star trek movies fonts

If you’ve ever tried to faithfully recreate the graphics seen on Star Trek , you know that the distinctive typography requires just the right fonts. I’ve found quite a few useful ones at various websites over the years. Whether it’s a movie title, a computer interface, or an alien script you’re looking to illustrate, there’s probably a font here to get you started. The fonts collected below aren’t supposed to be a complete archive of every font available, but rather a source for the best and most useful versions that are out there.

I’ve used many of these fonts to create various graphics for Star Trek Minutiae over the years, from the You’re the Admiral! maps to that time this site was assimilated by the Borg . I hope you find these useful, too!

Archivist’s Note: These fonts have been obtained through various free download websites. All fonts are copyrighted by their original creators.

Title Fonts

Download All

Alien Fonts

External Links

• Memory Alpha’s list of Star Trek fonts
• Star Trek Fonts from FontSpace
• Star Trek Fonts from MyFonts
• Typography: The Final Frontier from FontShop

Star Trek fonts

• View history

The following is a list of fonts used in the different Star Trek series categorized by the companies that hold the rights to them.

• 1 Bitstream
• 3 Mark Simonson Studio
• 4 MicroProse
• 6 Further reading

Bitstream [ ]

Horizon font sample

Galaxy font sample

Millennium font sample

Sonic font sample

Swiss 911 Ultra Compressed font sample

There were at least two Li'l Bits packages released by Bitstream , one for Star Trek: The Original Series and a second for fonts from Star Trek: The Next Generation .

Linotype [ ]

Mark simonson studio [ ], microprose [ ].

With the game Star Trek: The Next Generation - Klingon Honor Guard by MicroProse , the company offered a couple of Klingon -like fonts from the game:

Jefferies Extended font sample

The following is a list of fonts that can be used to achieve lettering as used in the series.

Further reading [ ]

• Dave Addey, Typeset in the Future: Typography and Design in Science Fiction Movies . Abrams, 2018, ISBN 978 -1-4197-2714-6, pp. 80-117.
• 3 Ancient humanoid

This package contains true type and open type Star Trek fonts.

Installation

Install trekfont from CRAN with

Install the development version from GitHub with

trekfonts contains one dataset, trekfonts , which is just a character vector of all 107 available font files.

Font files can be installed using the sysfonts package.

Here are some examples, leveraging sysfonts and showtext .

Use base graphics…

or ggplot2…

Did you ever think you would be annotating your plots in Vulcan and Klingon?

The rtrek package does not import trekfont , but it does provide a convenient wrapper function, rtrek::st_font , for previewing the various fonts if trekfont is installed. This is the example plot shown at the top.

Packages in the trekverse

rtrek : The core Star Trek package

Datasets related to Star Trek, API wrappers to external data sources, and more.

lcars : LCARS aesthetic for Shiny

Create Shiny apps based on the Library Computer Access/Retrieval System (LCARS).

trekcolors : A color palette package

Predefined and customizable Star Trek themed color palettes and related functions.

trekfont : A fonts package

True (Trek) type fonts to style your Star Trek themed graphics text.

Matthew Leonawicz (2021). trekfont: Star Trek Fonts Collection. R package version 0.9.5. https://CRAN.R-project.org/package=trekfont

Contributions are welcome. Contribute through GitHub via pull request. Please create an issue first if it is regarding any substantive feature add or change.

Please note that the trekfont project is released with a Contributor Code of Conduct . By contributing to this project, you agree to abide by its terms.

• Download from CRAN at https://​cloud.r-project.org/​package=trekfont
• Browse source code at https://​github.com/​leonawicz/​trekfont/​
• Report a bug at https://​github.com/​leonawicz/​trekfont/​issues
• Full license
• Code of conduct
• Matthew Leonawicz Author, maintainer

• Text Effects
• Freebies FREE
• Testimonials

Star Trek Font

What Font Was Used in Star Trek Logo and Posters?

“Federation Classic”  is the font used in the series Star Trek. You can use the font in your personal projects. Simply download it from the link below.

About Star Trek Series

Star Trek is a science fiction movie directed by J. J. Abrams based on a screenplay written by Roberto Orci and Alex Kurtzman and they were inspired by novels and graduate school dissertations. In this film, the title characters of the Star Trek TV series are featured and portrayed by a new cast. This film is the 11th installment in the Star Trek franchise and in it the United Federation of Planets is threatened by Romulan and James T. Kirk and Spock are fighting it.

This film stars Chris Pine, Zachary Quinto, and Simon Pegg. Paramount Pictures decided to continue the franchise through a feature film after the original television series was canceled in 1969 and Paramount Pictures also decided to return the franchise to its roots and planned to make a Star Trek film. The principal photography began in 2007 and filming took place in different locations.

The film was released on May 8, 2009, and it was highly praised for the character development, plot, direction, action sequences, and effects. The film was a box office success too and grossed over $385.7 million in total. Star Trek was nominated for different Academy Awards at different categories and it was the first Star Trek film that won an Academy Award. The film holds an approval rating of 94% with an average rating of 8.1/10 on the Rotten Tomatoes website.

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Star Trek Font: A Guide to Its Origins and Usage

Star Trek, the iconic science fiction franchise that has captivated audiences for over five decades, is popular for its innovative and futuristic storytelling and distinctive visual style. One element contributing to the show’s unique aesthetic is its font, commonly called the “Star Trek font.” This bold and futuristic typeface has become synonymous with the franchise and is instantly recognizable to fans worldwide. However, this font’s origin has been a debate among Trekkies.

We will delve into the history of the Star Trek font, exploring its creation, evolution, and the controversy surrounding its use. From its early appearances in the original series to its prominent role in modern adaptations, we will uncover the truth behind this iconic font and its enduring impact on the Star Trek universe.

Table of Contents

What Is Star Trek Font?

Star Trek Font refers to the typography used in the iconic Star Trek franchise. The font is popular for its futuristic and sleek appearance, reflecting the sci-fi theme of the series. Clean lines, sharp angles, and a modern aesthetic often characterize it.

The Star Trek Font has become popular among fans and designers, who use it to create various Star Trek-themed graphics, merchandise, and promotional materials. Whether you’re a die-hard Trekkie or simply appreciate the unique style of the font, incorporating it into your designs can add an extra touch of intergalactic flair.

History Of The Font

The Star Trek font has become iconic in popular culture and instantly recognizable to fans of the beloved science fiction franchise. The font used in the Star Trek logo and title sequences is popular as “Helvetica Inserat” and was chosen for its futuristic and sleek appearance.

