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• March 1, 1993 Setlist

Metallica Setlist at Palacio de los Deportes, Mexico City, Mexico

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Tour: Wherever We May Roam Tour statistics Add setlist

• Song played from tape The Ecstasy of Gold ( Ennio Morricone  song) Play Video
• Enter Sandman Play Video
• Creeping Death Play Video
• Harvester of Sorrow Play Video
• Welcome Home (Sanitarium) Play Video
• Sad but True Play Video
• Of Wolf and Man ( followed by "Third Stone from the Sun" jam ) Play Video
• The Unforgiven Play Video
• Eye of the Beholder / Blackened / The Frayed Ends of Sanity / ...And Justice for All ( followed by "Born Under a Bad Sign" jam ) Play Video
• Bass Solo ( with "My Friend of Misery", "N.I.B.", "Metalshock" and "The Star-Spangled Banner" ) Play Video
• Guitar Solo ( with "Dazed and Confused", "Killing Floor" and "Funeral March of a Marionette" ) Play Video
• Through the Never Play Video
• For Whom the Bell Tolls ( followed by Kirk doodle ) Play Video
• Fade to Black Play Video
• Master of Puppets ( Short Version ) Play Video
• Seek & Destroy ( Extended Version ) Play Video
• Whiplash Play Video
• Nothing Else Matters Play Video
• Wherever I May Roam Play Video
• Am I Evil? ( Diamond Head  cover) ( half; with "Smoke on the Water", "The Four Horsemen" and "Jump in the Fire" jam ) Play Video
• Last Caress ( Misfits  cover) Play Video
• One Play Video
• So What ( Anti-Nowhere League  cover) ( up until the guitar solo ) Play Video
• Battery Play Video
• The Four Horsemen Play Video
• Motorbreath Play Video
• Stone Cold Crazy ( Queen  cover) Play Video

Note: Recorded for the Live Shit: Binge & Purge CD.

Edits and Comments

91 activities (last edit by Luke71 , 16 Dec 2023, 22:44 Etc/UTC )

Songs on Albums

• Enter Sandman
• Nothing Else Matters
• Of Wolf and Man
• Sad but True
• The Unforgiven
• Through the Never
• Wherever I May Roam
• Motorbreath
• Seek & Destroy
• The Four Horsemen
• Am I Evil? by Diamond Head
• Last Caress by Misfits
• So What by Anti-Nowhere League
• Stone Cold Crazy by Queen
• Eye of the Beholder / Blackened / The Frayed Ends of Sanity / ...And Justice for All
• Harvester of Sorrow
• Master of Puppets
• Welcome Home (Sanitarium)
• Creeping Death
• Fade to Black
• For Whom the Bell Tolls
• Guitar Solo

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Metallica gig timeline.

• Feb 26 1993 Palacio de los Deportes Mexico City, Mexico Add time Add time
• Feb 27 1993 Palacio de los Deportes Mexico City, Mexico Add time Add time
• Mar 01 1993 Palacio de los Deportes This Setlist Mexico City, Mexico Add time Add time
• Mar 02 1993 Palacio de los Deportes Mexico City, Mexico Add time Add time
• Mar 12 1993 Neal S. Blaisdell Arena Honolulu, HI, USA Add time Add time

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Electrifying as ever with their incredible performance and stage presence, the members of Metallica delivered the goods and more last night with a nice cross section of numbers running the gamut of their colossal catalog! There were occasional pauses to interact and converse with the crowd, but the band segued their way into one song after another the majority of the evening. The night opened up with an intro of the Ecstasy of Gold followed by the title cut off of the band's latest effort Hard Wired to Self Destruct. James Hetfield's vocals were as strong as ever from beginning to end. Kirk Hammett engaged in one brain crushing guitar solo after another, Lars Ulrich brought a great and almost nonstop back beat with his furious drumming and Rob Trujillo provided excellent bass work including a great treatment of the solo the late Cliff Burton was well known for on Anesthesia (Pulling Teeth). During the aforementioned bass solo video footage of Burton performing onstage accented the music perfectly. Other exceptional highlights included Kirk's stellar guitar shredding accompanied frequently by usage of his wah pedal. Cuts such as Welcome Home (Sanitarium), Creeping Death and the encore Enter Sandman in particular contained solos showcasing his seemingly boundless talent! Things heated up literally as well during the songs Fight Fire with Fire and Sandman when pyrotechnics were activated and flames shot up from the stage. At the end Ulrich tossed sticks out into the audience. Hetfield, Trujillo and Hammett threw and shook picks from little jack o' lantern tins out into the crowd, the picks of which boasting the band logo as well as the theatre's location and concert date on them. Great souvenirs in even something so small right there as my husband and I each scooped one up off the floor! A grand night out, the next one of which cannot come soon enough!

