilson Cruz, Mary Wiseman & Blu del Barrio
• Alex Kurtzman and Michelle Paradise
• Callum Keith Rennie
• Eve Harlow and Elias Toufexis

New episodes of Star Trek: Discovery season 5 stream Thursdays on Paramount+

• April 26, 2024 | Michael Dorn Wanted Armin Shimerman To Play The Ferengi That Worf Killed In Star Trek Picard
• April 26, 2024 | Podcast: All Access Gets To Know The Breen In ‘Star Trek: Discovery’ 505, “Mirrors”
• April 25, 2024 | Prep Begins For ‘Star Trek: Strange New Worlds’ Season 3 Finale; Cast And Directors Share BTS Images
• April 25, 2024 | Jonathan Frakes Sees Opportunities With Streaming Star Trek Movies, Weighs In On “Filler Episodes”
• April 25, 2024 | Recap/Review: ‘Star Trek: Discovery’ Reflects On Its Choices In “Mirrors”

Prep Begins For ‘Star Trek: Strange New Worlds’ Season 3 Finale; Cast And Directors Share BTS Images

| April 25, 2024 | By: Anthony Pascale 11 comments so far

Work on the third season of  Star Trek: Strange New Worlds  continues to move swiftly in Toronto and looks to be set to wrap up next month. We have some fun bits from the set shared by the cast and a couple of directors, as well as some details on the production.

2 more episodes to go

First up, a selfie from director Jordan Canning, who previously directed the season 2 episode “Charades.” The image posted earlier this week shows the director with Ethan Peck and Rebecca Romijn and has the message, “Always happy to be the redshirt between these two.”

  View this post on Instagram   A post shared by Jordan Canning (@jjhcanning)

TrekMovie has confirmed that Canning directed episode 8, which has wrapped. Filming for episode 9 has already begun, with Andrew Coutts directing. This will be the directorial debut for Coutts, a co-producer and editor on the show. The 10th and final episode of the season will be directed by Maja Vrvilo, a Paramount+ Trek veteran who has directed episodes of Discovery , Picard , and Strange New Worlds . Earlier this week, she posted an image of her office door, indicated prep work for her episode had already begun.

  View this post on Instagram   A post shared by Maja Vrvilo (@majavrvilo)

Anson has a challenge for cosplayers

There have also been a couple of fun recent social media updates from the cast. First up, Anson Mount posted on Twitter/X that season 3 will require cosplayers to bring their “A-game” as he shared some creative fan costumes.

I will say this about season 3 of #StarTrek #StrangeNewWorlds : Cos-players, you better be ready to bring your A-game. #Cosplay @StarTrek @StarTrekOnPPlus pic.twitter.com/mZ9gMmIhsL — Anson Mount 🖖 (@ansonmount) April 16, 2024

One new look for cosplayers to try is an armed Nurse Chapel, as seen in this short video from Jess Bush showing off her phaser holster.

  View this post on Instagram   A post shared by Jess Bush (@onejessa)

Finally, on the day of the big eclipse, some of the Strange New Worlds team took a moment to check it out. Bush shared an Instagram story with herself and co-star Melissa Navia rocking their eclipse glasses. (They had 90% totality in Toronto.)

Last week brought big news for Strange New Worlds: It’s been renewed for a fourth season. Paramount+ recently confirmed season 3 will debut in 2025.

Keep up with news about the  Star Trek Universe at TrekMovie.com .

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I LOVE holodeck dude in cosplay!

I’m curious how long their entire season shooting period actually is.

Usually 5 to 6 months. This one started just before Christmas.

I know I’ll end up watching it, but I’m just not excited for the next season. Season 2 was all over the place, in my opinion. For every episode like Those Old Scientists or Ad Astra Per Aspera, there was rubbish like The Broken Circle and Under the Cloak of War and Tomorrow and Tomorrow and Tomorrow. I like the cast, but the quality isn’t there- and for all the talk of “big swings” and pushing the envelope- Season 2 was almost painfully generic.

Same here. I’ll be tuning in, but it’s not up there on my ‘must-see right away’ list. I feel like overall, the storytelling floundered during S2, legacy characters written badly, and a distinct corny popcorn feel to it. Both Spock and Pike were reduced to bumbling sidekicks. Hoping S3 has a bit more gravitas to it. Like you said, not the fault of the cast. All blame goes back to the writer’s room. I’m more than happy to consider this show as existing in its own separate timeline, as has been confirmed.

I still can’t get over how *boring* the finale was. It felt like it went on for hours and yet nothing actually happened besides a super-quick and appallingly shot fight in zero-g. Season Two really dropped the ball.

I agree. I don’t even remember what happened in the finale, except Pike at the end hesitating like a scared junior officer when the situation called for fast decisive action. As for the season in general, it feels empty, like nothing really happens in the episodes. I hate the way they turned Spock into a moron. There are better ways if the writers wanted to put some humor in… I’m sure the 12 year olds found it funny but adults are watching too…

So relieved I’m not the only one who felt this way. I hear “game changer” and “big swing” and I think “great, they’re effing with my show again to bring in the non-Trek fans”!

Yes, to them “big swing” means having the characters do things completely out of character and turning Star Trek into a Broadway play. Sure the musical was original and unexpected, but really out of place, and I will never be able to get the K-Pop Klingons out of my head.

I’m absolutely giddy for this next season. Season two was fantastic and I cannot wait for this next season.

'RuPaul's Drag Race All Stars' cast revealed, to compete for charity for first time

I t's glamour for good in this season's " RuPaul's Drag Race All Stars ," as the queens are set to compete for charity for the first time.

The newly announced Season 9 cast of eight " Drag Race " alumni will compete for $200,000, which will be donated to a charity of their choice, Paramount+ announced Tuesday.

"The time has come for drag queens to save the world," RuPaul said in a super-hero-themed cast reveal video on YouTube .

Start the day smarter. Get all the news you need in your inbox each morning.

The prize will be provided by The Palette Fund, a private foundation "dedicated to breaking down barriers and advancing social change in communities that are under-resourced and facing significant challenges," according to a press release.

'RuPaul's Drag Race All Stars' release date

Season 9 of "All Stars" will begin on May 17 on Paramount+ with a two-episode season premiere.

"RuPaul's Drag Race All Stars: Untucked," the behind-the-scenes companion show to "All Stars," will similarly be available to stream starting May 17.

RuPaul Charles opens up about addiction, self-worth: 'Real power comes from within'

'RuPaul's Drag Race All Stars' cast: Who will compete in Season 9?

• Angeria Paris VanMicheals, Season 14 (competing for the National Black Justice Collective)
• Gottmik, Season 13 (competing for Trans Lifeline)
• Jorgeous, Season 14 (competing for National Alliance of Mental Illness)
• Nina West, Season 11 (competing for The Trevor Project)
• Plastique Tiara, Season 11 (competing for The Asian American Foundation)
• Roxxxy Andrews, Season 5, "All Stars" 2 (competing for Miracle of Love)
• Shannel, Season 1 (competing for Anxiety and Depression Association of America)
• Vanessa Vanjie, Season 10-11 (competing for ASPCA)

Like Season 7, the Season 9 cast includes a smaller group of queens, as "Drag Race All Stars" normally features at least 10 contestants.

New episodes of "Drag Race All Stars" will premiere on Fridays.

This article originally appeared on USA TODAY: 'RuPaul's Drag Race All Stars' cast revealed, to compete for charity for first time

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Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien. Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien. Ten years before Kirk, Spock, and the Enterprise, the USS Discovery discovers new worlds and lifeforms as one Starfleet officer learns to understand all things alien.

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