Created by Swiss typeface designer Max Miedinger in 1957, Helvetica Inserat is a bold and attention-grabbing font that perfectly captures the spirit of exploration and adventure that Star Trek represents. Over the years, the font has undergone minor modifications to enhance legibility and maintain its modern aesthetic. Today, it continues to symbolize the enduring legacy of Star Trek and its impact on popular culture.

Creative Steps To Incorporate The Star Trek Font In Design Projects

The Star Trek font is a beloved and iconic typeface that instantly evokes feelings of adventure and exploration. If you’re looking to incorporate this iconic font into your design projects, there are several creative steps. Incorporating the Star Trek font into design projects can add a touch of sci-fi and nostalgia. Remember to use the font sparingly and ensure it complements other design elements for a cohesive and visually appealing result. Here are some creative steps to use the Star Trek font in your designs:

1. Logo Design: Use the Star Trek font to create a logo for a sci-fi-themed event or business. The bold and futuristic look of the font can instantly convey the theme and attract attention. 2. Poster Design: Incorporate the Star Trek font in poster designs for sci-fi conventions or movie screenings. It can help capture the essence of the Star Trek universe and appeal to fans. 3. Website Design: Use the Star Trek font for headings or titles on a website dedicated to science fiction, space exploration, or technology. It can give a futuristic vibe and enhance the overall visual experience. 4. Social Media Graphics: Create eye-catching graphics using the Star Trek font to promote sci-fi-related content, events, or products.

The Font Used In The Star Trek Wordmark

The Star Trek wordmark’s font is “Star Trek Font.” This font was specifically created for the Star Trek franchise and is designed to resemble the lettering used in the official Star Trek logo. It features angular, futuristic letters that convey a sense of technology and adventure. The Star Trek Font has become iconic and instantly recognizable to the series’ fans.

Many graphic designers and Star Trek enthusiasts enjoy using this font to create their own Star Trek-inspired designs, whether it be for fan art, merchandise, or promotional materials.

How To Download And Use The Font

If you’re a Star Trek fan and want to add a touch of sci-fi to your design projects, you might be interested in using the Star Trek font. Remember to check if there are any usage restrictions or licensing requirements associated with the Star Trek font before using it commercially or for public distribution. Enjoy adding intergalactic flair to your designs with the iconic Star Trek font. To download and use the font, follow these simple steps:

1. Search for a trusted website that offers free Star Trek fonts. There are various websites where you can find and download font for free.

2. Once you’ve found a reliable source, click the download button or link to start the download process. Make sure to save the file in a location on your computer that is easily accessible.

3. After downloading the font file, locate it on your computer and open it. You may need to extract the files from a zip folder before proceeding.

4. Install the font onto your computer by double-clicking on the font file and selecting “Install” when prompted. This will add the Star Trek font to your system’s font library.

5. Now that the font is installed, you can use it in various design software applications such as Adobe Photoshop, Microsoft Word, or any other program that allows you to select custom fonts.

Repurposing Fonts For Commercial Purposes

Repurposing fonts for commercial purposes can be a creative and cost-effective way to enhance your branding and marketing materials. However, ensuring that you have the appropriate licensing rights to use the font in a commercial setting is important. Many fonts are protected by copyright laws, meaning you may need permission from the font creator or purchase a license to use the font commercially.

Additionally, it is important to consider the terms of use for the font, as some creators may have specific restrictions on how their fonts can be handy. By knowing these considerations and obtaining the necessary permissions or licenses, you can confidently incorporate repurposed fonts into your commercial endeavours.

How To Design Your Font

Designing your own Star Trek font can be a fun and creative project. Whether you’re a fan of the iconic Star Trek series or just looking to add a unique touch to your design work, creating a custom font can help you stand out. Here are some steps to help you get started:

1. Research Star Trek fonts: Before designing your font, it’s important to familiarize yourself with existing ones. Look at different variations used in TV shows and movies to get an idea of the aesthetic you want to achieve.

2. Sketch out your ideas: Start by sketching out different letterforms and symbols that reflect the essence of Star Trek. Experiment with different shapes, angles, and proportions to find a style that resonates with you.

3. Digitize your sketches: Once you’re happy with your hand-drawn designs, it’s time to digitize them using graphic design software such as Adobe Illustrator or FontForge. Create vector outlines of each character and refine them until they match your vision.

4. Test and refine: After digitizing your designs, testing them in various contexts and sizes is crucial to ensure legibility and consistency. Make any necessary adjustments or refinements until you satisfy with the result.

5. Convert into a usable font file: To use your custom Star Trek font, you’ll need to convert it into a usable font file format such as TrueType or OpenType. There are online tools and software available that can assist with this process.

Remember, designing a font requires patience and attention to detail. Experiment with different styles and iterations until you achieve the desired outcome for your Star Trek-inspired font. May the font be with you.

Copyright And Legal

Being aware of copyright and legal considerations is important when using the Star Trek font. The Star Trek font, or “Starfleet,” is a proprietary font owned by CBS Studios Inc. and can only be used with proper permission or licensing. Unauthorized use of the font can lead to copyright infringement and legal consequences.

If you plan on using the Star Trek font for commercial purposes. It is recommended to seek permission from CBS Studios Inc. or explore licensing options to ensure compliance with copyright laws. It is always best to consult a legal professional for guidance on the appropriate and legal use of copyrighted material like the Star Trek font.

 Tips For Using The Star Trek Font Effectively And Legibly

Using the Star Trek font can be a fun and creative way to add a touch of sci-fi to your designs. However, using the font effectively and legibly is important to ensure your message is clear. Here are some tips for using the Star Trek font:

• Choose the right size: Make sure that your font size is large enough to be easily read, especially if you’re using it for headings or titles.
• Use appropriate spacing: Give your text enough breathing room by adjusting the line and letter spacing. This will help improve readability and prevent the text from appearing too crowded.
• Consider contrast: If you’re using the Star Trek font on a background image or pattern, make sure there is enough contrast between the text and the background to be easily readable.
• Keep it simple: Avoid using excessive special effects or decorative elements with the font, as this can make it difficult to read. Stick to clean lines and simple designs to ensure legibility.

By following these tips, you can ensure that your use of the Star Trek font is effective, legible, and adds just the right amount of sci-fi flair to your designs.

The Star Trek font is a unique and recognizable typeface that has become iconic in popular culture. It is instantly associated with the beloved science fiction franchise and holds a special place in the hearts of fans worldwide.

Whether you’re creating fan art, designing a Star Trek-themed website, or simply wanting to add a touch of sci-fi flair to your projects, the Star Trek font will make a bold statement. Embrace the spirit of exploration and adventure with this distinctive typeface, and let your creativity soar among the stars. Live long and prosper.

Frequently Asked Questions

What is the star trek font, and what does it look like.

The Star Trek font is a modified typeface of Futura that was first used in the episode “The Naked Time.” People typically use it to represent futuristic technology in the show.