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The impatient wait had been going on for months - I booked this show when tickets went on sale back in March or whenever it was, and October had take so long to come around - but finally it was here: Metallica day!

The day started with a trip to the pop-up merch store in London, then onto the O2 for an agonising queue (good thing it's what us Brits do best, apart from moan about it of course) before finally getting in and finding my seat - which, by pure luck, was a superb view. Again, what felt like days, but in reality was only 30-40 mins wait, the lights dimmed, the background music shut off, and the familiar notes of the intro track, "The Ecstasy of Gold", complete with video footage from "The Good, the Bad, and the Ugly", began to ring out, to rapturous roaring and whistling from the 20,000 strong crowd. The hairs on my arms are standing on end just recounting it for this review. And then we were in: full-bore, 100mph, Metallica took to the stage and belted out song after song after song with barely a moment to catch your breath before the next does of thrash metal came your way. "Thrash metal?", I hear you say, "Metallica hasn't been thrash metal since the 80's!". Oh my friend, trust me when I say thrash metal - we had some of the best early work represented tonight, not least with half a dozen track from the new album "Hardwired... To Self Destruct" that included unrelenting riff after riff, from the likes of "Hardwired", "Atlas Rise", "Moth Into Flame", coupled with one of the heaviest tracks they've ever written "Dream No More", plus "Halo on Fire" and "Now That We're Dead". All segmented in-between some of the bands greatest songs; "Seek & Destroy", "Through The Never", "Welcome Home (Sanitarium)", "For Whom The Bell Tolls", "Through The Never", "One", "Sad But True", "Fuel", the obligatory cover, this time from the Misfits' "Die Die My Darling", before ending the show with "Master of Puppets".

Of course, it wasn't the end - back for the encore the intro to "Damage Inc" came on, before they ripped all the way through it, eventually slowing the pace to play the ever-loved "Nothing Else Matters" and finally ending on probably their most well known song "Enter Sandman"

It was a great varied selection of tunes that spans most of their career - the only notable exceptions being there was nothing from "Load", "St Anger" or the previous record "Death Magnetic". But otherwise all the other studio albums were represented. Some guitar and bass doodles from Kirk and Rob, before Rob gave us a wonderful tribute to Cliff by playing "Anesthesia".

If you get the chance to go, then go see this show - it's truly magnificent, from a band with 36 years experience in being the biggest metal band on the planet, and it shows you just why they are. I just wish I had a ticket for tomorrow night too.

2nd September show in Cobenhagen.

Tallica promised us a unique show because this concert was postponed show from February. Many people travel a long way to see them in February including me traveling from Iceland.

The moment when I heard Seek & Destory in the #3rd slot then I knew this was going to be something special.

They performed Thought The Never in slot #4 and that song has not been played for 4 years. The next song was The Day That Never Comes and we did not believe that because in our wildest dreams we hoped to have that on the list, we jumped like there was no day tomorrow.

Dream No More was in the slot #7 and that was the second time Metallica has played that song. It was nice to hear Breadfan in slot #10. We saw many drons flying over the stage in Moth Into Flame, which was amazing!

Fight Fire With Fire was in the encore faster than ever.

Me and my friends walked away from Royal Arena in great mood with a big smile on our faces and with a hoarse throut, like James was in February.

About the unique show as we where promised in February it was only UNIQUE for 2 days because Amsterdam got almost the same setlist. But we got a free T-shirt, that was probably the unique thing for us.

We where hoping for some live debut like Murder One, Spit Out The Bones but it did not happend.

The song ManUnkind was performed tonight in Paris (10th September) and that is unique.

Iceland has been waiting since 2004 for Metallica to come back to Iceland when they held the biggest indore concert in Reykjavík. We do not want to wait another 23 years like we did before 2004.

All the best,

Gauti Sigurpálsson

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Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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Encore #2