How Did This Font Come About, And How Long Has It Been Around?

The font “Star Trek” was created for the show in the 1957s. However, developers have used it in various movies, books, and other media.

Recently, Star Trek fans have started to resurrect the font’s usage on various online platforms like Tumblr and deviantART.

What Is The Font handy In The Star Trek Wordmark, And Why Is It Good?

The font used in Star Trek’s wordmark is Futura. From books to ads to movies. In 1966, the TV show Star Trek used this typeface as its main wordmark.

What Is The Font Handy In The Star Trek Wordmark?

The font used for the wordmark for Star Trek is called Futura and was created by Lucida Grande. It was originally designed for movie posters and advertisements in the 1960s. But its popularity led to its use on television series like Star Trek and Doctor Who.

How Did The Star Trek Font Come To Be handy In The Show?

The Star Trek font was for a movie poster and later handy in the show. Its creators, Roger Linn and Michael de Castro, wanted to create a typeface that would be “iconic” and reflect the futuristic nature of Star Trek. The font has since been widely popular with both believers and non-believers of the show alike. You may have even seen it on products like T-shirts or stickers in your home.

David Egee, the visionary Founder of FontSaga, is renowned for his font expertise and mentorship in online communities. With over 12 years of formal font review experience and study of 400+ fonts, David blends reviews with educational content and scripting skills. Armed with a Bachelor’s Degree in Graphic Design and a Master’s in Typography and Type Design from California State University, David’s journey from freelance lettering artist to font Specialist and then the FontSaga’s inception reflects his commitment to typography excellence.

In the context of font reviews, David specializes in creative typography for logo design and lettering. He aims to provide a diverse range of content and resources to cater to a broad audience. His passion for typography shines through in every aspect of FontSaga, inspiring creativity and fostering a deeper appreciation for the art of lettering and calligraphy.

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Federation Classic by an unknown designer is a font based on the title logo from the TV show Star Trek. It is a free font.

Star Trek is a long-running science fiction franchise that has been a cultural touchstone since the original television series aired in 1966. Created by Gene Roddenberry, the franchise has expanded over the years to include multiple television series, films, novels, and comic books.

The original series followed the crew of the starship USS Enterprise, led by Captain James T. Kirk (played by William Shatner), as they explored the galaxy and encountered a variety of alien species. The show was known for its progressive themes and diverse cast, and it became a cultural phenomenon that spawned numerous spin-offs and adaptations.

Over the years, the Star Trek franchise has tackled a variety of social and political issues, from racism and sexism to war and diplomacy. It has also explored themes of exploration, discovery, and humanity’s place in the universe.

The Star Trek franchise has become a beloved part of popular culture, with a passionate fanbase that spans generations. Its impact can be felt in everything from science fiction literature to space exploration, and it has inspired countless people to pursue careers in science, engineering, and other STEM fields.

Today, the Star Trek franchise continues to thrive, with new films and television series in production, as well as a dedicated fanbase that continues to celebrate the franchise’s enduring legacy.

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Screen Rant

Star trek origin movie officially announced by paramount for 2025 release.

Paramount Pictures officially announces the next Star Trek movie at CinemaCon, which will arrive in movie theaters in 2025.

• Paramount Pictures announces new Star Trek movie for 2025, directed by Toby Haynes and written by Seth Grahame-Smith.
• Chris Pine-led Star Trek 4 remains in development, while the new film is an origin story set decades before Abrams' 2009 movie.
• Alongside the Star Trek origin movie, Paramount reveals a packed slate of exciting films for 2025-26 at CinemaCon in Las Vegas.

Paramount Pictures officially announces the next Star Trek movie, which is scheduled to arrive in theaters in 2025. As reported in January, the next Star Trek movie isn't the long-delayed, Chris Pine-led Star Trek 4 produced by J.J. Abrams, which remains in development at Paramount. Rather, the next Star Trek movie is an origin story directed by Toby Haynes ( Star Wars: Andor ) and written by Seth Grahame-Smith (A braham Lincoln: Vampire Hunter ).

Screen Rant' s Rob Keyes (@rob_keyes) is at CinemaCon in Las Vegas where Paramount Pictures confirmed the next Star Trek movie , currently called Untitled Star Trek Origin Story , to be released in 2025. J.J. Abrams is also producing Untitled Star Trek Origin Story, which takes place decades before Abrams' Star Trek 2009 movie. See Rob Keyes' Tweet below:

Paramount also confirmed Untitled Star Trek Origin Story will begin production later this year for theatrical release in 2025.

Every Upcoming Star Trek Movie & TV Show

Star trek's new movies in theaters and paramount plus explained, star trek is finally making movies again.

After nearly a decade, Star Trek i s back to making movies. Star Trek on Paramount+ has created a television renaissance for the franchise, but the theatrical side of Star Trek overseen by Paramount Pictures has languished in development hell since Star Trek Beyond bowed in the summer of 2016. Toby Haynes' Untitled Star Trek Origin Story is yet another prequel, but as it's said to be set decades before Star Trek 2009, it could very well be set after Star Trek: Enterprise 's mid-22nd century voyages but otherwise be an origin story for both Star Trek 's Prime and alternate Kelvin timelines .

Meanwhile, J.J. Abrams' Star Trek 4 , which is the "final chapter" of the USS Enterprise crew led by Chris Pine's Captain James T. Kirk and Zachary Quinto's Spock, has seen some movement with a new screenwriter, Steve Yockey ( The Flight Attendant ), tackling the long-delayed sequel. Pine and his fellow Star Trek actors, including Quinto, Zoe Saldana, Karl Urban, and Sofia Boutella, have all expressed their eagerness to return if Star Trek 4 can come together.

It's a positive sign that Star Trek movies are finally coming back.

Paramount+ is making their own Star Trek movies, with the recently-wrapped Star Trek: Section 31 awaiting a release date. Starring Academy Award-winner Michelle Yeoh, Section 31 i s the first made-for-streaming Star Trek movie, and it is reportedly set during Star Trek 's "lost era" with connections to Star Trek: The Next Generation. Section 31 could get a sequel if successful, and the Star Trek: Picard spinoff dubbed Star Trek: Legacy may also become a streaming movie instead of a series. However all this shakes out, it's a positive sign that Star Trek movies are finally coming back.

Source: Rob Keyes Twitter

Strange New Worlds' Futuristic VFX Tech Has A Delightful Star Trek Nickname

A   Variety cover story about the future of "Star Trek" includes plenty of exciting updates about the future of the series, but it's also just a trivia treasure trove for "Trek" fans -- including the ones who work on the shows. "Star Trek: Strange New Worlds" stars Anson Mount (who plays cool, calm, and collected Captain Pike in the series) and Ethan Peck (who plays a younger, slightly more emotive Spock) both noted how surreal their jobs are, while Mount also revealed that they get to go to work on a set named after part of a starship.

"Sometimes we call it The Holodeck," Mount told Variety when describing the massive augmented reality walls (similar to those used by Industrial Light & Magic's The Volume ) that turn the set into a virtual-physical hybrid space. Variety's Adam B. Vary observed that Mount "[couldn't] help but break into a boyish grin" when he talked about the AR walls they call The Holodeck, as if it's yet another childhood dream come true. In an interview with Entertainment Tonight back in 2019, Mount explained that he'd been a "Star Trek" fan since he was seven or eight, and said of his own casting, "It was almost like you had been sitting in the audience for a really long time and somehow you get sucked into the screen and then you're standing in the starship in front of a Klingon with a phaser in your hand."

Read more: The Main Star Trek Captains Ranked Worst To Best

The AR Walls On Set Are Nicknamed The Holodeck

The Holodeck title apparently isn't just a nickname among the actors; according to Variety, posters of the holodeck from "Star Trek: The Next Generation" adorn the walls along the path to the virtual set, along with the phrase "Enter Holodeck" written in a classic "Star Trek" font (though, sorry font geeks, there's no word on whether it's Galaxy or Horizon ). As with other virtual sets being used in Hollywood today, the AR walls known as The Holodeck utilize massive LED screens that display highly realistic, kinetic CGI backdrops. Mount says they're a bit dizzying.

"The images on the walls start to move in a way that makes no sense," the actor told Variety. "You end up having to focus on something that's right in front of you so you don't fall down." Peck, meanwhile, said he's not as bothered by the CGI walls, and wished he could take one of the Holodeck signs home. "I don't really get disoriented by it. Spock would not get ill, so I'm Method acting," he joked.

Virtual Sets Still Need The Human Touch, And Trek's Got It

While virtual sets were initially praised as a technology capable of revolutionizing film and television, it's become clear by now that not every production is made better by AR walls. "The Mandalorian" set the standard by coupling its realistic set graphics with great production design and cinematography, but movies like "Thor: Love and Thunder" (which didn't quite hit the background/prop ratio needed to look real) and shows like "Percy Jackson & The Olympians" (which, as the first production to use the Vancouver-based virtual set , has an uncanny valley shininess to it) prove it's not enough to let the sets do the work, no matter how magnificent -- and disorienting -- they are.

Luckily, though, "Star Trek: Strange New Worlds" seems to be firing on all cylinders. The first two seasons look great, and everyone from the costume department to the director's chair delivers the goods again and again. As "Trek" star turned director Jonathan Frakes put it elsewhere in the article, "Every department has the resources to create." We can't wait to see what they'll create next.

"Star Trek: Strange New Worlds" will return for season 3 on Paramount+ in 2025.

Read the original article on SlashFilm

• The Original Series
• The Animated Series
• The Next Generation
• Deep Space Nine
• Strange New Worlds
• Lower Decks
• Star Trek Movies
• TrekCore on Twitter
• TrekCore on Facebook

It’s not that Cruz doesn’t seem happy as Culber, not at all, but there is a distinct looseness in his portrayal of Jinaal that is miles away from how he plays the calm, contemplative Culber. Jinaal’s no Curzon, but he certainly enjoys having a body again (“This guy really works out!”) and is very enthusiastic about the long hike to the next clue he gets to lead Burnham and Book on.

A consistent criticism I’ve had of Discovery is that the dialogue often feels unreal to me, like something someone wrote and not something someone would really say in the moment. Dialogue in Star Trek has always been highly stylized – even disregarding the technobabble there’s something specific and staid about the way most people in the future speak (and which makes the occasional Jett Renos of the world so immediately refreshing).

But I have to say, the dialogue in “Jinaal” is uniformly great , and Culber’s Jinaal is just the start. It’s full of different textures for different characters, it’s funny, it’s thoughtful without seeming overthought, it’s quick without being quippy. And more than anything, it feels real. One of this episode’s writers — Lauren Wilkinson — joined Discovery this season, with this episode being her first writing credit on the show. Kyle Jarrow, her co-writer, wrote two episodes last season, including one where I spent a decent chunk of my review criticizing its stiff writing, especially for secondary characters.

Discovery has a chronic problem with flattening its secondary characters to silent nods on the bridge and factoids blurted out to superior officers only when the plot demands it. “Jinaal” does this too (a lot!), but it’s with a deliberate self-awareness that turns one of my biggest complaints into one of the episode’s best gags.

Back aboard Discovery , demoted Commander Rayner (Callum Keith Rennie) is far too impatient and brusque to actually do the ship tour and crew meet-and-greets Burnham has tasked him with; instead, he orders each crewmember to come to his office and tell him something about themselves in 20 words or less.

Thanks to some nimble editing and an understanding that the gag only gets funnier the longer it goes, we get a fast flip through character after character — several of whom we’ve never met before this episode, and several of whom have been around since Day One but who I now, finally actually feel like I know.

Dr. Pollard (Raven Dauda), for example, who’s been on the show since the first season, finally has a personality thanks to the deadpan no-bullshit way she delivered her 20 words. Not only is Linus (David Benjamin Tomlinson) a father three times over (or, three clutches over), it’s clearly something he’s very proud of. Who knew?

And when the crewmembers we don’t know get the “standard Discovery factoid treatment”, it doesn’t feel clunky so much as illuminating. That Bajoran gal who is unbeatable at tongo — Lt. Commander Asha (Christina Dixon) — I believe it and I really want to see it. The new helmsman who had to “save her drag racing story for next time” — Lt. Gallo (Natalie Linconti) — I hope we get to hear it, and I hope it’s not told immediately before a drag race just happens to become a major plot element to save the day.

Tilly (Mary Wiseman) is present throughout all of this, and her writing gets a huge boost this episode as well. Tilly is a character I often find myself wanting to like more than I actually do, and who I think has so much potential that’s undermined by writing that doesn’t go any deeper than portraying her as quirky and flustered.

Here though, we get a confident, assertive Tilly, one who still feels true to character, but is a more adult version of that character. Her core motivations are there — her focus on a supportive crew, her concern for treating people with respect — she just has more grown-up way of expressing them. She is, after all, an instructor at the Academy now and can’t be fumbling through every interaction, especially when confronting something that she feels is, in a sense, bullying.

It’s clear from the way the two characters leave their working relationship at the end of the episode that Tilly has gained Rayner’s respect, and that he takes her criticisms of his attitude to heart. He’s still Rayner, he’s still a grouch, but he’s not unreasonable — and he’s not an actual bully. He just finds it easier to pretend to be one.

Back on Trill, the hike gives Jinaal a chance to unload some exposition about why this puzzle exists in the first place. Long story short, the group of scientists which included Jinaal and Vellek found the Progenitors’ technology and immediately recognized its incredible power. But with the Dominion War raging they worried about its use and decided to scrub their research and identities from history, and hide the location of the technology away until the galaxy was a more peaceful place.

What isn’t a peaceful place is the canyon Jinaal has lead Book and Burnham to as the supposed location of Trill’s clue. Why? Because gigantic semi-invisible bee moths who shoot red bolts of electricity live in this canyon! I didn’t know it until I watched this episode, but it turns out I’m a very big fan of gigantic semi-invisible bee moths who shoot red bolts of electricity, just FYI. I enjoyed these guys a lot and I’m glad they and their clutch of eggs made it out unscathed. It’s not that I was rooting against Burnham and Book, but more that I was just firmly on Team Bee Moth.

The bee moths themselves were also a test: a way for Jinaal to observe how Burnham and Book behaved when faced with an innocent aggressor (they were wild animals simply protecting their young, after all) before deciding to give them the clue. In choosing to prioritize the bee moths, they pass and Jinaal hands them another map piece… which was never where he said it was in the first place.

Mission over, Jinaal is returned to Bix and — if I understood the episode’s closing montage correctly — Bix is pretty immediately returned to the milk pools. I’m sure the moment was supposed to be one of happiness and contentment, watching a symbiont finally get to take a nap after fulfilling a lifelong mission, but all I could think about was Bix’s current host.

That old lady may have been tired but she certainly didn’t look to be on death’s door so, uh, is she okay? I’m thinking she might not be okay.

Meanwhile throughout all of this, Saru (Doug Jones) and T’Rina (Tara Rosling) have their first fight… one that’s very polished and diplomatic, but no less serious than if it had involved bigger displays of emotion. It’s time for an engagement announcement to be sent out, and what first seems like a minor quibble over some language thanks to Saru’s modesty — does T’Rina have to refer to him as “the handsome and erudite Captain Saru”? – quickly becomes a matter with much larger consequences.

T’Rina’s assistant Duvin (Victor Andrés Trelles Turgeon) who carries on the long and proud tradition of snooty Vulcans you kind of want to punch, is concerned with the optics of her union with an “outsider” — particularly with respect to what the Vulcan Purist movement is going to think about it. Saru decides to cancel the announcement “for” T’Rina, T’Rina feels that Saru has overstepped, and it’s icy for about five minutes until they make up and Saru admits that he doesn’t have a whole lot of experience being in this type of love.

It’s refreshing to see mature adult characters talking about their lack of experience with relationships, as it’s really not something you see often. Usually storylines about learning how to navigate love are contained to younger characters, and understandably so, but not everyone figures these things out at the same pace.

Another well-handled relationship moment occurs between Adira and Gray, both of whom are genuinely happy to see each other, but who also recognize that things have changed between them. As with Book and Burnham, I don’t know that Adira and Gray will remain broken up through the rest of the series, but for now anyway they’ve decided to move on from being a couple.

OBSERVATION LOUNGE

• We have another mention of the Breen. Between these references, L’ak’s (Elias Toufexis) mysterious identity and quips about helmets, I’m officially joining in on the speculation that he’s Breen.
• I’m a big fan of Rayner’s personality quirk of using slightly old-fashioned human expressions with a deadpan scowl on his face. Never has “I can walk and chew gum at the same time” sounded so irritable. Keep it up.
• “To rush a sehlat is to risk a goring.” Between this and “It is difficult to ride two valebeasts with only one set of buttocks” from “Choose to Live,” Saru is a veritable font of folksy aphorisms.
• Was that a Selay , the cobra-headed aliens first seen in TNG ’s “Lonely Among Us”, at the negotiating table? Why I do believe it was.

• According to Tilly’s data regarding Trill, the planet has a 26.5-hour day and a 483-day year.
• Like human fingerprints, Trill spots are unique to each individual — and it seems the Trill government keeps records of all spot patterns, even after 800 years.
• While Gray permanently inhabits his clone body through the Trill zhian’tara ritual, Culber’s z hian’tara experience parallels the Deep Space 9 crew; they took on the personalities and knowledge of Dax’s previous hosts in “Facets.”
• Saru’s office at Starfleet Headquarters is filled with many alien plants, like his quarters aboard Discovery .
• Jinaal notes that the discovery of Progenitor tech occurred during the Dominion War, meaning that his group of scientists hid the bounty no later than 2375 (when the war concluded). “The Chase” took place in 2369, just six years earlier.
• Lt. Commander Nillson has transferred to the Voyager -J, meaning it’s unlikely we’ll see actor Sara Mitich this season.

• The bartender in Red’s serves Tilly a glass of green Ferengi Slug-O Cola, introduced on Deep Space Nine and last seen in Picard Season 3.
• Reno’s complaint about chips refers to her Starfleet interrogation in Season 3’s “Die Trying.”
• The “day for night” filter used during the Trill canyon night scenes isn’t very effective when the actors have visible shadows.
• The latest Progentitor clue leads to coordinates located in Tzenkethi space, a dangerous species mentioned twice in Star Trek: Deep Space Nine.
• As foreshadowed at the beginning of the episode, we see Burnham kneeling in a Vulcan meditative pose, exactly like Spock in Star Trek II. (Someone please get her some of those little knee pillows Sarek had in “Light and Shadows,” the floor of her quarters has to be pretty hard to kneel on!)

Adira says their goodbyes to the guardians before beaming up to the ship, and as they do so… oh no, one of the guardians is Mol (Eve Harlow) — and she’s slipped a tracking chip onto Adira before slinking away into the shadows!

Was Mol there the whole time, and if so, was she worried that any of the Trill present were going to realize she had no idea how to do any of the ceremonial stuff that she was presumably fumbling her way through? Probably not, as a seasoned galactic mercenary she’s way too cool for that. But I would have been.

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The Star Trek “Origin” Movie Is Finally Going Into Production

The new Star Trek prequel movie is set to be revealed on the big screen. Probably.

For 30 years — from 1979 to 2009 — the longest wait between new Star Trek feature films was seven years. And, for most of that period, from the release of Star Trek: The Motion Picture (1979) to Star Trek: Nemesis (2002), there was almost always a new Star Trek movie in theaters every two to four years. But after the wildly successful J.J. Abrams-directed reboot film in 2009, the release clip for Trek movies went from maximum warp to impulse power, to glacially slow. And now, by the time the next Star Trek movie hits theaters, it will have been about 10 years since the previous one — Star Trek Beyond — beamed into cinemas in 2016.

Since that time, for Trekkies, updates of a new Star Trek film have been very similar to the game football Lucy plays with Charlie Brown; just when a hypothetical movie sounds real, it gets snatched away. But now, there’s a glimmer of hope. Thanks to reports out of CinemaCon 2024, it looks like, the next Trek film is scheduled for release in either 2025 or 2026. But what’s it about? And will it really happen?

Star Trek 14 is “an untitled origin story”

The new “origin story” will be set before the 2009 reboot. But how many decades before?

During CinemaCon 2024, Paramount confirmed several in-development projects including a live-action GI Joe / Transformers crossover (teased in 2023’s Rise of the Beasts ), a hardcore Teenage Mutant Ninja Turtles live-action movie, a remake of the sci-fi thriller The Running Man (from Edgar Wright), the confirmation of an Avatar trilogy, and the assertion that a new Star Trek feature film will go into production this year, with a release date soon to follow.

Since 2016 to now, there have been at least five different attempts to make a new Star Trek film, either as timey wimey direct sequel to Beyond (“Star Trek 4”) a one-off space mobster movie (Quentin Tarantino’s script) or something else entirely (Noah Hawley and Matt Shakman’s attempts that remain undisclosed). But now, although Paramount is reportedly developing a sequel to Beyond — which would feature the reboot cast from the 2009 film one last time — the next Star Trek movie is not that sequel, but instead, as previously reported , an “origin story” that “takes place decades before the 2009 Star Trek film that rebooted the franchise.” This movie has been confirmed to be directed by Toby Haynes ( Andor, Doctor Who ) with a script from Seth Grahame-Smith ( The Lego Batman Movie , Abraham Lincoln, Vampire Hunter) .

Wait? Wasn’t the 2009 film an “origin story?” While the answer to this question is technically a “yes,” the 2009 film (just titled Star Trek ) was also partially a time-travel sequel to the canon established in The Next Generation , and literally everything else in the Trek franchise up until that point. By saying the new prequel film takes place “decades before” the first reboot, this could hypothetically mean that the movie takes place in both the Prime and Kelvin timelines simultaneously.

TLDR: The Trek timeline diverged in the first reboot movie, beginning in the year 2233, so, a story set even a few decades before that divergence, in the 2210s or 2220s or earlier, would be consistent with all versions of Trek's future history. Presumably, the “origin story” won’t take place in the two decades between the prologue of the 2009 film (2233) and the main story (2258), because honestly, even for hardcore Trekkies that’s a big canon headache. So, sometime in the early 2200s, but before the 2230s is probably the best bet. And, even if the movie was set a bit earlier than that — say in the late 2180s or 2190s — we’d still be dealing with a very early point of Starfleet history that has never been depicted and that we know almost nothing about. Hence, if you squint — and don’t think about the prequel series Enterprise (2151-2161) too much — then yes, we’re looking at an origin story in which pretty much anything could happen.

Star Trek “origin” movie release date

One of the earliest shots of the USS Enterprise — from the 1964 Star Trek pilot episode “The Cage.” The new prequel film will likely be set half a century before this moment.

While some tweets out of CinemaCon seemed to indicate that the new Star Trek movie could hit next year in 2025 , TrekMovie confirmed that the “Untitled Star Trek Origin Story,” is on the Paramount slate for 2025 or 2026. TrekMovie also predicted that 2026 is more likely, writing, “If Paramount can move fast enough they could get the origin movie into theaters by 2026 — in time for Star Trek’s 60th anniversary.” Then again, 2025 is not impossible, it’s just cutting it a little close.

It should also be noted that the entire corporate entity of Paramount is reportedly close to a merger that would see it purchased by Skydance Media, the same production company behind the three existing J.J. Abrams-produced Star Trek reboots. If that deal is finalized soon, then, yes, this Star Trek feature film might actually happen very quickly. And if it doesn’t, there will still be plenty of new Star Trek shows streaming , not to mention the first direct-to-streaming standalone Star Trek movie, Section 31 , starring Michelle Yeoh, which will hit Paramount+ sometime later this year.

All the reboot Star Trek films (2009-2016) are currently streaming on Paramount+. The previous ten films (1979-2002) are all on Max.

Ryan Britt's new book on the history of Star Trek's biggest changes. From the '60s show to the movies to 'TNG,' to 'Discovery,' 'Picard,' Strange New Worlds,' and beyond!

• Science Fiction

A Star Trek Origin Movie Is Coming in 2025 From 'Andor' and 'Doctor Who' Director Toby Haynes

'Star Trek' (2009) director J.J. Abrams is attached to produce.

The Big Picture

• A new Star Trek prequel film, an "origin story", is in development, at Paramount.
• The Star Trek history before Kirk's missions on the Enterprise is largely unwritten, leaving room for creativity with the new film.
• Director Toby Haynes, known for Andor , is working on the film alongside writer Seth Grahame-Smith; a 2025 release window was announced at CinemaCon.

Star Trek may finally be coming back to the big screen. A prequel to the 2009 J.J. Abrams reboot of the franchise is in the works from director Toby Haynes . The news comes from Paramount's presentation at CinemaCon today, as reported by Collider's Steve Weintraub and Britta DeVore . With Haynes, who recently helmed six episodes of the acclaimed Star Wars series Andor , at the rudder, the film will be written by Seth Grahame-Smith .

So far, other details on the new film are scarce, but it will reportedly be an "origin story", taking place decades before the 2009 Star Trek film, which took place in 2255. That likely means that it will not feature the cast from the 2009 reboot, which has so far been difficult for Paramount to wrangle together for a fourth film, despite numerous attempts to do so . That doesn't necessarily mean that a fourth movie isn't happening: back in March, Paramount hired The Flight Attendant scribe Steve Yockey to pen a new script for the film. For their part, the cast is game as well, with Zoe Saldaña recently stating her willingness to return for a fourth mission on the USS Enterprise .

What Happened Decades Before Kirk's First Missions on the Enterprise?

The history of the Star Trek universe prior to the celebrated voyages of the Enterprise is largely unwritten. The first starship Enterprise 's adventures in the 22nd century were chronicled on the UPN prequel series Star Trek: Enterprise . That series ended with the founding of the United Federation of Planets in 2161, which leaves almost a century of mostly unexplored history between that and the history now being charted on Star Trek: Strange New Worlds (and the first two seasons of mothership show Star Trek: Discovery ).

At some point, the nascent Federation faces a devastating war against the Romulan Star Empire , while also engaged in a Cold War with the Klingons. The USS Enterprise will eventually be launched in the 23rd century, under the captaincy of Robert April, who has been briefly glimpsed on Star Trek: The Animated Series and Strange New Worlds , before being handed off to Christopher Pike . Apart from that, however, Haynes and Graeme-Smith have a near-blank canvas upon which to make their mark.

In addition to Andor , Haynes has also helmed episodes of Doctor Who , Sherlock , and Black Mirror ; his work on the latter series includes the episode " USS Callister ," a loving pastiche of Star Trek . Graeme-Smith wrote the novels Pride & Prejudice & Zombies and Abraham Lincoln, Vampire Hunter ; he worked on the story for the upcoming horror comedy sequel Beetlejuice Beetlejuice .

A new Star Trek prequel film is in development; no date has yet been set beyond a 2025 release window . Stay tuned to Collider for future updates.

A Star Trek origin story movie is officially on the way from Andor and Black Mirror director

It's set to take place decades before 2009's Star Trek

Paramount has officially announced a new Star Trek movie – but it's not Star Trek 4.

The Untitled Star Trek Origin Story was unveiled at CinemaCon, with J.J. Abrams set to produce (H/T The Wrap ). The film will take place decades before 2009's Star Trek, with Andor's Toby Haynes set to direct and Abraham Lincoln, Vampire Hunter author Seth Grahame-Smith set to pen the script. Plot details have yet to be released. Deadline first announced the film earlier this year.

Haynes directed the popular Black Mirror episode U.S.S Callister, which acts as a Star Trek parody. Black Mirror season 7 will feature a sequel to U.S.S Callister , though it has not yet been announced who will direct.

Paramount also stated that the origin pic would begin production later this year to make it in time for a 2025 theatrical release. Star Trek 4, the sequel to Abrams' 2009 flick, is still in development. WandaVision's Matt Shakman was previously attached to direct, but  left the project  in August 2022  around the same time he was announced as the new Fantastic Four director. Last month, Variety reported that Sucker Punch and Supernatural writer Steve Yockey would pen the fourth Star Trek film, which intends to bring back Chris Pine, Zachary Quinto, and the rest of the cast.

The Untitled Star Trek Origin Story does not yet have a release date. For more, check out our list of the most exciting upcoming movies in 2024 and beyond, or, skip right to the good stuff with our list of movie release dates .

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Lauren Milici is a Senior Entertainment Writer for GamesRadar+ currently based in the Midwest. She previously reported on breaking news for The Independent's Indy100 and created TV and film listicles for Ranker. Her work has been published in Fandom, Nerdist, Paste Magazine, Vulture, PopSugar, Fangoria, and more.

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Futurama Got A Confused Call From A Star Trek Writer Over Their Tribbles Homage

In the "Futurama" episode "The Problem with Popplers" (May 7, 2000), the Planet Express crew lands on a distant, uncharted planet hoping to find a fast food joint; the ship had run out of supplies and Bender (John DiMaggio) was only able to make a meal with baking soda and capers. They land on a Class-M planet which, as Leela (Katey Sagal) explains, should at least provide roddenberry bushes. What they find instead are craters stuffed with brown, crunchy, edible meat nuggets ... that are utterly delicious. Snarfing ensues.

No one has set foot on this planet before so the Planet Express crew packs up the morsels and takes them back to Earth to sell on street corners. It's not long before they attract the attention of fast food proprietor Fishy Joe (Maurice LaMarche), and turn the nuggets — nicknamed Popplers — into a global phenomenon. 

Naturally, there is something unusual about the Popplers. While Leela eats, one of the Popplers folds open, and a giggling baby face appears. It seems the Popplers are the developing larval young of the Omicronians, a species of vicious conquerors. The Omicronians aren't too pleased that their babies are being eaten like snacks and offer to eat Leela to even the ledger sheet, as it were.

Trekkies will likely have giggled at the Roddenberry joke above — Gene Roddenberry created "Star Trek" — and they perhaps even felt a twitch of recognition when reading the episode's title. It is, of course, a reference to "The Trouble with Tribbles" (December 29, 1967), a comedic episode of the original "Star Trek" series wherein little fuzzy critters infiltrate a grain shipment.

According to the "Problem with Popplers" DVD commentary, the writer of "Tribbles," David Gerrold, called the "Futurama" offices to say he recognized the reference. 

The Trouble with Tribbles

"The Problem with Popplers," of course, doesn't share any story similarities to "The Trouble with Tribbles." The Tribbles are not food and Captain Kirk (William Shatner) does not eat one. They are, instead, vermin. A valuable store of synthetic grain is being kept at the space station Deep Space K7 on its way to provide food for a distant colony. Kirk is assured the grain is important, even if he doesn't think guarding food is a very exciting assignment for the U.S.S. Enterprise. Also on board Deep Space K7, however, is a merchant named Cyrano Jones (Stanley Adams) who has a Tribble in his possession. Tribbles are featureless balls of fur that coo and snuggle and lull humans into a weird state of complacency. They also reproduce by eating, meaning a hungry Tribble soon turns into two Tribbles. It's not long before the Enterprise and Deep Space K7 are both overrun with the creatures. 

"Popplers" co-writer Patric Verrone recalls that voice actor Billy West got a call from "Tribbles" scribe — and "Futurama" fan — David Gerrold, "The title is an homage to 'The Trouble With Tribbles," Verrone confirmed. "And Billy, you told me you had heard from the writer. Who was it, David Gerrold? [...] And you said he had seen this episode in particular and made a comment." 

West said that yes, it was. And that Gerrold "couldn't figure out why we named them Popplers." West didn't have much of an explanation for Gerrold other than the obvious. "Because they're popular," West explained, "and you pop 'em in the mouth." Indeed, the word "Popplers" isn't too far from real-life snack products like Poppables or Snacklins.

Tribbles didn't become food until an episode of "Short Treks" in 2019 . 

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‘Star Trek’ Fan Leaves Behind a Collection Like No One Has Done Before

When Troy Nelson died, his shelves were filled to the rafters with memorabilia from the popular franchise. Soon, the massive collection will be boldly going, going, gone.

Evan Browne said her brother Troy’s love of “Star Trek” began with the original series, which he and his siblings watched at dinnertime. Credit... Connie Aramaki for The New York Times

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By Sopan Deb

• Published April 1, 2024 Updated April 3, 2024

Editors’ Note, April 2, 2024: After publication, The Times learned that Troy and Andrew Nelson were named in a civil lawsuit filed in Pierce County Superior Court in 1998, in which they were accused of molesting three disabled adults in a state-licensed facility that they operated. After a six-week jury trial, Washington State was ordered to pay $17.8 million to the plaintiffs. The state said it intended to appeal but missed the deadline and paid the victims. The Nelson brothers denied the allegations and were never criminally charged.

Troy Nelson and his younger brother Andrew were almost inseparable.

The two youngest of six, they were born two years apart. They lived together in their childhood home in Bremerton, Wash., for more than half a century. Near their home, there is a park bench on which they carved their initials as young boys.

The Nelson brothers never married or had children. They worked together at the same senior home. They even once, as teenagers, dated the same girl at the same time while working different shifts at the same pizza shop. This lasted a week until they realized it.

“Two parts of one body,” Evan Browne, their older sister, said of their relationship in an interview.

On Feb. 28, Andrew Nelson, who had been treated for cancer for years, went to feed the chickens and ducks that were gifts from Ms. Browne to her brothers. He had a heart attack and died. He was 55. Just hours later, Troy Nelson, who was stricken with grief, took his own life. He was 57.

“He had talked about it before,” Browne, 66, said, tearfully. “He said, ‘Hey, if Andrew goes, I’m out of here. I’m checking out.’ Andrew would say the same thing, and then it really happened .”

What Troy Nelson left behind has become a sensation. After his death, family members posted pictures on social media of his massive — and, really, the keyword is massive — collection of “Star Trek” memorabilia, which have now been shared thousands of times.

The items took up two living rooms and a bedroom, all lined with bookshelves, according to Elena Hamel, one of the brothers’ nieces. The centers of the rooms were lined with additional bookshelves — all packed to the brim — to create aisles. There were jewelry cabinets serving as display cases.

The shelves contained action figures. Dolls. Models of ships. Posters. Ornaments. Lunchboxes. Legos. Several toy phasers and tricorders. (For non-Trek fans, the phaser is a weapon, and a tricorder is, essentially, a fancy smartphone.) Multiple “Star Trek” lamps. (Yes, there are “Star Trek” lamps.) Trading cards. Comic books. Trek-themed Geeki Tikis (stylized tiki mugs). Life-size cutouts of famous characters. A life-size captain’s chair.

While it’s impossible to account for every private collector in the world, Troy Nelson’s collection is almost assuredly among the largest — if not the largest.

The last additions to the collection came in the final weeks of his life: Stuffed rabbits in “Star Trek” uniforms. “I’ve never seen a collection that size,” said Russ Haslage, the president of the International Federation of Trekkers , a “Star Trek”-themed nonprofit that Haslage founded with Gene Roddenberry, the creator of the franchise.

Haslage’s organization opened in 2020 a “Star Trek” museum in Sandusky, Ohio, that has received donations of memorabilia from estates. Those collections “pale in comparison” to Mr. Nelson’s, he said. (Haslage has reached out to the family to ask about donations from the collection.)

The older brother’s love of “Star Trek” began with the original series, which he’d watch with his siblings.

“It was our dinner meal,” Ms. Browne said. “When we had dinner, we were sitting in front of ‘Star Trek.’”

Troy Nelson began collecting in the late-1970s. His first acquisition was a model version of the Starship Enterprise. Then came Star Trek conventions. Why the franchise was such a draw to him remains a mystery to his family.

“I really can’t say. I mean, other than the fact that he was brainwashed with it at dinner time,” Browne said, laughing. “That sounds ridiculous. When we grew up, it’s like, ‘Dinner is at this time. And if you don’t get here at this time, you don’t get dinner.’ So it might’ve been a comfort for him .”

Troy Nelson would often monitor sites like eBay for items he didn’t have. On several occasions, he would express frustration on losing out on an item before being able to bid on it. Until he found out the reason.

“Andrew already got it for him,” Ms. Browne recalled.

Obsessive “Star Trek” fandom has long become an indelible part of pop culture, especially as the franchise — which has spawned several television series, movies, novels and comics — has been a long-running institution. There have been documentaries that have studied the subject, such as “Trekkies” in 1997. It’s been lampooned on “The Simpsons,” “Saturday Night Live” and “Family Guy,” and become a story line in an episode of “The West Wing,” among many others. For dedicated fans, accruing collectibles isn’t uncommon.

“When you collect these things, you’re closer to that genre that you enjoy so much,” Haslage said. “When I first started in 1979, I was grabbing everything I could get my hands on because it was cool, and it was a piece of the whole ‘Star Trek’ mythos. If you have these pieces, you’re a part of that universe in some way.”

It turns out that collecting is a pursuit that runs in the family.

Andrew Nelson collected mall swords, Ryobi-branded tools and statues of warrior women, like Xena, the warrior princess .

Browne’s house has a wall with thousands of smashed pennies and her living room windows are full of glass sugar and creamer bowls.

Browne’s father, Bud Peers, collected salt and pepper shakers, guns and knives. Troy and Andrew’s father, Norman Nelson, collected scrap metal and wood.

Hamel has 17 Christmas trees, all fully decorated with separate themes.

Browne’s son, Michael, who is 36, collects anything and everything related to black bears.

“ When you have a large collection like that and it’s displayed like that,” Hamel said, “and it’s something that is important to you, it’s often really calming to be in a space like that. It’s just all the things that you love. It’s soothing.”

As far as Browne knew, Troy had no history of mental illness or any previous suicide attempts. After Andrew died, she received a distraught and frantic call from Troy with the news. She told him that she was on her way.

Ms. Browne said she called him when she got to the Tacoma Bridge. No answer. And then again, at the Manette Bridge. No answer. When she reached their home, the back door was open. And then she found him. The phone call was the last time they spoke.

Troy Nelson did not leave a note, but did leave some things meticulously arranged by his computer, including a key to the house, burial plans for the two brothers, and bills.

“ I don’t know really what I thought,” Ms. Browne said. “All I could do was just scream.”

The Nelson family is boxing up Troy’s “Star Trek” collection to prepare it for auction. Andrew’s ashes will be placed in an urn carved in the likeness of the supermodel Bettie Page . (He was a fan.) Troy’s ashes will be placed in a “Star Trek” lunchbox.

If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline or go to SpeakingOfSuicide.com/resources for a list of additional resources.

Sopan Deb is a Times reporter covering breaking news and culture. More about Sopan Deb

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The show goes on for Paramount with ‘Gladiator II,’ a new Damien Chazelle movie and more

By LINDSEY BAHR AP Film Writer

LAS VEGAS (AP) — With reports and rumors swirling about possible mergers and bids to acquire Paramount, the film studio put its best foot forward for theater owners at CinemaCon on Thursday. The historic studio announced a new film with Oscar-winning “La La Land” director Damien Chazelle, a “G.I. Joe/Transformers” crossover and that Glen Powell will star in Edgar Wright’s “Running Man” reboot. Paramount CEO Brian Robbins also teased more in development, including a Bee Gees film from Ridley Scott, a new musical from Trey Parker and Matt Stone, a “Star Trek” origin story, a new “Scary Movie” and an R-rated live action “Teenage Mutant Ninja Turtles: The Last Ronin.”

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